Of the dozens of performances and exhibitions I’ve been fortunate enough to cover for KQED during the past year, several stand out as events I don’t think I’ll ever forget. Looking ahead, there are a fair number of shows in the coming year that I don’t intend to miss. Here, then, is my “Don’t List.”
Shows I Don’t Think I’ll Ever Forget
Geir Jordahl’s mesmerizing exhibition of atmospheric, vertical-panorama photographs of landscapes, skies and trees at Modernbook Gallery coincided with the publication of his beautiful, limited-edition book, Searching for True North.
Northanger Abbey at the Pear Avenue Theatre revealed the literary side of the theater’s artistic director, Diana Tasca, who is a frequent performer at the Pear and on other local stages. Tasca’s clever and thoughtful adaptation of Jane Austen’s novel managed to put the writer’s words first without tying the hands of director Rebecca Ennals, who sent her actors dancing about the Pear’s small stage.
Bach at Leipzig at Shakespeare Santa Cruz was the best theatrical production I saw all year (until The Arabian Nights, that is; (see below). It had terrific acting, a smart script by Itamar Moses (whose Yellowjackets was a disappointment) and is sure to remain the funniest play I will ever see about backstabbing Lutheran organists in the Age of Enlightenment.