Cult Hit 'Pretty Little Liars' Leaves Behind an Accidental Avant-Garde Legacy
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Fix Your Dating Life with Pretty Little Liars
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Marlene King initially planned for two seasons, and wrote a clear narrative arc based on that timeframe. When \u003cem>PLL\u003c/em> was eventually renewed for three more seasons, King announced that she would solve the central mystery at the end of the fifth season, saying, “If it goes beyond five, I'm screwed.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A\u003c/span>\u003cspan style=\"font-weight: 400\">s the series progressed, it became clear that King's team was writing itself into a maze with no solution. This didn’t dampen my enthusiasm at all because the failings of the writers created something utterly brilliant. If you imagine all of the inconsistent story-lines as a single, intentional text, it becomes a challenging, post-modern masterpiece. It destabilizes reality with circular plots that cannot exist in linear time. It critiques the arrogance of certainty, and reveals the violent power structures beneath the suburban idyll. Or at least, it can seem that way at 2am, after you’ve watched seven episodes back-to-back.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-1mqgKH2u18\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There is an expectation of a contract between TV shows and viewers; unless a show is explicitly promoted as something avant-garde or absurdist, viewers anticipate a rational narrative, that mysteries will be solved, questions will be answered, and time will flow in a predictable fashion. Hell, even shows that meddle with time-travel create rules.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Early experimental filmmakers were the first to thwart those expectations. After viewing the seminal surrealist film \u003c/span>\u003ca href=\"http://www.imdb.com/title/tt0020530/\">\u003ci>\u003cspan style=\"font-weight: 400\">Un Chien Andalou\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, filmmaker and critic \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Adonis_A._Kyrou\">\u003cspan style=\"font-weight: 400\">Ado Kyrou\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> said, \"For the first time in the history of the cinema, a director tries not to please but rather to alienate nearly all potential spectators.\" \u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=054OIVlmjUM\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Early surrealist films questioned the logic of cause and effect. They toyed with the viewer’s expectations of a narrative, offering instead unconnected, inexplicable scenes unfolding in random order. In \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Un Chien Andalou\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, a man pulls pianos weighted with dead donkeys towards a woman. Ants crawl on a hand. A book is transformed into a gun. The film is punctuated with random declarations of time, like “Sixteen years ago” and “Around three in the morning.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Time was just as strange and unpredictable on \u003cem>PLL\u003c/em>. \u003c/span>\u003cspan style=\"font-weight: 400\">The show starts with the characters in 11th grade, with the first two seasons each spanning a couple of months. At the beginning of Season 3, they enter their senior year. Then, there are 49 episodes, spread out over three seasons, which all seem to take place in November of their senior year, even though the show treats events as if they are occurring over weeks and months. For example, one character joins a police academy and then graduates. None of this is ever explicitly acknowledged; all of it is pieced together by fans desperate to make rational sense of a show that has increasingly abandoned the boundaries of rationality.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> focuses on a four girls, nicknamed the “Liars,” who were friends with Allison, a queen bee mean girl who went missing. A year later, after her body is found, the girls begin receiving anonymous text messages threatening to reveal secrets that only Allison would know. The texts are signed “A.” What follows is a twisting path of blackmail, surveillance, and misdirection. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the \u003cem>PLL\u003c/em> writers built this mystery, they\u003c/span>\u003cspan style=\"font-weight: 400\"> created a rich tapestry of symbols. \u003c/span>\u003ca href=\"https://twitter.com/imarleneking\">\u003cspan style=\"font-weight: 400\">I. Marlene King\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, who has over \u003c/span>\u003cspan style=\"font-weight: 400\">800,000 Twitter followers\u003c/span>\u003cspan style=\"font-weight: 400\">, many of them \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> fans, tweeted clues from the set that would point to A’s identity: vintage movie posters, certain songs, a black swan costume. An entire community of devoted fans made a library of videos, mining every episode for visual clues, and editing them together to illustrate their theories. No detail was too small: the title of a book on a character’s nightstand, the way the character is framed in a mirror, handwriting analysis, wardrobe motifs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But in the most recent seasons, it became clear that most of the symbols were completely meaningless, and that some of Kings’s tweets to fans were outright lies. Fans were \u003c/span>\u003ca href=\"https://www.buzzfeed.com/alobosc11/lies-marlene-king-told-me-why-i-am-more-than-done-17w8y?utm_term=.xmxxgXg5x#.nfEAmlm6A\">\u003cspan style=\"font-weight: 400\">furious\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. There was so much public backlash that I. Marlene King made a video \u003c/span>\u003ca href=\"http://www.seventeen.com/celebrity/movies-tv/news/a32704/marlene-king-promises-to-stop-lying-to-fans/\">\u003cspan style=\"font-weight: 400\">promising\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=BUv-K7XYSrs\">\u003cspan style=\"font-weight: 400\">answers\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, and tweeted the following:\u003c/span>\u003c/p>\n\u003cp>https://twitter.com/imarleneking/status/626092044767768576?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For me, all of this brought to mind the purposeful irrationality of surrealist film and the writings of \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Luis_Bu%C3%B1uel\">\u003cspan style=\"font-weight: 400\">Luis Buñuel\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> about his collaborations with \u003c/span>\u003cspan style=\"font-weight: 400\">Salvador Dalí\u003c/span>\u003cspan style=\"font-weight: 400\">: “Nothing, in the film, symbolizes anything. The only method of investigation of the symbols would be, perhaps, psychoanalysis.\"\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As is fitting for psychoanalysis, my most profound interaction with \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> came in a dream. At the end of the second season, a girl at the Liars' high school is unmasked as A. But since it was renewed, another A picked up where the first left off, continuing to torment the Liars and raising the stakes. In Season 6, yet another A is unmasked. Then she is killed, and a new A immediately takes her place. It makes no sense. Why would these girls constantly be faced with shadowy, almost omniscient tormentors, one after another? One night, after bingeing episodes, I dreamt that the Liars were all living in a computer simulation, and A wasn’t a person at all -- A was a virus.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m not saying that this is the interpretation intended by the writers. But when I woke up, I couldn’t stop thinking about how much \u003cem>PLL\u003c/em> resembled the real world. Much of the violence in our world is structural. Police brutality doesn’t occur because “bad apple” police officers all happen to coincidentally kill unarmed black people. Police brutality against people of color is a symptom, and the virus is racism. Violence in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is not dependent on one independent actor. When one A dies, another takes her place. A is the virus. The individual A's are just the symptom. On \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pretty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, as in our world, violence is systemic.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the seasons, as the Liars try to discover one A identity after another, the show has become famous for its red herrings. The girls follow logical leads, leading them to suspect various characters, but, while they uncover secrets about their town and learn some A identities, their central mysteries remain. In an era where many shows are defined by the success of the main character, there is something fascinating and subversive about a show where the characters never have the answers.\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/what.gif\">\u003cimg class=\"aligncenter size-full wp-image-91114\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/what.gif\" alt=\"\" width=\"500\" height=\"282\">\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While many\u003ca href=\"https://ww2.kqed.org/pop/2016/12/20/post-truth-men-like-trump-are-nothing-new-weve-been-watching-them-on-tv-for-years/\"> \u003c/a>\u003c/span>\u003ca href=\"https://ww2.kqed.org/pop/2016/12/20/post-truth-men-like-trump-are-nothing-new-weve-been-watching-them-on-tv-for-years/\">\u003cspan style=\"font-weight: 400\">procedurals cater to a post-truth environment\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> where Sherlock Holmes knockoffs are always right\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pretty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is the exact opposite. We watch as these intelligent girls follow all of the leads only to see the answers evaporate again and again. It begins to feel like a post-modern critique of certainty -- a reminder of how difficult it is to ever see the whole picture. Instead of being in a reality set up to ensure that they are always right, the Liars' reality demands that they question everything. Certainty is off the table, and all possibilities must be considered. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the show's final season, the writers attempted to supply answers once and for all. But there was no way to adequately resolve all of the loose ends, and that's okay. After seven years, I’ve come to love the uncertainty. There are plenty of shows that have answers. What I love most about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pretty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are the questions.\u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":"How a teen mystery show became fascinating post-modern television.","status":"publish","parent":0,"modified":1499721695,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1383},"headData":{"title":"Cult Hit 'Pretty Little Liars' Leaves Behind an Accidental Avant-Garde Legacy | KQED","description":"How a teen mystery show became fascinating post-modern television.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"78779 https://ww2.kqed.org/pop/?p=78779","disqusUrl":"https://ww2.kqed.org/pop/2017/07/10/cult-hit-pretty-little-liars-leaves-behind-an-accidental-avant-garde-legacy/","disqusTitle":"Cult Hit 'Pretty Little Liars' Leaves Behind an Accidental Avant-Garde Legacy","nprByline":"Rachel Noelle Wood","path":"/pop/78779/cult-hit-pretty-little-liars-leaves-behind-an-accidental-avant-garde-legacy","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">This month,\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">P\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">retty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> concluded its seventh (and final) season, making it the longest-running original series on ABC Family (recently renamed \u003c/span>\u003cspan style=\"font-weight: 400\">Freeform\u003c/span>\u003cspan style=\"font-weight: 400\">). \u003c/span>It has become a cult classic, a teen obsession, and a fascinating portrait of a show unraveling to the point of surrealism. \u003cspan style=\"font-weight: 400\">The series' success is partly due to what the writers got right -- their knack for fascinating portraits of female friendship, their Hitchcock-ian ability to layer subtle terror over a picturesque setting -- but also all the things they did wrong.\u003c/span>\u003c/p>\n\u003cp>Showrunner I. Marlene King initially planned for two seasons, and wrote a clear narrative arc based on that timeframe. When \u003cem>PLL\u003c/em> was eventually renewed for three more seasons, King announced that she would solve the central mystery at the end of the fifth season, saying, “If it goes beyond five, I'm screwed.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A\u003c/span>\u003cspan style=\"font-weight: 400\">s the series progressed, it became clear that King's team was writing itself into a maze with no solution. This didn’t dampen my enthusiasm at all because the failings of the writers created something utterly brilliant. If you imagine all of the inconsistent story-lines as a single, intentional text, it becomes a challenging, post-modern masterpiece. It destabilizes reality with circular plots that cannot exist in linear time. It critiques the arrogance of certainty, and reveals the violent power structures beneath the suburban idyll. Or at least, it can seem that way at 2am, after you’ve watched seven episodes back-to-back.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-1mqgKH2u18'\n title='//www.youtube.com/embed/-1mqgKH2u18'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">There is an expectation of a contract between TV shows and viewers; unless a show is explicitly promoted as something avant-garde or absurdist, viewers anticipate a rational narrative, that mysteries will be solved, questions will be answered, and time will flow in a predictable fashion. Hell, even shows that meddle with time-travel create rules.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Early experimental filmmakers were the first to thwart those expectations. After viewing the seminal surrealist film \u003c/span>\u003ca href=\"http://www.imdb.com/title/tt0020530/\">\u003ci>\u003cspan style=\"font-weight: 400\">Un Chien Andalou\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, filmmaker and critic \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Adonis_A._Kyrou\">\u003cspan style=\"font-weight: 400\">Ado Kyrou\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> said, \"For the first time in the history of the cinema, a director tries not to please but rather to alienate nearly all potential spectators.\" \u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/054OIVlmjUM'\n title='//www.youtube.com/embed/054OIVlmjUM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Early surrealist films questioned the logic of cause and effect. They toyed with the viewer’s expectations of a narrative, offering instead unconnected, inexplicable scenes unfolding in random order. In \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Un Chien Andalou\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, a man pulls pianos weighted with dead donkeys towards a woman. Ants crawl on a hand. A book is transformed into a gun. The film is punctuated with random declarations of time, like “Sixteen years ago” and “Around three in the morning.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Time was just as strange and unpredictable on \u003cem>PLL\u003c/em>. \u003c/span>\u003cspan style=\"font-weight: 400\">The show starts with the characters in 11th grade, with the first two seasons each spanning a couple of months. At the beginning of Season 3, they enter their senior year. Then, there are 49 episodes, spread out over three seasons, which all seem to take place in November of their senior year, even though the show treats events as if they are occurring over weeks and months. For example, one character joins a police academy and then graduates. None of this is ever explicitly acknowledged; all of it is pieced together by fans desperate to make rational sense of a show that has increasingly abandoned the boundaries of rationality.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> focuses on a four girls, nicknamed the “Liars,” who were friends with Allison, a queen bee mean girl who went missing. A year later, after her body is found, the girls begin receiving anonymous text messages threatening to reveal secrets that only Allison would know. The texts are signed “A.” What follows is a twisting path of blackmail, surveillance, and misdirection. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the \u003cem>PLL\u003c/em> writers built this mystery, they\u003c/span>\u003cspan style=\"font-weight: 400\"> created a rich tapestry of symbols. \u003c/span>\u003ca href=\"https://twitter.com/imarleneking\">\u003cspan style=\"font-weight: 400\">I. Marlene King\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, who has over \u003c/span>\u003cspan style=\"font-weight: 400\">800,000 Twitter followers\u003c/span>\u003cspan style=\"font-weight: 400\">, many of them \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> fans, tweeted clues from the set that would point to A’s identity: vintage movie posters, certain songs, a black swan costume. An entire community of devoted fans made a library of videos, mining every episode for visual clues, and editing them together to illustrate their theories. No detail was too small: the title of a book on a character’s nightstand, the way the character is framed in a mirror, handwriting analysis, wardrobe motifs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But in the most recent seasons, it became clear that most of the symbols were completely meaningless, and that some of Kings’s tweets to fans were outright lies. Fans were \u003c/span>\u003ca href=\"https://www.buzzfeed.com/alobosc11/lies-marlene-king-told-me-why-i-am-more-than-done-17w8y?utm_term=.xmxxgXg5x#.nfEAmlm6A\">\u003cspan style=\"font-weight: 400\">furious\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. There was so much public backlash that I. Marlene King made a video \u003c/span>\u003ca href=\"http://www.seventeen.com/celebrity/movies-tv/news/a32704/marlene-king-promises-to-stop-lying-to-fans/\">\u003cspan style=\"font-weight: 400\">promising\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=BUv-K7XYSrs\">\u003cspan style=\"font-weight: 400\">answers\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, and tweeted the following:\u003c/span>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"626092044767768576"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cspan style=\"font-weight: 400\">For me, all of this brought to mind the purposeful irrationality of surrealist film and the writings of \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Luis_Bu%C3%B1uel\">\u003cspan style=\"font-weight: 400\">Luis Buñuel\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> about his collaborations with \u003c/span>\u003cspan style=\"font-weight: 400\">Salvador Dalí\u003c/span>\u003cspan style=\"font-weight: 400\">: “Nothing, in the film, symbolizes anything. The only method of investigation of the symbols would be, perhaps, psychoanalysis.\"\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As is fitting for psychoanalysis, my most profound interaction with \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> came in a dream. At the end of the second season, a girl at the Liars' high school is unmasked as A. But since it was renewed, another A picked up where the first left off, continuing to torment the Liars and raising the stakes. In Season 6, yet another A is unmasked. Then she is killed, and a new A immediately takes her place. It makes no sense. Why would these girls constantly be faced with shadowy, almost omniscient tormentors, one after another? One night, after bingeing episodes, I dreamt that the Liars were all living in a computer simulation, and A wasn’t a person at all -- A was a virus.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m not saying that this is the interpretation intended by the writers. But when I woke up, I couldn’t stop thinking about how much \u003cem>PLL\u003c/em> resembled the real world. Much of the violence in our world is structural. Police brutality doesn’t occur because “bad apple” police officers all happen to coincidentally kill unarmed black people. Police brutality against people of color is a symptom, and the virus is racism. Violence in \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">PLL\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is not dependent on one independent actor. When one A dies, another takes her place. A is the virus. The individual A's are just the symptom. On \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pretty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, as in our world, violence is systemic.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the seasons, as the Liars try to discover one A identity after another, the show has become famous for its red herrings. The girls follow logical leads, leading them to suspect various characters, but, while they uncover secrets about their town and learn some A identities, their central mysteries remain. In an era where many shows are defined by the success of the main character, there is something fascinating and subversive about a show where the characters never have the answers.\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/what.gif\">\u003cimg class=\"aligncenter size-full wp-image-91114\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/07/what.gif\" alt=\"\" width=\"500\" height=\"282\">\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While many\u003ca href=\"https://ww2.kqed.org/pop/2016/12/20/post-truth-men-like-trump-are-nothing-new-weve-been-watching-them-on-tv-for-years/\"> \u003c/a>\u003c/span>\u003ca href=\"https://ww2.kqed.org/pop/2016/12/20/post-truth-men-like-trump-are-nothing-new-weve-been-watching-them-on-tv-for-years/\">\u003cspan style=\"font-weight: 400\">procedurals cater to a post-truth environment\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> where Sherlock Holmes knockoffs are always right\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pretty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is the exact opposite. We watch as these intelligent girls follow all of the leads only to see the answers evaporate again and again. It begins to feel like a post-modern critique of certainty -- a reminder of how difficult it is to ever see the whole picture. Instead of being in a reality set up to ensure that they are always right, the Liars' reality demands that they question everything. Certainty is off the table, and all possibilities must be considered. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the show's final season, the writers attempted to supply answers once and for all. But there was no way to adequately resolve all of the loose ends, and that's okay. After seven years, I’ve come to love the uncertainty. There are plenty of shows that have answers. What I love most about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pretty Little Liars\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are the questions.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/78779/cult-hit-pretty-little-liars-leaves-behind-an-accidental-avant-garde-legacy","authors":["byline_pop_78779"],"categories":["pop_3"],"tags":["pop_1074"],"featImg":"pop_91116","label":"pop"},"pop_11635":{"type":"posts","id":"pop_11635","meta":{"index":"posts_1591205157","site":"pop","id":"11635","score":null,"sort":[1396294668000]},"guestAuthors":[],"slug":"live-television-vs-binge-watching-what-does-the-future-hold-for-network-tv-pretty-little-liars","title":"Why Live Television Doesn't Stand a Chance Against Binge Watching","publishDate":1396294668,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_11715\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/03/31/live-television-vs-binge-watching-what-does-the-future-hold-for-network-tv-pretty-little-liars/old-tv/\" rel=\"attachment wp-att-11715\">\u003cimg class=\"size-full wp-image-11715\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/old-tv.jpg\" alt=\"Photo: Getty Images\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/old-tv.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/old-tv-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>I hate to bring up \u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/\">\u003cem>Pretty Little Liars\u003c/em> again\u003c/a> (just kidding, I don’t hate it at all, but you might). The season 4 finale was the \u003ca href=\"http://variety.com/2014/tv/ratings/abc-familys-pretty-little-liars-hits-2014-tweet-high-for-finale-1201139545/\">number one tweeted show\u003c/a> of the year, according to \u003ca href=\"http://www.socialguide.com/nielsentwittertvratings/weekly/\">Nielsen Twitter TV Ratings\u003c/a>, but, unlike a few months ago, I wasn’t there cheering my favorite high school girls on as they figured out the ever-baffling mysteries of Rosewood, PA. Between season 4A and season 4B, I got knocked by the mid-season blues and nothing that the Liars said or did could get me to pay attention to them again.\u003c/p>\n\u003cp dir=\"ltr\">\u003cem>Liars\u003c/em> had a break last August until October and then only aired one episode (a plot-stalling Halloween edition) until January. That is basically going for four months with no \u003cem>Liars\u003c/em> and, by the time that season 4B began at the beginning of 2014, I had no idea what was going on with them. Sure, there are recaps, but I felt completely disconnected to the four girls’ emotional states. Who were they really in love with now? Who were they kind of mad at and why? Who did they trust at this moment and who was up to something shady? In a way, following a TV show is like having a long distance relationship; your partner has to check in regularly and have a consistent personality. But for this show (and many others), the plot is too shifting and complex and the characters are too inconsistent and fickle for the show to disappear for so long in the middle of a season, which supposedly has some sort of arc.\u003c/p>\n\u003cp dir=\"ltr\">I'm not alone in this feeling. Numerous friends have lost interest in equally gripping shows during mid-season breaks: \u003cem>Nashville\u003c/em>, \u003cem>Scandal\u003c/em>, \u003cem>Glee\u003c/em>, etc. \u003ca href=\"http://blog.zap2it.com/frominsidethebox/2012/04/tv-hiatus-explained-why-your-favorite-shows-take-breaks-during-the-season.html\">There are plenty of legitimate reasons\u003c/a> why shows go on hiatus during the middle of a season (presidential debates, huge sports events like the Olympics, holidays, and more internal things like labor contracts for writers and actors). But one of the major reasons that there are breaks is because networks prefer to not air a show if the timing might affect their ratings (because viewers are doing things like spending time with their families during winter break) or this thing called \u003ca href=\"http://en.wikipedia.org/wiki/Nielsen_ratings#Sweeps\">sweep\u003c/a>\u003ca href=\"http://en.wikipedia.org/wiki/Nielsen_ratings#Sweeps\">s\u003c/a>, in which Nielsen does intensive viewer diaries every quarter that will affect overall ratings. Networks stretch out their seasons so that episodes can fall during those months of sweeps.\u003c/p>\n\u003cp>This makes sense; a TV show won’t live on if its ratings aren’t decent, but it seems that altering a TV schedule to get better ratings harms a viewer’s personal connection to the characters. Apparently, overall ratings aren’t hurt by the breaks (again, \u003cem>Pretty Little Liars\u003c/em> was the most tweeted about show of the year), but with the rise of original streaming programming from Netflix and Hulu, we’re seeing that binge watching is changing the way that we enjoy TV.\u003c/p>\n\u003cp dir=\"ltr\">To figure out how being able to stream a whole season of your favorite show affects viewing habits, Netflix employed cultural anthropologist \u003ca href=\"http://live.huffingtonpost.com/r/segment/binge-watching/52b1ca4bfe34440d780001e5\">Grant McCracken to study and interview viewers while they binged on television\u003c/a>. \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/02/when-exactly-does-watching-a-lot-of-netflix-become-a-binge/283844/\">The definition of binge watching differs\u003c/a>, but McCracken defines it as watching two to three episodes per night and finishing a season in a week. With this kind of approach, watching television became more deliberate, \u003ca href=\"http://www.slate.com/blogs/future_tense/2014/02/13/slate_surveymonkey_binge_watching_poll_how_do_people_gorge_on_tv.html\">more focused\u003c/a>, and a more contemplative activity. Instead of surfing channels out of boredom, binge watchers develop a more critical point of view. Now, I’m not necessarily saying that \u003ca href=\"http://www.nytimes.com/2005/04/24/magazine/24TV.html?_r=0\">watching a lot of TV at once is going to make us smarter\u003c/a>, but the form of dropping a whole season at once allows shows to be more coherent, cinematic, and meaningful.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp dir=\"ltr\">Network television might be set in its ways, but, if history is any indication, that won't be enough to stop a business model shake-up. Take the serialization of Charles Dickens’ \u003cem>Tale of Two Cities\u003c/em>, for example.\u003cem> \u003c/em>Installments of the novel appeared each week in a journal and readers had to wait to find out what happened. The serial novel was popular in those days for many reasons including low literacy rates (people paid others to read the chapters out loud to them) and the fact that it was cheaper to pay a little each week instead of paying up front for a whole novel. \u003cem>Tale of Two Cities\u003c/em> was so popular that, towards the end of the novel, the public waited impatiently at the dock for the journal to be delivered from the publisher. There were even reports that people jumped into the water to swim to the ships that were carrying the final chapter.\u003c/p>\n\u003cp dir=\"ltr\">Whether people really endangered their lives in order to be the first to read the end of a story or whether my high school English teacher, who first told me the legend, was just trying to get us to care about reading, the style of reading eventually changed. Now that literacy has grown and consumerism has taken on its current form, we rarely see serials, which have been very clearly replaced by novels (except a few exceptions by horror novelists \u003ca href=\"http://en.wikipedia.org/wiki/The_Green_Mile_(novel)\">Stephen King\u003c/a> and \u003ca href=\"http://www.randomhouse.com/features/blackstone/\">John Saul\u003c/a>). We can read a whole novel at whatever pace we choose. We are not at the mercy of the next shipment.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The change in TV is similar to the change in book publishing. Watching live TV is like waiting for that boat. Sometimes we wish we could jump in so we can get there first, but we have little control over when it will arrive. But binge watching a show is like reading a whole novel in one sitting. It allows us to get caught up and lost in a world without interruption. For the creators of television (writers, directors, actors), this is a huge advantage as well as a challenge to be better. It allows their work to open up to a larger scope and vision; it allows it to be experienced as something continuous. It also demands that a show be completely consistent and seamless, which leads to a better representation of reality with truer characters. \"There are books of which the backs and covers are by far the best parts,\" Dickens wrote in \u003cem>Oliver Twist\u003c/em>. With streaming TV, there is less focus on an engrossing pilot and a cliff-hanging finale like those books. Viewers are hooked for the whole journey.\u003c/p>\n\n","blocks":[],"excerpt":"Mid season breaks or even just waiting a week for the next episode could eventually become a thing of the past.","status":"publish","parent":0,"modified":1396294901,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":1087},"headData":{"title":"Why Live Television Doesn't Stand a Chance Against Binge Watching | KQED","description":"Mid season breaks or even just waiting a week for the next episode could eventually become a thing of the past.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11635 http://blogs.kqed.org/pop/?p=11635","disqusUrl":"https://ww2.kqed.org/pop/2014/03/31/live-television-vs-binge-watching-what-does-the-future-hold-for-network-tv-pretty-little-liars/","disqusTitle":"Why Live Television Doesn't Stand a Chance Against Binge Watching","path":"/pop/11635/live-television-vs-binge-watching-what-does-the-future-hold-for-network-tv-pretty-little-liars","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_11715\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/03/31/live-television-vs-binge-watching-what-does-the-future-hold-for-network-tv-pretty-little-liars/old-tv/\" rel=\"attachment wp-att-11715\">\u003cimg class=\"size-full wp-image-11715\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/old-tv.jpg\" alt=\"Photo: Getty Images\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/old-tv.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/old-tv-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>I hate to bring up \u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/\">\u003cem>Pretty Little Liars\u003c/em> again\u003c/a> (just kidding, I don’t hate it at all, but you might). The season 4 finale was the \u003ca href=\"http://variety.com/2014/tv/ratings/abc-familys-pretty-little-liars-hits-2014-tweet-high-for-finale-1201139545/\">number one tweeted show\u003c/a> of the year, according to \u003ca href=\"http://www.socialguide.com/nielsentwittertvratings/weekly/\">Nielsen Twitter TV Ratings\u003c/a>, but, unlike a few months ago, I wasn’t there cheering my favorite high school girls on as they figured out the ever-baffling mysteries of Rosewood, PA. Between season 4A and season 4B, I got knocked by the mid-season blues and nothing that the Liars said or did could get me to pay attention to them again.\u003c/p>\n\u003cp dir=\"ltr\">\u003cem>Liars\u003c/em> had a break last August until October and then only aired one episode (a plot-stalling Halloween edition) until January. That is basically going for four months with no \u003cem>Liars\u003c/em> and, by the time that season 4B began at the beginning of 2014, I had no idea what was going on with them. Sure, there are recaps, but I felt completely disconnected to the four girls’ emotional states. Who were they really in love with now? Who were they kind of mad at and why? Who did they trust at this moment and who was up to something shady? In a way, following a TV show is like having a long distance relationship; your partner has to check in regularly and have a consistent personality. But for this show (and many others), the plot is too shifting and complex and the characters are too inconsistent and fickle for the show to disappear for so long in the middle of a season, which supposedly has some sort of arc.\u003c/p>\n\u003cp dir=\"ltr\">I'm not alone in this feeling. Numerous friends have lost interest in equally gripping shows during mid-season breaks: \u003cem>Nashville\u003c/em>, \u003cem>Scandal\u003c/em>, \u003cem>Glee\u003c/em>, etc. \u003ca href=\"http://blog.zap2it.com/frominsidethebox/2012/04/tv-hiatus-explained-why-your-favorite-shows-take-breaks-during-the-season.html\">There are plenty of legitimate reasons\u003c/a> why shows go on hiatus during the middle of a season (presidential debates, huge sports events like the Olympics, holidays, and more internal things like labor contracts for writers and actors). But one of the major reasons that there are breaks is because networks prefer to not air a show if the timing might affect their ratings (because viewers are doing things like spending time with their families during winter break) or this thing called \u003ca href=\"http://en.wikipedia.org/wiki/Nielsen_ratings#Sweeps\">sweep\u003c/a>\u003ca href=\"http://en.wikipedia.org/wiki/Nielsen_ratings#Sweeps\">s\u003c/a>, in which Nielsen does intensive viewer diaries every quarter that will affect overall ratings. Networks stretch out their seasons so that episodes can fall during those months of sweeps.\u003c/p>\n\u003cp>This makes sense; a TV show won’t live on if its ratings aren’t decent, but it seems that altering a TV schedule to get better ratings harms a viewer’s personal connection to the characters. Apparently, overall ratings aren’t hurt by the breaks (again, \u003cem>Pretty Little Liars\u003c/em> was the most tweeted about show of the year), but with the rise of original streaming programming from Netflix and Hulu, we’re seeing that binge watching is changing the way that we enjoy TV.\u003c/p>\n\u003cp dir=\"ltr\">To figure out how being able to stream a whole season of your favorite show affects viewing habits, Netflix employed cultural anthropologist \u003ca href=\"http://live.huffingtonpost.com/r/segment/binge-watching/52b1ca4bfe34440d780001e5\">Grant McCracken to study and interview viewers while they binged on television\u003c/a>. \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/02/when-exactly-does-watching-a-lot-of-netflix-become-a-binge/283844/\">The definition of binge watching differs\u003c/a>, but McCracken defines it as watching two to three episodes per night and finishing a season in a week. With this kind of approach, watching television became more deliberate, \u003ca href=\"http://www.slate.com/blogs/future_tense/2014/02/13/slate_surveymonkey_binge_watching_poll_how_do_people_gorge_on_tv.html\">more focused\u003c/a>, and a more contemplative activity. Instead of surfing channels out of boredom, binge watchers develop a more critical point of view. Now, I’m not necessarily saying that \u003ca href=\"http://www.nytimes.com/2005/04/24/magazine/24TV.html?_r=0\">watching a lot of TV at once is going to make us smarter\u003c/a>, but the form of dropping a whole season at once allows shows to be more coherent, cinematic, and meaningful.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp dir=\"ltr\">Network television might be set in its ways, but, if history is any indication, that won't be enough to stop a business model shake-up. Take the serialization of Charles Dickens’ \u003cem>Tale of Two Cities\u003c/em>, for example.\u003cem> \u003c/em>Installments of the novel appeared each week in a journal and readers had to wait to find out what happened. The serial novel was popular in those days for many reasons including low literacy rates (people paid others to read the chapters out loud to them) and the fact that it was cheaper to pay a little each week instead of paying up front for a whole novel. \u003cem>Tale of Two Cities\u003c/em> was so popular that, towards the end of the novel, the public waited impatiently at the dock for the journal to be delivered from the publisher. There were even reports that people jumped into the water to swim to the ships that were carrying the final chapter.\u003c/p>\n\u003cp dir=\"ltr\">Whether people really endangered their lives in order to be the first to read the end of a story or whether my high school English teacher, who first told me the legend, was just trying to get us to care about reading, the style of reading eventually changed. Now that literacy has grown and consumerism has taken on its current form, we rarely see serials, which have been very clearly replaced by novels (except a few exceptions by horror novelists \u003ca href=\"http://en.wikipedia.org/wiki/The_Green_Mile_(novel)\">Stephen King\u003c/a> and \u003ca href=\"http://www.randomhouse.com/features/blackstone/\">John Saul\u003c/a>). We can read a whole novel at whatever pace we choose. We are not at the mercy of the next shipment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The change in TV is similar to the change in book publishing. Watching live TV is like waiting for that boat. Sometimes we wish we could jump in so we can get there first, but we have little control over when it will arrive. But binge watching a show is like reading a whole novel in one sitting. It allows us to get caught up and lost in a world without interruption. For the creators of television (writers, directors, actors), this is a huge advantage as well as a challenge to be better. It allows their work to open up to a larger scope and vision; it allows it to be experienced as something continuous. It also demands that a show be completely consistent and seamless, which leads to a better representation of reality with truer characters. \"There are books of which the backs and covers are by far the best parts,\" Dickens wrote in \u003cem>Oliver Twist\u003c/em>. With streaming TV, there is less focus on an engrossing pilot and a cliff-hanging finale like those books. Viewers are hooked for the whole journey.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/11635/live-television-vs-binge-watching-what-does-the-future-hold-for-network-tv-pretty-little-liars","authors":["2523"],"categories":["pop_3"],"tags":["pop_1520","pop_1519","pop_438","pop_1074"],"featImg":"pop_11715","label":"pop"},"pop_8306":{"type":"posts","id":"pop_8306","meta":{"index":"posts_1591205157","site":"pop","id":"8306","score":null,"sort":[1379012206000]},"guestAuthors":[],"slug":"fixing-your-dating-life-with-pretty-little-liars","title":"Fix Your Dating Life with Pretty Little Liars","publishDate":1379012206,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/pll/\" rel=\"attachment wp-att-8312\">\u003cimg class=\"aligncenter size-full wp-image-8312\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/pll.jpg\" alt=\"Pretty Little Liars\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/pll.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/pll-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>Post by contributor Alex Vikmanis\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pretty Little Liars\u003c/em> isn’t the most intelligent of shows and it’s certainly not the most well written, but I won’t deny the fact that I’ve learned a lot from it (not just fashion and accessory tips). A scene in Season 3 actually contributed to a major breakthrough in my love life (or lack thereof).\u003c/p>\n\u003cp>Hannah and the randomly-appearing British doctor, Wren, taught me about “ambiguous loss.” He diagnoses Hannah with the term as she’s struggling with Mona’s silent stare in a mental institution. Ambiguous loss occurs when there’s no closure to a relationship, like when a relative is suffering from Alzheimer’s or with the disappearance of a family member. The person is either there but uncommunicative or gone but not buried. The grieving process is disrupted. The girls deal with numerous cases of ambiguous loss on PLL, not least of which is the disappearance of their friend and former ringleader, Allison, the crux of the show.\u003c/p>\n\u003cp>The moment the term was defined in that episode, I realized I had been dealing with numerous small cases of ambiguous loss on a continual basis as a result of my attempts at online and app dating. It’s the grindr cycle: you chat, have a decent conversation, maybe send naughty pics, maybe meet for coffee or a drink, maybe hook up once or twice, and then inevitably, communication will stop without further explanation, not even a polite rejection. You can still see their little picture every time they’re near you, you know the exact distance they are from you, you can still look at your conversations and extra pics, and maybe you will even see them randomly on the street, but never ever will you talk to them again.\u003c/p>\n\u003cp>It makes me feel at once angry, sad, humiliated, cynical, and hopeless. I am definitely suffering from ambiguous loss and the more I date online, the more it piles up. Just as I’ve recovered from the loss of one boy, the next loss is soon to come. Technology speeds our relationships up so quickly that they are over before they begin.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So instead of just crying myself to sleep while watching \u003cem>Pretty Little Liars\u003c/em>, I’ve channeled each of the four girls on the show to teach me ways of coping with my ambiguous loss.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Emily\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/tumblr_mslxw5n9q61r78fh8o4_250/\" rel=\"attachment wp-att-8307\">\u003cimg class=\"aligncenter size-full wp-image-8307\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250.gif\" alt=\"Pretty Little Liars Emily\" width=\"245\" height=\"245\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250.gif 245w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-75x75.gif 75w\" sizes=\"(max-width: 245px) 100vw, 245px\">\u003c/a>\u003c/p>\n\u003cp>Look confused. Furrow your eyebrows. Look sad. Look really confused. Spread ointment on your sore shoulder that has become sore because you’ve been rejected without actually being rejected. Be confused. Talk to your platonic male friend. Talk to your other platonic male friend who actually has a creepy thing for you. Talk to your girlfriend. Talk to your friends. Get an ulcer. Don’t talk to your friends. Be the weakest link. Look confused. Look sad. And then swim it off.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Aria\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/shayleybitch/\" rel=\"attachment wp-att-8308\">\u003cimg class=\"aligncenter size-full wp-image-8308\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/shayleybitch.gif\" alt=\"Pretty Little Liars Aria\" width=\"500\" height=\"250\">\u003c/a>\u003c/p>\n\u003cp>Pout. Pout in the mirror. Pout into a pillow. Pout while putting on three inch black leather heels. Put on huge dangling earrings. Put on some chunky bracelets and maybe a fringe necklace. Don’t forget copious amounts of lip gloss. Stalk hurriedly out the door. Stare off moodily during class. Look distracted while your friends chatter around you at lunch. Tell them “nothing” when they ask what’s wrong with you. Find your mom and have a heart-to-heart with her and then go pout some more. Because with you it will never really be over and they will never really go away.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Hanna\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/tumblr_m69e6quzm11roixyoo1_500/\" rel=\"attachment wp-att-8315\">\u003cimg class=\"aligncenter size-full wp-image-8315\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/tumblr_m69e6qUZm11roixyoo1_500.gif\" alt=\"Pretty Little Liars Hanna\" width=\"500\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp>Refuse to style your hair. Wear sweats. Hunch over the kitchen table, gazing listlessly into a box of takeout that your mom insists you eat, but just throw it in the trash as soon as she’s gone. Bake cupcakes. Be tempted to eat all of them in one sitting but refrain and eat none. Finally stop feeling sorry for yourself and get angry instead. Get fire in your eyes. Decide that you can’t take it any more and stomp over to the culprit, either in person or digitally and tell them that you can’t take it anymore. Tell them what you really think. Try to use some big words and do so only slightly off mark. And then just call them a really bad name (or as bad as can be said on ABC Family) like “jerk.” Storm off.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Spencer\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/tumblr_mqgd5lym7u1rfzqobo8_250/\" rel=\"attachment wp-att-8310\">\u003cimg class=\"aligncenter size-full wp-image-8310\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250.gif\" alt=\"Pretty Little Liars Spencer\" width=\"160\" height=\"160\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250.gif 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-75x75.gif 75w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a>\u003c/p>\n\u003cp>Drink coffee. Drink another coffee. Google search them. Find them on Facebook and creep on their feeds, but don’t actually friend them. Find them on Twitter. Read every tweet. Find them on Instagram. Be meticulously careful not to accidentally like any of their photos. Talk to friends of their friends. Ambush a co-worker in the parking lot and act surprised and flustered even though you are obviously not. Drink coffee. Randomly see them get in their car one night and follow them as they pick up groceries and drive home. Sit outside their house until the lights turn off. Go home and realize you’ve been acting like a crazy person and find someone new to crush on. Delete or block their profile, message history, phone number, and email address. Realize this is what you should have done all along. Read an interminable Russian novel. Stay up all night. Drink coffee.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even though the show is primarily about lies, the truth always seems to come out, whether it comes from the mouths of the four girls, the infinitely mysterious “A,” or some other shady character. This maybe isn’t the best advice and could leave you feeling as awkward as the liars in the gifs above, but suppose we tell the truth to each other, even those people we barely know on those tiny screens that fit in our pockets. Whether we’re rejecting or think we’re getting rejected, let’s just say something direct and true. For a change.\u003c/p>\n\n","blocks":[],"excerpt":"Online and app dating can leave you feeling angry, sad, humiliated, cynical, and hopeless. Thankfully, Pretty Little Liars can help you with that.","status":"publish","parent":0,"modified":1382054117,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":1018},"headData":{"title":"Fix Your Dating Life with Pretty Little Liars | KQED","description":"Online and app dating can leave you feeling angry, sad, humiliated, cynical, and hopeless. Thankfully, Pretty Little Liars can help you with that.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"8306 http://blogs.kqed.org/pop/?p=8306","disqusUrl":"https://ww2.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/","disqusTitle":"Fix Your Dating Life with Pretty Little Liars","path":"/pop/8306/fixing-your-dating-life-with-pretty-little-liars","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/pll/\" rel=\"attachment wp-att-8312\">\u003cimg class=\"aligncenter size-full wp-image-8312\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/pll.jpg\" alt=\"Pretty Little Liars\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/pll.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/pll-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>Post by contributor Alex Vikmanis\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pretty Little Liars\u003c/em> isn’t the most intelligent of shows and it’s certainly not the most well written, but I won’t deny the fact that I’ve learned a lot from it (not just fashion and accessory tips). A scene in Season 3 actually contributed to a major breakthrough in my love life (or lack thereof).\u003c/p>\n\u003cp>Hannah and the randomly-appearing British doctor, Wren, taught me about “ambiguous loss.” He diagnoses Hannah with the term as she’s struggling with Mona’s silent stare in a mental institution. Ambiguous loss occurs when there’s no closure to a relationship, like when a relative is suffering from Alzheimer’s or with the disappearance of a family member. The person is either there but uncommunicative or gone but not buried. The grieving process is disrupted. The girls deal with numerous cases of ambiguous loss on PLL, not least of which is the disappearance of their friend and former ringleader, Allison, the crux of the show.\u003c/p>\n\u003cp>The moment the term was defined in that episode, I realized I had been dealing with numerous small cases of ambiguous loss on a continual basis as a result of my attempts at online and app dating. It’s the grindr cycle: you chat, have a decent conversation, maybe send naughty pics, maybe meet for coffee or a drink, maybe hook up once or twice, and then inevitably, communication will stop without further explanation, not even a polite rejection. You can still see their little picture every time they’re near you, you know the exact distance they are from you, you can still look at your conversations and extra pics, and maybe you will even see them randomly on the street, but never ever will you talk to them again.\u003c/p>\n\u003cp>It makes me feel at once angry, sad, humiliated, cynical, and hopeless. I am definitely suffering from ambiguous loss and the more I date online, the more it piles up. Just as I’ve recovered from the loss of one boy, the next loss is soon to come. Technology speeds our relationships up so quickly that they are over before they begin.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So instead of just crying myself to sleep while watching \u003cem>Pretty Little Liars\u003c/em>, I’ve channeled each of the four girls on the show to teach me ways of coping with my ambiguous loss.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Emily\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/tumblr_mslxw5n9q61r78fh8o4_250/\" rel=\"attachment wp-att-8307\">\u003cimg class=\"aligncenter size-full wp-image-8307\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250.gif\" alt=\"Pretty Little Liars Emily\" width=\"245\" height=\"245\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250.gif 245w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mslxw5N9q61r78fh8o4_250-75x75.gif 75w\" sizes=\"(max-width: 245px) 100vw, 245px\">\u003c/a>\u003c/p>\n\u003cp>Look confused. Furrow your eyebrows. Look sad. Look really confused. Spread ointment on your sore shoulder that has become sore because you’ve been rejected without actually being rejected. Be confused. Talk to your platonic male friend. Talk to your other platonic male friend who actually has a creepy thing for you. Talk to your girlfriend. Talk to your friends. Get an ulcer. Don’t talk to your friends. Be the weakest link. Look confused. Look sad. And then swim it off.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Aria\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/shayleybitch/\" rel=\"attachment wp-att-8308\">\u003cimg class=\"aligncenter size-full wp-image-8308\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/shayleybitch.gif\" alt=\"Pretty Little Liars Aria\" width=\"500\" height=\"250\">\u003c/a>\u003c/p>\n\u003cp>Pout. Pout in the mirror. Pout into a pillow. Pout while putting on three inch black leather heels. Put on huge dangling earrings. Put on some chunky bracelets and maybe a fringe necklace. Don’t forget copious amounts of lip gloss. Stalk hurriedly out the door. Stare off moodily during class. Look distracted while your friends chatter around you at lunch. Tell them “nothing” when they ask what’s wrong with you. Find your mom and have a heart-to-heart with her and then go pout some more. Because with you it will never really be over and they will never really go away.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Hanna\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/tumblr_m69e6quzm11roixyoo1_500/\" rel=\"attachment wp-att-8315\">\u003cimg class=\"aligncenter size-full wp-image-8315\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/tumblr_m69e6qUZm11roixyoo1_500.gif\" alt=\"Pretty Little Liars Hanna\" width=\"500\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp>Refuse to style your hair. Wear sweats. Hunch over the kitchen table, gazing listlessly into a box of takeout that your mom insists you eat, but just throw it in the trash as soon as she’s gone. Bake cupcakes. Be tempted to eat all of them in one sitting but refrain and eat none. Finally stop feeling sorry for yourself and get angry instead. Get fire in your eyes. Decide that you can’t take it any more and stomp over to the culprit, either in person or digitally and tell them that you can’t take it anymore. Tell them what you really think. Try to use some big words and do so only slightly off mark. And then just call them a really bad name (or as bad as can be said on ABC Family) like “jerk.” Storm off.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Spencer\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/12/fixing-your-dating-life-with-pretty-little-liars/tumblr_mqgd5lym7u1rfzqobo8_250/\" rel=\"attachment wp-att-8310\">\u003cimg class=\"aligncenter size-full wp-image-8310\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250.gif\" alt=\"Pretty Little Liars Spencer\" width=\"160\" height=\"160\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250.gif 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/tumblr_mqgd5lyM7U1rfzqobo8_250-75x75.gif 75w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a>\u003c/p>\n\u003cp>Drink coffee. Drink another coffee. Google search them. Find them on Facebook and creep on their feeds, but don’t actually friend them. Find them on Twitter. Read every tweet. Find them on Instagram. Be meticulously careful not to accidentally like any of their photos. Talk to friends of their friends. Ambush a co-worker in the parking lot and act surprised and flustered even though you are obviously not. Drink coffee. Randomly see them get in their car one night and follow them as they pick up groceries and drive home. Sit outside their house until the lights turn off. Go home and realize you’ve been acting like a crazy person and find someone new to crush on. Delete or block their profile, message history, phone number, and email address. Realize this is what you should have done all along. Read an interminable Russian novel. Stay up all night. Drink coffee.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even though the show is primarily about lies, the truth always seems to come out, whether it comes from the mouths of the four girls, the infinitely mysterious “A,” or some other shady character. This maybe isn’t the best advice and could leave you feeling as awkward as the liars in the gifs above, but suppose we tell the truth to each other, even those people we barely know on those tiny screens that fit in our pockets. Whether we’re rejecting or think we’re getting rejected, let’s just say something direct and true. For a change.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/8306/fixing-your-dating-life-with-pretty-little-liars","authors":["2421"],"categories":["pop_3","pop_1041"],"tags":["pop_1214","pop_159","pop_1074"],"featImg":"pop_8312","label":"pop"},"pop_7234":{"type":"posts","id":"pop_7234","meta":{"index":"posts_1591205157","site":"pop","id":"7234","score":null,"sort":[1375448411000]},"guestAuthors":[],"slug":"the-most-marathonable-tv-shows-ever","title":"The Most Marathonable TV Shows Ever","publishDate":1375448411,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_7282\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/marathon/\" rel=\"attachment wp-att-7282\">\u003cimg class=\"size-full wp-image-7282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/marathon.jpg\" alt=\"marathon\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/marathon.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/marathon-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image by Lizzy Acker\u003c/figcaption>\u003c/figure>\n\u003cp>In the old days of TV, people would gather with friends and family on specific nights of the week and tune in for another installment of their favorite serial. We could call those the bad old days, when instead of the immediate gratification of Netflix Instant starting a new episode for you 12 seconds after the last one ended, you had to wait for a week between cliff hanger and resolution. Sure we were less busy back then, without the internet, but were our brains really so much better that we could remember plot points and characters for a week? Nowadays we know the joy of marathoning a really great show. Nothing compares to immersing yourself in a fictional world and then coming up days later, not really sure where or who you are anymore.\u003c/p>\n\u003cp>With the foggy gloomy of San Francisco summer not looking like it will let up anytime soon, we asked KQED Pop's TV obsessed writers to share their favorite shows for marathoning. So get in your sweats, cuddle up with your laptop and get ready to fall in love with these shows. Just be careful: \u003ca href=\"http://youtu.be/yYjLrJRuMnY\" target=\"_blank\">quality marathoning can lead to loss of employment, electricity and shelter\u003c/a>. It's so worth it though.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/davealoi/\" target=\"_blank\">David Aloi\u003c/a>: \u003cem>Six Feet Under\u003c/em>\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/RZ2i-2EZQXc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The summer after I graduated college I was taking hydrocodone four times per day. I slipped a disc in the L5S1 part of my vertebrae and there was major pressure on my sciatic nerve. Standing for extended periods of time was virtually impossible. This led to couch time and more importantly TV show marathons! After blowing through \u003cem>The OC, Laguna Beach \u003c/em>and \u003cem>The Ashlee Simpson Show\u003c/em>, I was tired of the sun-kissed cheeks and thoughtless drama. And where else to turn for cerebral joy than HBO? \u003cem>Six Feet Under\u003c/em> was in its last season and was at the height of popularity. So began my indulging of a different side of Los Angeles, the inland side. As we know, each episode began with a death and more often than not that body ended up in the basement of the Fisher Funeral Home. Some of the tightest writing in television history, \u003cem>Six Feet Under \u003c/em>defined that summer for me. I watched the show alone as though it demanded it. I never learned so much about life through death. Claire gave me serious Angela Chase vibes, David was super gay, Nate was hot, Brenda was crazy, Ruth was superb and my favorite character on the show. But what stood out most to me was the tone, supported immensely by the incredible music selections. Each episode quiet and hazy, not too dissimilar from the summer I was having, cooped up indoors while that hot star shown down on the rest of the world outside. And I was perfectly fine with it. Like any great television show, I was living through these characters, they were teaching me and I was affected. Since then I equate \u003cem>Six Feet Under\u003c/em> with summertime, because even in the brightest of seasons you must find room for a little darkness.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/serena/\" target=\"_blank\">Serena Cole\u003c/a>: \u003cem>Lost\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/305-desmond-hurley-01-2/\" rel=\"attachment wp-att-7262\">\u003cimg class=\" wp-image-7262 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/305-desmond-hurley-011.jpg\" alt=\"305-desmond-hurley-01\" width=\"640\" height=\"347\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/305-desmond-hurley-011.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/305-desmond-hurley-011-400x216.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>I believe in doing things all the way if you're going to do them at all. If you're going to drink, fall over with your pants down, and if you're going to marathon a show this summer, it should be at least a significant portion of your waking life. After all, what good is a show that was cancelled after two seasons, or one you have to wait an entire YEAR for your next fix? The good news for you is that the complete \u003cem>Lost\u003c/em> series is 49 hours, so you could put in a full work week watching it and still have episodes left. And it \u003cem>needs\u003c/em> to be all at once; sleep, hygiene, and food neglected until you really are stranded on a desert island with Sawyer, Hurley, Desmond and Charlie. (Let's just pretend Kate's dead because she is so annoying).\u003c/p>\n\u003cp>If you haven't watched \u003cem>Lost\u003c/em>, it's probably because of how dumb and obsessive your friends sounded after watching the first season. Or maybe you tried to watch it three seasons in and were, ba dum bum, lost. But now that it's all over, you're in the perfect place to really GIVE yourself to \u003cem>Lost\u003c/em>. That shrill, frantic violin ending each time puts you so far off the edge of the couch that you don't even mind that you just got hooked on polar bears and time travel and you absolutely must know what happened in the next episode with the smoke monster. It's embarrassing but true, and then I won't be able to stop you from talking to me about it. All six seasons are currently streaming on Netflix, so go grab your pajamas and get your dork on.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/nataliegrace/\" target=\"_blank\">Natalie Grace Sweet\u003c/a>: \u003cem>Kids In The Hall\u003c/em>\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/8C4TGGtPzBU\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>30 Helens agree, \u003cem>Kids In The Hall\u003c/em> is the bee's knees. If you missed the five seasons of this masterful Canadian sketch comedy show when it originally aired in the late '80/early '90s, Netflix will set you straight. This is stripped down, super funny, sketch comedy at its pinnacle, performed by the equally hysterical Dave Foley, Mark McKinney, Kevin MacDonald, Scott Thompson and Bruce McCulloch. It's ridiculous, hilarious and it's socially conscious with many sketches featuring openly gay characters (kind of a huge deal back then). Don't even bother watching other TV shows, just allow the \u003cem>Kids In The Hall\u003c/em> to introduce you to Cabbage Head, Mr. Tyzik and the Chicken Lady and fall in comedy love.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/lauraschadler/\" target=\"_blank\">Laura Schadler\u003c/a>: \u003cem>Pretty Little Liars\u003c/em>/\u003cem>New Girl\u003c/em>/\u003cem>The Mindy Project\u003c/em>/\u003cem>Twin Peaks\u003c/em>/\u003cem>Friday Night Lights\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/laura-photo/\" rel=\"attachment wp-att-7258\">\u003cimg class=\"wp-image-7258 alignright\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/laura-photo.jpg\" alt=\"laura photo\" width=\"232\" height=\"232\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-75x75.jpg 75w\" sizes=\"(max-width: 232px) 100vw, 232px\">\u003c/a>\u003c/p>\n\u003cp>As you might know by now, I can literally \u003cem>never\u003c/em> choose just one anything. Life is far too complicated for just one favorite movie/band/food/dress/book/color. And television is no exception. For that reason I struggle with which show is my favorite to stream in the summer months. So many ways to answer the question…My ironic answer is \u003cem>Pretty Little Liars\u003c/em>, complete with shiny lip gloss, giant baubles and a text message-centric murder mystery that never ever ends. Bonus points for the fact that it’s laughably predictable suspense is full of repetitive horror movie tropes that could lend themselves to a pretty amusing drinking game. Subtract points for the fact that no one will watch this with me and I don’t think I should be drinking alone while watching \u003cem>Pretty Little Liars\u003c/em>. My genuine answer is \u003cem>New Girl\u003c/em>, a show that refreshingly portrays 30-somethings instead of teenagers, and not only that but depicts them as the ridiculous, immature, hilarious people they often are (I’d also nominate \u003cem>The Mindy Project \u003c/em>in this category if I could find it streaming somewhere other than Hulu Plus). I far prefer Mindy to Zooey, but regardless, both of these funny, girl-fronted shows make me happy. Many an episode has me laughing so hard I’m crying. I deeply relate to the thesis statement of both stories, ones where the humor is derived almost solely from the inability of its characters to be grown-ups. My nostalgic answers are the swoon-worthy, heartwarming, paradigm-shifting, Tim Riggins-having, \u003cem>Friday Night Lights\u003c/em>, as well as the classic, \u003cem>Twin Peaks\u003c/em>, whose conclusion I will one day soon actually see\u003cem>.\u003c/em> There you have it-five answers for the price of one! I think I’m going to cancel the rest of my summer plans so I can finally find out who A is, who killed Laura Palmer, further analyze the Lahiri/Castellano, Jess/Nick sexual tension, and watch Tim Riggins drive a pick-up truck and throw a football.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/lizzyacker/\" target=\"_blank\">Lizzy Acker\u003c/a>: \u003cem>Queer as Folk \u003c/em>(UK version)\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/queer-as-folk-uk2/\" rel=\"attachment wp-att-7287\">\u003cimg class=\"aligncenter size-full wp-image-7287\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/queer-as-folk-uk2.jpg\" alt=\"queer-as-folk-uk2\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/queer-as-folk-uk2.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/queer-as-folk-uk2-400x200.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>I'm pretty much an \u003ca href=\"http://blogs.kqed.org/pop/2013/07/22/5-reasons-to-start-watching-orange-is-the-new-black-right-now/\" target=\"_blank\">evangelist\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/06/18/get-ready-for-the-bling-ring-by-watching-pretty-wild-on-netflix-instant/\" target=\"_blank\">for\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/03/22/the-real-world-san-francisco-is-airing-on-mtv-on-sunday/\" target=\"_blank\">the\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/05/31/please-keep-watching-arrested-development-season-four/\" target=\"_blank\">marathoning\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/the-killing-season-2-is-on-netflix/\" target=\"_blank\">of TV shows\u003c/a>. I grew up without a TV so watching shows on DVD was my first way of really experiencing and getting sucked into a TV world. For me it reflects the way I started consuming my stories: novels. I would stay up all night reading a novel, walk to school literally with my nose in a book, get sent out of the classroom for reading too much. Maybe I have an addictive personality. Okay, I definitely have an addictive personality. Anyway, for this one I decided to go waaay back to one of my first marathoning experiences: the totally sublime \u003cem>Queer as\u003c/em> \u003cem>Folk\u003c/em>. Though I still have no idea what the name means, I can tell you I devoured this show back when Netflix didn't even have Instant, the year after I graduated from college (2005 soooo long ago). How could I, a 23-year-old straight girl from America, identify so closely with a group of fictional gay dudes in England? Who knows. Maybe it was the character development, maybe it was the drama and romance. But I can say that before I watched this show I seriously didn't even know any gay men and by the time I finished it, all I wanted was to BE a gay man. That and \u003ca href=\"http://www.imdb.com/name/nm0402271/\" target=\"_blank\">Charlie Hunnam\u003c/a> as the world's best twink are enough for you to stop what you are doing, quit your job and devote your life to the compact two series arch of the ORIGINAL and far superior British version of \u003cem>Queer as Folk\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/natewaggoner/\" target=\"_blank\">Nate Waggoner\u003c/a>: \u003cem>Star Trek: The Next Generation\u003c/em>\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/YRyioZK6BOc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>With the original \u003cem>Star Trek\u003c/em> series, Gene Roddenberry set out to create a super-hopeful vision of the future, where racism and sexism had been defeated. \u003cem>Star Trek: The Next Generation\u003c/em> was not only post-racial and post-patriarchal, but also tore down the borders of tolerance the original series had invented for itself: one crew member is a Klingon, the kind of normally savage creatures the old-school crew faced off against nearly ever week. Another, Data, is an android. The residents of the ship spend much of their time painting and reading big tomes of classical literature and generally being comfy, space-bougey, and Frasieresque. In 1989, Ronald D. Moore, who would later reboot \u003cem>Battlestar Galactica\u003c/em>, started writing for the show, fully embracing the awkward comedy of it and allowing for the kind of dark storylines Roddenberry might not have approved of. This clip reminds me of a great deal of poetry readings I've been to. I like how everyone on the crew is just straight-up mad at Data, who's just trying to share a sweet poem about his pet cat.\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/emmanuelhapsis/\">Emmanuel Hapsis\u003c/a>: \u003cem>My So-Called Life\u003c/em> and \u003cem>Homeland\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/picstitch/\" rel=\"attachment wp-att-7236\">\u003cimg class=\" wp-image-7236 alignleft\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/07/picstitch.jpg\" alt=\"picstitch\" width=\"216\" height=\"216\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch.jpg 450w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-75x75.jpg 75w\" sizes=\"(max-width: 216px) 100vw, 216px\">\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>There are the people who appear in your life to teach you something and then disappear (your first love or that best friend who everyone thought was bad news). And then there are the people who reappear or just stay. Claire Danes is part of the latter category for me. When I was a tween, I watched \u003cem>My So-Called Life\u003c/em> over and over, that short-lived, yet enduring time capsule of what it feels like to be a teen, all that thrill and all that terror. Like an older sister, Angela Chase taught me how to dye my hair and battle against who my parents thought I was and how to obsess over Anne Frank and that surly boy incapable of loving me back. Those lessons were enough. If I never heard of Claire again, she would have served her purpose, yet she resurfaced in my life recently, as I was trapped in a Philadelphia airport, in the form of \u003cem>Homeland\u003c/em>. This time, she was playing a grown-up CIA operative who was crazed in a more clinical way than Angela Chase. But the core of what made me fall in love with her the first time remained: both characters share an unrelenting desire for someone just outside their grasp, as well as a stubborn refusal to let go of what they feel and believe. And it's due to these protagonists that both shows are the kind you can't help but devour, the first for its innocent nostalgic relatability and the latter for its passionate insane drama. Will Jordan Catalano hold Angela's hand? Will Carrie Mathison die for love? You'll just have to watch and see.\u003c/p>\n\n","blocks":[],"excerpt":"Nothing really compares to immersing yourself in a fictional world and then coming up days later, not really sure where or who you are anymore, so we asked KQED Pop's TV obsessed writers to share their favorite shows for marathoning. ","status":"publish","parent":0,"modified":1382053823,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":2080},"headData":{"title":"The Most Marathonable TV Shows Ever | KQED","description":"Nothing really compares to immersing yourself in a fictional world and then coming up days later, not really sure where or who you are anymore, so we asked KQED Pop's TV obsessed writers to share their favorite shows for marathoning. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"7234 http://blogs.kqed.org/pop/?p=7234","disqusUrl":"https://ww2.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/","disqusTitle":"The Most Marathonable TV Shows Ever","path":"/pop/7234/the-most-marathonable-tv-shows-ever","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_7282\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/marathon/\" rel=\"attachment wp-att-7282\">\u003cimg class=\"size-full wp-image-7282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/marathon.jpg\" alt=\"marathon\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/marathon.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/marathon-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image by Lizzy Acker\u003c/figcaption>\u003c/figure>\n\u003cp>In the old days of TV, people would gather with friends and family on specific nights of the week and tune in for another installment of their favorite serial. We could call those the bad old days, when instead of the immediate gratification of Netflix Instant starting a new episode for you 12 seconds after the last one ended, you had to wait for a week between cliff hanger and resolution. Sure we were less busy back then, without the internet, but were our brains really so much better that we could remember plot points and characters for a week? Nowadays we know the joy of marathoning a really great show. Nothing compares to immersing yourself in a fictional world and then coming up days later, not really sure where or who you are anymore.\u003c/p>\n\u003cp>With the foggy gloomy of San Francisco summer not looking like it will let up anytime soon, we asked KQED Pop's TV obsessed writers to share their favorite shows for marathoning. So get in your sweats, cuddle up with your laptop and get ready to fall in love with these shows. Just be careful: \u003ca href=\"http://youtu.be/yYjLrJRuMnY\" target=\"_blank\">quality marathoning can lead to loss of employment, electricity and shelter\u003c/a>. It's so worth it though.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/davealoi/\" target=\"_blank\">David Aloi\u003c/a>: \u003cem>Six Feet Under\u003c/em>\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/RZ2i-2EZQXc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The summer after I graduated college I was taking hydrocodone four times per day. I slipped a disc in the L5S1 part of my vertebrae and there was major pressure on my sciatic nerve. Standing for extended periods of time was virtually impossible. This led to couch time and more importantly TV show marathons! After blowing through \u003cem>The OC, Laguna Beach \u003c/em>and \u003cem>The Ashlee Simpson Show\u003c/em>, I was tired of the sun-kissed cheeks and thoughtless drama. And where else to turn for cerebral joy than HBO? \u003cem>Six Feet Under\u003c/em> was in its last season and was at the height of popularity. So began my indulging of a different side of Los Angeles, the inland side. As we know, each episode began with a death and more often than not that body ended up in the basement of the Fisher Funeral Home. Some of the tightest writing in television history, \u003cem>Six Feet Under \u003c/em>defined that summer for me. I watched the show alone as though it demanded it. I never learned so much about life through death. Claire gave me serious Angela Chase vibes, David was super gay, Nate was hot, Brenda was crazy, Ruth was superb and my favorite character on the show. But what stood out most to me was the tone, supported immensely by the incredible music selections. Each episode quiet and hazy, not too dissimilar from the summer I was having, cooped up indoors while that hot star shown down on the rest of the world outside. And I was perfectly fine with it. Like any great television show, I was living through these characters, they were teaching me and I was affected. Since then I equate \u003cem>Six Feet Under\u003c/em> with summertime, because even in the brightest of seasons you must find room for a little darkness.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/serena/\" target=\"_blank\">Serena Cole\u003c/a>: \u003cem>Lost\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/305-desmond-hurley-01-2/\" rel=\"attachment wp-att-7262\">\u003cimg class=\" wp-image-7262 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/305-desmond-hurley-011.jpg\" alt=\"305-desmond-hurley-01\" width=\"640\" height=\"347\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/305-desmond-hurley-011.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/305-desmond-hurley-011-400x216.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>I believe in doing things all the way if you're going to do them at all. If you're going to drink, fall over with your pants down, and if you're going to marathon a show this summer, it should be at least a significant portion of your waking life. After all, what good is a show that was cancelled after two seasons, or one you have to wait an entire YEAR for your next fix? The good news for you is that the complete \u003cem>Lost\u003c/em> series is 49 hours, so you could put in a full work week watching it and still have episodes left. And it \u003cem>needs\u003c/em> to be all at once; sleep, hygiene, and food neglected until you really are stranded on a desert island with Sawyer, Hurley, Desmond and Charlie. (Let's just pretend Kate's dead because she is so annoying).\u003c/p>\n\u003cp>If you haven't watched \u003cem>Lost\u003c/em>, it's probably because of how dumb and obsessive your friends sounded after watching the first season. Or maybe you tried to watch it three seasons in and were, ba dum bum, lost. But now that it's all over, you're in the perfect place to really GIVE yourself to \u003cem>Lost\u003c/em>. That shrill, frantic violin ending each time puts you so far off the edge of the couch that you don't even mind that you just got hooked on polar bears and time travel and you absolutely must know what happened in the next episode with the smoke monster. It's embarrassing but true, and then I won't be able to stop you from talking to me about it. All six seasons are currently streaming on Netflix, so go grab your pajamas and get your dork on.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/nataliegrace/\" target=\"_blank\">Natalie Grace Sweet\u003c/a>: \u003cem>Kids In The Hall\u003c/em>\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/8C4TGGtPzBU\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>30 Helens agree, \u003cem>Kids In The Hall\u003c/em> is the bee's knees. If you missed the five seasons of this masterful Canadian sketch comedy show when it originally aired in the late '80/early '90s, Netflix will set you straight. This is stripped down, super funny, sketch comedy at its pinnacle, performed by the equally hysterical Dave Foley, Mark McKinney, Kevin MacDonald, Scott Thompson and Bruce McCulloch. It's ridiculous, hilarious and it's socially conscious with many sketches featuring openly gay characters (kind of a huge deal back then). Don't even bother watching other TV shows, just allow the \u003cem>Kids In The Hall\u003c/em> to introduce you to Cabbage Head, Mr. Tyzik and the Chicken Lady and fall in comedy love.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/lauraschadler/\" target=\"_blank\">Laura Schadler\u003c/a>: \u003cem>Pretty Little Liars\u003c/em>/\u003cem>New Girl\u003c/em>/\u003cem>The Mindy Project\u003c/em>/\u003cem>Twin Peaks\u003c/em>/\u003cem>Friday Night Lights\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/laura-photo/\" rel=\"attachment wp-att-7258\">\u003cimg class=\"wp-image-7258 alignright\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/laura-photo.jpg\" alt=\"laura photo\" width=\"232\" height=\"232\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/laura-photo-75x75.jpg 75w\" sizes=\"(max-width: 232px) 100vw, 232px\">\u003c/a>\u003c/p>\n\u003cp>As you might know by now, I can literally \u003cem>never\u003c/em> choose just one anything. Life is far too complicated for just one favorite movie/band/food/dress/book/color. And television is no exception. For that reason I struggle with which show is my favorite to stream in the summer months. So many ways to answer the question…My ironic answer is \u003cem>Pretty Little Liars\u003c/em>, complete with shiny lip gloss, giant baubles and a text message-centric murder mystery that never ever ends. Bonus points for the fact that it’s laughably predictable suspense is full of repetitive horror movie tropes that could lend themselves to a pretty amusing drinking game. Subtract points for the fact that no one will watch this with me and I don’t think I should be drinking alone while watching \u003cem>Pretty Little Liars\u003c/em>. My genuine answer is \u003cem>New Girl\u003c/em>, a show that refreshingly portrays 30-somethings instead of teenagers, and not only that but depicts them as the ridiculous, immature, hilarious people they often are (I’d also nominate \u003cem>The Mindy Project \u003c/em>in this category if I could find it streaming somewhere other than Hulu Plus). I far prefer Mindy to Zooey, but regardless, both of these funny, girl-fronted shows make me happy. Many an episode has me laughing so hard I’m crying. I deeply relate to the thesis statement of both stories, ones where the humor is derived almost solely from the inability of its characters to be grown-ups. My nostalgic answers are the swoon-worthy, heartwarming, paradigm-shifting, Tim Riggins-having, \u003cem>Friday Night Lights\u003c/em>, as well as the classic, \u003cem>Twin Peaks\u003c/em>, whose conclusion I will one day soon actually see\u003cem>.\u003c/em> There you have it-five answers for the price of one! I think I’m going to cancel the rest of my summer plans so I can finally find out who A is, who killed Laura Palmer, further analyze the Lahiri/Castellano, Jess/Nick sexual tension, and watch Tim Riggins drive a pick-up truck and throw a football.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/lizzyacker/\" target=\"_blank\">Lizzy Acker\u003c/a>: \u003cem>Queer as Folk \u003c/em>(UK version)\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/queer-as-folk-uk2/\" rel=\"attachment wp-att-7287\">\u003cimg class=\"aligncenter size-full wp-image-7287\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/queer-as-folk-uk2.jpg\" alt=\"queer-as-folk-uk2\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/queer-as-folk-uk2.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/queer-as-folk-uk2-400x200.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>I'm pretty much an \u003ca href=\"http://blogs.kqed.org/pop/2013/07/22/5-reasons-to-start-watching-orange-is-the-new-black-right-now/\" target=\"_blank\">evangelist\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/06/18/get-ready-for-the-bling-ring-by-watching-pretty-wild-on-netflix-instant/\" target=\"_blank\">for\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/03/22/the-real-world-san-francisco-is-airing-on-mtv-on-sunday/\" target=\"_blank\">the\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/05/31/please-keep-watching-arrested-development-season-four/\" target=\"_blank\">marathoning\u003c/a> \u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/the-killing-season-2-is-on-netflix/\" target=\"_blank\">of TV shows\u003c/a>. I grew up without a TV so watching shows on DVD was my first way of really experiencing and getting sucked into a TV world. For me it reflects the way I started consuming my stories: novels. I would stay up all night reading a novel, walk to school literally with my nose in a book, get sent out of the classroom for reading too much. Maybe I have an addictive personality. Okay, I definitely have an addictive personality. Anyway, for this one I decided to go waaay back to one of my first marathoning experiences: the totally sublime \u003cem>Queer as\u003c/em> \u003cem>Folk\u003c/em>. Though I still have no idea what the name means, I can tell you I devoured this show back when Netflix didn't even have Instant, the year after I graduated from college (2005 soooo long ago). How could I, a 23-year-old straight girl from America, identify so closely with a group of fictional gay dudes in England? Who knows. Maybe it was the character development, maybe it was the drama and romance. But I can say that before I watched this show I seriously didn't even know any gay men and by the time I finished it, all I wanted was to BE a gay man. That and \u003ca href=\"http://www.imdb.com/name/nm0402271/\" target=\"_blank\">Charlie Hunnam\u003c/a> as the world's best twink are enough for you to stop what you are doing, quit your job and devote your life to the compact two series arch of the ORIGINAL and far superior British version of \u003cem>Queer as Folk\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/natewaggoner/\" target=\"_blank\">Nate Waggoner\u003c/a>: \u003cem>Star Trek: The Next Generation\u003c/em>\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/YRyioZK6BOc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>With the original \u003cem>Star Trek\u003c/em> series, Gene Roddenberry set out to create a super-hopeful vision of the future, where racism and sexism had been defeated. \u003cem>Star Trek: The Next Generation\u003c/em> was not only post-racial and post-patriarchal, but also tore down the borders of tolerance the original series had invented for itself: one crew member is a Klingon, the kind of normally savage creatures the old-school crew faced off against nearly ever week. Another, Data, is an android. The residents of the ship spend much of their time painting and reading big tomes of classical literature and generally being comfy, space-bougey, and Frasieresque. In 1989, Ronald D. Moore, who would later reboot \u003cem>Battlestar Galactica\u003c/em>, started writing for the show, fully embracing the awkward comedy of it and allowing for the kind of dark storylines Roddenberry might not have approved of. This clip reminds me of a great deal of poetry readings I've been to. I like how everyone on the crew is just straight-up mad at Data, who's just trying to share a sweet poem about his pet cat.\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/author/emmanuelhapsis/\">Emmanuel Hapsis\u003c/a>: \u003cem>My So-Called Life\u003c/em> and \u003cem>Homeland\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/picstitch/\" rel=\"attachment wp-att-7236\">\u003cimg class=\" wp-image-7236 alignleft\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/07/picstitch.jpg\" alt=\"picstitch\" width=\"216\" height=\"216\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch.jpg 450w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/picstitch-75x75.jpg 75w\" sizes=\"(max-width: 216px) 100vw, 216px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There are the people who appear in your life to teach you something and then disappear (your first love or that best friend who everyone thought was bad news). And then there are the people who reappear or just stay. Claire Danes is part of the latter category for me. When I was a tween, I watched \u003cem>My So-Called Life\u003c/em> over and over, that short-lived, yet enduring time capsule of what it feels like to be a teen, all that thrill and all that terror. Like an older sister, Angela Chase taught me how to dye my hair and battle against who my parents thought I was and how to obsess over Anne Frank and that surly boy incapable of loving me back. Those lessons were enough. If I never heard of Claire again, she would have served her purpose, yet she resurfaced in my life recently, as I was trapped in a Philadelphia airport, in the form of \u003cem>Homeland\u003c/em>. This time, she was playing a grown-up CIA operative who was crazed in a more clinical way than Angela Chase. But the core of what made me fall in love with her the first time remained: both characters share an unrelenting desire for someone just outside their grasp, as well as a stubborn refusal to let go of what they feel and believe. And it's due to these protagonists that both shows are the kind you can't help but devour, the first for its innocent nostalgic relatability and the latter for its passionate insane drama. Will Jordan Catalano hold Angela's hand? Will Carrie Mathison die for love? You'll just have to watch and see.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/7234/the-most-marathonable-tv-shows-ever","authors":["2421"],"categories":["pop_6","pop_3"],"tags":["pop_177","pop_334","pop_1073","pop_1071","pop_386","pop_1077","pop_438","pop_384","pop_70","pop_1074","pop_1078","pop_1072","pop_696","pop_949","pop_1075","pop_1076"],"featImg":"pop_7282","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2019/07/commonwealthclub.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/Consider-This_3000_V3-copy-scaled-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://ww2.kqed.org/app/uploads/2022/06/forum-logo-900x900tile-1.gif","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/FreshAir_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. 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