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In his free time, he sings his heart out at karaoke.","avatar":"https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g","twitter":"xcusemybeauty","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","subscriber"]},{"site":"pop","roles":["contributor"]}],"headData":{"title":"Emmanuel Hapsis | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ehapsis"},"kqedpop":{"type":"authors","id":"2421","meta":{"index":"authors_1591205172","id":"2421","found":true},"name":"KQED Pop","firstName":null,"lastName":null,"slug":"kqedpop","email":"pop@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"KQED Pop is a daily blog edited by Emmanuel Hapsis that critically examines the social and cultural impact of music, movies, television, advertisements, fashion, the internet and all the other collective experiences that make us laugh, cringe and cry. We focus on local, national and international experiences with a Bay Area lens. We don’t do reviews.","avatar":"https://secure.gravatar.com/avatar/8ebc28ae67b943d4a4279cb0f9222792?s=600&d=blank&r=g","twitter":"KQEDpop","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]},{"site":"pop","roles":["contributor"]}],"headData":{"title":"KQED Pop | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/8ebc28ae67b943d4a4279cb0f9222792?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/8ebc28ae67b943d4a4279cb0f9222792?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kqedpop"},"mariajudnick":{"type":"authors","id":"3218","meta":{"index":"authors_1591205172","id":"3218","found":true},"name":"Maria Judnick","firstName":null,"lastName":null,"slug":"mariajudnick","email":"mjudnick@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Maria Judnick is a proud Bay Area native. With a MA in English from SJSU and a MFA in Creative Nonfiction from St. Mary's College of California, Maria spends much of her time talking about John Steinbeck and writing a young adult mystery novel. She teaches at a local college.","avatar":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Maria Judnick | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mariajudnick"},"kaytiburt":{"type":"authors","id":"3220","meta":{"index":"authors_1591205172","id":"3220","found":true},"name":"Kayti Burt","firstName":null,"lastName":null,"slug":"kaytiburt","email":"kaytiburt@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":null,"avatar":"https://secure.gravatar.com/avatar/36d249c95b7609b1131f3e4bd2403c65?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Kayti Burt | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/36d249c95b7609b1131f3e4bd2403c65?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/36d249c95b7609b1131f3e4bd2403c65?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kaytiburt"},"esilvers":{"type":"authors","id":"7237","meta":{"index":"authors_1591205172","id":"7237","found":true},"name":"Emma Silvers","firstName":"Emma","lastName":"Silvers","slug":"esilvers","email":"esilvers@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Emma Silvers is an editor at KQED Arts and a former digital producer at KQED News. Born and raised in the Bay Area, she has previously been an arts and entertainment editor at the \u003cem>San Francisco Chronicle\u003c/em>, \u003cem>SF Weekly\u003c/em> and the \u003cem>San Francisco Bay Guardian.\u003c/em> Her work has also appeared in \u003cem>Rolling Stone\u003c/em>, Pitchfork and \u003cem>Mother Jones\u003c/em>. In 2017 she was the recipient of the Society of Professional Journalists-Northern California's award for arts and culture reporting. In 1993 she \u003ca href=\"https://www.kqed.org/pop/16759/wait-what-my-coworker-was-a-voice-over-hyperventilator-for-jurassic-park\">hyperventilated in \u003cem>Jurassic Park\u003c/em>\u003c/a>.","avatar":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g","twitter":"emmaruthless","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["contributor"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["contributor"]},{"site":"liveblog","roles":["editor"]}],"headData":{"title":"Emma Silvers | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/esilvers"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_98099":{"type":"posts","id":"pop_98099","meta":{"index":"posts_1591205157","site":"pop","id":"98099","score":null,"sort":[1514572137000]},"guestAuthors":[],"slug":"in-season-4-of-black-mirror-power-corrupts-but-love-still-matters","title":"In Season 4 Of 'Black Mirror,' Power Corrupts, But Love Still Matters","publishDate":1514572137,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>Listen to the Pop Culture Happy Hour episode about \u003cem>Black Mirror\u003c/em>, with guests Brittany Luse and Chris Klimek below.\u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/572264537/572341182\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Black Mirror \u003c/em>is an anthology where technology, at times, might seem like the lurking monster. Originally created for British television and now produced by Netflix, the series imagines leaps forward in software, surveillance, artificial intelligence, virtual reality and biotech that result, usually, in disaster. Not always — but usually.\u003c/p>\n\u003cp>In fact, \u003cem>Black Mirror\u003c/em>, created by Charlie Brooker, is largely a multi-part study of power. The relevance of technology is mostly that it grants power around which the people who receive it haven't yet developed ethical ideas. In the show's gentler episodes, it allows people to explore love and connection in new ways, across what we now believe to be barriers — like mortality.\u003c/p>\n\u003cp>But very often, the moral of the story, so to speak, is that we are worse than we believe we are, only because our behavior is constrained by what we can do, not what we are willing to do. For instance, we may believe that we do not spy on our loved ones because we have developed trust, when in fact, we do not spy on our loved ones because it's too difficult to do reliably without getting caught. With great power comes great responsibility — you've heard that from the story of a man who can climb buildings and shoot webs out of his wrists, right? Well, \u003cem>Black Mirror \u003c/em>spends much of its time considering what happens when more of us have great power, given that we have no reason to believe we are prone to exercise great responsibility.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Power is the theme of \"USS Callister,\" written by Brooker and William Bridges. It's the most incisive piece of the six-episode fourth season that just dropped on Netflix. It begins as a straightforward parody — almost too precise a copy to be a parody, in fact — of the original \u003cem>Star Tre\u003c/em>\u003cem>k.\u003c/em> The Kirk-esque captain of \u003cem>Space Fleet\u003c/em> is played by Jesse Plemons, the versatile and very busy actor who first became well-known playing Landry on \u003cem>Friday Night Lights\u003c/em>. Actors playing members of the crew include Michaela Coel, so delightful in her own series \u003cem>Chewing Gum\u003c/em>, and Jimmi Simpson, who has \"smug weasel\" written all over him from the first minute.\u003c/p>\n\u003cp>Not only does the episode examine the way the captain uses power (which is of particular interest given recent conversations about sexual harassment), but it goes on to a deeper exploration of how pop-culture portrayals of power affect and infect the people who absorb them. Cristin Milioti, as a new member of the crew, has to navigate — as it were — the captain's particular powers and his methods of ensuring compliance. It's a frightening and fearless examination of not one but two separate hero myths: the flawless captain of adventure and the bullied fan who lives vicariously through his exploits.\u003c/p>\n\u003cp>While \"USS Callister\" is the most timely and vital of the new episodes, \"Hang The DJ\" (named after a line in a song by The Smiths) is the freshest and the most humane. Georgina Campbell and Joe Cole, both enchanting British actors many American viewers may be seeing for the first time, play a couple meeting on a new dating app that upsets expectations about what you can and cannot know about a person you've just met. Not in the \"Google the person and find out all about their criminal record\" sense, but in ways more complicated and interesting. \"Black Mirror\" hasn't really done much in the way of romantic comedy, but the scenes between Campbell and Cole sparkle and build emotional stakes in the way all great examples of the genre do.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The other four episodes are solid. \"Arkangel\" returns to the show's fixation on surveillance, \"Metalhead\" to mechanical horrors, \"Black Museum\" on the fundamentals of mind-reading and mind-swapping, and \"Crocodile\" about memory. There are no duds, but \"USS Callister\" and \"Hang the DJ\" best demonstrate what the show, at its best, can do.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+Season+4+Of+%27Black+Mirror%2C%27+Power+Corrupts%2C+But+Love+Still+Matters&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The fourth season of \u003cem>Black Mirror \u003c/em>continues to explore technology and privacy, but also more fundamental impulses of power and love. All that, plus a \u003cem>Star Trek \u003c/em>send-up that's spot-on.","status":"publish","parent":0,"modified":1532723751,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":699},"headData":{"title":"In Season 4 Of 'Black Mirror,' Power Corrupts, But Love Still Matters | KQED","description":"The fourth season of Black Mirror continues to explore technology and privacy, but also more fundamental impulses of power and love. 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Originally created for British television and now produced by Netflix, the series imagines leaps forward in software, surveillance, artificial intelligence, virtual reality and biotech that result, usually, in disaster. Not always — but usually.\u003c/p>\n\u003cp>In fact, \u003cem>Black Mirror\u003c/em>, created by Charlie Brooker, is largely a multi-part study of power. The relevance of technology is mostly that it grants power around which the people who receive it haven't yet developed ethical ideas. In the show's gentler episodes, it allows people to explore love and connection in new ways, across what we now believe to be barriers — like mortality.\u003c/p>\n\u003cp>But very often, the moral of the story, so to speak, is that we are worse than we believe we are, only because our behavior is constrained by what we can do, not what we are willing to do. For instance, we may believe that we do not spy on our loved ones because we have developed trust, when in fact, we do not spy on our loved ones because it's too difficult to do reliably without getting caught. With great power comes great responsibility — you've heard that from the story of a man who can climb buildings and shoot webs out of his wrists, right? Well, \u003cem>Black Mirror \u003c/em>spends much of its time considering what happens when more of us have great power, given that we have no reason to believe we are prone to exercise great responsibility.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Power is the theme of \"USS Callister,\" written by Brooker and William Bridges. It's the most incisive piece of the six-episode fourth season that just dropped on Netflix. It begins as a straightforward parody — almost too precise a copy to be a parody, in fact — of the original \u003cem>Star Tre\u003c/em>\u003cem>k.\u003c/em> The Kirk-esque captain of \u003cem>Space Fleet\u003c/em> is played by Jesse Plemons, the versatile and very busy actor who first became well-known playing Landry on \u003cem>Friday Night Lights\u003c/em>. Actors playing members of the crew include Michaela Coel, so delightful in her own series \u003cem>Chewing Gum\u003c/em>, and Jimmi Simpson, who has \"smug weasel\" written all over him from the first minute.\u003c/p>\n\u003cp>Not only does the episode examine the way the captain uses power (which is of particular interest given recent conversations about sexual harassment), but it goes on to a deeper exploration of how pop-culture portrayals of power affect and infect the people who absorb them. Cristin Milioti, as a new member of the crew, has to navigate — as it were — the captain's particular powers and his methods of ensuring compliance. It's a frightening and fearless examination of not one but two separate hero myths: the flawless captain of adventure and the bullied fan who lives vicariously through his exploits.\u003c/p>\n\u003cp>While \"USS Callister\" is the most timely and vital of the new episodes, \"Hang The DJ\" (named after a line in a song by The Smiths) is the freshest and the most humane. Georgina Campbell and Joe Cole, both enchanting British actors many American viewers may be seeing for the first time, play a couple meeting on a new dating app that upsets expectations about what you can and cannot know about a person you've just met. Not in the \"Google the person and find out all about their criminal record\" sense, but in ways more complicated and interesting. \"Black Mirror\" hasn't really done much in the way of romantic comedy, but the scenes between Campbell and Cole sparkle and build emotional stakes in the way all great examples of the genre do.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The other four episodes are solid. \"Arkangel\" returns to the show's fixation on surveillance, \"Metalhead\" to mechanical horrors, \"Black Museum\" on the fundamentals of mind-reading and mind-swapping, and \"Crocodile\" about memory. There are no duds, but \"USS Callister\" and \"Hang the DJ\" best demonstrate what the show, at its best, can do.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+Season+4+Of+%27Black+Mirror%2C%27+Power+Corrupts%2C+But+Love+Still+Matters&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/98099/in-season-4-of-black-mirror-power-corrupts-but-love-still-matters","authors":["byline_pop_98099"],"categories":["pop_3"],"tags":["pop_3118","pop_3114","pop_3116","pop_1265","pop_3119","pop_2787","pop_3117"],"featImg":"pop_98252","label":"pop"},"pop_18059":{"type":"posts","id":"pop_18059","meta":{"index":"posts_1591205157","site":"pop","id":"18059","score":null,"sort":[1442276771000]},"guestAuthors":[],"slug":"theres-something-missing-from-this-vanity-fair-photo-spread","title":"There's Something Missing From This 'Vanity Fair' Photo Spread","publishDate":1442276771,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>This is the lead photo the magazine chose to run for \u003ca href=\"http://www.vanityfair.com/hollywood/2015/09/late-night-tv-colbert-fallon-kimmel\" target=\"_blank\">its feature on the current crop of late-night TV hosts\u003c/a>, under the headline \"Why Late-Night Television Is Better Than Ever.\"\u003c/p>\n\u003cp>A lot of the people pictured are indeed very funny and talented, which is ostensibly why they are paid many millions of dollars to appear on television every night, a job that in turn amplifies their voices and casts their opinions and faces and politics as representative of Americans everywhere. We just can't put our finger on what seems so jarring about this photo!\u003c/p>\n\u003cp>Anyone have any ideas?\u003c/p>\n\u003cp>https://twitter.com/iamsambee/status/643476935172038656\u003c/p>\n\u003cp>Samantha Bee's late-night show, \u003cem>\u003ca href=\"http://www.mediaite.com/tv/must-see-late-night-clip-full-frontal-with-samantha-bee-promo-drops/\" target=\"_blank\">Full Frontal\u003c/a>\u003c/em>, premieres on TBS in January.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"We just can't figure out what it is!","status":"publish","parent":0,"modified":1442278063,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":125},"headData":{"title":"There's Something Missing From This 'Vanity Fair' Photo Spread | KQED","description":"We just can't figure out what it is!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"There's Something Missing From This 'Vanity Fair' Photo Spread","datePublished":"2015-09-15T00:26:11.000Z","dateModified":"2015-09-15T00:47:43.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"18059 http://ww2.kqed.org/pop/?p=18059","disqusUrl":"https://ww2.kqed.org/pop/2015/09/14/theres-something-missing-from-this-vanity-fair-photo-spread/","disqusTitle":"There's Something Missing From This 'Vanity Fair' Photo Spread","path":"/pop/18059/theres-something-missing-from-this-vanity-fair-photo-spread","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This is the lead photo the magazine chose to run for \u003ca href=\"http://www.vanityfair.com/hollywood/2015/09/late-night-tv-colbert-fallon-kimmel\" target=\"_blank\">its feature on the current crop of late-night TV hosts\u003c/a>, under the headline \"Why Late-Night Television Is Better Than Ever.\"\u003c/p>\n\u003cp>A lot of the people pictured are indeed very funny and talented, which is ostensibly why they are paid many millions of dollars to appear on television every night, a job that in turn amplifies their voices and casts their opinions and faces and politics as representative of Americans everywhere. We just can't put our finger on what seems so jarring about this photo!\u003c/p>\n\u003cp>Anyone have any ideas?\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"643476935172038656"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Samantha Bee's late-night show, \u003cem>\u003ca href=\"http://www.mediaite.com/tv/must-see-late-night-clip-full-frontal-with-samantha-bee-promo-drops/\" target=\"_blank\">Full Frontal\u003c/a>\u003c/em>, premieres on TBS in January.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/18059/theres-something-missing-from-this-vanity-fair-photo-spread","authors":["7237"],"categories":["pop_3"],"tags":["pop_1005","pop_1127","pop_1263","pop_2787","pop_2798"],"featImg":"pop_18061","label":"pop"},"pop_14303":{"type":"posts","id":"pop_14303","meta":{"index":"posts_1591205157","site":"pop","id":"14303","score":null,"sort":[1418740234000]},"guestAuthors":[],"slug":"the-5-types-of-americans-portrayed-on-british-television","title":"The 5 Types of Americans Portrayed on British Television","publishDate":1418740234,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>American television is rife with British characters, so much so that it’s reasonable to assume that at least one of your favorite shows includes a main character with a funny accent (probably of the posh English variety). But is the reverse true? Do the British have an equal representation of American characters on their telly? Not even close.\u003c/p>\n\u003cp>Our culture's Anglophilia may tip the scales, but that doesn’t mean the occasional Yank doesn’t pop up on British television. How do we Americans fare in our representation? It varies, of course, but -- as is often the case with many British characters on American TV -- American characters on British TV come with their fair share of stereotyping. Looking past the monolithic trope that is The American Idiot, here are the five kinds of Americans portrayed on British television.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>The Valley Girl\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JDeKUJjZado\u003c/p>\n\u003cp>Ask a real-life British person to do an American accent and they will frequently attempt a Valley Girl. Heavy on the \"like\"s and \"OMG\"s and often unfortunately light on the substance, The Valley Girl trope pops up in both British and American pop culture. One of our favorite examples comes from \u003cem>The Catherine Tate Show \u003c/em>(the comedian is also known as \u003ci>Doctor Who\u003c/i>’s Donna Noble). Tate may be conflating an entire diverse demographic into one identity, but she manages to do it with some serious charm. Perhaps it's my status as an American who has been known to drop a \"like\" or \"OMG\" into a conversation, but I would be friends with The Valley Girl from this sketch.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=HN3yizkdMKw\u003c/p>\n\u003cp>Less likable yet much more extensively featured than Catherine Tate's Valley Girl, Classic \u003ci>Doctor Who \u003c/i>companion Peri also falls into The Valley Girl category. Originally from California, her character often falls into the ditzy behavior and emphasis on appearance associated with this trope. Nicola Bryant, the actress behind the role, was actually British and infamous for her terrible American accent made more noticeable than the British slang used in the script.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>The Cowboy\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cKCw9UKj5QM#t=23m20s\u003c/p>\n\u003cp>I rarely see cowboys in real life, but they show up all the time as Americans on British television, especially several decades ago. In a 1978 episode of Britain’s long-running comedy \u003ci>Are You Being Served?\u003c/i>, Mrs Slocombe’s American uncle from New York comes to her wedding wearing an actual Stetson and reinforces the idiot American stereotype like it's going out of style.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=323uSPPJ0MI#t=16s\u003c/p>\n\u003cp>Other times, The Cowboy trope is less in the aesthetics and more in the attitude. The Classic \u003ci>Who \u003c/i>episode “The Tomb of the Cybermen” (1967) features a gaggle of American soldiers, including Captain Hopper, an uncharacteristically competent representation of a Yank. The manly Captain Hopper spends much of the episode off-screen fixing his ship, but still manages to find some time for heroic feats.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qsHcxUuft4E\u003c/p>\n\u003cp>This wasn't the first time cowboys made an appearance on \u003cem>Doctor Who\u003c/em>. The first U.S.-set episode -- \"The Gunfighters\" (1966) -- saw The First Doctor hanging with Wyatt Earp and Johnny Ringo. Cowboys were big in early \u003cem>Who\u003c/em>, and a go-to representation of an American in British television of yesteryear.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The New Money\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VuGyMU_vIZw\u003c/p>\n\u003cp>The British are known for their period dramas, and none has been more popular in recent years (both domestically and internationally) than \u003cem>Downton Abbey\u003c/em>. Unlike many British shows, \u003cem>Downton Abbey \u003c/em>has a main character who is American: Cora Crawley (played by American Elizabeth McGovern). Though Lady Cora's Americanness is often counted as a black mark on her character in English society, her family's money allows for her foreign birthplace to be overlooked. This is a common trope when it comes to Americans popping up in British drama: The New Money.\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">\"\u003ci>Don't worry about me, I'm an American. Have gun, will travel!\u003c/i>\" -- Cora\u003c/p>\n\u003c/blockquote>\n\u003cp>In British drama, The New Money American is a symbol of change in a dying imperial world. They are usually seen as less culturally refined than their Old Money counterparts, but the manner in which they are treated as characters varies greatly. For Cora, though she is often teased for her more outgoing, casual (read: American) way, she is a resilient, well-developed character who is more than just her Americanness.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Playboy/Playgirl\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fYSij6houls\u003c/p>\n\u003cp>Americans on British television tend to be much more promiscuous than the British characters who surround them. Sometimes, it's played as a character flaw, as is the case with Cora's playboy brother Harold (played by American Paul Giamatti) in recent episodes of \u003cem>Downton Abbey. \u003c/em>Other times, it's played as part of an American's charm, as is the case with \u003cem>Doctor Who/Torchwood\u003c/em>'s enigmatic Captain Jack Harkness (played by American/Brit John Barrowman).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3mr6f29baBI\u003c/p>\n\u003cp>Other examples include \u003ci>Peep Show\u003c/i>’s Nancy (played by Canadian Rachel Blanchard), who manages to shoehorn the American stereotypes of being uber religious and a New Age hippie with her identity as a sexually adventurous lady.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>The Operative\u003c/b>\u003c/p>\n\u003cp>Often American characters appear on British television as operatives. They may not be the main villain, but they are players in the game, if not as members of the actual C.I.A., then as covert corporate players. The American Operative is often threatening, but not always frightening -- more of a nuisance than anything. They are hardly ever the brains behind the operation, but that doesn’t stop them from shows of snarky confidence.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=a7R2NhgEeg0#t=3m19s\u003c/p>\n\u003cp>\u003ci>Jekyll’\u003c/i>s Benjamin (Brit Paterson Joseph), a psychopathic employee of Klein & Utterson hired to control Tom (a.k.a. Jekyll) and Hyde, is a particularly effective variety of The American Goon, while the C.I.A. agents in \u003ci>Sherlock\u003c/i>’s “A Scandal in Belgravia” prove worse at their jobs.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N8_YQ7_Jo8k\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Do you have any more examples of American characters/stereotypes on British television? Share them in the comments below!\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Looking past the monolithic trope that is The American Idiot, here are the other kinds of Americans portrayed on British TV.","status":"publish","parent":0,"modified":1418723757,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":1100},"headData":{"title":"The 5 Types of Americans Portrayed on British Television | KQED","description":"Looking past the monolithic trope that is The American Idiot, here are the other kinds of Americans portrayed on British TV.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The 5 Types of Americans Portrayed on British Television","datePublished":"2014-12-16T14:30:34.000Z","dateModified":"2014-12-16T09:55:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"14303 http://ww2.kqed.org/pop/?p=14303","disqusUrl":"https://ww2.kqed.org/pop/2014/12/16/the-5-types-of-americans-portrayed-on-british-television/","disqusTitle":"The 5 Types of Americans Portrayed on British Television","customPermalink":"5-types-of-americans-as-portrayed-on-british-television-doctor-who-downton-abbey","path":"/pop/14303/the-5-types-of-americans-portrayed-on-british-television","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>American television is rife with British characters, so much so that it’s reasonable to assume that at least one of your favorite shows includes a main character with a funny accent (probably of the posh English variety). But is the reverse true? Do the British have an equal representation of American characters on their telly? Not even close.\u003c/p>\n\u003cp>Our culture's Anglophilia may tip the scales, but that doesn’t mean the occasional Yank doesn’t pop up on British television. How do we Americans fare in our representation? It varies, of course, but -- as is often the case with many British characters on American TV -- American characters on British TV come with their fair share of stereotyping. Looking past the monolithic trope that is The American Idiot, here are the five kinds of Americans portrayed on British television.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>The Valley Girl\u003c/b>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JDeKUJjZado'\n title='//www.youtube.com/embed/JDeKUJjZado'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ask a real-life British person to do an American accent and they will frequently attempt a Valley Girl. Heavy on the \"like\"s and \"OMG\"s and often unfortunately light on the substance, The Valley Girl trope pops up in both British and American pop culture. One of our favorite examples comes from \u003cem>The Catherine Tate Show \u003c/em>(the comedian is also known as \u003ci>Doctor Who\u003c/i>’s Donna Noble). Tate may be conflating an entire diverse demographic into one identity, but she manages to do it with some serious charm. Perhaps it's my status as an American who has been known to drop a \"like\" or \"OMG\" into a conversation, but I would be friends with The Valley Girl from this sketch.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HN3yizkdMKw'\n title='//www.youtube.com/embed/HN3yizkdMKw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Less likable yet much more extensively featured than Catherine Tate's Valley Girl, Classic \u003ci>Doctor Who \u003c/i>companion Peri also falls into The Valley Girl category. Originally from California, her character often falls into the ditzy behavior and emphasis on appearance associated with this trope. Nicola Bryant, the actress behind the role, was actually British and infamous for her terrible American accent made more noticeable than the British slang used in the script.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>The Cowboy\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cKCw9UKj5QM#t=23m20s\u003c/p>\n\u003cp>I rarely see cowboys in real life, but they show up all the time as Americans on British television, especially several decades ago. In a 1978 episode of Britain’s long-running comedy \u003ci>Are You Being Served?\u003c/i>, Mrs Slocombe’s American uncle from New York comes to her wedding wearing an actual Stetson and reinforces the idiot American stereotype like it's going out of style.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=323uSPPJ0MI#t=16s\u003c/p>\n\u003cp>Other times, The Cowboy trope is less in the aesthetics and more in the attitude. The Classic \u003ci>Who \u003c/i>episode “The Tomb of the Cybermen” (1967) features a gaggle of American soldiers, including Captain Hopper, an uncharacteristically competent representation of a Yank. The manly Captain Hopper spends much of the episode off-screen fixing his ship, but still manages to find some time for heroic feats.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qsHcxUuft4E'\n title='//www.youtube.com/embed/qsHcxUuft4E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This wasn't the first time cowboys made an appearance on \u003cem>Doctor Who\u003c/em>. The first U.S.-set episode -- \"The Gunfighters\" (1966) -- saw The First Doctor hanging with Wyatt Earp and Johnny Ringo. Cowboys were big in early \u003cem>Who\u003c/em>, and a go-to representation of an American in British television of yesteryear.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The New Money\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VuGyMU_vIZw'\n title='//www.youtube.com/embed/VuGyMU_vIZw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The British are known for their period dramas, and none has been more popular in recent years (both domestically and internationally) than \u003cem>Downton Abbey\u003c/em>. Unlike many British shows, \u003cem>Downton Abbey \u003c/em>has a main character who is American: Cora Crawley (played by American Elizabeth McGovern). Though Lady Cora's Americanness is often counted as a black mark on her character in English society, her family's money allows for her foreign birthplace to be overlooked. This is a common trope when it comes to Americans popping up in British drama: The New Money.\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">\"\u003ci>Don't worry about me, I'm an American. Have gun, will travel!\u003c/i>\" -- Cora\u003c/p>\n\u003c/blockquote>\n\u003cp>In British drama, The New Money American is a symbol of change in a dying imperial world. They are usually seen as less culturally refined than their Old Money counterparts, but the manner in which they are treated as characters varies greatly. For Cora, though she is often teased for her more outgoing, casual (read: American) way, she is a resilient, well-developed character who is more than just her Americanness.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Playboy/Playgirl\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fYSij6houls'\n title='//www.youtube.com/embed/fYSij6houls'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Americans on British television tend to be much more promiscuous than the British characters who surround them. Sometimes, it's played as a character flaw, as is the case with Cora's playboy brother Harold (played by American Paul Giamatti) in recent episodes of \u003cem>Downton Abbey. \u003c/em>Other times, it's played as part of an American's charm, as is the case with \u003cem>Doctor Who/Torchwood\u003c/em>'s enigmatic Captain Jack Harkness (played by American/Brit John Barrowman).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3mr6f29baBI'\n title='//www.youtube.com/embed/3mr6f29baBI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Other examples include \u003ci>Peep Show\u003c/i>’s Nancy (played by Canadian Rachel Blanchard), who manages to shoehorn the American stereotypes of being uber religious and a New Age hippie with her identity as a sexually adventurous lady.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>The Operative\u003c/b>\u003c/p>\n\u003cp>Often American characters appear on British television as operatives. They may not be the main villain, but they are players in the game, if not as members of the actual C.I.A., then as covert corporate players. The American Operative is often threatening, but not always frightening -- more of a nuisance than anything. They are hardly ever the brains behind the operation, but that doesn’t stop them from shows of snarky confidence.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=a7R2NhgEeg0#t=3m19s\u003c/p>\n\u003cp>\u003ci>Jekyll’\u003c/i>s Benjamin (Brit Paterson Joseph), a psychopathic employee of Klein & Utterson hired to control Tom (a.k.a. Jekyll) and Hyde, is a particularly effective variety of The American Goon, while the C.I.A. agents in \u003ci>Sherlock\u003c/i>’s “A Scandal in Belgravia” prove worse at their jobs.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N8_YQ7_Jo8k'\n title='//www.youtube.com/embed/N8_YQ7_Jo8k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Do you have any more examples of American characters/stereotypes on British television? Share them in the comments below!\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14303/the-5-types-of-americans-portrayed-on-british-television","authors":["3220"],"categories":["pop_3"],"tags":["pop_1632","pop_2787"],"featImg":"pop_14385","label":"pop"},"pop_14179":{"type":"posts","id":"pop_14179","meta":{"index":"posts_1591205157","site":"pop","id":"14179","score":null,"sort":[1417028894000]},"guestAuthors":[],"slug":"the-best-thanksgiving-episodes-for-your-food-coma","title":"The 9 Best Thanksgiving Episodes for Your Food Coma","publishDate":1417028894,"format":"standard","headTitle":"The 9 Best Thanksgiving Episodes for Your Food Coma | KQED","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Years ago, Thanksgiving dinner meant getting dressing up in your Sunday best, going to Grandmama’s house and eating a meal fit for the pages of \u003cem>Gourmet \u003c/em>served on her best china. While the caloric intake of Thanksgiving feasts has remained the same (or perhaps even increased!), the celebration looks a little different today. Great Uncle Bob might have his favorite pair of sweatpants on at the celebration since he’s too old to care about appearances, the kid’s table might consist of unhappy hipster youth staring dourly at their phones while communicating with other unhappy hipster youth similarly trapped at holiday meals states away, and the entire gluten-free (with vegan options) feast might have been lovingly planned and prepared by the good folks over at Whole Foods/Paycheck.\u003c/p>\n\u003cp>But, once the food’s been eaten, the political controversies have been sorted out, and you’ve once again confirmed that, no, your mother’s not getting any grandbabies this year, the traditions stay the same. You might have watched the Macy’s Thanksgiving Day parade earlier that day and, now that the turkey’s tryptophan has worked its way into your system, it’s time for some television in the den. But after the last football game has sent the men in their recliners into a deep snore and Charlie Brown has headed over to his grandma’s, what else is there to watch?\u003c/p>\n\u003cp>Here are some ideas to help everyone – both young and old – enjoy a good old fashioned night in front of the TV:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the classic TV Fans:\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>The Brady Bunch – \u003c/em>“The Un-Underground Movie”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=m-zm-NbojoE\u003c/p>\n\u003cp>Your grandma might not know how to work YouTube, but she sure can remember how much she loved watching \u003cem>The\u003c/em> \u003cem>Brady Bunch\u003c/em> with her kids, a.k.a. your parents. This episode, in which Greg directs a film about the pilgrims while learning valuable lessons, is sure to inspire plenty of nostalgia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Baby Boomers:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Cheers \u003c/em>– “Thanksgiving Orphans”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dJq7P3yAY08\u003c/p>\n\u003cp>Everyone at this feast sure knows each other’s names. This episode, in which the \u003cem>Cheers\u003c/em> staff and regulars gather at a potluck celebration, ends in this epic food fight that would make \u003cem>Animal House’s \u003c/em>John Belushi proud.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Family Historians:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>The Wonder Years – \u003c/em>“The Ties that Bind”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qcbGHySfA4s\u003c/p>\n\u003cp>With money tight at the Arnold household, Jack asks for a raise – and gets it, along with a promotion – but he also has to travel on Thanksgiving. Luckily, while traditions get upended that year, all things work out in the end, thus making your Aunt Mildred very happy.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Generation Xers and early Millennials:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Seinfeld \u003c/em>– “The Mom and Pop Store”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CzZuonXghOQ\u003c/p>\n\u003cp>This classic episode is Bryan Cranston’s first appearance on the show as Jerry’s dentist Tim Whatley. While plenty of hilarious \u003cem>Seinfeld\u003c/em> hijinks ensue, this episode features Elaine accidentally rejecting the dentist’s advances since she can’t hear him over the loud music of his Thanksgiving party. Jon Voigt also makes an appearance.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For those Crazy, Comical Relatives You Can’t Help But Love:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Home Improvement – \u003c/em>“A Frozen Moment”\u003c/p>\n\u003cp>If you feel like your family holiday has been a disaster, all you have to do is tune in to the Taylor’s Thanksgiving to remind yourself that it could be much, much worse…and also much, much funnier. In this episode, Tim “the Tool-Man” Taylor builds a Christmas Village in hopes of taking the perfect Christmas card photo. Of course, things never go quite according to plan.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Intellectuals and Politically Aware:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>West Wing \u003c/em>– “Indians in the Lobby”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zQsvcs9IB8A\u003c/p>\n\u003cp>It’s hard to pick between the two fabulous \u003cem>West Wing\u003c/em> Thanksgiving episodes – “Shibboleth” and “Indians in the Lobby.” But, as much as I enjoy C.J. Cregg’s attempts to pardon two turkeys in “Shibboleth,” the classic funny moment belongs to President Bartlet as he speaks to the Butterball Hotline in “Indians in the Lobby.” Fair warning: both episodes may also inspire Round Two of Thanksgiving political discussion.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For Your Later “Framily” Get-togethers:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Friends \u003c/em>– “The One With All the Thanksgivings”\u003c/p>\n\u003cp>http://youtu.be/DmNS6UUW-WE\u003c/p>\n\u003cp>Sure, there are definitive ranking systems available online for all the fabulous \u003cem>Friends \u003c/em>Thanksgiving episodes. And while I’m sure some channel will be offering a mini-marathon of all of those episodes, I always go back to the Season 5 one because I’m such a sucker for the Monica / Chandler storyline.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Netflix Enthusiasts:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Gilmore Girls \u003c/em>– “A Deep-Friend Korean Thanksgiving”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BO32H9o-DQ4\u003c/p>\n\u003cp>We wish we were as popular as the Gilmores, who manage to cram in four Thanksgiving celebrations in one day – The Kims, Sookie and Jackson, Luke, and Grandma and Grandpa Gilmore. However, we’re pretty content to just watch the massive amounts of food consumed.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Cartoon Enthusiasts:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>The Simpsons \u003c/em>– “Bart vs. Thanksgiving”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YoptLoEj_tk\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It’s an early season of \u003cem>The Simpsons\u003c/em> and also a great episode. After Bart accidentally ruins Lisa’s centerpiece, he runs away to a soup kitchen only to return to apologize and enjoy a dinner of leftovers. Don’t have a cow, man – it all works out in the end!\u003c/p>\n\n","blocks":[],"excerpt":"From ‘The Brady Bunch’ to ‘Gilmore Girls,’ here are 9 Thanksgiving episodes to watch this holiday.","status":"publish","parent":0,"modified":1700252417,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":984},"headData":{"title":"The 9 Best Thanksgiving Episodes for Your Food Coma | KQED","description":"From ‘The Brady Bunch’ to ‘Gilmore Girls,’ here are 9 Thanksgiving episodes to watch this holiday.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The 9 Best Thanksgiving Episodes for Your Food Coma","datePublished":"2014-11-26T19:08:14.000Z","dateModified":"2023-11-17T20:20:17.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/pop/14179/the-best-thanksgiving-episodes-for-your-food-coma","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Years ago, Thanksgiving dinner meant getting dressing up in your Sunday best, going to Grandmama’s house and eating a meal fit for the pages of \u003cem>Gourmet \u003c/em>served on her best china. While the caloric intake of Thanksgiving feasts has remained the same (or perhaps even increased!), the celebration looks a little different today. Great Uncle Bob might have his favorite pair of sweatpants on at the celebration since he’s too old to care about appearances, the kid’s table might consist of unhappy hipster youth staring dourly at their phones while communicating with other unhappy hipster youth similarly trapped at holiday meals states away, and the entire gluten-free (with vegan options) feast might have been lovingly planned and prepared by the good folks over at Whole Foods/Paycheck.\u003c/p>\n\u003cp>But, once the food’s been eaten, the political controversies have been sorted out, and you’ve once again confirmed that, no, your mother’s not getting any grandbabies this year, the traditions stay the same. You might have watched the Macy’s Thanksgiving Day parade earlier that day and, now that the turkey’s tryptophan has worked its way into your system, it’s time for some television in the den. But after the last football game has sent the men in their recliners into a deep snore and Charlie Brown has headed over to his grandma’s, what else is there to watch?\u003c/p>\n\u003cp>Here are some ideas to help everyone – both young and old – enjoy a good old fashioned night in front of the TV:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the classic TV Fans:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>The Brady Bunch – \u003c/em>“The Un-Underground Movie”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m-zm-NbojoE'\n title='//www.youtube.com/embed/m-zm-NbojoE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Your grandma might not know how to work YouTube, but she sure can remember how much she loved watching \u003cem>The\u003c/em> \u003cem>Brady Bunch\u003c/em> with her kids, a.k.a. your parents. This episode, in which Greg directs a film about the pilgrims while learning valuable lessons, is sure to inspire plenty of nostalgia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Baby Boomers:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Cheers \u003c/em>– “Thanksgiving Orphans”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dJq7P3yAY08'\n title='//www.youtube.com/embed/dJq7P3yAY08'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Everyone at this feast sure knows each other’s names. This episode, in which the \u003cem>Cheers\u003c/em> staff and regulars gather at a potluck celebration, ends in this epic food fight that would make \u003cem>Animal House’s \u003c/em>John Belushi proud.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Family Historians:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>The Wonder Years – \u003c/em>“The Ties that Bind”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qcbGHySfA4s'\n title='//www.youtube.com/embed/qcbGHySfA4s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>With money tight at the Arnold household, Jack asks for a raise – and gets it, along with a promotion – but he also has to travel on Thanksgiving. Luckily, while traditions get upended that year, all things work out in the end, thus making your Aunt Mildred very happy.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Generation Xers and early Millennials:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Seinfeld \u003c/em>– “The Mom and Pop Store”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CzZuonXghOQ'\n title='//www.youtube.com/embed/CzZuonXghOQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This classic episode is Bryan Cranston’s first appearance on the show as Jerry’s dentist Tim Whatley. While plenty of hilarious \u003cem>Seinfeld\u003c/em> hijinks ensue, this episode features Elaine accidentally rejecting the dentist’s advances since she can’t hear him over the loud music of his Thanksgiving party. Jon Voigt also makes an appearance.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For those Crazy, Comical Relatives You Can’t Help But Love:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Home Improvement – \u003c/em>“A Frozen Moment”\u003c/p>\n\u003cp>If you feel like your family holiday has been a disaster, all you have to do is tune in to the Taylor’s Thanksgiving to remind yourself that it could be much, much worse…and also much, much funnier. In this episode, Tim “the Tool-Man” Taylor builds a Christmas Village in hopes of taking the perfect Christmas card photo. Of course, things never go quite according to plan.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Intellectuals and Politically Aware:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>West Wing \u003c/em>– “Indians in the Lobby”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zQsvcs9IB8A'\n title='//www.youtube.com/embed/zQsvcs9IB8A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s hard to pick between the two fabulous \u003cem>West Wing\u003c/em> Thanksgiving episodes – “Shibboleth” and “Indians in the Lobby.” But, as much as I enjoy C.J. Cregg’s attempts to pardon two turkeys in “Shibboleth,” the classic funny moment belongs to President Bartlet as he speaks to the Butterball Hotline in “Indians in the Lobby.” Fair warning: both episodes may also inspire Round Two of Thanksgiving political discussion.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For Your Later “Framily” Get-togethers:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Friends \u003c/em>– “The One With All the Thanksgivings”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DmNS6UUW-WE'\n title='//www.youtube.com/embed/DmNS6UUW-WE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sure, there are definitive ranking systems available online for all the fabulous \u003cem>Friends \u003c/em>Thanksgiving episodes. And while I’m sure some channel will be offering a mini-marathon of all of those episodes, I always go back to the Season 5 one because I’m such a sucker for the Monica / Chandler storyline.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Netflix Enthusiasts:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>Gilmore Girls \u003c/em>– “A Deep-Friend Korean Thanksgiving”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BO32H9o-DQ4'\n title='//www.youtube.com/embed/BO32H9o-DQ4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We wish we were as popular as the Gilmores, who manage to cram in four Thanksgiving celebrations in one day – The Kims, Sookie and Jackson, Luke, and Grandma and Grandpa Gilmore. However, we’re pretty content to just watch the massive amounts of food consumed.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>For the Cartoon Enthusiasts:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>The Simpsons \u003c/em>– “Bart vs. Thanksgiving”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YoptLoEj_tk'\n title='//www.youtube.com/embed/YoptLoEj_tk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>It’s an early season of \u003cem>The Simpsons\u003c/em> and also a great episode. After Bart accidentally ruins Lisa’s centerpiece, he runs away to a soup kitchen only to return to apologize and enjoy a dinner of leftovers. Don’t have a cow, man – it all works out in the end!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14179/the-best-thanksgiving-episodes-for-your-food-coma","authors":["3218"],"categories":["pop_3"],"tags":["pop_1382","pop_2787"],"featImg":"pop_14218","label":"pop"},"pop_14149":{"type":"posts","id":"pop_14149","meta":{"index":"posts_1591205157","site":"pop","id":"14149","score":null,"sort":[1416858595000]},"guestAuthors":[],"slug":"if-you-loved-the-hunger-games-mockingjay-try-this-tv-series-from-the-same-director","title":"If You Loved 'The Hunger Games: Mockingjay', Try This TV Series From the Same Director","publishDate":1416858595,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Even if you’re not a fan of \u003ci>The Hunger Games\u003c/i>, you can probably list several items off of star Jennifer Lawrence’s filmography. But what about the franchise’s \u003ci>other \u003c/i>Lawrence? We’re referring to director \u003ca href=\"http://en.wikipedia.org/wiki/Francis_Lawrence\">Francis Lawrence\u003c/a>, who took over direction of \u003ci>The Hunger Games \u003c/i>film franchise from Gary Ross following the first installment\u003ci>. \u003c/i>Lawrence’s visual flair and talent for building cinematic worlds similar to our own made him an ideal choice for the job. Though Lawrence demonstrated these skills in \u003ci>I Am Legend \u003c/i>and \u003ci>Constantine\u003c/i>, it was his dual role as director and producer for the TV series \u003ca href=\"http://en.wikipedia.org/wiki/Kings_%28U.S._TV_series%29\">\u003ci>Kings\u003c/i>\u003c/a> that really showed his potential to take on the final three \u003ci>The Hunger Games \u003c/i>films.\u003c/p>\n\u003cp>Haven’t heard of \u003ci>Kings\u003c/i>? You’re not alone. The television drama was a mid-season premiere for NBC back in 2009, and it didn’t last long, despite its compelling plot, stunning visuals, and solid ensemble cast. Loosely based on the story of King David from the Bible, \u003ci>Kings \u003c/i>is set in an alternate modern day world in the kingdom of Gilboa (New York City stands in for the capital city Shiloh). The story begins when our young protagonist, David (Christopher Egan), a Gilboan soldier serving in the war against the Republic of Gath, takes out a Goliath-class tank to save some of his fellow soldiers -- one of whom happens to be the son of King Silas (Ian McShane). David is whisked off to the capital for a celebration in his honor and is able to witness first-hand the machinations of the monarchy, a system into which he is reluctantly pulled.\u003c/p>\n\u003cp>http://youtu.be/u5c1Vr1fcZI\u003c/p>\n\u003cp>\u003ci>Kings \u003c/i>is the perfect companion to \u003ci>The Hunger Games \u003c/i>franchise. It’s \u003ci>The Hunger Games \u003c/i>if it took place almost entirely in the Capitol with President Snow as one of many main characters. In addition to sharing a director -- Lawrence directed three episodes of the show’s 13-episode -- \u003ci>Kings \u003c/i>shares a number of defining aspects with the YA franchise...\u003c/p>\n\u003cp>\u003cb>The reluctant hero trope: \u003c/b>Katniss and David are very similar heroes. Both hail from humble backgrounds and are thrust into the spotlight via reluctant acts of heroism. Unlike many in their respective worlds, they don’t vie for celebrity or power; these things are unwanted side effects of their desire to protect the people they love. Both have lost their fathers to the demands of the nation -- Katniss’ father died in a mining accident, David’s father in the Unification War -- and both are torn between the simpler lives they left behind and the demands of the cause that has ensnared and changed them.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Worlds similar to our own: \u003c/b>Both \u003ci>Kings \u003c/i>and \u003ci>The Hunger Games \u003c/i>franchise do a wonderful job of building an alternate reality that somehow manages to feel both eerily similar to our own and distinctly different, allowing the storytellers to make unique comments on our own contemporary reality. In \u003ca href=\"https://www.youtube.com/watch?v=9ebB1U8IlTw\">a video interview\u003c/a> Lawrence did with TVWeb at the 2009 San Diego Comic-Con, he described the power of this alternate reality effect in \u003ci>Kings\u003c/i>:\u003c/p>\n\u003cp>“Whenever you have a story, whatever it is, you always want it to be somewhat relatable to today and, the great thing is [the King David story] almost just transplanted over, and so it fit everything that’s sort of going on in the world right now. And then, when we were building our version of the monarchy, and sort of getting rid of the real royalty of it -- the sashes and the medals and the pomp and circumstance and all that -- and you start to make it feel a little corporate and presidential, it starts to sort of line up to the way things are working right now in America, which is pretty interesting. It’s working out to be kind of a nice allegory.”\u003c/p>\n\u003cp>The same could be said of Panem, a vision of a dystopian future that has more in common with our current reality than many viewers would like to admit.\u003c/p>\n\u003cp>\u003cb>Strong ensemble casts: \u003c/b>I don’t need to tell you about the acting heavyweights represented in \u003ci>The Hunger Games \u003c/i>series, but \u003ci>Kings \u003c/i>boasts a similarly impressive cast. Led by the inimitable Ian McShane in a role fresh off of his turn in \u003ci>Deadwood\u003c/i>, other familiar faces include, \u003ci>Arrow\u003c/i>’s Susanna Thomas, \u003ci>The Winter Soldier\u003c/i>’s Sebastian Stan, and \u003ci>Terra Nova\u003c/i>’s Allison Miller -- and that’s just the royal family. Macaulay Culkin, Leslie Bibb, Dylan Baker, and Wes Studi all fill either regular or recurring roles in the series.\u003c/p>\n\u003cp>\u003cb>Effective visual propaganda: \u003c/b>One of the most striking visual parallels -- besides Lawrence’s talent in blending the gritty with the beautiful -- is the iconic visual language of the stories’ respective political movements. In \u003ci>Kings\u003c/i>, the butterfly is a ubiquitous motif, a tool Silas uses to represent the narrative of his rise to power. In \u003ci>The Hunger Games\u003c/i>, its equivalent is the mockingjay, for which the third and fourth film installments are named. Though this similarity may seem minor, Lawrence imbues both examples of visual propaganda with a weight lesser directors often fail to achieve. The butterfly and the mockingjay aren’t just symbols for the characters; they are an ever-shifting measure for the audience on who is winning, who is losing, and who doesn’t even bother to play the game.\u003c/p>\n\u003cp>\u003ci>Kings \u003c/i>is available to watch in its entirety on \u003ca href=\"http://www.hulu.com/kings\">Hulu\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cstrong> \u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Are there other on-screen stories that remind you of \u003c/i>The Hunger Games\u003ci>? Sound off in the comments below.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Can't bear the year-long wait until the next Hunger Games movie? Distract yourself with this Francis Lawrence TV show.","status":"publish","parent":0,"modified":1421195187,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":956},"headData":{"title":"If You Loved 'The Hunger Games: Mockingjay', Try This TV Series From the Same Director | KQED","description":"Can't bear the year-long wait until the next Hunger Games movie? Distract yourself with this Francis Lawrence TV show.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"If You Loved 'The Hunger Games: Mockingjay', Try This TV Series From the Same Director","datePublished":"2014-11-24T19:49:55.000Z","dateModified":"2015-01-14T00:26:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"14149 http://ww2.kqed.org/pop/?p=14149","disqusUrl":"https://ww2.kqed.org/pop/2014/11/24/if-you-loved-the-hunger-games-mockingjay-try-this-tv-series-from-the-same-director/","disqusTitle":"If You Loved 'The Hunger Games: Mockingjay', Try This TV Series From the Same Director","path":"/pop/14149/if-you-loved-the-hunger-games-mockingjay-try-this-tv-series-from-the-same-director","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even if you’re not a fan of \u003ci>The Hunger Games\u003c/i>, you can probably list several items off of star Jennifer Lawrence’s filmography. But what about the franchise’s \u003ci>other \u003c/i>Lawrence? We’re referring to director \u003ca href=\"http://en.wikipedia.org/wiki/Francis_Lawrence\">Francis Lawrence\u003c/a>, who took over direction of \u003ci>The Hunger Games \u003c/i>film franchise from Gary Ross following the first installment\u003ci>. \u003c/i>Lawrence’s visual flair and talent for building cinematic worlds similar to our own made him an ideal choice for the job. Though Lawrence demonstrated these skills in \u003ci>I Am Legend \u003c/i>and \u003ci>Constantine\u003c/i>, it was his dual role as director and producer for the TV series \u003ca href=\"http://en.wikipedia.org/wiki/Kings_%28U.S._TV_series%29\">\u003ci>Kings\u003c/i>\u003c/a> that really showed his potential to take on the final three \u003ci>The Hunger Games \u003c/i>films.\u003c/p>\n\u003cp>Haven’t heard of \u003ci>Kings\u003c/i>? You’re not alone. The television drama was a mid-season premiere for NBC back in 2009, and it didn’t last long, despite its compelling plot, stunning visuals, and solid ensemble cast. Loosely based on the story of King David from the Bible, \u003ci>Kings \u003c/i>is set in an alternate modern day world in the kingdom of Gilboa (New York City stands in for the capital city Shiloh). The story begins when our young protagonist, David (Christopher Egan), a Gilboan soldier serving in the war against the Republic of Gath, takes out a Goliath-class tank to save some of his fellow soldiers -- one of whom happens to be the son of King Silas (Ian McShane). David is whisked off to the capital for a celebration in his honor and is able to witness first-hand the machinations of the monarchy, a system into which he is reluctantly pulled.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/u5c1Vr1fcZI'\n title='//www.youtube.com/embed/u5c1Vr1fcZI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ci>Kings \u003c/i>is the perfect companion to \u003ci>The Hunger Games \u003c/i>franchise. It’s \u003ci>The Hunger Games \u003c/i>if it took place almost entirely in the Capitol with President Snow as one of many main characters. In addition to sharing a director -- Lawrence directed three episodes of the show’s 13-episode -- \u003ci>Kings \u003c/i>shares a number of defining aspects with the YA franchise...\u003c/p>\n\u003cp>\u003cb>The reluctant hero trope: \u003c/b>Katniss and David are very similar heroes. Both hail from humble backgrounds and are thrust into the spotlight via reluctant acts of heroism. Unlike many in their respective worlds, they don’t vie for celebrity or power; these things are unwanted side effects of their desire to protect the people they love. Both have lost their fathers to the demands of the nation -- Katniss’ father died in a mining accident, David’s father in the Unification War -- and both are torn between the simpler lives they left behind and the demands of the cause that has ensnared and changed them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Worlds similar to our own: \u003c/b>Both \u003ci>Kings \u003c/i>and \u003ci>The Hunger Games \u003c/i>franchise do a wonderful job of building an alternate reality that somehow manages to feel both eerily similar to our own and distinctly different, allowing the storytellers to make unique comments on our own contemporary reality. In \u003ca href=\"https://www.youtube.com/watch?v=9ebB1U8IlTw\">a video interview\u003c/a> Lawrence did with TVWeb at the 2009 San Diego Comic-Con, he described the power of this alternate reality effect in \u003ci>Kings\u003c/i>:\u003c/p>\n\u003cp>“Whenever you have a story, whatever it is, you always want it to be somewhat relatable to today and, the great thing is [the King David story] almost just transplanted over, and so it fit everything that’s sort of going on in the world right now. And then, when we were building our version of the monarchy, and sort of getting rid of the real royalty of it -- the sashes and the medals and the pomp and circumstance and all that -- and you start to make it feel a little corporate and presidential, it starts to sort of line up to the way things are working right now in America, which is pretty interesting. It’s working out to be kind of a nice allegory.”\u003c/p>\n\u003cp>The same could be said of Panem, a vision of a dystopian future that has more in common with our current reality than many viewers would like to admit.\u003c/p>\n\u003cp>\u003cb>Strong ensemble casts: \u003c/b>I don’t need to tell you about the acting heavyweights represented in \u003ci>The Hunger Games \u003c/i>series, but \u003ci>Kings \u003c/i>boasts a similarly impressive cast. Led by the inimitable Ian McShane in a role fresh off of his turn in \u003ci>Deadwood\u003c/i>, other familiar faces include, \u003ci>Arrow\u003c/i>’s Susanna Thomas, \u003ci>The Winter Soldier\u003c/i>’s Sebastian Stan, and \u003ci>Terra Nova\u003c/i>’s Allison Miller -- and that’s just the royal family. Macaulay Culkin, Leslie Bibb, Dylan Baker, and Wes Studi all fill either regular or recurring roles in the series.\u003c/p>\n\u003cp>\u003cb>Effective visual propaganda: \u003c/b>One of the most striking visual parallels -- besides Lawrence’s talent in blending the gritty with the beautiful -- is the iconic visual language of the stories’ respective political movements. In \u003ci>Kings\u003c/i>, the butterfly is a ubiquitous motif, a tool Silas uses to represent the narrative of his rise to power. In \u003ci>The Hunger Games\u003c/i>, its equivalent is the mockingjay, for which the third and fourth film installments are named. Though this similarity may seem minor, Lawrence imbues both examples of visual propaganda with a weight lesser directors often fail to achieve. The butterfly and the mockingjay aren’t just symbols for the characters; they are an ever-shifting measure for the audience on who is winning, who is losing, and who doesn’t even bother to play the game.\u003c/p>\n\u003cp>\u003ci>Kings \u003c/i>is available to watch in its entirety on \u003ca href=\"http://www.hulu.com/kings\">Hulu\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cstrong> \u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Are there other on-screen stories that remind you of \u003c/i>The Hunger Games\u003ci>? Sound off in the comments below.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14149/if-you-loved-the-hunger-games-mockingjay-try-this-tv-series-from-the-same-director","authors":["3220"],"categories":["pop_51","pop_3"],"tags":["pop_266","pop_505","pop_2787"],"featImg":"pop_14150","label":"pop"},"pop_14059":{"type":"posts","id":"pop_14059","meta":{"index":"posts_1591205157","site":"pop","id":"14059","score":null,"sort":[1415910010000]},"guestAuthors":[],"slug":"gilmore-girls-and-dawsons-creek-reunions-to-take-the-atx-tv-festival-stage","title":"Gilmore Girls and Dawson's Creek Reunions Finally Happening at ATX TV Festival!","publishDate":1415910010,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Recent months have been really kind to \u003cem>Gilmore Girls\u003c/em> fans, as the 8,372 \u003ca href=\"http://ww2.kqed.org/pop/2014/10/01/gilmore-girls-netflix-10-best-episodes-binge-watch-marathon/\">thinkpieces on the show's arrival to Netflix can attest\u003c/a>. But we're a greedy bunch and marathoning the entire series only made us crave a proper reunion even more.\u003c/p>\n\u003cp>Whether due to our psychic powers or because the arc of the moral universe bends toward justice, the reunion of our dreams is finally happening! Lauren Graham, Alexis Bledel and creator Amy Sherman Palladino will all attend the ATX Television Festival in June 2015 to talk (very fast) about \u003ca href=\"https://honestlylibby.files.wordpress.com/2014/09/tumblr_lipctnah3i1qhjc2io1_500.gif\">how hot Jess is,\u003c/a> how lame Logan is, how \u003ca href=\"http://insidetv.ew.com/2014/10/21/gilmore-girls-thousand-yellow-daisies/\">a thousand yellow daisies are cute but won't make you actually want to marry someone,\u003c/a> how \u003ca href=\"https://38.media.tumblr.com/7ee29256f228c7bf8625aef776221394/tumblr_neaogzJrtD1qe7dlao1_1280.jpg\">Rory really could have been a better friend to Lane,\u003c/a> how they all wish they were more like Emily Gilmore...and how they've already filmed a movie?\u003c/p>\n\u003cp>\"\u003cem>Gilmore \u003c/em>was the highlight of my ridiculous life. I can't wait to sit with these unbelievable broads and relive a time where sleep did not exist where stress and coffee were mama's little helpers and where we all dove into the deep end together to make something weird and very, very cool,\" Amy Sherman Palladino said. Ditto, Amy, ditto!\u003c/p>\n\u003cp>\u003ca href=\"http://www.prekindle.com/promo/id/23496345885494701\">Buy your tickets now\u003c/a>! Oh, and \u003cem>Dawson's Creek\u003c/em> creator Kevin Williamson and a bunch of the writers responsible for the careers of Michelle Williams and Katie Holmes will also be there! See you in June!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Dreams do come true! The players behind Gilmore Girls and Dawson's Creek are reuniting at this year's ATX Festival in Austin!","status":"publish","parent":0,"modified":1415910852,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":252},"headData":{"title":"Gilmore Girls and Dawson's Creek Reunions Finally Happening at ATX TV Festival! | KQED","description":"Dreams do come true! The players behind Gilmore Girls and Dawson's Creek are reuniting at this year's ATX Festival in Austin!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Gilmore Girls and Dawson's Creek Reunions Finally Happening at ATX TV Festival!","datePublished":"2014-11-13T20:20:10.000Z","dateModified":"2014-11-13T20:34:12.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"14059 http://ww2.kqed.org/pop/?p=14059","disqusUrl":"https://ww2.kqed.org/pop/2014/11/13/gilmore-girls-and-dawsons-creek-reunions-to-take-the-atx-tv-festival-stage/","disqusTitle":"Gilmore Girls and Dawson's Creek Reunions Finally Happening at ATX TV Festival!","path":"/pop/14059/gilmore-girls-and-dawsons-creek-reunions-to-take-the-atx-tv-festival-stage","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Recent months have been really kind to \u003cem>Gilmore Girls\u003c/em> fans, as the 8,372 \u003ca href=\"http://ww2.kqed.org/pop/2014/10/01/gilmore-girls-netflix-10-best-episodes-binge-watch-marathon/\">thinkpieces on the show's arrival to Netflix can attest\u003c/a>. But we're a greedy bunch and marathoning the entire series only made us crave a proper reunion even more.\u003c/p>\n\u003cp>Whether due to our psychic powers or because the arc of the moral universe bends toward justice, the reunion of our dreams is finally happening! Lauren Graham, Alexis Bledel and creator Amy Sherman Palladino will all attend the ATX Television Festival in June 2015 to talk (very fast) about \u003ca href=\"https://honestlylibby.files.wordpress.com/2014/09/tumblr_lipctnah3i1qhjc2io1_500.gif\">how hot Jess is,\u003c/a> how lame Logan is, how \u003ca href=\"http://insidetv.ew.com/2014/10/21/gilmore-girls-thousand-yellow-daisies/\">a thousand yellow daisies are cute but won't make you actually want to marry someone,\u003c/a> how \u003ca href=\"https://38.media.tumblr.com/7ee29256f228c7bf8625aef776221394/tumblr_neaogzJrtD1qe7dlao1_1280.jpg\">Rory really could have been a better friend to Lane,\u003c/a> how they all wish they were more like Emily Gilmore...and how they've already filmed a movie?\u003c/p>\n\u003cp>\"\u003cem>Gilmore \u003c/em>was the highlight of my ridiculous life. I can't wait to sit with these unbelievable broads and relive a time where sleep did not exist where stress and coffee were mama's little helpers and where we all dove into the deep end together to make something weird and very, very cool,\" Amy Sherman Palladino said. Ditto, Amy, ditto!\u003c/p>\n\u003cp>\u003ca href=\"http://www.prekindle.com/promo/id/23496345885494701\">Buy your tickets now\u003c/a>! Oh, and \u003cem>Dawson's Creek\u003c/em> creator Kevin Williamson and a bunch of the writers responsible for the careers of Michelle Williams and Katie Holmes will also be there! See you in June!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14059/gilmore-girls-and-dawsons-creek-reunions-to-take-the-atx-tv-festival-stage","authors":["27"],"categories":["pop_3"],"tags":["pop_1551","pop_725","pop_2787"],"featImg":"pop_14061","label":"pop"},"pop_13968":{"type":"posts","id":"pop_13968","meta":{"index":"posts_1591205157","site":"pop","id":"13968","score":null,"sort":[1415111439000]},"guestAuthors":[],"slug":"10-shows-netflix-needs-to-add-asap","title":"10 Shows Netflix Needs to Add ASAP","publishDate":1415111439,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Before Netflix and all those other streaming video options, I was obsessed with TV shows on DVD. As soon as I’d hear that my favorite show had added another season to DVD, off I’d search, ready to plunk down any amount of money for a chance to spend another few hours engrossed in my favorite worlds. From \u003cem>M*A*S*H \u003c/em>to \u003cem>West Wing \u003c/em>to \u003cem>Psych\u003c/em>, I owned them all.\u003c/p>\n\u003cp>More and more beloved TV shows like \u003cem>Veronica Mars,\u003c/em> \u003cem>Gilmore Girls,\u003c/em> and now \u003cem>Friends \u003c/em>(the latter \u003ca href=\"https://www.youtube.com/watch?v=048SNZIP40I\">debuts \u003c/a>in January) have made the jump to Netflix, but there are still so many greats – both famous and obscure – that deserve a second chance to be watched and loved. Here are 10 suggestions:\u003c/p>\n\u003cfigure id=\"attachment_13969\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/tumblr_inline_mq80tk4w4j1qb1pkp.jpg\">\u003cimg class=\"wp-image-13969\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/tumblr_inline_mq80tk4w4j1qb1pkp.jpg\" alt=\"Photo: NBC\" width=\"250\" height=\"333\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Ed\u003c/strong>\u003c/p>\n\u003cp>Sure, the premise is a bit weird (a New York lawyer Ed Stevens --played by Tom Cavanaugh -- buys a bowling alley in his hometown of Stuckeyville, Ohio and tries to woo the woman of his high school dreams), but the show embraced its quirkiness, quickly amassing a legion of fans obsessed with the weekly $10 bets and random “Godfrey” characters. While the show featured such talent as Michael Ian Black, Julie Bowen, and Justin Long (and was co-produced by David Letterman), NBC pulled the plug in 2004 after just four seasons. Problems with music rights have delayed DVD production, so most fans (including myself) have had to watch their fuzzy VCR copies until they tore in the machine.\u003c/p>\n\u003cfigure id=\"attachment_13971\" class=\"wp-caption alignleft\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/039_41045.jpg\">\u003cimg class=\"wp-image-13971\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/039_41045.jpg\" alt=\"Photo: ABC\" width=\"250\" height=\"313\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Three’s Company\u003c/strong>\u003cem> \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Almost immediately after the show’s debut in 1977, \u003cem>Three’s Company \u003c/em>proved to be wildly popular. Starring John Ritter, Joyce De Witt, and Suzanne Summers as the original three platonic roommates involved in crazy hijinks centered around a Santa Monica apartment, these eight seasons have only continued to find fans through reruns, inspiring hope that Netflix will “come and knock” on their door.\u003c/p>\n\u003cfigure id=\"attachment_13972\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/Home-Improvement-tv-04.jpg\">\u003cimg class=\"wp-image-13972\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/Home-Improvement-tv-04-400x499.jpg\" alt=\"Photo: ABC\" width=\"250\" height=\"312\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/Home-Improvement-tv-04-400x499.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/Home-Improvement-tv-04.jpg 445w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Home Improvement\u003c/strong>\u003c/p>\n\u003cp>If you were a girl in the 1990s, it was assumed you were in love with J.T.T. (Jonathan Taylor Thomas), who played the middle son on the show \u003cem>Home Improvement. \u003c/em>But J.T.T couldn’t have been the only appeal of the show; it was one of the highest ranked sitcoms for all eight seasons. Loosely based on Tim Allen’s stand-up routine, the story of a local tool-show host and his family and friends (including the partially-hidden neighbor Wilson) is arguably still one of the funniest shows on TV.\u003c/p>\n\u003cfigure id=\"attachment_13973\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/rbk-full-house-de.jpg\">\u003cimg class=\"wp-image-13973 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/rbk-full-house-de-400x334.jpg\" alt=\"rbk-full-house-de\" width=\"400\" height=\"334\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/rbk-full-house-de-400x334.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/rbk-full-house-de.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Full House \u003c/strong>\u003c/p>\n\u003cp>There was so much to love in this show: Uncle Jesse’s good looks, Uncle Joey’s funny voices, little Michelle's adorable catchphrases, Stephanie's killer dance moves, everything Kimmy Gibbler said or did, and on and on. With \u003ca href=\"http://ww2.kqed.org/pop/2013/11/04/full-house-sequel-just-a-hoax-survive-the-disappointment-with-these-animated-gifs/\">the often hinted news that there’s a potential reboot in the works\u003c/a>, it doesn’t hurt to start watching the show all over again!\u003c/p>\n\u003cfigure id=\"attachment_13975\" class=\"wp-caption alignright\" style=\"max-width: 307px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/nexp_cast.jpg\">\u003cimg class=\"size-full wp-image-13975\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/nexp_cast.jpg\" alt=\"Photo: CBS\" width=\"307\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/nexp_cast.jpg 307w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/nexp_cast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/nexp_cast-64x64.jpg 64w\" sizes=\"(max-width: 307px) 100vw, 307px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: CBS\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Northern Exposure\u003c/strong>\u003cem> \u003c/em>\u003c/p>\n\u003cp style=\"text-align: left\">From 1990 to 1995, the story of Joel Fleishman (played by Rob Morrow), a Jewish New York City physician sent to the eccentric small town of Cicely, Alaska as remuneration for his student loans was nominated for more 57 awards and won 27 of them. But it’s not the awards that matter to fans – it’s the monologues of ex-con-turned-radio-deejay Chris Stevens (John Corbett), the grand schemes from former astronaut Maurice Minnifield (Barry Corbin), the off-hand comments from local wannabe film director Ed Chigliak (Darren E. Burrows) and the stories at the local bar, the Brick, that keep people watching their DVDs and traveling to show reunions.\u003c/p>\n\u003cfigure id=\"attachment_13976\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/NBC-Community.jpg\">\u003cimg class=\"wp-image-13976\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/NBC-Community-400x300.jpg\" alt=\"NBC-Community\" width=\"300\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/NBC-Community-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/NBC-Community-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/NBC-Community.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Community \u003c/strong>\u003c/p>\n\u003cp>“Six seasons and a movie” has been the slogan of fans devoted to the friendships between Greendale Community College students. While the show has endured multiple casting / production changes, cancellation, and a recent move to Yahoo Screen for the sixth season, fans still haven’t given up on this ensemble comedy. Rewatching it all over again on Netflix would remind us why.\u003c/p>\n\u003cfigure id=\"attachment_13988\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/will-and-grace.jpg\">\u003cimg class=\"wp-image-13988\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/will-and-grace-400x400.jpg\" alt=\"Photo: NBC\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace.jpg 614w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Will & Grace\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">With \u003cem>Friends\u003c/em> being added to Netflix, it seems like a no-brainer to add some of the other insanely popular shows from the “Must-See TV” NBC lineup. \u003cem>Will & Grace\u003c/em>’s eight seasons starring Eric McCormack, Debra Messing, Megan Mullally, and Sean Hayes were more than just great TV though; even Vice President Joe Biden has acknowledged that the show helped improve the American public opinion of the LGBT community.\u003c/p>\n\u003cfigure id=\"attachment_13978\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix.png\">\u003cimg class=\"size-thumbnail wp-image-13978\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-400x300.png\" alt=\"Photo: Fox\" width=\"400\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-400x300.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-800x600.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-1440x1080.png 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Fox\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>The Simpsons \u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">It’s a simple question: Why shouldn’t America’s longest-running sitcom, longest-running animated program, and longest-running scripted primetime television show be on Netflix? For a show that has inspired countless others and even warranted entries in the Oxford English Dictionary, there’s just never enough Homer, Marge, Bart, Lisa, and Maggie to go around. While FXX recently aired a 12 day marathon of all 552 previously broadcast episodes (and film) in chronological order, many fans argue there’s still a need to re-watch the antics of the town of Springfield on one's own timetable.\u003c/p>\n\u003cfigure id=\"attachment_13979\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/goldengirls.jpg\">\u003cimg class=\"wp-image-13979 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/goldengirls-400x266.jpg\" alt=\"goldengirls\" width=\"400\" height=\"266\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/goldengirls-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/goldengirls-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/goldengirls-1440x959.jpg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>The Golden Girls\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">In 1985, \u003cem>The Golden Girls \u003c/em>debuted and, by the end of the show’s run in 1992, the show was truly “golden” having earned 11 Emmy awards (including one for each cast member) and the love of millions of fans worldwide. 30 years later, viewers still can’t get enough of the warm friendship of these four unusual roommates – Blanche, Rose, Dorothy, and Sophia. Borrowing a favorite phrase from Sophia, “Picture This: Netflix, 2015” has a particularly good ring to it.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Seinfeld\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13980\" class=\"wp-caption aligncenter\" style=\"max-width: 374px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/21d8a23363056d719a4aa1d6806eacac50c07ff1.jpg\">\u003cimg class=\"wp-image-13980 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/21d8a23363056d719a4aa1d6806eacac50c07ff1.jpg\" alt=\"Photo: NBC\" width=\"374\" height=\"222\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">All I really need to say is this: everyone loves this show. The rest, as George’s girlfriend Marcy would say, is just “yada-yada.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>Which shows do you wish you could watch on Netflix?\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"I’ll be there for you...soon? Here are the TV classics we need on Netflix pronto.","status":"publish","parent":0,"modified":1418162841,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":1039},"headData":{"title":"10 Shows Netflix Needs to Add ASAP | KQED","description":"I’ll be there for you...soon? Here are the TV classics we need on Netflix pronto.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"10 Shows Netflix Needs to Add ASAP","datePublished":"2014-11-04T14:30:39.000Z","dateModified":"2014-12-09T22:07:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13968 http://ww2.kqed.org/pop/?p=13968","disqusUrl":"https://ww2.kqed.org/pop/2014/11/04/10-shows-netflix-needs-to-add-asap/","disqusTitle":"10 Shows Netflix Needs to Add ASAP","path":"/pop/13968/10-shows-netflix-needs-to-add-asap","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Before Netflix and all those other streaming video options, I was obsessed with TV shows on DVD. As soon as I’d hear that my favorite show had added another season to DVD, off I’d search, ready to plunk down any amount of money for a chance to spend another few hours engrossed in my favorite worlds. From \u003cem>M*A*S*H \u003c/em>to \u003cem>West Wing \u003c/em>to \u003cem>Psych\u003c/em>, I owned them all.\u003c/p>\n\u003cp>More and more beloved TV shows like \u003cem>Veronica Mars,\u003c/em> \u003cem>Gilmore Girls,\u003c/em> and now \u003cem>Friends \u003c/em>(the latter \u003ca href=\"https://www.youtube.com/watch?v=048SNZIP40I\">debuts \u003c/a>in January) have made the jump to Netflix, but there are still so many greats – both famous and obscure – that deserve a second chance to be watched and loved. Here are 10 suggestions:\u003c/p>\n\u003cfigure id=\"attachment_13969\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/tumblr_inline_mq80tk4w4j1qb1pkp.jpg\">\u003cimg class=\"wp-image-13969\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/tumblr_inline_mq80tk4w4j1qb1pkp.jpg\" alt=\"Photo: NBC\" width=\"250\" height=\"333\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Ed\u003c/strong>\u003c/p>\n\u003cp>Sure, the premise is a bit weird (a New York lawyer Ed Stevens --played by Tom Cavanaugh -- buys a bowling alley in his hometown of Stuckeyville, Ohio and tries to woo the woman of his high school dreams), but the show embraced its quirkiness, quickly amassing a legion of fans obsessed with the weekly $10 bets and random “Godfrey” characters. While the show featured such talent as Michael Ian Black, Julie Bowen, and Justin Long (and was co-produced by David Letterman), NBC pulled the plug in 2004 after just four seasons. Problems with music rights have delayed DVD production, so most fans (including myself) have had to watch their fuzzy VCR copies until they tore in the machine.\u003c/p>\n\u003cfigure id=\"attachment_13971\" class=\"wp-caption alignleft\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/039_41045.jpg\">\u003cimg class=\"wp-image-13971\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/039_41045.jpg\" alt=\"Photo: ABC\" width=\"250\" height=\"313\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Three’s Company\u003c/strong>\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Almost immediately after the show’s debut in 1977, \u003cem>Three’s Company \u003c/em>proved to be wildly popular. Starring John Ritter, Joyce De Witt, and Suzanne Summers as the original three platonic roommates involved in crazy hijinks centered around a Santa Monica apartment, these eight seasons have only continued to find fans through reruns, inspiring hope that Netflix will “come and knock” on their door.\u003c/p>\n\u003cfigure id=\"attachment_13972\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/Home-Improvement-tv-04.jpg\">\u003cimg class=\"wp-image-13972\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/Home-Improvement-tv-04-400x499.jpg\" alt=\"Photo: ABC\" width=\"250\" height=\"312\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/Home-Improvement-tv-04-400x499.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/Home-Improvement-tv-04.jpg 445w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Home Improvement\u003c/strong>\u003c/p>\n\u003cp>If you were a girl in the 1990s, it was assumed you were in love with J.T.T. (Jonathan Taylor Thomas), who played the middle son on the show \u003cem>Home Improvement. \u003c/em>But J.T.T couldn’t have been the only appeal of the show; it was one of the highest ranked sitcoms for all eight seasons. Loosely based on Tim Allen’s stand-up routine, the story of a local tool-show host and his family and friends (including the partially-hidden neighbor Wilson) is arguably still one of the funniest shows on TV.\u003c/p>\n\u003cfigure id=\"attachment_13973\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/rbk-full-house-de.jpg\">\u003cimg class=\"wp-image-13973 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/rbk-full-house-de-400x334.jpg\" alt=\"rbk-full-house-de\" width=\"400\" height=\"334\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/rbk-full-house-de-400x334.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/rbk-full-house-de.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Full House \u003c/strong>\u003c/p>\n\u003cp>There was so much to love in this show: Uncle Jesse’s good looks, Uncle Joey’s funny voices, little Michelle's adorable catchphrases, Stephanie's killer dance moves, everything Kimmy Gibbler said or did, and on and on. With \u003ca href=\"http://ww2.kqed.org/pop/2013/11/04/full-house-sequel-just-a-hoax-survive-the-disappointment-with-these-animated-gifs/\">the often hinted news that there’s a potential reboot in the works\u003c/a>, it doesn’t hurt to start watching the show all over again!\u003c/p>\n\u003cfigure id=\"attachment_13975\" class=\"wp-caption alignright\" style=\"max-width: 307px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/nexp_cast.jpg\">\u003cimg class=\"size-full wp-image-13975\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/nexp_cast.jpg\" alt=\"Photo: CBS\" width=\"307\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/nexp_cast.jpg 307w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/nexp_cast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/nexp_cast-64x64.jpg 64w\" sizes=\"(max-width: 307px) 100vw, 307px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: CBS\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Northern Exposure\u003c/strong>\u003cem> \u003c/em>\u003c/p>\n\u003cp style=\"text-align: left\">From 1990 to 1995, the story of Joel Fleishman (played by Rob Morrow), a Jewish New York City physician sent to the eccentric small town of Cicely, Alaska as remuneration for his student loans was nominated for more 57 awards and won 27 of them. But it’s not the awards that matter to fans – it’s the monologues of ex-con-turned-radio-deejay Chris Stevens (John Corbett), the grand schemes from former astronaut Maurice Minnifield (Barry Corbin), the off-hand comments from local wannabe film director Ed Chigliak (Darren E. Burrows) and the stories at the local bar, the Brick, that keep people watching their DVDs and traveling to show reunions.\u003c/p>\n\u003cfigure id=\"attachment_13976\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/NBC-Community.jpg\">\u003cimg class=\"wp-image-13976\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/NBC-Community-400x300.jpg\" alt=\"NBC-Community\" width=\"300\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/NBC-Community-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/NBC-Community-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/NBC-Community.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Community \u003c/strong>\u003c/p>\n\u003cp>“Six seasons and a movie” has been the slogan of fans devoted to the friendships between Greendale Community College students. While the show has endured multiple casting / production changes, cancellation, and a recent move to Yahoo Screen for the sixth season, fans still haven’t given up on this ensemble comedy. Rewatching it all over again on Netflix would remind us why.\u003c/p>\n\u003cfigure id=\"attachment_13988\" class=\"wp-caption alignright\" style=\"max-width: 250px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/will-and-grace.jpg\">\u003cimg class=\"wp-image-13988\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/will-and-grace-400x400.jpg\" alt=\"Photo: NBC\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/will-and-grace.jpg 614w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Will & Grace\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">With \u003cem>Friends\u003c/em> being added to Netflix, it seems like a no-brainer to add some of the other insanely popular shows from the “Must-See TV” NBC lineup. \u003cem>Will & Grace\u003c/em>’s eight seasons starring Eric McCormack, Debra Messing, Megan Mullally, and Sean Hayes were more than just great TV though; even Vice President Joe Biden has acknowledged that the show helped improve the American public opinion of the LGBT community.\u003c/p>\n\u003cfigure id=\"attachment_13978\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix.png\">\u003cimg class=\"size-thumbnail wp-image-13978\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-400x300.png\" alt=\"Photo: Fox\" width=\"400\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-400x300.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-800x600.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/The_Simpson__s_Family_by_Simpsonix-1440x1080.png 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Fox\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>The Simpsons \u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">It’s a simple question: Why shouldn’t America’s longest-running sitcom, longest-running animated program, and longest-running scripted primetime television show be on Netflix? For a show that has inspired countless others and even warranted entries in the Oxford English Dictionary, there’s just never enough Homer, Marge, Bart, Lisa, and Maggie to go around. While FXX recently aired a 12 day marathon of all 552 previously broadcast episodes (and film) in chronological order, many fans argue there’s still a need to re-watch the antics of the town of Springfield on one's own timetable.\u003c/p>\n\u003cfigure id=\"attachment_13979\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/goldengirls.jpg\">\u003cimg class=\"wp-image-13979 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/goldengirls-400x266.jpg\" alt=\"goldengirls\" width=\"400\" height=\"266\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/goldengirls-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/goldengirls-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/goldengirls-1440x959.jpg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>The Golden Girls\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">In 1985, \u003cem>The Golden Girls \u003c/em>debuted and, by the end of the show’s run in 1992, the show was truly “golden” having earned 11 Emmy awards (including one for each cast member) and the love of millions of fans worldwide. 30 years later, viewers still can’t get enough of the warm friendship of these four unusual roommates – Blanche, Rose, Dorothy, and Sophia. Borrowing a favorite phrase from Sophia, “Picture This: Netflix, 2015” has a particularly good ring to it.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Seinfeld\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13980\" class=\"wp-caption aligncenter\" style=\"max-width: 374px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/21d8a23363056d719a4aa1d6806eacac50c07ff1.jpg\">\u003cimg class=\"wp-image-13980 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/21d8a23363056d719a4aa1d6806eacac50c07ff1.jpg\" alt=\"Photo: NBC\" width=\"374\" height=\"222\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: NBC\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">All I really need to say is this: everyone loves this show. The rest, as George’s girlfriend Marcy would say, is just “yada-yada.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>Which shows do you wish you could watch on Netflix?\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13968/10-shows-netflix-needs-to-add-asap","authors":["3218"],"categories":["pop_3"],"tags":["pop_438","pop_266","pop_2787"],"featImg":"pop_13982","label":"pop"},"pop_13207":{"type":"posts","id":"pop_13207","meta":{"index":"posts_1591205157","site":"pop","id":"13207","score":null,"sort":[1414419849000]},"guestAuthors":[],"slug":"3-tv-shows-that-helped-me-understand-and-cope-with-depression","title":"3 TV Shows That Helped Me Understand and Cope with Depression","publishDate":1414419849,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Society likes to \u003ca href=\"http://www.elementsbehavioralhealth.com/featured/is-watching-too-much-tv-making-you-depressed/\">causally link\u003c/a> television and depression, but that hasn’t always been my experience. Yes, when used as a way to neglect relationships and responsibilities, TV \u003ci>can\u003c/i> be a correlative anchor for depression, but it doesn’t have to be -- or, at least, that’s not \u003ci>all \u003c/i>it might be.\u003c/p>\n\u003cp>In addition to acting as a lifeline for the depressed, TV has the power to change the way we think about mental illness -- both in ourselves and in others. In many ways, it is the most intimate of mediums, coming into our homes week after week and becoming part of the sustained cultural conversation we have with our friends and family.\u003c/p>\n\u003cp>Serialized television in particular allows for a more complex, nuanced exploration of character and theme. When that narrative magnifying glass is turned toward stigmatized subjects like mental illness, minds are opened and altered. Here are three shows that have helped me to better understand mental illness -- and that have been a narrative lifeline when I was depressed.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>In the Flesh\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>If you’re looking for a genre show about depression...\u003c/i>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fUb_KelEnRA\u003c/p>\n\u003cp>British import \u003ci>In the Flesh \u003c/i>is one part domestic drama, one part zombie dystopia. It follows Kieren Walker, a teenaged zombie who is now medicated and therefore deemed ready to return to his hometown in rural England. Unfortunately, the fictional village of Roarton is not ready for him. The Human Volunteer Force still patrols the woods for zombies, shooting first and asking questions later. This town wears its prejudice against Partial Death Syndrome (PDS) sufferers as a badge of honor.\u003c/p>\n\u003cp>\u003ci>In the Flesh \u003c/i>is interesting because it explores mental illness not only through the eyes of a main character who is depressed, but uses zombie-ism as a metaphor to explore the stigma against mental illness (amongst other prejudices). Kieren’s zombie-ism is part of his identity, but so is his depression. He may have risen from the dead, but the first season is about learning to \u003ci>choose\u003c/i> the life he once purposefully ended. It’s about learning to live again, despite everything that's been lost.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Slings and Arrows\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you like your TV heavy on the Shakespearean themes...\u003c/i>\u003c/p>\n\u003cp>http://youtu.be/I0uVGCYRP4I\u003c/p>\n\u003cp>\u003ci>Slings and Arrows \u003c/i>proves that you don’t have to be a serious drama to explore mental illness well. This wacky, wonderful Canadian show about a struggling theater festival in fictional New Burbage follows the production of a different Shakespearean tragedy every season, using the play’s themes to shape the show’s behind-the-scenes action.\u003c/p>\n\u003cp>The first season uses \u003ci>Hamlet \u003c/i>for inspiration, exploring its central theme of madness through the emotional journey of protagonist Geoffrey Tennant. Seven years after suffering a nervous breakdown on stage while playing Hamlet, Geoffrey is back at the New Burbage Festival as creative director. With the help of his estranged mentor (who happens to be a ghost) and ex-fiance, Geoffrey attempts to get the festival back on track, without losing the semblance of sanity he’s managed to reclaim over the years.\u003c/p>\n\u003cp>In \u003ci>Slings and Arrows\u003c/i>, Geoffrey’s mental illness isn’t treated as unusual or as something he should be ashamed of. That’s not to say that other characters don’t try to shame him or that it is never an obstacle to his relationships and work, but Geoffrey is a compelling, competent, and caring character \u003ci>in addition\u003c/i> to his mental illness -- not \u003ci>in spite\u003c/i> of it.\u003c/p>\n\u003cp>Like \u003ci>In the Flesh\u003c/i>, \u003ci>Slings and Arrows \u003c/i>has at its heart this question of whether existence itself is worth it when life is filled with sadness and pain. Unlike the former, it never seems to stray too far from the answer that life is wonderful, confusing madness, and it is worth every performance we make.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Friday Night Lights\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you’re looking for cathartic comfort...\u003c/i>\u003c/p>\n\u003cp>http://youtu.be/AG37AylK1_s\u003c/p>\n\u003cp>If you are one of the people who has dismissed \u003ci>Friday Night Lights \u003c/i>as a viable viewing option because it’s “just a show about high school football,” think again. This community-based drama is a critical, yet optimistic look at what it is to live in contemporary small town America and is akin in quality to the best “prestige” dramas of the last decade.\u003c/p>\n\u003cp>Set in the fictional Dillon, Texas, it uses the family of Coach Eric Taylor as its focal point, but it is an ensemble drama involving a diverse cast of characters. Though mental health is not a major theme in the series, watching this show is truly a cathartic experience. If you’re in the mood to cry -- happy tears and sad, and about something other than your life -- then this is the show for you. In the process, you will be taken through nuanced, intimate, and compelling explorations of complex topics like classism, racism, sexism, and ableism that rarely feel heavy-handed.\u003c/p>\n\u003cp>\u003ci>Friday Night Lights \u003c/i>does make a notable exploration of mental illness in Season 1 with the character of Waverly Grady. The clever, independent, and opinionated daughter of a local reverend, Waverly is a love interest for one of the central characters and also happens to be bipolar. Though Waverly was only a minor character and sadly didn’t return in the second season, the show won a \u003ca href=\"http://www.prismawards.com/about/history-and-purpose/\">Prism Award\u003c/a> -- given out for “the accurate depiction of substance abuse and mental illness” -- for her storyline. Waverly was never a caricature or defined by her condition, and is one of many memorably complex characters on the \u003ci>Friday Night Lights \u003c/i>journey.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Has TV ever altered your views on mental illness, or even helped you get through mental health struggles of your own? Share your thoughts and stories in the comments below.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"With so much stigma and misinformation surrounding mental illness, here are a few television shows that got it right.","status":"publish","parent":0,"modified":1421195143,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":987},"headData":{"title":"3 TV Shows That Helped Me Understand and Cope with Depression | KQED","description":"With so much stigma and misinformation surrounding mental illness, here are a few television shows that got it right.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"3 TV Shows That Helped Me Understand and Cope with Depression","datePublished":"2014-10-27T14:24:09.000Z","dateModified":"2015-01-14T00:25:43.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13207 http://blogs.kqed.org/pop/?p=13207","disqusUrl":"https://ww2.kqed.org/pop/2014/10/27/3-tv-shows-that-helped-me-understand-and-cope-with-depression/","disqusTitle":"3 TV Shows That Helped Me Understand and Cope with Depression","path":"/pop/13207/3-tv-shows-that-helped-me-understand-and-cope-with-depression","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Society likes to \u003ca href=\"http://www.elementsbehavioralhealth.com/featured/is-watching-too-much-tv-making-you-depressed/\">causally link\u003c/a> television and depression, but that hasn’t always been my experience. Yes, when used as a way to neglect relationships and responsibilities, TV \u003ci>can\u003c/i> be a correlative anchor for depression, but it doesn’t have to be -- or, at least, that’s not \u003ci>all \u003c/i>it might be.\u003c/p>\n\u003cp>In addition to acting as a lifeline for the depressed, TV has the power to change the way we think about mental illness -- both in ourselves and in others. In many ways, it is the most intimate of mediums, coming into our homes week after week and becoming part of the sustained cultural conversation we have with our friends and family.\u003c/p>\n\u003cp>Serialized television in particular allows for a more complex, nuanced exploration of character and theme. When that narrative magnifying glass is turned toward stigmatized subjects like mental illness, minds are opened and altered. Here are three shows that have helped me to better understand mental illness -- and that have been a narrative lifeline when I was depressed.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>In the Flesh\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>If you’re looking for a genre show about depression...\u003c/i>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fUb_KelEnRA'\n title='//www.youtube.com/embed/fUb_KelEnRA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>British import \u003ci>In the Flesh \u003c/i>is one part domestic drama, one part zombie dystopia. It follows Kieren Walker, a teenaged zombie who is now medicated and therefore deemed ready to return to his hometown in rural England. Unfortunately, the fictional village of Roarton is not ready for him. The Human Volunteer Force still patrols the woods for zombies, shooting first and asking questions later. This town wears its prejudice against Partial Death Syndrome (PDS) sufferers as a badge of honor.\u003c/p>\n\u003cp>\u003ci>In the Flesh \u003c/i>is interesting because it explores mental illness not only through the eyes of a main character who is depressed, but uses zombie-ism as a metaphor to explore the stigma against mental illness (amongst other prejudices). Kieren’s zombie-ism is part of his identity, but so is his depression. He may have risen from the dead, but the first season is about learning to \u003ci>choose\u003c/i> the life he once purposefully ended. It’s about learning to live again, despite everything that's been lost.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Slings and Arrows\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you like your TV heavy on the Shakespearean themes...\u003c/i>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/I0uVGCYRP4I'\n title='//www.youtube.com/embed/I0uVGCYRP4I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ci>Slings and Arrows \u003c/i>proves that you don’t have to be a serious drama to explore mental illness well. This wacky, wonderful Canadian show about a struggling theater festival in fictional New Burbage follows the production of a different Shakespearean tragedy every season, using the play’s themes to shape the show’s behind-the-scenes action.\u003c/p>\n\u003cp>The first season uses \u003ci>Hamlet \u003c/i>for inspiration, exploring its central theme of madness through the emotional journey of protagonist Geoffrey Tennant. Seven years after suffering a nervous breakdown on stage while playing Hamlet, Geoffrey is back at the New Burbage Festival as creative director. With the help of his estranged mentor (who happens to be a ghost) and ex-fiance, Geoffrey attempts to get the festival back on track, without losing the semblance of sanity he’s managed to reclaim over the years.\u003c/p>\n\u003cp>In \u003ci>Slings and Arrows\u003c/i>, Geoffrey’s mental illness isn’t treated as unusual or as something he should be ashamed of. That’s not to say that other characters don’t try to shame him or that it is never an obstacle to his relationships and work, but Geoffrey is a compelling, competent, and caring character \u003ci>in addition\u003c/i> to his mental illness -- not \u003ci>in spite\u003c/i> of it.\u003c/p>\n\u003cp>Like \u003ci>In the Flesh\u003c/i>, \u003ci>Slings and Arrows \u003c/i>has at its heart this question of whether existence itself is worth it when life is filled with sadness and pain. Unlike the former, it never seems to stray too far from the answer that life is wonderful, confusing madness, and it is worth every performance we make.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Friday Night Lights\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you’re looking for cathartic comfort...\u003c/i>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AG37AylK1_s'\n title='//www.youtube.com/embed/AG37AylK1_s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you are one of the people who has dismissed \u003ci>Friday Night Lights \u003c/i>as a viable viewing option because it’s “just a show about high school football,” think again. This community-based drama is a critical, yet optimistic look at what it is to live in contemporary small town America and is akin in quality to the best “prestige” dramas of the last decade.\u003c/p>\n\u003cp>Set in the fictional Dillon, Texas, it uses the family of Coach Eric Taylor as its focal point, but it is an ensemble drama involving a diverse cast of characters. Though mental health is not a major theme in the series, watching this show is truly a cathartic experience. If you’re in the mood to cry -- happy tears and sad, and about something other than your life -- then this is the show for you. In the process, you will be taken through nuanced, intimate, and compelling explorations of complex topics like classism, racism, sexism, and ableism that rarely feel heavy-handed.\u003c/p>\n\u003cp>\u003ci>Friday Night Lights \u003c/i>does make a notable exploration of mental illness in Season 1 with the character of Waverly Grady. The clever, independent, and opinionated daughter of a local reverend, Waverly is a love interest for one of the central characters and also happens to be bipolar. Though Waverly was only a minor character and sadly didn’t return in the second season, the show won a \u003ca href=\"http://www.prismawards.com/about/history-and-purpose/\">Prism Award\u003c/a> -- given out for “the accurate depiction of substance abuse and mental illness” -- for her storyline. Waverly was never a caricature or defined by her condition, and is one of many memorably complex characters on the \u003ci>Friday Night Lights \u003c/i>journey.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Has TV ever altered your views on mental illness, or even helped you get through mental health struggles of your own? Share your thoughts and stories in the comments below.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13207/3-tv-shows-that-helped-me-understand-and-cope-with-depression","authors":["3220"],"categories":["pop_3"],"tags":["pop_177","pop_2698","pop_2699","pop_266","pop_2787"],"featImg":"pop_13940","label":"pop"},"pop_13754":{"type":"posts","id":"pop_13754","meta":{"index":"posts_1591205157","site":"pop","id":"13754","score":null,"sort":[1412775039000]},"guestAuthors":[],"slug":"what-makeover-shows-like-girlfriend-intervention-should-learn-from-what-not-to-wear","title":"What Makeover Shows Like Girlfriend Intervention Should Learn from What Not to Wear","publishDate":1412775039,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cem>Girlfriend Intervention\u003c/em> is a new makeover show airing on Lifetime, and it’s been the source of some controversy since it started airing this summer. \u003ca href=\"http://flavorwire.com/476271/lifetimes-girlfriend-intervention-is-a-racist-mess\">Flavorwire called \u003cem>Girlfriend Intervention\u003c/em>\u003c/a> “a racist mess” and “\u003ca href=\"http://en.wikipedia.org/wiki/Queer_Eye\">\u003cem>Queer Eye\u003c/em>\u003c/a> but with black women.\" The four hosts of \u003cem>Girlfriend\u003c/em> \u003cem>Intervention\u003c/em> are Tracy, Nikki, Tiffiny, and Tanisha, who specialize in beauty, home, style and fashion, and soul. They play up archetypal (bordering on stereotypical) versions of the “sassy black girlfriend” often seen in romantic comedies or television series that feature a white female lead.\u003c/p>\n\u003cp>The experts generalize along racial and cultural lines when they speak directly to the camera (“My white girlfriends, if they’re anything other than a size 2, they are nervous and scared… As a black woman, we definitely embrace our size for what it is”), but that was also true of \u003cem>Queer Eye\u003c/em>. On the one hand, it’s nice to see a show with a multitude of African-American women in lead roles. It happens on occasion (see: the excellent \u003ca href=\"http://en.wikipedia.org/wiki/Girlfriends\">\u003cem>Girlfriends\u003c/em>\u003c/a>\u003cem>; \u003c/em>the, err, very popular \u003ca href=\"http://www.bravotv.com/the-real-housewives-of-atlanta\">\u003cem>The Real Housewives of Atlanta\u003c/em>\u003c/a>), but not often enough.\u003c/p>\n\u003cp>Archetypes that border on stereotypes aren’t \u003cem>Girlfriend Intervention\u003c/em>’s biggest problem. It’s the fact that, as a makeover show, it’s pushing a brand instead of treating participants like individuals.\u003c/p>\n\u003cp>TLC’s \u003ca href=\"http://www.tlc.com/tv-shows/what-not-to-wear\">\u003cem>What Not To Wear\u003c/em>\u003c/a>\u003cem>, \u003c/em>hosted by \u003ca href=\"https://twitter.com/stacylondon\">Stacy London\u003c/a> and \u003ca href=\"https://twitter.com/clinton_kelly\">Clinton Kelly\u003c/a> presented \u003ca href=\"http://www.upi.com/Entertainment_News/TV/2013/09/02/What-Not-to-Wear-stars-list-10-rules-to-dress-by/UPI-79831378132106/\">very specific fashion rules\u003c/a>, and then applied them to individuals. \u003cem>Girlfriend Intervention\u003c/em> and \u003cem>Queer Eye\u003c/em> have a brand, look, and show philosophy, and they fit individuals into that branding. \u003cem>WNTW, \u003c/em>which aired from 2003-2013, has passed on to the great reality TV playground in the sky, but I still think about it all the time. And that’s mostly because of the great shift that took place when the show switched up its hairdressers in the seventh season. Originally, \u003cem>WNTW’s \u003c/em>hairdresser was \u003ca href=\"http://www.examiner.com/article/what-happened-to-nick-arrojo\">Nick Arrojo\u003c/a>, a kind of sarcastic, resting-\u003cem>meh\u003c/em>-face dude who gave the same, pixie/mom haircut to any and all of the show’s contributors that sat in his chair. And then came \u003ca href=\"https://twitter.com/tedgibson\">Ted Gibson\u003c/a>.\u003c/p>\n\u003cp>http://youtu.be/d-5-GU9aPm8?t=50s\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“How was your week?” Ted would so often begin. And then, in the face of frightened contributors who are way out of their comfort zone, “That’s a \u003cem>really\u003c/em> heavy sigh. What’s up with that?” Ted talked to them about what they wanted and what they were scared of, not just with regard to their week in New York choosing a new wardrobe, but in their real lives back home. “How long have you had your hair like this?” might seem like it’s about, you know, \u003cem>how long have you had your hair like this?\u003c/em>, but with Ted kneeling down and looking just past the contributor’s shoulder, both of them talking into the mirror, it winds up being about the contributor’s life, her self-esteem, her sense of self worth.\u003c/p>\n\u003cp>\u003cem>What Not To Wear\u003c/em> did not live up to its title, which implies judgment and critique and correction. \u003cem>What Not To Wear\u003c/em> asked questions, listened, and searched for a contributor’s truth. Okay, that’s a little touchy-feely, but it still captures the overall feeling of \u003cem>WNTW.\u003c/em> Just the fact that participants on the show were called “contributors” is worth noting. They were there to \u003cem>add something\u003c/em> to the show.\u003c/p>\n\u003cp>Compare that point of view to \u003cem>Girlfriend Intervention’s\u003c/em> intro, which explains that, “Trapped inside of every white girl is a strong black woman waiting to bust out. Every week, we take a BW -- a basic woman -- and turn her from a red-hot mess into a bootylicious babe.”\u003c/p>\n\u003cp>http://youtu.be/nD0c2GQWBdY\u003c/p>\n\u003cp>In \u003cem>Girlfriend Intervention’s\u003c/em> fourth episode, beauty pro Tracy Balan stands in front of the mirror with participant Cortney. Tracy is kind; she’s stern, but caring. She asks Cortney questions to get to the heart of why Cortney feels the way she does. But then, Tracy says, “\u003cem>I’m\u003c/em> going to take over. Welcome to beauty bootcamp.” It’s about fitting Cortney into a mold, instead of teaching Cortney how to find her own beauty.\u003c/p>\n\u003cp>http://youtu.be/gULZZ4ZZ8a4\u003c/p>\n\u003cp>In another episode, the girlfriends tell Sam, a newlywed who loves fantasy role-playing, that they are “going to take you away from the dungeon and the dragons and stuff like that, and help you get comfortable, help you feel good in your own skin.”\u003c/p>\n\u003cp>Look, Stacy and Clinton would make jokes at their contributors’ expense. One of that show’s recurring bits involved literally throwing a contributor’s old wardrobe into a garbage can. But one of the show’s fashion rules was that, “You can show off your personality without looking crazy.” They would have tried to teach Sam that she could love what she loved \u003cem>without\u003c/em> dressing like a teenager.\u003c/p>\n\u003cp>\u003cem>Girlfriend Intervention’s\u003c/em> Tracy, Nikki, Tiffiny, and Tanisha offer a one-size-fits-all approach that is the equivalent of passing someone on the street and telling them to “smile more.” Stacy and Clinton might make fun of your mom jeans (okay, they will definitely make fun of your mom jeans), but then they’ll pour you a cocktail, take you out to dinner, and ask you about your childhood.\u003c/p>\n\u003cp>Stacy and Clinton (along with makeup artist Carmindy and angel-among-men Ted) guided the makeover process, but they didn’t control it. That was down to the contributor, and that’s why their where-are-they-now updates were full of hugs, tears, and continued style success stories. These are results I think we can all get behind.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13755\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/giphy.gif\" alt=\"giphy\" width=\"500\" height=\"296\">\u003c/p>\n\u003cp>Also? It’s the only makeover show that featured a \u003cem>Law & Order\u003c/em> parody.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://youtu.be/m3WfKSjnXQI\u003c/p>\n\n","blocks":[],"excerpt":"What Not To Wear might sound like a mean-spirited makeover show, but it was actually anything but. We unfortunately can't say the same for new makeover shows like Girlfriend Intervention.","status":"publish","parent":0,"modified":1412491489,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":1022},"headData":{"title":"What Makeover Shows Like Girlfriend Intervention Should Learn from What Not to Wear | KQED","description":"What Not To Wear might sound like a mean-spirited makeover show, but it was actually anything but. We unfortunately can't say the same for new makeover shows like Girlfriend Intervention.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"What Makeover Shows Like Girlfriend Intervention Should Learn from What Not to Wear","datePublished":"2014-10-08T13:30:39.000Z","dateModified":"2014-10-05T06:44:49.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13754 http://blogs.kqed.org/pop/?p=13754","disqusUrl":"https://ww2.kqed.org/pop/2014/10/08/what-makeover-shows-like-girlfriend-intervention-should-learn-from-what-not-to-wear/","disqusTitle":"What Makeover Shows Like Girlfriend Intervention Should Learn from What Not to Wear","path":"/pop/13754/what-makeover-shows-like-girlfriend-intervention-should-learn-from-what-not-to-wear","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Girlfriend Intervention\u003c/em> is a new makeover show airing on Lifetime, and it’s been the source of some controversy since it started airing this summer. \u003ca href=\"http://flavorwire.com/476271/lifetimes-girlfriend-intervention-is-a-racist-mess\">Flavorwire called \u003cem>Girlfriend Intervention\u003c/em>\u003c/a> “a racist mess” and “\u003ca href=\"http://en.wikipedia.org/wiki/Queer_Eye\">\u003cem>Queer Eye\u003c/em>\u003c/a> but with black women.\" The four hosts of \u003cem>Girlfriend\u003c/em> \u003cem>Intervention\u003c/em> are Tracy, Nikki, Tiffiny, and Tanisha, who specialize in beauty, home, style and fashion, and soul. They play up archetypal (bordering on stereotypical) versions of the “sassy black girlfriend” often seen in romantic comedies or television series that feature a white female lead.\u003c/p>\n\u003cp>The experts generalize along racial and cultural lines when they speak directly to the camera (“My white girlfriends, if they’re anything other than a size 2, they are nervous and scared… As a black woman, we definitely embrace our size for what it is”), but that was also true of \u003cem>Queer Eye\u003c/em>. On the one hand, it’s nice to see a show with a multitude of African-American women in lead roles. It happens on occasion (see: the excellent \u003ca href=\"http://en.wikipedia.org/wiki/Girlfriends\">\u003cem>Girlfriends\u003c/em>\u003c/a>\u003cem>; \u003c/em>the, err, very popular \u003ca href=\"http://www.bravotv.com/the-real-housewives-of-atlanta\">\u003cem>The Real Housewives of Atlanta\u003c/em>\u003c/a>), but not often enough.\u003c/p>\n\u003cp>Archetypes that border on stereotypes aren’t \u003cem>Girlfriend Intervention\u003c/em>’s biggest problem. It’s the fact that, as a makeover show, it’s pushing a brand instead of treating participants like individuals.\u003c/p>\n\u003cp>TLC’s \u003ca href=\"http://www.tlc.com/tv-shows/what-not-to-wear\">\u003cem>What Not To Wear\u003c/em>\u003c/a>\u003cem>, \u003c/em>hosted by \u003ca href=\"https://twitter.com/stacylondon\">Stacy London\u003c/a> and \u003ca href=\"https://twitter.com/clinton_kelly\">Clinton Kelly\u003c/a> presented \u003ca href=\"http://www.upi.com/Entertainment_News/TV/2013/09/02/What-Not-to-Wear-stars-list-10-rules-to-dress-by/UPI-79831378132106/\">very specific fashion rules\u003c/a>, and then applied them to individuals. \u003cem>Girlfriend Intervention\u003c/em> and \u003cem>Queer Eye\u003c/em> have a brand, look, and show philosophy, and they fit individuals into that branding. \u003cem>WNTW, \u003c/em>which aired from 2003-2013, has passed on to the great reality TV playground in the sky, but I still think about it all the time. And that’s mostly because of the great shift that took place when the show switched up its hairdressers in the seventh season. Originally, \u003cem>WNTW’s \u003c/em>hairdresser was \u003ca href=\"http://www.examiner.com/article/what-happened-to-nick-arrojo\">Nick Arrojo\u003c/a>, a kind of sarcastic, resting-\u003cem>meh\u003c/em>-face dude who gave the same, pixie/mom haircut to any and all of the show’s contributors that sat in his chair. And then came \u003ca href=\"https://twitter.com/tedgibson\">Ted Gibson\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/d-5-GU9aPm8'\n title='//www.youtube.com/embed/d-5-GU9aPm8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“How was your week?” Ted would so often begin. And then, in the face of frightened contributors who are way out of their comfort zone, “That’s a \u003cem>really\u003c/em> heavy sigh. What’s up with that?” Ted talked to them about what they wanted and what they were scared of, not just with regard to their week in New York choosing a new wardrobe, but in their real lives back home. “How long have you had your hair like this?” might seem like it’s about, you know, \u003cem>how long have you had your hair like this?\u003c/em>, but with Ted kneeling down and looking just past the contributor’s shoulder, both of them talking into the mirror, it winds up being about the contributor’s life, her self-esteem, her sense of self worth.\u003c/p>\n\u003cp>\u003cem>What Not To Wear\u003c/em> did not live up to its title, which implies judgment and critique and correction. \u003cem>What Not To Wear\u003c/em> asked questions, listened, and searched for a contributor’s truth. Okay, that’s a little touchy-feely, but it still captures the overall feeling of \u003cem>WNTW.\u003c/em> Just the fact that participants on the show were called “contributors” is worth noting. They were there to \u003cem>add something\u003c/em> to the show.\u003c/p>\n\u003cp>Compare that point of view to \u003cem>Girlfriend Intervention’s\u003c/em> intro, which explains that, “Trapped inside of every white girl is a strong black woman waiting to bust out. Every week, we take a BW -- a basic woman -- and turn her from a red-hot mess into a bootylicious babe.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nD0c2GQWBdY'\n title='//www.youtube.com/embed/nD0c2GQWBdY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In \u003cem>Girlfriend Intervention’s\u003c/em> fourth episode, beauty pro Tracy Balan stands in front of the mirror with participant Cortney. Tracy is kind; she’s stern, but caring. She asks Cortney questions to get to the heart of why Cortney feels the way she does. But then, Tracy says, “\u003cem>I’m\u003c/em> going to take over. Welcome to beauty bootcamp.” It’s about fitting Cortney into a mold, instead of teaching Cortney how to find her own beauty.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gULZZ4ZZ8a4'\n title='//www.youtube.com/embed/gULZZ4ZZ8a4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In another episode, the girlfriends tell Sam, a newlywed who loves fantasy role-playing, that they are “going to take you away from the dungeon and the dragons and stuff like that, and help you get comfortable, help you feel good in your own skin.”\u003c/p>\n\u003cp>Look, Stacy and Clinton would make jokes at their contributors’ expense. One of that show’s recurring bits involved literally throwing a contributor’s old wardrobe into a garbage can. But one of the show’s fashion rules was that, “You can show off your personality without looking crazy.” They would have tried to teach Sam that she could love what she loved \u003cem>without\u003c/em> dressing like a teenager.\u003c/p>\n\u003cp>\u003cem>Girlfriend Intervention’s\u003c/em> Tracy, Nikki, Tiffiny, and Tanisha offer a one-size-fits-all approach that is the equivalent of passing someone on the street and telling them to “smile more.” Stacy and Clinton might make fun of your mom jeans (okay, they will definitely make fun of your mom jeans), but then they’ll pour you a cocktail, take you out to dinner, and ask you about your childhood.\u003c/p>\n\u003cp>Stacy and Clinton (along with makeup artist Carmindy and angel-among-men Ted) guided the makeover process, but they didn’t control it. That was down to the contributor, and that’s why their where-are-they-now updates were full of hugs, tears, and continued style success stories. These are results I think we can all get behind.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13755\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/giphy.gif\" alt=\"giphy\" width=\"500\" height=\"296\">\u003c/p>\n\u003cp>Also? It’s the only makeover show that featured a \u003cem>Law & Order\u003c/em> parody.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m3WfKSjnXQI'\n title='//www.youtube.com/embed/m3WfKSjnXQI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13754/what-makeover-shows-like-girlfriend-intervention-should-learn-from-what-not-to-wear","authors":["2421"],"categories":["pop_3"],"tags":["pop_2686","pop_280","pop_266","pop_2787","pop_2685"],"featImg":"pop_13760","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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