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In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_13994":{"type":"posts","id":"pop_13994","meta":{"index":"posts_1591205157","site":"pop","id":"13994","score":null,"sort":[1696353329000]},"guestAuthors":[],"slug":"mean-girls-october-3-filming-secrets","title":"7 Things You Didn't Know About 'Mean Girls'","publishDate":1696353329,"format":"standard","headTitle":"7 Things You Didn’t Know About ‘Mean Girls’ | KQED","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cem>\u003cstrong>Editor’s Note: This article was originally published in 2014.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>“You can’t sit with us.” “On Wednesdays, we wear pink.” “It’s October 3rd.” Almost two decades after the release of \u003cem>Mean Girls\u003c/em>, we’re still quoting it, and watching it at least three times a year. And, in case you somehow managed to forget how awesome this teen classic is, the cast reunited in 2014 to remind you — and spill some behind-the-scenes secrets. Here are the highlights:\u003c/p>\n\u003cp>\u003cstrong>Everyone wanted to play someone else.\u003c/strong> Lindsay Lohan auditioned for the role of Regina George, Rachel McAdams auditioned for the role of Cady Heron, and Lacey Chabert didn’t think she should play Gretchen Wieners.\u003c/p>\n\u003cp>\u003cstrong>Lacey Chabert turned 21 during the mall scene.\u003c/strong> The crew and extras all sang her “Happy Birthday.”\u003c/p>\n\u003cp>\u003cstrong>Amanda Seyfried became BFFs with Lacey Chabert.\u003c/strong> Seyfried was just out of high school and scared. Chabert took her under her wing, taught her how to make pecan pie, and let Seyfried listen to Dido (!) in her trailer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Lindsay Lohan and Hilary Duff really did hate each other!\u003c/strong> Some girl-on-girl feuds are made up; apparently, this one was not. Tina Fey remembers: “There was one day where she tried to explain to Amy and me her beef with Hilary Duff, but we couldn’t crack it. But we were pretending we could follow it.”\u003c/p>\n\u003cp>\u003cstrong>Glen Coco is real!\u003c/strong> Tina Fey isn’t good at making up believable character names, so she uses real ones. Her brother’s friend Glenn Cocco is a film editor in LA, and probably very annoyed.\u003c/p>\n\u003cp>\u003cstrong>Mariah Carey is a Plastic.\u003c/strong> The elusive chanteuse and Lindsay Lohan share a makeup artist, and Mariah always says “On Wednesdays, I wear pink” every time she runs into Lindsay.\u003c/p>\n\u003cp>\u003cstrong>We almost got a sequel, but now it’ll never happen.\u003c/strong> “At the time we did want to start the conversation about the sequel, and for whatever reason I was like, ‘No!!! \u003cem>We\u003c/em> shouldn’t do that!’ Now I look back and I’m like, ‘Why?’ But now, no — it’s too late now.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For everything else the cast had to say, \u003ca href=\"https://ew.com/article/2014/11/05/mean-girls-reunion/\">head over to \u003cem>Entertainment Weekly\u003c/em>\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"It's October 3rd — how many of these behind-the-scenes secrets did you know from 'Mean Girls'?","status":"publish","parent":0,"modified":1696353804,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":406},"headData":{"title":"7 Things You Didn't Know About 'Mean Girls' | KQED","description":"It's October 3rd — how many of these behind-the-scenes secrets did you know from 'Mean Girls'?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"WpOldSlug":"mean-girls-cast-reunite-and-spill-secrets-10-years-later","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/pop/13994/mean-girls-october-3-filming-secrets","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note: This article was originally published in 2014.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>“You can’t sit with us.” “On Wednesdays, we wear pink.” “It’s October 3rd.” Almost two decades after the release of \u003cem>Mean Girls\u003c/em>, we’re still quoting it, and watching it at least three times a year. And, in case you somehow managed to forget how awesome this teen classic is, the cast reunited in 2014 to remind you — and spill some behind-the-scenes secrets. Here are the highlights:\u003c/p>\n\u003cp>\u003cstrong>Everyone wanted to play someone else.\u003c/strong> Lindsay Lohan auditioned for the role of Regina George, Rachel McAdams auditioned for the role of Cady Heron, and Lacey Chabert didn’t think she should play Gretchen Wieners.\u003c/p>\n\u003cp>\u003cstrong>Lacey Chabert turned 21 during the mall scene.\u003c/strong> The crew and extras all sang her “Happy Birthday.”\u003c/p>\n\u003cp>\u003cstrong>Amanda Seyfried became BFFs with Lacey Chabert.\u003c/strong> Seyfried was just out of high school and scared. Chabert took her under her wing, taught her how to make pecan pie, and let Seyfried listen to Dido (!) in her trailer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Lindsay Lohan and Hilary Duff really did hate each other!\u003c/strong> Some girl-on-girl feuds are made up; apparently, this one was not. Tina Fey remembers: “There was one day where she tried to explain to Amy and me her beef with Hilary Duff, but we couldn’t crack it. But we were pretending we could follow it.”\u003c/p>\n\u003cp>\u003cstrong>Glen Coco is real!\u003c/strong> Tina Fey isn’t good at making up believable character names, so she uses real ones. Her brother’s friend Glenn Cocco is a film editor in LA, and probably very annoyed.\u003c/p>\n\u003cp>\u003cstrong>Mariah Carey is a Plastic.\u003c/strong> The elusive chanteuse and Lindsay Lohan share a makeup artist, and Mariah always says “On Wednesdays, I wear pink” every time she runs into Lindsay.\u003c/p>\n\u003cp>\u003cstrong>We almost got a sequel, but now it’ll never happen.\u003c/strong> “At the time we did want to start the conversation about the sequel, and for whatever reason I was like, ‘No!!! \u003cem>We\u003c/em> shouldn’t do that!’ Now I look back and I’m like, ‘Why?’ But now, no — it’s too late now.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For everything else the cast had to say, \u003ca href=\"https://ew.com/article/2014/11/05/mean-girls-reunion/\">head over to \u003cem>Entertainment Weekly\u003c/em>\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13994/mean-girls-october-3-filming-secrets","authors":["27"],"categories":["pop_51"],"tags":["pop_423","pop_424","pop_314"],"featImg":"pop_113767","label":"pop"},"pop_111770":{"type":"posts","id":"pop_111770","meta":{"index":"posts_1591205157","site":"pop","id":"111770","score":null,"sort":[1557709588000]},"guestAuthors":[],"slug":"wine-country-an-ode-to-female-friendships-with-mellow-notes","title":"'Wine Country': An Ode To Female Friendships, With Mellow Notes","publishDate":1557709588,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Cameos are expected in comedies, but it's a surprise when the guest roster trends a bit highbrow. Amy Poehler's new Netflix movie \u003cem>Wine Country\u003c/em>, starring Poehler and her closest \u003cem>Saturday Night Live\u003c/em> girlfriends on a romp through Napa Valley, doesn't trot out a big performer for its walk-on bit. Instead, the ladies cross paths with social work researcher Brené Brown, whose \u003ca href=\"https://www.ted.com/talks/brene_brown_on_vulnerability\">TED talk\u003c/a> on \"the power of vulnerability\" went viral several years ago. And they treat her like a god ... or at least a celebrity on par with Cher.\u003c/p>\n\u003cp>Brown's messaging is geared toward people who avoid conflict and uncertainty in their lives, instructing them to instead embrace vulnerability as \"the birthplace of innovation, creativity and change.\" Is it any wonder that Poehler and her co-stars—Maya Rudolph, Rachel Dratch, Paula Pell, Ana Gasteyer, Emily Spivey and Tina Fey—are so enamored of her? These performers have long adapted their comedic personas around the anxieties of work and female friendships, and now those fears and doubts are coalescing around the added specter of middle age. Brown's presence in \u003cem>Wine Country\u003c/em> could just be some clever cross-promotion for her own Netflix special, but it feels more like signposting. Despite the movie's best efforts to make things pleasant and shiny and oh so gentle, its characters are indeed afraid of life's uncertainties, and they'll have many teachable moments before all is said and done.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aW_0MO-XKog\u003c/p>\n\u003cp>\u003cem>Wine Country\u003c/em> is basically Poehler's version of Adam Sandler's Netflix-funded vacations, but with some introspect in place of Sandler's crass gags. As director, Poehler casts her friends as former co-workers from the same Chicago pizza parlor (a not-so-subtle nod to their actual early days in Chicago improv). They've all gathered in Napa on the occasion of a 50th birthday; Dratch, who's already reached that milestone herself, plays the birthday girl. Everyone is a toned-down version of their usual high-wire shtick, with the exception of Fey, doing real character work as the grunting edible-soap queen who owns the house Poehler's character has rented.\u003c/p>\n\u003cp>Even in a repressed state, the others are walking embodiments of doubt and anxiety. Poehler's Abby is a tightly wound, Knope-esque planner masking a recent job loss with the birthday celebrations. Rudolph's Naomi is a mother terrified of a pending medical diagnosis. Gasteyer plays Catherine, a successful restaurateur who can't peel her eyes from her phone. Occasionally they'll pair off to whisper about one another, usually accompanied by the phrase \"Can I just say something?\" or the preferred alternative of Dratch's conflict-averse psychologist, \"Can I offer some feedback?\" You get the sense that these women are just saying on-camera the sorts of things they've always said to each other.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Mostly everyone is here to bond, and not just stage-bond. They laugh at each other's jokes, sneer at the sommeliers who try to lecture them about flavor notes and crank Kim Wilde's \"Kids in America\" to full volume on the party bus. Largely because of its oh so gentle nature, \u003cem>Wine Country \u003c/em>isn't the best laugh-delivery vehicle: Many scenes lack even a basic conflict, let alone a central joke. Other times the film runs away from \"yes, and\" setups entirely. There's something resigned about the bit where one of the women introduces a bag of molly and no one wants to take any.\u003c/p>\n\u003cfigure id=\"attachment_111772\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-111772\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-800x400.jpg\" alt=\"'Wine Country.'\" width=\"800\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-800x400.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-160x80.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-768x384.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-1020x510.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-1200x600.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Wine Country.' \u003ccite>(Netflix)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But Poehler is going for something warmer than an \u003cem>SNL\u003c/em> sketch, or for that matter her previous forays into high-concept, big-screen comedy like \u003cem>Baby Mama \u003c/em>and \u003ca href=\"https://www.npr.org/2015/12/17/459996211/sisters-is-a-house-party-and-a-victory-lap\">\u003cem>Sisters\u003c/em>\u003c/a>. Left to her own devices as helmer, she's made a cozy reunion happy hour and an ode to female friendships. She also invites us to draw on our knowledge of who all these actresses are and why they might be so perturbed over the directions their careers and lives have taken as they approach 50. In the narrative, some women are less successful than others; some are single or in a bad marriage or denying their fear of aging. Some resentment boils over, as it must, but things never get too nasty. The film wants us to know that everyone is there for each other.\u003c/p>\n\u003cp>On hand to deflect the sorrows, besides the wine, are supporting players who seem to have wandered over from broader movies: Jason Schwartzman as a hipster chef who can never finish his paella recipe, Cherry Jones as a cynical tarot-card reader, \u003cem>Pen15\u003c/em>'s Maya Erskine as a young artist whose work consists entirely of ironic Fran Drescher portraits. The scene at her art gallery is the film's closest thing to a true comedic set piece, as the ladies take turns insulting a roomful of overly confident millennials.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even during this bit, though, Poehler utters a conspicuously not funny line that's clearly meant as something else. \"We are exactly where we need to be,\" she announces. \"We're doing fine.\" For anyone who needs to hear it.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org/\">NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Wine+Country%27%3A+An+Ode+To+Female+Friendships%2C+With+Mellow+Notes&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Amy Poehler directs and stars in this Netflix film that, while light on laughs and conflict, delivers a \"cozy reunion happy hour and an ode to female friendships.\"","status":"publish","parent":0,"modified":1557709588,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":873},"headData":{"title":"'Wine Country': An Ode To Female Friendships, With Mellow Notes | KQED","description":"Amy Poehler directs and stars in this Netflix film that, while light on laughs and conflict, delivers a "cozy reunion happy hour and an ode to female friendships."","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"111770 https://ww2.kqed.org/pop/?p=111770","disqusUrl":"https://ww2.kqed.org/pop/2019/05/12/wine-country-an-ode-to-female-friendships-with-mellow-notes/","disqusTitle":"'Wine Country': An Ode To Female Friendships, With Mellow Notes","path":"/pop/111770/wine-country-an-ode-to-female-friendships-with-mellow-notes","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Cameos are expected in comedies, but it's a surprise when the guest roster trends a bit highbrow. Amy Poehler's new Netflix movie \u003cem>Wine Country\u003c/em>, starring Poehler and her closest \u003cem>Saturday Night Live\u003c/em> girlfriends on a romp through Napa Valley, doesn't trot out a big performer for its walk-on bit. Instead, the ladies cross paths with social work researcher Brené Brown, whose \u003ca href=\"https://www.ted.com/talks/brene_brown_on_vulnerability\">TED talk\u003c/a> on \"the power of vulnerability\" went viral several years ago. And they treat her like a god ... or at least a celebrity on par with Cher.\u003c/p>\n\u003cp>Brown's messaging is geared toward people who avoid conflict and uncertainty in their lives, instructing them to instead embrace vulnerability as \"the birthplace of innovation, creativity and change.\" Is it any wonder that Poehler and her co-stars—Maya Rudolph, Rachel Dratch, Paula Pell, Ana Gasteyer, Emily Spivey and Tina Fey—are so enamored of her? These performers have long adapted their comedic personas around the anxieties of work and female friendships, and now those fears and doubts are coalescing around the added specter of middle age. Brown's presence in \u003cem>Wine Country\u003c/em> could just be some clever cross-promotion for her own Netflix special, but it feels more like signposting. Despite the movie's best efforts to make things pleasant and shiny and oh so gentle, its characters are indeed afraid of life's uncertainties, and they'll have many teachable moments before all is said and done.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aW_0MO-XKog'\n title='//www.youtube.com/embed/aW_0MO-XKog'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Wine Country\u003c/em> is basically Poehler's version of Adam Sandler's Netflix-funded vacations, but with some introspect in place of Sandler's crass gags. As director, Poehler casts her friends as former co-workers from the same Chicago pizza parlor (a not-so-subtle nod to their actual early days in Chicago improv). They've all gathered in Napa on the occasion of a 50th birthday; Dratch, who's already reached that milestone herself, plays the birthday girl. Everyone is a toned-down version of their usual high-wire shtick, with the exception of Fey, doing real character work as the grunting edible-soap queen who owns the house Poehler's character has rented.\u003c/p>\n\u003cp>Even in a repressed state, the others are walking embodiments of doubt and anxiety. Poehler's Abby is a tightly wound, Knope-esque planner masking a recent job loss with the birthday celebrations. Rudolph's Naomi is a mother terrified of a pending medical diagnosis. Gasteyer plays Catherine, a successful restaurateur who can't peel her eyes from her phone. Occasionally they'll pair off to whisper about one another, usually accompanied by the phrase \"Can I just say something?\" or the preferred alternative of Dratch's conflict-averse psychologist, \"Can I offer some feedback?\" You get the sense that these women are just saying on-camera the sorts of things they've always said to each other.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Mostly everyone is here to bond, and not just stage-bond. They laugh at each other's jokes, sneer at the sommeliers who try to lecture them about flavor notes and crank Kim Wilde's \"Kids in America\" to full volume on the party bus. Largely because of its oh so gentle nature, \u003cem>Wine Country \u003c/em>isn't the best laugh-delivery vehicle: Many scenes lack even a basic conflict, let alone a central joke. Other times the film runs away from \"yes, and\" setups entirely. There's something resigned about the bit where one of the women introduces a bag of molly and no one wants to take any.\u003c/p>\n\u003cfigure id=\"attachment_111772\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-111772\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-800x400.jpg\" alt=\"'Wine Country.'\" width=\"800\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-800x400.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-160x80.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-768x384.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-1020x510.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews-1200x600.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2019/05/Wine-Country-Movie-Reviews.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Wine Country.' \u003ccite>(Netflix)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But Poehler is going for something warmer than an \u003cem>SNL\u003c/em> sketch, or for that matter her previous forays into high-concept, big-screen comedy like \u003cem>Baby Mama \u003c/em>and \u003ca href=\"https://www.npr.org/2015/12/17/459996211/sisters-is-a-house-party-and-a-victory-lap\">\u003cem>Sisters\u003c/em>\u003c/a>. Left to her own devices as helmer, she's made a cozy reunion happy hour and an ode to female friendships. She also invites us to draw on our knowledge of who all these actresses are and why they might be so perturbed over the directions their careers and lives have taken as they approach 50. In the narrative, some women are less successful than others; some are single or in a bad marriage or denying their fear of aging. Some resentment boils over, as it must, but things never get too nasty. The film wants us to know that everyone is there for each other.\u003c/p>\n\u003cp>On hand to deflect the sorrows, besides the wine, are supporting players who seem to have wandered over from broader movies: Jason Schwartzman as a hipster chef who can never finish his paella recipe, Cherry Jones as a cynical tarot-card reader, \u003cem>Pen15\u003c/em>'s Maya Erskine as a young artist whose work consists entirely of ironic Fran Drescher portraits. The scene at her art gallery is the film's closest thing to a true comedic set piece, as the ladies take turns insulting a roomful of overly confident millennials.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even during this bit, though, Poehler utters a conspicuously not funny line that's clearly meant as something else. \"We are exactly where we need to be,\" she announces. \"We're doing fine.\" For anyone who needs to hear it.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org/\">NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Wine+Country%27%3A+An+Ode+To+Female+Friendships%2C+With+Mellow+Notes&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/111770/wine-country-an-ode-to-female-friendships-with-mellow-notes","authors":["2421"],"categories":["pop_51","pop_3"],"tags":["pop_313","pop_3623","pop_3624","pop_919","pop_1468","pop_3622","pop_3621","pop_314"],"featImg":"pop_111773","label":"pop"},"pop_96840":{"type":"posts","id":"pop_96840","meta":{"index":"posts_1591205157","site":"pop","id":"96840","score":null,"sort":[1509633058000]},"guestAuthors":[],"slug":"now-is-definitely-the-time-to-re-watch-30-rock","title":"Now is Definitely the Time to Re-Watch '30 Rock'","publishDate":1509633058,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Halloween may have already come and gone, but \"Werewolf Bar Mitzvah\" from \u003cem>30 Rock\u003c/em> is still bouncing around in my head. Thanks to the majesty of the internet, the bit\u003cem> \u003c/em>that originally lasted \u003ca href=\"https://www.youtube.com/watch?v=Zxk_P3PNuZU\" target=\"_blank\" rel=\"noopener noreferrer\">only seven seconds\u003c/a>, can now be heard in full:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=A6V2oCX3Hn4\u003c/p>\n\u003cp>The fact that the \u003cem>30 Rock\u003c/em> team wrote a three-minute song for a seven-second joke speaks volumes about the show's attention to detail (something that sometimes entices fans to freeze-frame particular scenes and analyze them more closely). Is it slightly insane that one viewer read, typed out, and shared the text of a sign in a liquor store window from Episode 15, Season 4? Well no. Not when the first line of the sign is \"The famed, boggy soils of Scotland produce distinctive wines with short, almost brutal finishes, and an acrid, musty nose that is often compared to the attic of a serial killer,\" and just \u003ca href=\"http://hidden30rockjokes.tumblr.com\" target=\"_blank\" rel=\"noopener noreferrer\">gets better from there\u003c/a>.\u003c/p>\n\u003cp>\u003cem>30 Rock \u003c/em>was relevant during its time on NBC, and it remains relevant today. One pertinent example concerns issues surrounding black comedians being asked to dress as women for roles. The subject has been analyzed at length, online, in academia, and even in the debut episode of new Showtime series, \u003ca href=\"http://www.npr.org/2017/10/13/557520604/tv-review-jay-pharoah-in-white-famous\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>White Famous \u003c/em>\u003c/a>(Jay Pharoah's character Floyd notes: \"It's just that thing—every time there's a funny black brother in Hollywood, they try to emasculate him\"). Impressive then that \u003cem>30 Rock\u003c/em> managed to dig into this issue on a major TV network over a decade ago (in Episode 8 of its first season, Tracy Jordan was told: \"Drag is a way for Caucasians to emasculate you and make you seem non-threatening\").\u003c/p>\n\u003cp>Truly, the further away from the end of \u003cem>30 Rock\u003c/em> we get—the last episode aired in January 2013—the more we seem to need to revisit it. This was most apparent in October 2014, after the Bill Cosby scandal first broke. \u003ca href=\"https://www.youtube.com/watch?v=DaEJQntlXtU\" target=\"_blank\" rel=\"noopener noreferrer\">Hannibal Buress was credited\u003c/a> with dragging the sexual assault rumors into the light with a biting piece of stand-up, but \u003cem>30 Rock\u003c/em> had hinted at the same thing in a Season 3 episode titled \"The Bubble,\" all the way back in 2009.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>30 Rock\u003c/em> co-showrunner Robert Carlock \u003ca href=\"http://ew.com/article/2016/02/19/30-rock-bill-cosby-joke-carlock/\" target=\"_blank\" rel=\"noopener noreferrer\">told \u003cem>Entertainment Weekly\u003c/em>\u003c/a> in 2016 that Tina Fey wanted to overtly call out Cosby on the show and had been “grinding that ax for a long time.” \"From my memory,\" he said, \"the joke was more overt. And because [Cosby] had not been found guilty of anything—and still hasn’t—we had to reword it to be a little more obtuse.”\u003c/p>\n\u003cp>Remarkably, it wasn't a one-off. In the wake of the Harvey Weinstein scandal, the \u003ca href=\"https://www.youtube.com/channel/UCwLuX0LoZmlIFpfKvCHyELw\" target=\"_blank\" rel=\"noopener noreferrer\">official \u003cem>30 Rock\u003c/em> YouTube\u003c/a> account posted a clip from a March 2012 episode in which Jenna talks about her questionable relationship with Weinstein. It came up again in \u003cem>30 Rock\u003c/em>'s final season, when she utters the now-astonishing line, \"I know how former lovers can have a hold over you long after they’re gone. In some ways, I’m still pinned under a passed-out Harvey Weinstein, and it’s Thanksgiving.\"\u003c/p>\n\u003cp>In fact, hindsight regularly injects extra layers of meaning throughout \u003cem>30 Rock\u003c/em>. The fact that Jenna owns a holiday home in Clearwater, Florida didn't mean a lot back when she announced it in the show's first season. Now, in a post-\u003ca href=\"http://www.aetv.com/shows/leah-remini-scientology-and-the-aftermath\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Scientology and the Aftermath\u003c/em>\u003c/a> world, we know that Clearwater is a hotbed of Scientology-related activity (the church is currently responsible for more than \u003ca href=\"http://www.fsunews.com/story/life/2017/03/19/history-scientology-clearwater-florida/99381438/\" target=\"_blank\" rel=\"noopener noreferrer\">a quarter billion dollars\u003c/a> of real estate in downtown Clearwater). Eleven years later, we're finally in on a joke that most of us probably missed before.\u003c/p>\n\u003cp>It begs the question: How many other people and institutions were called out in \u003cem>30 Rock\u003c/em>'s \u003ca href=\"http://www.imdb.com/title/tt0496424/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\">seven seasons\u003c/a> that we simply haven't noticed yet? If anyone is going to figure it out, a mass \u003cem>30 Rock\u003c/em> binge is in order. Now is a great time regardless: Alec Baldwin's popularity is riding particularly high, thanks to his iconic Donald Trump impersonation\u003cem>,\u003c/em> and Tina Fey's guest appearances on \u003ca href=\"https://www.youtube.com/watch?v=cf8Mo3PIZpQ\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Great News\u003c/em>\u003c/a> are currently reminding America just how much it misses her.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When \u003cem>30 Rock\u003c/em> ended after 138 glorious episodes, \u003ca href=\"https://www.newyorker.com/culture/culture-desk/30-rock-i-love-this-dirty-sitcom\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The New Yorker\u003c/em>\u003c/a> called the show \"a surreal machine capable of commenting on anything, from feminism and prismatic perspectives on race, to national politics, reality television, and corporate culture.\" And that's still as true as Kenneth Parcell's commitment to telling tragic family stories with a smile on his face.\u003c/p>\n\n","blocks":[],"excerpt":"Missed the Cosby and Weinstein jokes the first time around? It's time to take another look at '30 Rock.'","status":"publish","parent":0,"modified":1609878405,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":791},"headData":{"title":"Now is Definitely the Time to Re-Watch '30 Rock' - KQED Pop","description":"Missed the Cosby and Weinstein jokes the first time around? It's time to take another look at '30 Rock.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"96840 https://ww2.kqed.org/pop/?p=96840","disqusUrl":"https://ww2.kqed.org/pop/2017/11/02/now-is-definitely-the-time-to-re-watch-30-rock/","disqusTitle":"Now is Definitely the Time to Re-Watch '30 Rock'","templateType":"standard","featuredImageType":"standard","path":"/pop/96840/now-is-definitely-the-time-to-re-watch-30-rock","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Halloween may have already come and gone, but \"Werewolf Bar Mitzvah\" from \u003cem>30 Rock\u003c/em> is still bouncing around in my head. Thanks to the majesty of the internet, the bit\u003cem> \u003c/em>that originally lasted \u003ca href=\"https://www.youtube.com/watch?v=Zxk_P3PNuZU\" target=\"_blank\" rel=\"noopener noreferrer\">only seven seconds\u003c/a>, can now be heard in full:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A6V2oCX3Hn4'\n title='//www.youtube.com/embed/A6V2oCX3Hn4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The fact that the \u003cem>30 Rock\u003c/em> team wrote a three-minute song for a seven-second joke speaks volumes about the show's attention to detail (something that sometimes entices fans to freeze-frame particular scenes and analyze them more closely). Is it slightly insane that one viewer read, typed out, and shared the text of a sign in a liquor store window from Episode 15, Season 4? Well no. Not when the first line of the sign is \"The famed, boggy soils of Scotland produce distinctive wines with short, almost brutal finishes, and an acrid, musty nose that is often compared to the attic of a serial killer,\" and just \u003ca href=\"http://hidden30rockjokes.tumblr.com\" target=\"_blank\" rel=\"noopener noreferrer\">gets better from there\u003c/a>.\u003c/p>\n\u003cp>\u003cem>30 Rock \u003c/em>was relevant during its time on NBC, and it remains relevant today. One pertinent example concerns issues surrounding black comedians being asked to dress as women for roles. The subject has been analyzed at length, online, in academia, and even in the debut episode of new Showtime series, \u003ca href=\"http://www.npr.org/2017/10/13/557520604/tv-review-jay-pharoah-in-white-famous\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>White Famous \u003c/em>\u003c/a>(Jay Pharoah's character Floyd notes: \"It's just that thing—every time there's a funny black brother in Hollywood, they try to emasculate him\"). Impressive then that \u003cem>30 Rock\u003c/em> managed to dig into this issue on a major TV network over a decade ago (in Episode 8 of its first season, Tracy Jordan was told: \"Drag is a way for Caucasians to emasculate you and make you seem non-threatening\").\u003c/p>\n\u003cp>Truly, the further away from the end of \u003cem>30 Rock\u003c/em> we get—the last episode aired in January 2013—the more we seem to need to revisit it. This was most apparent in October 2014, after the Bill Cosby scandal first broke. \u003ca href=\"https://www.youtube.com/watch?v=DaEJQntlXtU\" target=\"_blank\" rel=\"noopener noreferrer\">Hannibal Buress was credited\u003c/a> with dragging the sexual assault rumors into the light with a biting piece of stand-up, but \u003cem>30 Rock\u003c/em> had hinted at the same thing in a Season 3 episode titled \"The Bubble,\" all the way back in 2009.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>30 Rock\u003c/em> co-showrunner Robert Carlock \u003ca href=\"http://ew.com/article/2016/02/19/30-rock-bill-cosby-joke-carlock/\" target=\"_blank\" rel=\"noopener noreferrer\">told \u003cem>Entertainment Weekly\u003c/em>\u003c/a> in 2016 that Tina Fey wanted to overtly call out Cosby on the show and had been “grinding that ax for a long time.” \"From my memory,\" he said, \"the joke was more overt. And because [Cosby] had not been found guilty of anything—and still hasn’t—we had to reword it to be a little more obtuse.”\u003c/p>\n\u003cp>Remarkably, it wasn't a one-off. In the wake of the Harvey Weinstein scandal, the \u003ca href=\"https://www.youtube.com/channel/UCwLuX0LoZmlIFpfKvCHyELw\" target=\"_blank\" rel=\"noopener noreferrer\">official \u003cem>30 Rock\u003c/em> YouTube\u003c/a> account posted a clip from a March 2012 episode in which Jenna talks about her questionable relationship with Weinstein. It came up again in \u003cem>30 Rock\u003c/em>'s final season, when she utters the now-astonishing line, \"I know how former lovers can have a hold over you long after they’re gone. In some ways, I’m still pinned under a passed-out Harvey Weinstein, and it’s Thanksgiving.\"\u003c/p>\n\u003cp>In fact, hindsight regularly injects extra layers of meaning throughout \u003cem>30 Rock\u003c/em>. The fact that Jenna owns a holiday home in Clearwater, Florida didn't mean a lot back when she announced it in the show's first season. Now, in a post-\u003ca href=\"http://www.aetv.com/shows/leah-remini-scientology-and-the-aftermath\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Scientology and the Aftermath\u003c/em>\u003c/a> world, we know that Clearwater is a hotbed of Scientology-related activity (the church is currently responsible for more than \u003ca href=\"http://www.fsunews.com/story/life/2017/03/19/history-scientology-clearwater-florida/99381438/\" target=\"_blank\" rel=\"noopener noreferrer\">a quarter billion dollars\u003c/a> of real estate in downtown Clearwater). Eleven years later, we're finally in on a joke that most of us probably missed before.\u003c/p>\n\u003cp>It begs the question: How many other people and institutions were called out in \u003cem>30 Rock\u003c/em>'s \u003ca href=\"http://www.imdb.com/title/tt0496424/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\">seven seasons\u003c/a> that we simply haven't noticed yet? If anyone is going to figure it out, a mass \u003cem>30 Rock\u003c/em> binge is in order. Now is a great time regardless: Alec Baldwin's popularity is riding particularly high, thanks to his iconic Donald Trump impersonation\u003cem>,\u003c/em> and Tina Fey's guest appearances on \u003ca href=\"https://www.youtube.com/watch?v=cf8Mo3PIZpQ\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Great News\u003c/em>\u003c/a> are currently reminding America just how much it misses her.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When \u003cem>30 Rock\u003c/em> ended after 138 glorious episodes, \u003ca href=\"https://www.newyorker.com/culture/culture-desk/30-rock-i-love-this-dirty-sitcom\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The New Yorker\u003c/em>\u003c/a> called the show \"a surreal machine capable of commenting on anything, from feminism and prismatic perspectives on race, to national politics, reality television, and corporate culture.\" And that's still as true as Kenneth Parcell's commitment to telling tragic family stories with a smile on his face.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/96840/now-is-definitely-the-time-to-re-watch-30-rock","authors":["11242"],"categories":["pop_3"],"tags":["pop_87","pop_3060","pop_88","pop_314"],"featImg":"pop_96843","label":"pop"},"pop_24126":{"type":"posts","id":"pop_24126","meta":{"index":"posts_1591205157","site":"pop","id":"24126","score":null,"sort":[1464126261000]},"guestAuthors":[],"slug":"if-30-rock-is-hillary-clinton-then-kimmy-schmidt-is-bernie-sanders","title":"If '30 Rock' Is Hillary Clinton, Then 'Kimmy Schmidt' Is Bernie Sanders","publishDate":1464126261,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Outside her rabid fan base, Tina Fey is best known for her flawless impersonation of vice-presidential nominee Sarah Palin, don’tchaknow. But binge-watch enough Netflix and/or C-SPAN Benghazi hearings — perhaps under the influence of \u003ca class=\"markup--anchor markup--p-anchor\" href=\"https://www.youtube.com/watch?v=A6yttOfIvOw\" rel=\"nofollow\">pinot noir\u003c/a> — and you’ll notice additional Tina Fey-ian political connections.\u003c/p>\n\u003cp id=\"1ceb\" class=\"graf--p graf-after--p\">If\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> is the Hillary Clinton of Tina Fey sitcoms — corporate, liberal, still struggling with race--then \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt \u003c/em>is the Bernie Sanders — populist, radical, and, well…still struggling with race.\u003c/p>\n\u003cp id=\"09c0\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> centers squarely around White Feminist™ Liz Lemon, who spends her days navigating a cynical, male-dominated world and routinely resolving the bizarre, petty problems of her coworkers, much like what Hillary had to do in her years as Senator and Secretary of State.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\">\u003cimg class=\"aligncenter wp-image-25078 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\" alt=\"liz lemon 30 rock gif\" width=\"694\" height=\"381\">\u003c/a>\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\">\u003cimg class=\"aligncenter wp-image-25077 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\" alt=\"hillary clinton gif\" width=\"480\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock \u003c/em>is the adopted New Yorker, who knows how to work the system and maybe just moved to the Empire State to snag a high-profile gig in television...or a Senate seat. While \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> rarely ventures outside the confines of its titular office, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>romps around New York City, elbow to elbow with the people, trading in authenticity and quirk like a certain wispy-haired septuagenarian.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">Class divisions are a frequent punchline on both\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>. Three of \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em>’s major characters — Jack, Tracy, and Jenna— have transcended their economically humble origins to the (frequently mocked) life of one-percenters. Despite rapid social mobility in their personal lives, these three are doing little to radically overhaul the systems that benefit them and shut out others, similar to a certain presidential candidate \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://fortune.com/2016/02/15/hillary-clinton-net-worth-finances/\" rel=\"nofollow\">whose net worth is over $30 million.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FbDmJrZZcI0\u003c/p>\n\u003cp id=\"fd6d\" class=\"graf--p graf-after--figure\">While \u003cem class=\"markup--em markup--p-em\">30 Rock’s\u003c/em> characters were primarily upwardly mobile, as of season two, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>’s core crew remains broke. Kimmy and her roommate Titus bounce between typical New York gigs: Uber driver, baby-sitter, Santa’s helper, dinner theater werewolf. Kimmy and Titus’ similarly working-class landlady, Lillian, ferociously defends her neighborhood against impending gentrification. In the new season of\u003cem class=\"markup--em markup--p-em\"> Kimmy Schmidt\u003c/em>, Lillian becomes aggravated when her neighbors mistake her for a kindly old lady, instead of the hell-raiser she is. She chains herself to bulldozers, intimidates invading hipsters, and bludgeons unsuspecting SUVs. Take note of these tactics in the event of \u003ca href=\"http://www.cnn.com/2016/03/29/politics/susan-sarandon-donald-trump-hillary-clinton-bernie-sanders/\">the revolution Susan Sarandon speaks of\u003c/a>.\u003c/p>\n\u003cfigure id=\"cfb3\" class=\"graf--figure graf--iframe graf-after--p\">\n\u003cdiv class=\"iframeContainer\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\">\u003cimg class=\"aligncenter size-full wp-image-25081\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\" alt=\"lillian kimmy schmidt gif\" width=\"400\" height=\"225\">\u003c/a>\u003c/div>\n\u003c/figure>\n\u003cp id=\"eb0a\" class=\"graf--p graf-after--figure\">As conscious as both \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em> and Bernie Sanders are around class struggles, race is more loaded. On the campaign trail, both \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.msnbc.com/msnbc/bernie-sanders-ghetto-gaffe-highlights-campaigns-struggle-race\" rel=\"nofollow\">Sanders\u003c/a> and \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.thenation.com/article/hillary-clinton-does-not-deserve-black-peoples-votes/\" rel=\"nofollow\">Clinton\u003c/a> have often stumbled in addressing their policies and histories around racial justice.\u003c/p>\n\u003cp id=\"8a45\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>frequently flail when attempting provocative plot lines around race. On \u003cem class=\"markup--em markup--p-em\">30 Rock, \u003c/em>Tracy often encapsulated every possible stereotype of a black, heterosexual man (though he was slyly undercut by erudite posse, Grizz and Dot-Com). The show also delved into blackface…multiple times. On the latest season of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt,\u003c/em> Titus takes on the persona of a geisha for a one-man show; Kimmy’s good-at-math GED class paramour, Dong Nguyen, feels like a passive cliché at times; and Jacqueline's (played by the inescapably white Jane Krasowski) continued attempts to reconnect with her Native American heritage fall flat.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\">\u003cimg class=\"aligncenter size-full wp-image-25083\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\" alt=\"kimmy white nonsense titus gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp id=\"608f\" class=\"graf--p graf-after--figure\">Whether in the next season or on the campaign trail, Tina, Hillary (\u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.npr.org/2016/04/07/473428472/bill-clinton-gets-into-heated-exchange-with-black-lives-matter-protester\" rel=\"nofollow\">plus Bill\u003c/a>), and Bernie all have the opportunity to shine when it comes to racial issues. Rather than belittling activists, Sanders and Clinton can take a lesson from Fey’s comedy, in which the funniest plot lines always “punch up.” In season one of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>, for instance, Titus realizes that his fellow New Yorkers treat him better in his werewolf costume than as a Black man.\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\">\u003cimg class=\"aligncenter size-full wp-image-25084\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\" alt=\"kimmy schmidt werewolf gif\" width=\"268\" height=\"194\">\u003c/a>\u003c/p>\n\u003cp id=\"32dd\" class=\"graf--p graf-after--figure\">Comedians and politicians alike must name and mock the absurdity of racism, from the writers’ room in 30 Rockefeller Plaza to a fried-Twinkie-saturated rural Iowan campaign stop. Though Tina Fey’s shows occasionally fumble, both \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt\u003c/em> are far better alternatives to the garbage fire that is \u003cem class=\"markup--em markup--p-em\">The Apprentice.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\">\u003cimg class=\"aligncenter size-full wp-image-25085\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\" alt=\"tina fey 30 rock gif\" width=\"444\" height=\"250\">\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"If '30 Rock' is the Hillary of Tina Fey sitcoms, 'Unbreakable' is the Bernie— thoroughly populist, but still struggling with issues of race.","status":"publish","parent":0,"modified":1464126321,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":710},"headData":{"title":"If '30 Rock' Is Hillary Clinton, Then 'Kimmy Schmidt' Is Bernie Sanders | KQED","description":"If '30 Rock' is the Hillary of Tina Fey sitcoms, 'Unbreakable' is the Bernie— thoroughly populist, but still struggling with issues of race.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"24126 http://ww2.kqed.org/pop/?p=24126","disqusUrl":"https://ww2.kqed.org/pop/2016/05/24/if-30-rock-is-hillary-clinton-then-kimmy-schmidt-is-bernie-sanders/","disqusTitle":"If '30 Rock' Is Hillary Clinton, Then 'Kimmy Schmidt' Is Bernie Sanders","nprByline":"Erin Grace Burns","path":"/pop/24126/if-30-rock-is-hillary-clinton-then-kimmy-schmidt-is-bernie-sanders","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside her rabid fan base, Tina Fey is best known for her flawless impersonation of vice-presidential nominee Sarah Palin, don’tchaknow. But binge-watch enough Netflix and/or C-SPAN Benghazi hearings — perhaps under the influence of \u003ca class=\"markup--anchor markup--p-anchor\" href=\"https://www.youtube.com/watch?v=A6yttOfIvOw\" rel=\"nofollow\">pinot noir\u003c/a> — and you’ll notice additional Tina Fey-ian political connections.\u003c/p>\n\u003cp id=\"1ceb\" class=\"graf--p graf-after--p\">If\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> is the Hillary Clinton of Tina Fey sitcoms — corporate, liberal, still struggling with race--then \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt \u003c/em>is the Bernie Sanders — populist, radical, and, well…still struggling with race.\u003c/p>\n\u003cp id=\"09c0\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> centers squarely around White Feminist™ Liz Lemon, who spends her days navigating a cynical, male-dominated world and routinely resolving the bizarre, petty problems of her coworkers, much like what Hillary had to do in her years as Senator and Secretary of State.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\">\u003cimg class=\"aligncenter wp-image-25078 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\" alt=\"liz lemon 30 rock gif\" width=\"694\" height=\"381\">\u003c/a>\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\">\u003cimg class=\"aligncenter wp-image-25077 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\" alt=\"hillary clinton gif\" width=\"480\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock \u003c/em>is the adopted New Yorker, who knows how to work the system and maybe just moved to the Empire State to snag a high-profile gig in television...or a Senate seat. While \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> rarely ventures outside the confines of its titular office, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>romps around New York City, elbow to elbow with the people, trading in authenticity and quirk like a certain wispy-haired septuagenarian.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">Class divisions are a frequent punchline on both\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>. Three of \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em>’s major characters — Jack, Tracy, and Jenna— have transcended their economically humble origins to the (frequently mocked) life of one-percenters. Despite rapid social mobility in their personal lives, these three are doing little to radically overhaul the systems that benefit them and shut out others, similar to a certain presidential candidate \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://fortune.com/2016/02/15/hillary-clinton-net-worth-finances/\" rel=\"nofollow\">whose net worth is over $30 million.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FbDmJrZZcI0'\n title='//www.youtube.com/embed/FbDmJrZZcI0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp id=\"fd6d\" class=\"graf--p graf-after--figure\">While \u003cem class=\"markup--em markup--p-em\">30 Rock’s\u003c/em> characters were primarily upwardly mobile, as of season two, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>’s core crew remains broke. Kimmy and her roommate Titus bounce between typical New York gigs: Uber driver, baby-sitter, Santa’s helper, dinner theater werewolf. Kimmy and Titus’ similarly working-class landlady, Lillian, ferociously defends her neighborhood against impending gentrification. In the new season of\u003cem class=\"markup--em markup--p-em\"> Kimmy Schmidt\u003c/em>, Lillian becomes aggravated when her neighbors mistake her for a kindly old lady, instead of the hell-raiser she is. She chains herself to bulldozers, intimidates invading hipsters, and bludgeons unsuspecting SUVs. Take note of these tactics in the event of \u003ca href=\"http://www.cnn.com/2016/03/29/politics/susan-sarandon-donald-trump-hillary-clinton-bernie-sanders/\">the revolution Susan Sarandon speaks of\u003c/a>.\u003c/p>\n\u003cfigure id=\"cfb3\" class=\"graf--figure graf--iframe graf-after--p\">\n\u003cdiv class=\"iframeContainer\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\">\u003cimg class=\"aligncenter size-full wp-image-25081\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\" alt=\"lillian kimmy schmidt gif\" width=\"400\" height=\"225\">\u003c/a>\u003c/div>\n\u003c/figure>\n\u003cp id=\"eb0a\" class=\"graf--p graf-after--figure\">As conscious as both \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em> and Bernie Sanders are around class struggles, race is more loaded. On the campaign trail, both \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.msnbc.com/msnbc/bernie-sanders-ghetto-gaffe-highlights-campaigns-struggle-race\" rel=\"nofollow\">Sanders\u003c/a> and \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.thenation.com/article/hillary-clinton-does-not-deserve-black-peoples-votes/\" rel=\"nofollow\">Clinton\u003c/a> have often stumbled in addressing their policies and histories around racial justice.\u003c/p>\n\u003cp id=\"8a45\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>frequently flail when attempting provocative plot lines around race. On \u003cem class=\"markup--em markup--p-em\">30 Rock, \u003c/em>Tracy often encapsulated every possible stereotype of a black, heterosexual man (though he was slyly undercut by erudite posse, Grizz and Dot-Com). The show also delved into blackface…multiple times. On the latest season of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt,\u003c/em> Titus takes on the persona of a geisha for a one-man show; Kimmy’s good-at-math GED class paramour, Dong Nguyen, feels like a passive cliché at times; and Jacqueline's (played by the inescapably white Jane Krasowski) continued attempts to reconnect with her Native American heritage fall flat.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\">\u003cimg class=\"aligncenter size-full wp-image-25083\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\" alt=\"kimmy white nonsense titus gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp id=\"608f\" class=\"graf--p graf-after--figure\">Whether in the next season or on the campaign trail, Tina, Hillary (\u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.npr.org/2016/04/07/473428472/bill-clinton-gets-into-heated-exchange-with-black-lives-matter-protester\" rel=\"nofollow\">plus Bill\u003c/a>), and Bernie all have the opportunity to shine when it comes to racial issues. Rather than belittling activists, Sanders and Clinton can take a lesson from Fey’s comedy, in which the funniest plot lines always “punch up.” In season one of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>, for instance, Titus realizes that his fellow New Yorkers treat him better in his werewolf costume than as a Black man.\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\">\u003cimg class=\"aligncenter size-full wp-image-25084\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\" alt=\"kimmy schmidt werewolf gif\" width=\"268\" height=\"194\">\u003c/a>\u003c/p>\n\u003cp id=\"32dd\" class=\"graf--p graf-after--figure\">Comedians and politicians alike must name and mock the absurdity of racism, from the writers’ room in 30 Rockefeller Plaza to a fried-Twinkie-saturated rural Iowan campaign stop. Though Tina Fey’s shows occasionally fumble, both \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt\u003c/em> are far better alternatives to the garbage fire that is \u003cem class=\"markup--em markup--p-em\">The Apprentice.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\">\u003cimg class=\"aligncenter size-full wp-image-25085\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\" alt=\"tina fey 30 rock gif\" width=\"444\" height=\"250\">\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/24126/if-30-rock-is-hillary-clinton-then-kimmy-schmidt-is-bernie-sanders","authors":["byline_pop_24126"],"categories":["pop_3"],"tags":["pop_87","pop_1637","pop_322","pop_314"],"featImg":"pop_25092","label":"pop"},"pop_2230":{"type":"posts","id":"pop_2230","meta":{"index":"posts_1591205157","site":"pop","id":"2230","score":null,"sort":[1362524089000]},"guestAuthors":[],"slug":"the-debate-of-our-times-taylor-swift","title":"The Debate of Our Times: Taylor Swift","publishDate":1362524089,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp style=\"text-align: left\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/tay-demon-angel/\" rel=\"attachment wp-att-2239\">\u003cimg class=\"size-full wp-image-2239 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/tay-demon-angel.jpg\" alt=\"tay-demon-angel\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: left\">Certain things get people really riled up. Bad grammar, toilet rolls that face in, \u003ca href=\"http://jezebel.com/5971671/do-make-be-barf-the-year-in-goop\">Goop.com\u003c/a>. But nothing is as divisive as Taylor Swift, the love-obsessed songbird that inspires strong opinions on either end of the spectrum. The debate over whether Swift is a feminist or the worst person ever born has been quieter than usual as of late...until news broke that she took a shot at Tina Fey and Amy Poehler this morning (somewhere everyone's-favorite-punching-bag Anne Hathaway is breathing a little easier). So let's take a stroll down memory lane and remember all the times Tay Tay has won and lost the culture's favor.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>IN DEFENSE OF TAYLOR SWIFT:\u003c/strong>\u003c/h2>\n\u003ch3>KanyeGate!\u003c/h3>\n\u003cp>http://youtu.be/ydswJSAfmZM&w=560&h=315\u003c/p>\n\u003cp>Taylor Swift has been making a name for herself since her country music days in 2006, but it wasn't until Kanye West decided she wasn't worthy of an MTV Music Video Award that most of us became familiar with her. Whether Kanye was right about Beyonce having the better video or not (she totally did), the public consensus was that Kanye was \u003ca href=\"http://www.huffingtonpost.com/2009/09/14/obama-kanye-is-a-jackass_n_286623.html\">in President Obama's words\u003c/a> \"a jackass.\" Taylor instantly became our bullied little sister and America's sweetheart and all those other roles that are impossible to live up to and will eventually lead people to tear you off the pedestal they put you on (\u003ca href=\"http://youknowyoucare.com/wp-content/gallery/brit2/britney-spears-shaves-her-head.jpg\">just ask Britney\u003c/a>).\u003c/p>\n\u003ch3>Pop Music Prodigy!\u003c/h3>\n\u003cp>In these modern times, it has become increasingly difficult to separate an artist from their output due to the constant influx of paparrazi pictures and personal tweets and Oprah sit-downs. But when you peel away her public persona, it's pretty remarkable that someone as young as Swift can craft such catchy earworms that have even the snobbiest audiophiles proclaiming \"never ever ever!\" when they think no one is listening. She writes her own lyrics and plays the guitar, when most pop starlets rely on teams of writers and producers. That deserves some credit, even if you think her eyes look \"squinty\" or whatever.\u003c/p>\n\u003ch3>Sexist Double Standards!\u003c/h3>\n\u003cp>A lot of the discourse over Taylor Swift revolves around the revolving door of her lovers. Granted, by writing popular songs about each and every one (Jake Gyllenhall was an indie music elitist! John Mayer was mean! Taylor Lautner was just too nice! etc.), Swift is putting a spotlight on the subject, but the intense scrutiny over her speed dating rings of sexism. Why is George Clooney a playboy while Taylor is a desperate floozy? She's in the prime of her life and should be allowed to casually date whomever she wants. She can have her freedom fries and eat them too, y'all.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>INDEFENSIBLE TAYLOR SWIFT ACTS:\u003c/strong>\u003c/h2>\n\u003ch3>I'm Not a Feminist!\u003c/h3>\n\u003cp>In \u003ca href=\"http://www.thedailybeast.com/articles/2012/10/22/taylor-swift-dishes-on-her-new-album-red-dating-heartbreak-and-grey-s-anatomy.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+thedailybeast%2Farticles+%28The+Daily+Beast+-+Latest+Articles%29\">a recent interview with the Daily Beast\u003c/a>, when asked about whether she identified as a feminist, Taylor Swift joined the ranks of great philosophers like Katy Perry and Lady Gaga in proclaiming that she does not consider herself one. \"I don't really think about things as guys versus girls. I never have. I was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.\" Ugh. Ok, since everyone in the entire world will read this blog post, I will use this space to once and for all clarify the meaning of a feminist. It's not a boys vs. girls thing. Boys can be feminists too! Because all that being a feminist entails is the belief that women are equal to their male counterparts and deserve the same political, social, and economic equality that has been bestowed on men since some Disney villain came up with patriarchy. Damn, girl, read a book!\u003c/p>\n\u003ch3>Slut Shaming!\u003c/h3>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 500px\">\u003ca href=\"http://tumboy.tumblr.com/\">\u003cimg src=\"http://s3-ec.buzzfed.com/static/enhanced/webdr01/2013/1/14/11/anigif_enhanced-buzz-8273-1358180368-4.gif\" alt=\"\" width=\"500\" height=\"237\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Source: tumboy.tumblr.com\u003c/figcaption>\u003c/figure>\n\u003cp>Boys don't get off easy in Swift songs, but Taylor saves the most lethal venom for \"the other woman.\" Even when Taylor is trying to steal some girl's man on their wedding day (seriously), she derides the woman who stands in her way solely for having something Swift wants too. That's not very neighborly. While lyrics like \"She wears short skirts/I wear t-shirts\" and \"Was she worth this mess after everything and that little black dress\" are bad, the most egregious instance of Taylor promoting the tiresome Madonna/Whore paradigm can be found in a song called \"Better than Revenge:\"\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>She's not a saint\u003c/em>\u003cbr>\n\u003cem> And she's not what you think\u003c/em>\u003cbr>\n\u003cem> She's an actress\u003c/em>\u003cbr>\n\u003cem> She's better known\u003c/em>\u003cbr>\n\u003cem> For the things that she does\u003c/em>\u003cbr>\n\u003cem> On the mattress\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>When I think about Taylor's confusion about what feminism means or falling into girls vs. girls tropes, I try to remember all the stupid things I said when I was in my teens and early twenties. The difference is no one was putting them on record (although certain AOL chat transcripts and one very unfortunate I'm-drunk-for-the-first-time-and-doing-a-Real-World-confessional recording do exist somewhere out there). Despite some poorly worded answers and snarky lyrics, Taylor Swift probably is a feminist and, surprise surprise, a person just like you or me who does as best as she can, but still makes mistakes and then learns from them and grows to be a better version of herself every day. So let's cut her some slack, okay?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the slack-cutting ceremony will have to wait until tomorrow because today Taylor Swift has turned me from this rabid fan:\u003c/p>\n\u003cp>http://youtu.be/5TL7ksX_iSM&w=560&h=315\u003c/p>\n\u003cp style=\"text-align: left\">To this:\u003c/p>\n\u003cp>\u003ca href=\"http://www.tumblr.com/tagged/we%20were%20all%20rooting%20for%20you!\">\u003cimg class=\"alignnone\" src=\"http://media.tumblr.com/tumblr_m0lgz7UgaY1qfi02h.gif\" alt=\"\" width=\"500\" height=\"303\">\u003c/a>\u003c/p>\n\u003ch3 style=\"text-align: left\">Tina Fey and Amy Poehler Have a One-Way Ticket to Hades!\u003c/h3>\n\u003cp>In an interview with \u003cem>Vanity Fair\u003c/em>, Taylor was asked her opinion on a joke Tina Fey and Amy Poehler told while hosting the Golden Globes about her staying away from Michael J. Fox's underage son and instead taking some \"me time.\" What Taylor should have said:\u003c/p>\n\u003cp>\"I was honored to even be mentioned by them! Tina through her writing and Amy through her Smart Girls at the Party web series have done so much for women and young girls and I hope I can enact positive change like they have someday.\"\u003c/p>\n\u003cp>What Taylor actually said (brace yourself, it's the worst):\u003c/p>\n\u003cp>\"You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, 'There's a special place in hell for women who don't help other women.'\"\u003c/p>\n\u003cp>I'm not sure how you're feeling, but I'm somewhere in the neighborhood of feeling like the man I've been married to for years is actually an ax-murderer who eats puppies alive and was the reason \u003cem>Arrested Development\u003c/em> was cancelled. I recently received a Taylor Swift pin for my jacket as a gift and I have worn it with pride and echoed Lena Dunham when people question Taylor's artistic value: \"Anyone who tries to debate Taylor Swift with me, I’m like, “You are an uninformed consumer, and you will be shut down. You’re not doing this.”\u003c/p>\n\u003cp>But this gives me great pause. A harmless joke lands you in hell?! I can't defend going after two of the most brilliant women on the pop culture circuit (who's next? Sasha Obama?) and all I can do is send a message to Taylor in animated gif form:\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://www.tumblr.com/tagged/you+in+danger+girl\">\u003cimg class=\"alignnone\" src=\"http://25.media.tumblr.com/a9d51d0b66fec369ced0dcda366b92ab/tumblr_mj405geKmU1rdeykbo1_400.gif\" alt=\"\" width=\"350\" height=\"197\">\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So there you have it: Taylor Swift is not a demon or a saint. She's somewhere in between like the rest of us and the real problem isn't that she lets us down occasionally, but that we expect public figures not to.\u003c/p>\n\n","blocks":[],"excerpt":"Is Taylor Swift a feminist or the worst person ever born? Here are the facts.","status":"publish","parent":0,"modified":1362534014,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1299},"headData":{"title":"The Debate of Our Times: Taylor Swift | KQED","description":"Is Taylor Swift a feminist or the worst person ever born? Here are the facts.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"2230 http://blogs.kqed.org/pop/?p=2230","disqusUrl":"https://ww2.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/","disqusTitle":"The Debate of Our Times: Taylor Swift","path":"/pop/2230/the-debate-of-our-times-taylor-swift","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/tay-demon-angel/\" rel=\"attachment wp-att-2239\">\u003cimg class=\"size-full wp-image-2239 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/tay-demon-angel.jpg\" alt=\"tay-demon-angel\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: left\">Certain things get people really riled up. Bad grammar, toilet rolls that face in, \u003ca href=\"http://jezebel.com/5971671/do-make-be-barf-the-year-in-goop\">Goop.com\u003c/a>. But nothing is as divisive as Taylor Swift, the love-obsessed songbird that inspires strong opinions on either end of the spectrum. The debate over whether Swift is a feminist or the worst person ever born has been quieter than usual as of late...until news broke that she took a shot at Tina Fey and Amy Poehler this morning (somewhere everyone's-favorite-punching-bag Anne Hathaway is breathing a little easier). So let's take a stroll down memory lane and remember all the times Tay Tay has won and lost the culture's favor.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>IN DEFENSE OF TAYLOR SWIFT:\u003c/strong>\u003c/h2>\n\u003ch3>KanyeGate!\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ydswJSAfmZM'\n title='//www.youtube.com/embed/ydswJSAfmZM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Taylor Swift has been making a name for herself since her country music days in 2006, but it wasn't until Kanye West decided she wasn't worthy of an MTV Music Video Award that most of us became familiar with her. Whether Kanye was right about Beyonce having the better video or not (she totally did), the public consensus was that Kanye was \u003ca href=\"http://www.huffingtonpost.com/2009/09/14/obama-kanye-is-a-jackass_n_286623.html\">in President Obama's words\u003c/a> \"a jackass.\" Taylor instantly became our bullied little sister and America's sweetheart and all those other roles that are impossible to live up to and will eventually lead people to tear you off the pedestal they put you on (\u003ca href=\"http://youknowyoucare.com/wp-content/gallery/brit2/britney-spears-shaves-her-head.jpg\">just ask Britney\u003c/a>).\u003c/p>\n\u003ch3>Pop Music Prodigy!\u003c/h3>\n\u003cp>In these modern times, it has become increasingly difficult to separate an artist from their output due to the constant influx of paparrazi pictures and personal tweets and Oprah sit-downs. But when you peel away her public persona, it's pretty remarkable that someone as young as Swift can craft such catchy earworms that have even the snobbiest audiophiles proclaiming \"never ever ever!\" when they think no one is listening. She writes her own lyrics and plays the guitar, when most pop starlets rely on teams of writers and producers. That deserves some credit, even if you think her eyes look \"squinty\" or whatever.\u003c/p>\n\u003ch3>Sexist Double Standards!\u003c/h3>\n\u003cp>A lot of the discourse over Taylor Swift revolves around the revolving door of her lovers. Granted, by writing popular songs about each and every one (Jake Gyllenhall was an indie music elitist! John Mayer was mean! Taylor Lautner was just too nice! etc.), Swift is putting a spotlight on the subject, but the intense scrutiny over her speed dating rings of sexism. Why is George Clooney a playboy while Taylor is a desperate floozy? She's in the prime of her life and should be allowed to casually date whomever she wants. She can have her freedom fries and eat them too, y'all.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>INDEFENSIBLE TAYLOR SWIFT ACTS:\u003c/strong>\u003c/h2>\n\u003ch3>I'm Not a Feminist!\u003c/h3>\n\u003cp>In \u003ca href=\"http://www.thedailybeast.com/articles/2012/10/22/taylor-swift-dishes-on-her-new-album-red-dating-heartbreak-and-grey-s-anatomy.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+thedailybeast%2Farticles+%28The+Daily+Beast+-+Latest+Articles%29\">a recent interview with the Daily Beast\u003c/a>, when asked about whether she identified as a feminist, Taylor Swift joined the ranks of great philosophers like Katy Perry and Lady Gaga in proclaiming that she does not consider herself one. \"I don't really think about things as guys versus girls. I never have. I was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.\" Ugh. Ok, since everyone in the entire world will read this blog post, I will use this space to once and for all clarify the meaning of a feminist. It's not a boys vs. girls thing. Boys can be feminists too! Because all that being a feminist entails is the belief that women are equal to their male counterparts and deserve the same political, social, and economic equality that has been bestowed on men since some Disney villain came up with patriarchy. Damn, girl, read a book!\u003c/p>\n\u003ch3>Slut Shaming!\u003c/h3>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 500px\">\u003ca href=\"http://tumboy.tumblr.com/\">\u003cimg src=\"http://s3-ec.buzzfed.com/static/enhanced/webdr01/2013/1/14/11/anigif_enhanced-buzz-8273-1358180368-4.gif\" alt=\"\" width=\"500\" height=\"237\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Source: tumboy.tumblr.com\u003c/figcaption>\u003c/figure>\n\u003cp>Boys don't get off easy in Swift songs, but Taylor saves the most lethal venom for \"the other woman.\" Even when Taylor is trying to steal some girl's man on their wedding day (seriously), she derides the woman who stands in her way solely for having something Swift wants too. That's not very neighborly. While lyrics like \"She wears short skirts/I wear t-shirts\" and \"Was she worth this mess after everything and that little black dress\" are bad, the most egregious instance of Taylor promoting the tiresome Madonna/Whore paradigm can be found in a song called \"Better than Revenge:\"\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>She's not a saint\u003c/em>\u003cbr>\n\u003cem> And she's not what you think\u003c/em>\u003cbr>\n\u003cem> She's an actress\u003c/em>\u003cbr>\n\u003cem> She's better known\u003c/em>\u003cbr>\n\u003cem> For the things that she does\u003c/em>\u003cbr>\n\u003cem> On the mattress\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>When I think about Taylor's confusion about what feminism means or falling into girls vs. girls tropes, I try to remember all the stupid things I said when I was in my teens and early twenties. The difference is no one was putting them on record (although certain AOL chat transcripts and one very unfortunate I'm-drunk-for-the-first-time-and-doing-a-Real-World-confessional recording do exist somewhere out there). Despite some poorly worded answers and snarky lyrics, Taylor Swift probably is a feminist and, surprise surprise, a person just like you or me who does as best as she can, but still makes mistakes and then learns from them and grows to be a better version of herself every day. So let's cut her some slack, okay?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the slack-cutting ceremony will have to wait until tomorrow because today Taylor Swift has turned me from this rabid fan:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5TL7ksX_iSM'\n title='//www.youtube.com/embed/5TL7ksX_iSM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">To this:\u003c/p>\n\u003cp>\u003ca href=\"http://www.tumblr.com/tagged/we%20were%20all%20rooting%20for%20you!\">\u003cimg class=\"alignnone\" src=\"http://media.tumblr.com/tumblr_m0lgz7UgaY1qfi02h.gif\" alt=\"\" width=\"500\" height=\"303\">\u003c/a>\u003c/p>\n\u003ch3 style=\"text-align: left\">Tina Fey and Amy Poehler Have a One-Way Ticket to Hades!\u003c/h3>\n\u003cp>In an interview with \u003cem>Vanity Fair\u003c/em>, Taylor was asked her opinion on a joke Tina Fey and Amy Poehler told while hosting the Golden Globes about her staying away from Michael J. Fox's underage son and instead taking some \"me time.\" What Taylor should have said:\u003c/p>\n\u003cp>\"I was honored to even be mentioned by them! Tina through her writing and Amy through her Smart Girls at the Party web series have done so much for women and young girls and I hope I can enact positive change like they have someday.\"\u003c/p>\n\u003cp>What Taylor actually said (brace yourself, it's the worst):\u003c/p>\n\u003cp>\"You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, 'There's a special place in hell for women who don't help other women.'\"\u003c/p>\n\u003cp>I'm not sure how you're feeling, but I'm somewhere in the neighborhood of feeling like the man I've been married to for years is actually an ax-murderer who eats puppies alive and was the reason \u003cem>Arrested Development\u003c/em> was cancelled. I recently received a Taylor Swift pin for my jacket as a gift and I have worn it with pride and echoed Lena Dunham when people question Taylor's artistic value: \"Anyone who tries to debate Taylor Swift with me, I’m like, “You are an uninformed consumer, and you will be shut down. You’re not doing this.”\u003c/p>\n\u003cp>But this gives me great pause. A harmless joke lands you in hell?! I can't defend going after two of the most brilliant women on the pop culture circuit (who's next? Sasha Obama?) and all I can do is send a message to Taylor in animated gif form:\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://www.tumblr.com/tagged/you+in+danger+girl\">\u003cimg class=\"alignnone\" src=\"http://25.media.tumblr.com/a9d51d0b66fec369ced0dcda366b92ab/tumblr_mj405geKmU1rdeykbo1_400.gif\" alt=\"\" width=\"350\" height=\"197\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So there you have it: Taylor Swift is not a demon or a saint. She's somewhere in between like the rest of us and the real problem isn't that she lets us down occasionally, but that we expect public figures not to.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/2230/the-debate-of-our-times-taylor-swift","authors":["27"],"categories":["pop_7","pop_4","pop_5"],"tags":["pop_313","pop_25","pop_287","pop_314"],"featImg":"pop_2239","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.","airtime":"SAT 4pm-5pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png","officialWebsiteLink":"https://www.revealnews.org/episodes/","meta":{"site":"news","source":"npr"},"link":"/radio/program/reveal","subscribe":{"apple":"https://itunes.apple.com/us/podcast/reveal/id886009669","tuneIn":"https://tunein.com/radio/Reveal-p679597/","rss":"http://feeds.revealradio.org/revealpodcast"}},"says-you":{"id":"says-you","title":"Says You!","info":"Public radio's game show of bluff and bluster, words and whimsy. 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