upper waypoint

A Chicanx Opera for the Day of the Dead

Save ArticleSave Article
Failed to save article

Please try again

Dancers Mayra Enriquez and Norberto Martinez are featured in 'Una Opera Muerta' at the Brava Theater Center (Photo: Gordon Huang)

John Jota Leaños is raising an army of skeletons against colonialism— at least metaphorically. He’s an animator and filmmaker who’s also directing Imperial Silence: Una Opera Muerta, a Day of the Dead opera that features animated sugar-skull news anchors on DNN, the Dead News Network, dancers and singers performing story songs like “El Corrido de Pat Tillman.”

“We’re in these borderlands,” Leaños says, “in this de-colonial mixed scene, where we get all of these influences and try to make sense of it.” As my co-host A-lan Holt says, Leaños’ work is an “intervention into the long (and often violent) history of tactics used to silence non-white viewpoints in the United States of America.” And there are laughs too. Details here.

 

Sponsored

lower waypoint
next waypoint
The Bay Area’s Great American Diner Is a 24-Hour Filipino Casino RestaurantHow a Dumpling Chef Brought Dim Sum to Bay Area Farmers MarketsNetflix’s ‘Baby Reindeer’: A Dark, Haunting Story Bungles its Depiction of Queerness5 New Mysteries and Thrillers for Your Nightstand This SpringSFMOMA Workers Urge the Museum to Support Palestinians in an Open LetterEast Bay Street Photographers Want You to Take ‘Notice’The Stud, SF's Oldest Queer Bar, Gears Up for a Grand ReopeningA New Bay Area Food Festival Celebrates Chefs of Color and Diasporic UnityOn Weinstein, Cosby, OJ Simpson and America’s Systemic Misogyny Problemnic feliciano Is Blessed With The ‘Curse of an Overactive Creative Mind’