Meet the South African Uber Driver Who Went Viral With His Opera Singing
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The 27-year-old has a fiancé, kids and his parents to support, and his life's passion, opera, wasn't paying the bills. But he was also making a bet. \"You need to be well-connected to go overseas,\" he told NPR. Though he's currently based in Durban, South Africa, Mngoma dreams of becoming an international musical sensation; he thought that driving Uber might help him make connections with people who could further his career.\u003c/p>\n\u003cp>After more than a year, the bet finally paid off for Mngoma. In late May, he was driving a woman from Johannesburg named Kim Davey while she was in Durban for a business trip.\u003c/p>\n\u003cp>\"From the moment I started chatting to Menzi in the Uber, I just knew he was a kind and special soul,\" Davey says. They got to talking, and Mngoma revealed he is an opera singer. Davey asked him to sing; he complied with several arias. The videos she took of his performance, showcasing his lyric tenor, have since racked up \u003ca href=\"https://www.facebook.com/kim.davey.520/videos/pcb.10161658964345332/10161658961710332/?type=3&theater\">hundreds of thousands of views\u003c/a> on Facebook.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TarcpCpbEN4\u003c/p>\n\u003cp>And how talented is he? Tim Ashley, \u003ca href=\"https://www.theguardian.com/music/shortcuts/2019/jul/10/could-your-cab-driver-really-be-the-next-pavarotti?CMP=share_btn_fb&fbclid=IwAR1qCdyYgTvo0TRDxnbeJlZ3JD3LExOLLp2ga0yGb7Ye0hJKMmZGZorAMhY\">opera critic for the Guardian\u003c/a>, wrote that Mngoma sang \"perfectly decently and with no strain at the top [of the voice].\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The exposure has rocketed Mngoma to semi-stardom. He has since been \u003ca href=\"https://www.ecr.co.za/shows/east-coast-breakfast/uber-driver-menzi-mngoma-releases-his-first-song/\">interviewed by\u003c/a> radio and TV stations across the country and \u003ca href=\"https://ewn.co.za/2019/05/31/dream-opportunity-for-durban-uber-driver-after-passenger-films-him-singing\">auditioned for the Cape Town Opera\u003c/a>. He has even been invited to \u003ca href=\"http://www.ipopla.com/\">participate in iPop\u003c/a>, an international talent contest in L.A. this December—a step toward his dream of international stardom.\u003c/p>\n\u003cp>Mngoma says he always stuck out a little in his hometown of Richards Bay, a seaside community near Durban with a high unemployment and poverty rate (though his family wasn't very poor, he says, they were also far from wealthy). While other boys played soccer, he'd be cooking or cleaning or spending time looking at sheet music and playing DVDs to learn about different musical styles.\u003c/p>\n\u003cp>He says he's been singing since \"I knew myself\" and turned to opera when he was 14. \"It [made] me feel so unique around my age group,\" he says. \"Most people listened to R&B.\" His friends called him Pavarotti after the famed Italian tenor. It's fitting, then, that Mngoma's favorite aria is one that Pavarotti and many other tenors have recorded from Verdi's \u003cem>La Traviata.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lYBgMMWBAf0\u003c/p>\n\u003cp>When he first performed it in high school, his music teachers were impressed, he recalls. \"For a very young guy like me in grade 8, [they were] surprised—I can go to every range, I can pronounce the Italian in the way that I did,\" he says.\u003c/p>\n\u003cp>Mngoma says he's always been a hard worker when it comes to singing, sometimes too much so. He says he failed a term in high school because he was always sneaking away from class to sing.\u003c/p>\n\u003cp>He's taught himself but also taken lessons. He says he practices about 2 hours a day four times a week.\u003c/p>\n\u003cp>After high school, Mngoma moved to Durban in 2011. He sang in choirs and landed some roles in operas. But his various gigs didn't add up to a living. Before he drove an Uber he taught singing at a primary school.\u003c/p>\n\u003cp>Mngoma still hasn't been able to quit his day job. But he believes his future as a full-time performer might not be too far off.\u003c/p>\n\u003cp>On Friday, Mngoma put out his first single, \"Feel the Love,\" which he calls \"popera\"—a mix of pop and opera. East Coast Radio arranged for Davey to fly down from Johannesburg \u003ca href=\"https://www.facebook.com/EastCoastBreakfast/videos/1317155438449422/UzpfSTc1NjEwNTMzMToxMDE2MTg2NzQ2ODc2MDMzMg/\">and surprise Mngoma\u003c/a> in studio. The two, who've become close friends, hugged fiercely. \"His reaction was priceless,\" she says.\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.ecr.co.za/shows/east-coast-breakfast/uber-driver-menzi-mngoma-releases-his-first-song/\">preview the song here\u003c/a>. And even though it's definitely not opera, Mngoma is just happy to be singing for a worldwide audience.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Susie Neilson is an intern on NPR's Science Desk. Contact her @susieneilson\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit\u003ca href=\"https://www.npr.org\"> NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Video+Of+An+Uber+Driver+In+South+Africa+Singing+Opera+Goes+Viral+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Menzi Mngoma is hoping that the exposure will help him further his dream of becoming an international singing sensation who doesn't have to drive for Uber.","status":"publish","parent":0,"modified":1563170152,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":709},"headData":{"title":"Meet the South African Uber Driver Who Went Viral With His Opera Singing | KQED","description":"Menzi Mngoma is hoping that the exposure will help him further his dream of becoming an international singing sensation who doesn't have to drive for Uber.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"112775 https://ww2.kqed.org/pop/?p=112775","disqusUrl":"https://ww2.kqed.org/pop/2019/07/14/meet-the-south-african-uber-driver-who-went-viral-with-his-opera-singing/","disqusTitle":"Meet the South African Uber Driver Who Went Viral With His Opera Singing","nprByline":"Susie Neilson","nprImageAgency":"Kim Davey/Facebook","nprStoryId":"738594345","nprApiLink":"http://api.npr.org/query?id=738594345&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/goatsandsoda/2019/07/13/738594345/video-of-an-uber-driver-in-south-africa-singing-opera-goes-viral?ft=nprml&f=738594345","nprRetrievedStory":"1","nprPubDate":"Sat, 13 Jul 2019 10:00:00 -0400","nprStoryDate":"Sat, 13 Jul 2019 10:00:19 -0400","nprLastModifiedDate":"Sat, 13 Jul 2019 10:00:19 -0400","path":"/pop/112775/meet-the-south-african-uber-driver-who-went-viral-with-his-opera-singing","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When Menzi Mngoma decided to get a job as an Uber driver, it was mostly out of necessity. The 27-year-old has a fiancé, kids and his parents to support, and his life's passion, opera, wasn't paying the bills. But he was also making a bet. \"You need to be well-connected to go overseas,\" he told NPR. Though he's currently based in Durban, South Africa, Mngoma dreams of becoming an international musical sensation; he thought that driving Uber might help him make connections with people who could further his career.\u003c/p>\n\u003cp>After more than a year, the bet finally paid off for Mngoma. In late May, he was driving a woman from Johannesburg named Kim Davey while she was in Durban for a business trip.\u003c/p>\n\u003cp>\"From the moment I started chatting to Menzi in the Uber, I just knew he was a kind and special soul,\" Davey says. They got to talking, and Mngoma revealed he is an opera singer. Davey asked him to sing; he complied with several arias. The videos she took of his performance, showcasing his lyric tenor, have since racked up \u003ca href=\"https://www.facebook.com/kim.davey.520/videos/pcb.10161658964345332/10161658961710332/?type=3&theater\">hundreds of thousands of views\u003c/a> on Facebook.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TarcpCpbEN4'\n title='//www.youtube.com/embed/TarcpCpbEN4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And how talented is he? Tim Ashley, \u003ca href=\"https://www.theguardian.com/music/shortcuts/2019/jul/10/could-your-cab-driver-really-be-the-next-pavarotti?CMP=share_btn_fb&fbclid=IwAR1qCdyYgTvo0TRDxnbeJlZ3JD3LExOLLp2ga0yGb7Ye0hJKMmZGZorAMhY\">opera critic for the Guardian\u003c/a>, wrote that Mngoma sang \"perfectly decently and with no strain at the top [of the voice].\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The exposure has rocketed Mngoma to semi-stardom. He has since been \u003ca href=\"https://www.ecr.co.za/shows/east-coast-breakfast/uber-driver-menzi-mngoma-releases-his-first-song/\">interviewed by\u003c/a> radio and TV stations across the country and \u003ca href=\"https://ewn.co.za/2019/05/31/dream-opportunity-for-durban-uber-driver-after-passenger-films-him-singing\">auditioned for the Cape Town Opera\u003c/a>. He has even been invited to \u003ca href=\"http://www.ipopla.com/\">participate in iPop\u003c/a>, an international talent contest in L.A. this December—a step toward his dream of international stardom.\u003c/p>\n\u003cp>Mngoma says he always stuck out a little in his hometown of Richards Bay, a seaside community near Durban with a high unemployment and poverty rate (though his family wasn't very poor, he says, they were also far from wealthy). While other boys played soccer, he'd be cooking or cleaning or spending time looking at sheet music and playing DVDs to learn about different musical styles.\u003c/p>\n\u003cp>He says he's been singing since \"I knew myself\" and turned to opera when he was 14. \"It [made] me feel so unique around my age group,\" he says. \"Most people listened to R&B.\" His friends called him Pavarotti after the famed Italian tenor. It's fitting, then, that Mngoma's favorite aria is one that Pavarotti and many other tenors have recorded from Verdi's \u003cem>La Traviata.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lYBgMMWBAf0'\n title='//www.youtube.com/embed/lYBgMMWBAf0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When he first performed it in high school, his music teachers were impressed, he recalls. \"For a very young guy like me in grade 8, [they were] surprised—I can go to every range, I can pronounce the Italian in the way that I did,\" he says.\u003c/p>\n\u003cp>Mngoma says he's always been a hard worker when it comes to singing, sometimes too much so. He says he failed a term in high school because he was always sneaking away from class to sing.\u003c/p>\n\u003cp>He's taught himself but also taken lessons. He says he practices about 2 hours a day four times a week.\u003c/p>\n\u003cp>After high school, Mngoma moved to Durban in 2011. He sang in choirs and landed some roles in operas. But his various gigs didn't add up to a living. Before he drove an Uber he taught singing at a primary school.\u003c/p>\n\u003cp>Mngoma still hasn't been able to quit his day job. But he believes his future as a full-time performer might not be too far off.\u003c/p>\n\u003cp>On Friday, Mngoma put out his first single, \"Feel the Love,\" which he calls \"popera\"—a mix of pop and opera. East Coast Radio arranged for Davey to fly down from Johannesburg \u003ca href=\"https://www.facebook.com/EastCoastBreakfast/videos/1317155438449422/UzpfSTc1NjEwNTMzMToxMDE2MTg2NzQ2ODc2MDMzMg/\">and surprise Mngoma\u003c/a> in studio. The two, who've become close friends, hugged fiercely. \"His reaction was priceless,\" she says.\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.ecr.co.za/shows/east-coast-breakfast/uber-driver-menzi-mngoma-releases-his-first-song/\">preview the song here\u003c/a>. And even though it's definitely not opera, Mngoma is just happy to be singing for a worldwide audience.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Susie Neilson is an intern on NPR's Science Desk. Contact her @susieneilson\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit\u003ca href=\"https://www.npr.org\"> NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Video+Of+An+Uber+Driver+In+South+Africa+Singing+Opera+Goes+Viral+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/112775/meet-the-south-african-uber-driver-who-went-viral-with-his-opera-singing","authors":["byline_pop_112775"],"categories":["pop_4","pop_5"],"tags":["pop_3760","pop_909","pop_3759","pop_2801","pop_510"],"featImg":"pop_112776","label":"pop"},"pop_107020":{"type":"posts","id":"pop_107020","meta":{"index":"posts_1591205157","site":"pop","id":"107020","score":null,"sort":[1541149955000]},"guestAuthors":[],"slug":"heres-a-video-of-tilda-swintons-spaniels-bouncing-around-to-opera","title":"Here's a Video of Tilda Swinton's Spaniels Bouncing Around to Opera","publishDate":1541149955,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Yes, cat videos have ruled the internet, but every dog—as they say—has his day. And that day surely is at hand in this spirited video, featuring a pack of vivacious spaniels, a lively \u003ca href=\"https://www.npr.org/artists/15509811/george-frideric-handel\">Handel\u003c/a> aria sung by countertenor \u003ca href=\"https://www.npr.org/artists/650002671/anthony-roth-costanzo\">Anthony Roth Costanzo\u003c/a> and co-directors Tilda Swinton and her partner, the artist Sandro Kopp.\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=331&v=XcTS15OO0Bw\u003c/p>\n\u003cp>Shot in watery locations in Scotland, the video offers no humans on screen. Instead, the single-named stars are Rosy, Dora, Louis, Dot and Snowbear, Springer Spaniels who leap, splash and pivot, practically dancing to Handel's propulsive beats.\u003c/p>\n\u003cp>The music, like the hounds (which belong to Swinton and Kopp), overflows with energy. In the opera \u003cem>Flavio\u003c/em>, from 1723, a husband rages against fate that has separated him from his wife. Never mind the ridiculous plot, it's the driving rhythms, and Costanzo's urgent, agile performance that seem to perfectly match the frolicking dogs. During the aria's midpoint moment of tranquility, a slow-motion shot of one dog vaulting upward to catch some airborne treat is as beautiful as any \u003cem>tour jeté\u003c/em> at the ballet.\u003c/p>\n\u003cp>Swinton's video, like Costanzo himself, has taken Handel's music to some unusual places. It's part of the singer's multi-media installation created for Opera Philadelphia, where fashion designers, visual artists, actors and dancers collaborated with Costanzo and his performances of music by Handel and \u003ca href=\"https://www.npr.org/artists/15680178/philip-glass\">Philip Glass\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At a time when the internet can be a frightening place, this six minutes of pure joy feels like it has special powers.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tilda+Swinton%27s+Spaniels+Are+A+Lot+To+Handel&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"At a time when the internet can be a frightening place, this six minutes of pure joy feels like it has special powers. ","status":"publish","parent":0,"modified":1541149981,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":281},"headData":{"title":"Here's a Video of Tilda Swinton's Spaniels Bouncing Around to Opera | KQED","description":"At a time when the internet can be a frightening place, this six minutes of pure joy feels like it has special powers. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"107020 https://ww2.kqed.org/pop/?p=107020","disqusUrl":"https://ww2.kqed.org/pop/2018/11/02/heres-a-video-of-tilda-swintons-spaniels-bouncing-around-to-opera/","disqusTitle":"Here's a Video of Tilda Swinton's Spaniels Bouncing Around to Opera","nprByline":"Tom Huizenga","nprImageAgency":"Courtesy of the artist","nprStoryId":"662938605","nprApiLink":"http://api.npr.org/query?id=662938605&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/deceptivecadence/2018/11/01/662938605/tilda-swintons-spaniels-are-a-lot-to-handel?ft=nprml&f=662938605","nprRetrievedStory":"1","nprPubDate":"Thu, 01 Nov 2018 19:28:00 -0400","nprStoryDate":"Thu, 01 Nov 2018 12:24:34 -0400","nprLastModifiedDate":"Thu, 01 Nov 2018 19:28:08 -0400","path":"/pop/107020/heres-a-video-of-tilda-swintons-spaniels-bouncing-around-to-opera","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Yes, cat videos have ruled the internet, but every dog—as they say—has his day. And that day surely is at hand in this spirited video, featuring a pack of vivacious spaniels, a lively \u003ca href=\"https://www.npr.org/artists/15509811/george-frideric-handel\">Handel\u003c/a> aria sung by countertenor \u003ca href=\"https://www.npr.org/artists/650002671/anthony-roth-costanzo\">Anthony Roth Costanzo\u003c/a> and co-directors Tilda Swinton and her partner, the artist Sandro Kopp.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XcTS15OO0Bw'\n title='//www.youtube.com/embed/XcTS15OO0Bw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Shot in watery locations in Scotland, the video offers no humans on screen. Instead, the single-named stars are Rosy, Dora, Louis, Dot and Snowbear, Springer Spaniels who leap, splash and pivot, practically dancing to Handel's propulsive beats.\u003c/p>\n\u003cp>The music, like the hounds (which belong to Swinton and Kopp), overflows with energy. In the opera \u003cem>Flavio\u003c/em>, from 1723, a husband rages against fate that has separated him from his wife. Never mind the ridiculous plot, it's the driving rhythms, and Costanzo's urgent, agile performance that seem to perfectly match the frolicking dogs. During the aria's midpoint moment of tranquility, a slow-motion shot of one dog vaulting upward to catch some airborne treat is as beautiful as any \u003cem>tour jeté\u003c/em> at the ballet.\u003c/p>\n\u003cp>Swinton's video, like Costanzo himself, has taken Handel's music to some unusual places. It's part of the singer's multi-media installation created for Opera Philadelphia, where fashion designers, visual artists, actors and dancers collaborated with Costanzo and his performances of music by Handel and \u003ca href=\"https://www.npr.org/artists/15680178/philip-glass\">Philip Glass\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At a time when the internet can be a frightening place, this six minutes of pure joy feels like it has special powers.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tilda+Swinton%27s+Spaniels+Are+A+Lot+To+Handel&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/107020/heres-a-video-of-tilda-swintons-spaniels-bouncing-around-to-opera","authors":["byline_pop_107020"],"categories":["pop_1537"],"tags":["pop_3252","pop_909"],"featImg":"pop_107021","label":"pop"},"pop_8811":{"type":"posts","id":"pop_8811","meta":{"index":"posts_1591205157","site":"pop","id":"8811","score":null,"sort":[1380805230000]},"guestAuthors":[],"slug":"how-the-opera-is-cool-again","title":"Breaking News: Going to the Opera Is Cool Again!","publishDate":1380805230,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/feature-image-sfoperadotcom/\" rel=\"attachment wp-att-8813\">\u003cimg class=\"aligncenter size-full wp-image-8813\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/Feature-Image-sfoperadotcom.png\" alt=\"sf opera\" width=\"510\" height=\"287\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/10/Feature-Image-sfoperadotcom.png 510w, https://ww2.kqed.org/app/uploads/sites/12/2013/10/Feature-Image-sfoperadotcom-400x225.png 400w\" sizes=\"(max-width: 510px) 100vw, 510px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Post by contributor Alex Vikmanis\u003c/strong>\u003c/p>\n\u003cp>Let’s be honest. Going to the opera is not the first idea that would come to mind on a random Saturday night for young hipsters in San Francisco. It really is at the bottom of the list of fun things to do. I mean, maybe the opera was cool upon its inception in Italy at the end of the 16th century when there weren’t indie pop shows or endless art openings or new bars with the best mixologists. Sure, young people two hundred years ago actually went to the opera and wooed each other and declared duels and wore long gloves and other dramatic and exciting things, but now it must just be a bunch of old ladies in musty furs dragging their tottering, hairless and toothless gents behind them. And also, isn’t the opera just plain boring?\u003c/p>\n\u003cp>Ok, fine, a lot of that is true. On our recent excursion to \u003ca href=\"http://sfopera.com/Home.aspx\">San Francisco Opera’s\u003c/a> performance of \u003ca href=\"http://www.huffingtonpost.com/sean-martinfield/tobias-pickers-dolores-cl_b_3977504.html\">\u003cem>Dolores Claiborne\u003c/em>\u003c/a> at the War Memorial Opera House, my best friend, Lisa, and I did run into a lot of old people and found the whole style of singing rather grating, but we also had one of the best nights out that we’ve had recently. This is how the opera is cool.\u003c/p>\n\u003cp>\u003cstrong>Dressing over the top is a must\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/dressing-over-the-top/\" rel=\"attachment wp-att-8814\">\u003cimg class=\"alignleft wp-image-8814\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/Dressing-Over-the-Top-773x1024.png\" alt=\"Dressing Over the Top\" width=\"278\" height=\"368\">\u003c/a>When I think of opera, I think of attire: tails, furs, gloves, top hats, diamonds. Because we’re in San Francisco, you can take it to a whole different level, mixing casual and black tie. Try shorts, high tops, and a bow tie. How about crushed velvets and huge white faux furs? Bright red shoes and a sleeveless hoodie with no shirt will do. Even going practically naked in several layers of lace is fine. Take all of your jewelry and put it all on. You won’t get dirty looks, but \u003cem>do\u003c/em> expect a lot of admiring stares and appreciative glances. Especially when you tipsily drop your most important accessory, a leopard print flask, down the aisle for all to see.\u003c/p>\n\u003cp>\u003cstrong>Tickets are not as expensive as you think\u003c/strong>\u003c/p>\n\u003cp>I hear your protestations: \"...but I’m a poor starving artist/writer/barista in San Francisco, I don’t have money for something bougie like the opera!\" Tickets are way less expensive than you think. For twenty-five bucks a pop, you can sit in the nosebleeds, which quite frankly, will do nicely. You basically feel like some sort of god watching these amazing voices pitch themselves all the way up to you. And if you want to see the details, the SF Opera has screens and subtitles right in front of the upper balcony. If you get really obsessed with the opera, you can even become a real patron and buy a \u003ca href=\"http://sfopera.com/subscriptions/series/select.aspx?seriestype=half\">half season\u003c/a> or \u003ca href=\"http://sfopera.com/subscriptions/series/select.aspx?seriestype=oot\">out of town series\u003c/a> where you can mix and match what shows you want to see. Imagine it! A real opera connoisseur in the last row with a half season pass! Hey, you’re even supporting local arts! Getting a drink and seeing a movie isn’t really any cheaper.\u003c/p>\n\u003cp>\u003cstrong>The War Memorial Opera House is Crazy\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/opera-house-is-crazy/\" rel=\"attachment wp-att-8816\">\u003cimg class=\"alignright wp-image-8816\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/Opera-House-is-Crazy-890x1024.png\" alt=\"Opera House is Crazy\" width=\"320\" height=\"368\">\u003c/a>If the opera really does end up boring you, it will still be worth going to see the venue. The \u003ca href=\"http://sfopera.com/Plan-Your-Experience/War-Memorial-Opera-House.aspx\">War Memorial Opera House\u003c/a> is not only imposing on the outside, but beautiful and elaborate on the inside: ornate ceilings, winding stone staircases, huge gilded mirrors perfect for taking selfies, amazing views of the city, public and exclusive dining areas, powder rooms, and coral drinking fountains. There are also, literally, bars everywhere and some even have cocktails (the level with the box seats of course). Come early for a drink and then get another during intermission. Wander around the sumptuous halls and lounge on red velvet couches while watching the elite (and plenty of the non-elite) rushing to the bathroom or for a glass of champagne. There is always something to see even if it’s not the thing you paid to see.\u003c/p>\n\u003cp>\u003cstrong>Opera is super weird and kind of annoying, but SF Opera is stepping it up\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/sf-oper-is-stepping-it-up/\" rel=\"attachment wp-att-8818\">\u003cimg class=\"alignleft wp-image-8818\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/SF-Oper-is-Stepping-it-up.png\" alt=\"SF Oper is Stepping it up\" width=\"256\" height=\"340\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/10/SF-Oper-is-Stepping-it-up.png 711w, https://ww2.kqed.org/app/uploads/sites/12/2013/10/SF-Oper-is-Stepping-it-up-400x531.png 400w\" sizes=\"(max-width: 256px) 100vw, 256px\">\u003c/a>I will admit it, as much as I’m trying to be a proponent of the opera, I’m not even really sure I like it that much. It’s a form of singing and style of performance that takes some getting used to. Most of it is sung in a different language and even if it is in English, it’s nearly impossible to understand what they’re saying. And there’s not a lot of dancing, which you would get out of ballet, or great acting, which you would find in cinema or musicals. It’s all about that intense, high pitched singing. What’s cool though is that the SF Opera is trying to bring the art form to a wider audience. This year, under the direction of David Gockley, they premiered, \u003cem>The Secret Garden\u003c/em> inspired by the children’s book, \u003cem>The Gospel of Mary Magdalene\u003c/em>, and \u003cem>Dolores Claiborne\u003c/em>, based on the Stephen King bestseller that I ate up when I was a teenager. If that’s not progressive enough, in recent years they co-produced the \u003cem>Ring Cycle\u003c/em>, a feminist and environmental series of operas and \u003cem>The Bonesetter's Daughter\u003c/em>, based on the book by Bay Area novelist, Amy Tan. There is something for everyone.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And if I still haven’t convinced you to go to the opera, just think of it as an expansion of your artistic and cultural repertoire. Because ultimately you never know where inspiration might come from.\u003c/p>\n\n","blocks":[],"excerpt":"Opera isn't just for old people. Here's why attending can be fun!","status":"publish","parent":0,"modified":1382054165,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":957},"headData":{"title":"Breaking News: Going to the Opera Is Cool Again! | KQED","description":"Opera isn't just for old people. Here's why attending can be fun!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"8811 http://blogs.kqed.org/pop/?p=8811","disqusUrl":"https://ww2.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/","disqusTitle":"Breaking News: Going to the Opera Is Cool Again!","path":"/pop/8811/how-the-opera-is-cool-again","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/feature-image-sfoperadotcom/\" rel=\"attachment wp-att-8813\">\u003cimg class=\"aligncenter size-full wp-image-8813\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/Feature-Image-sfoperadotcom.png\" alt=\"sf opera\" width=\"510\" height=\"287\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/10/Feature-Image-sfoperadotcom.png 510w, https://ww2.kqed.org/app/uploads/sites/12/2013/10/Feature-Image-sfoperadotcom-400x225.png 400w\" sizes=\"(max-width: 510px) 100vw, 510px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Post by contributor Alex Vikmanis\u003c/strong>\u003c/p>\n\u003cp>Let’s be honest. Going to the opera is not the first idea that would come to mind on a random Saturday night for young hipsters in San Francisco. It really is at the bottom of the list of fun things to do. I mean, maybe the opera was cool upon its inception in Italy at the end of the 16th century when there weren’t indie pop shows or endless art openings or new bars with the best mixologists. Sure, young people two hundred years ago actually went to the opera and wooed each other and declared duels and wore long gloves and other dramatic and exciting things, but now it must just be a bunch of old ladies in musty furs dragging their tottering, hairless and toothless gents behind them. And also, isn’t the opera just plain boring?\u003c/p>\n\u003cp>Ok, fine, a lot of that is true. On our recent excursion to \u003ca href=\"http://sfopera.com/Home.aspx\">San Francisco Opera’s\u003c/a> performance of \u003ca href=\"http://www.huffingtonpost.com/sean-martinfield/tobias-pickers-dolores-cl_b_3977504.html\">\u003cem>Dolores Claiborne\u003c/em>\u003c/a> at the War Memorial Opera House, my best friend, Lisa, and I did run into a lot of old people and found the whole style of singing rather grating, but we also had one of the best nights out that we’ve had recently. This is how the opera is cool.\u003c/p>\n\u003cp>\u003cstrong>Dressing over the top is a must\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/dressing-over-the-top/\" rel=\"attachment wp-att-8814\">\u003cimg class=\"alignleft wp-image-8814\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/Dressing-Over-the-Top-773x1024.png\" alt=\"Dressing Over the Top\" width=\"278\" height=\"368\">\u003c/a>When I think of opera, I think of attire: tails, furs, gloves, top hats, diamonds. Because we’re in San Francisco, you can take it to a whole different level, mixing casual and black tie. Try shorts, high tops, and a bow tie. How about crushed velvets and huge white faux furs? Bright red shoes and a sleeveless hoodie with no shirt will do. Even going practically naked in several layers of lace is fine. Take all of your jewelry and put it all on. You won’t get dirty looks, but \u003cem>do\u003c/em> expect a lot of admiring stares and appreciative glances. Especially when you tipsily drop your most important accessory, a leopard print flask, down the aisle for all to see.\u003c/p>\n\u003cp>\u003cstrong>Tickets are not as expensive as you think\u003c/strong>\u003c/p>\n\u003cp>I hear your protestations: \"...but I’m a poor starving artist/writer/barista in San Francisco, I don’t have money for something bougie like the opera!\" Tickets are way less expensive than you think. For twenty-five bucks a pop, you can sit in the nosebleeds, which quite frankly, will do nicely. You basically feel like some sort of god watching these amazing voices pitch themselves all the way up to you. And if you want to see the details, the SF Opera has screens and subtitles right in front of the upper balcony. If you get really obsessed with the opera, you can even become a real patron and buy a \u003ca href=\"http://sfopera.com/subscriptions/series/select.aspx?seriestype=half\">half season\u003c/a> or \u003ca href=\"http://sfopera.com/subscriptions/series/select.aspx?seriestype=oot\">out of town series\u003c/a> where you can mix and match what shows you want to see. Imagine it! A real opera connoisseur in the last row with a half season pass! Hey, you’re even supporting local arts! Getting a drink and seeing a movie isn’t really any cheaper.\u003c/p>\n\u003cp>\u003cstrong>The War Memorial Opera House is Crazy\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/opera-house-is-crazy/\" rel=\"attachment wp-att-8816\">\u003cimg class=\"alignright wp-image-8816\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/Opera-House-is-Crazy-890x1024.png\" alt=\"Opera House is Crazy\" width=\"320\" height=\"368\">\u003c/a>If the opera really does end up boring you, it will still be worth going to see the venue. The \u003ca href=\"http://sfopera.com/Plan-Your-Experience/War-Memorial-Opera-House.aspx\">War Memorial Opera House\u003c/a> is not only imposing on the outside, but beautiful and elaborate on the inside: ornate ceilings, winding stone staircases, huge gilded mirrors perfect for taking selfies, amazing views of the city, public and exclusive dining areas, powder rooms, and coral drinking fountains. There are also, literally, bars everywhere and some even have cocktails (the level with the box seats of course). Come early for a drink and then get another during intermission. Wander around the sumptuous halls and lounge on red velvet couches while watching the elite (and plenty of the non-elite) rushing to the bathroom or for a glass of champagne. There is always something to see even if it’s not the thing you paid to see.\u003c/p>\n\u003cp>\u003cstrong>Opera is super weird and kind of annoying, but SF Opera is stepping it up\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/10/03/how-the-opera-is-cool-again/sf-oper-is-stepping-it-up/\" rel=\"attachment wp-att-8818\">\u003cimg class=\"alignleft wp-image-8818\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/SF-Oper-is-Stepping-it-up.png\" alt=\"SF Oper is Stepping it up\" width=\"256\" height=\"340\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/10/SF-Oper-is-Stepping-it-up.png 711w, https://ww2.kqed.org/app/uploads/sites/12/2013/10/SF-Oper-is-Stepping-it-up-400x531.png 400w\" sizes=\"(max-width: 256px) 100vw, 256px\">\u003c/a>I will admit it, as much as I’m trying to be a proponent of the opera, I’m not even really sure I like it that much. It’s a form of singing and style of performance that takes some getting used to. Most of it is sung in a different language and even if it is in English, it’s nearly impossible to understand what they’re saying. And there’s not a lot of dancing, which you would get out of ballet, or great acting, which you would find in cinema or musicals. It’s all about that intense, high pitched singing. What’s cool though is that the SF Opera is trying to bring the art form to a wider audience. This year, under the direction of David Gockley, they premiered, \u003cem>The Secret Garden\u003c/em> inspired by the children’s book, \u003cem>The Gospel of Mary Magdalene\u003c/em>, and \u003cem>Dolores Claiborne\u003c/em>, based on the Stephen King bestseller that I ate up when I was a teenager. If that’s not progressive enough, in recent years they co-produced the \u003cem>Ring Cycle\u003c/em>, a feminist and environmental series of operas and \u003cem>The Bonesetter's Daughter\u003c/em>, based on the book by Bay Area novelist, Amy Tan. There is something for everyone.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And if I still haven’t convinced you to go to the opera, just think of it as an expansion of your artistic and cultural repertoire. Because ultimately you never know where inspiration might come from.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/8811/how-the-opera-is-cool-again","authors":["2421"],"categories":["pop_6","pop_4"],"tags":["pop_909"],"featImg":"pop_8812","label":"pop"},"pop_5791":{"type":"posts","id":"pop_5791","meta":{"index":"posts_1591205157","site":"pop","id":"5791","score":null,"sort":[1371214809000]},"guestAuthors":[],"slug":"first-openly-trans-opera-student-at-sf-conservatory-breanna-sinclaire-lgbt","title":"First Openly Trans Opera Student at SF Conservatory","publishDate":1371214809,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_5871\" class=\"wp-caption aligncenter\" style=\"max-width: 448px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=5871\" rel=\"attachment wp-att-5871\">\u003cimg class=\" wp-image-5871 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/operas-greatest-tits.jpg\" alt=\""Opera's Greatest Tits" June 22, courtesy of Breanna Sinclairé\" width=\"448\" height=\"672\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/operas-greatest-tits.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/operas-greatest-tits-400x600.jpg 400w\" sizes=\"(max-width: 448px) 100vw, 448px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\"Opera's Greatest Tits\" June 22, courtesy of Breanna Sinclairé\u003c/figcaption>\u003c/figure>\n\u003cp>Breanna Sinclairé doesn't look like your stereotypical opera singer. First of all, she dons neither metal brassiere nor matching horned helmet and she's not in the least bit the Wagnerian \"fat lady\" of yore. With her long, straight hair and eclectic wardrobe (usually completed with faux fur booties), she's the kind of girl you see on Valencia at all hours. If not for her occasional soprano trills to illustrate a point, you might not ever know she was a classical voice major at San Francisco's Conservatory of Music and, if you didn't stop and listen to her story, you definitely wouldn't know about the new ground Breanna is breaking in the opera world.\u003c/p>\n\u003cp>The 24-year-old is, by her own estimates, one of the few (if not the only) trans singers currently studying classical voice at a major music conservatory in the United States and has already received attention from \u003ca href=\"http://online.wsj.com/article/PR-CO-20130430-913418.html\">The Wall Street Journal\u003c/a> and \u003ca href=\"http://www.out.com/entertainment/popnography/2013/04/30/gay-couple-raising-money-breast-implants%E2%80%A6\">Out Magazine \u003c/a>among others for her unique story. Yet again, San Francisco breaks new ground: this time in the very traditionally minded world of classical voice.\u003c/p>\n\u003cp>Sinclairé, after a busy school year pursuing her Masters in Music, is currently prepping for the first of several recital-fundraisers designed to help pay for the singer's transition. The first recital, \u003ca href=\"http://operasgreatesttits.eventbrite.com/%20#\">Saturday, June 22nd\u003c/a> at the antique store Stuff on Valencia where Sinclairé works, is punningly titled \"Opera's Greatest Tits\" since, as she laughingly put it: \"That's what this recital is paying for! I'll sing Bach to get myself a pair of boobies!\" Sinclairé has already performed in works as varied as Mozart's \u003cem>The Magic Flute\u003c/em>, Ravel's \u003cem>L'enfant et les sortileges\u003c/em>, Rameau's\u003cem> Platee\u003c/em>, Gershwin's \u003cem>Porgy and Bess\u003c/em>, and Bernstein's \u003cem>West Side Story \u003c/em>and is looking forward to getting to use her gifts as a singer to pay for her transition.\u003c/p>\n\u003cp>The recent Endeavor Scholarship for the Arts recipient is amazingly candid about her life, her journey as a trans woman, and her love of her art form. \"I've been to some dark places,\" she says reflectively, brushing a strand of highlighted hair off her face. \"What kept me going inside was knowing I had this gift. When nothing else made sense, I knew I had this voice and that eventually, it would take me places. I hoped it would take me somewhere I could belong.\"\u003c/p>\n\u003cfigure id=\"attachment_5875\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=5875\" rel=\"attachment wp-att-5875\">\u003cimg class=\"wp-image-5875 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/1D2O6503.jpg\" alt='Breanna Sinclairé, center, in a 2008 production of \"Platee\" by Rameau, courtesy of Breanna Sinclairé, ' width=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/1D2O6503.jpg 695w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/1D2O6503-400x381.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/1D2O6503-32x32.jpg 32w\" sizes=\"(max-width: 695px) 100vw, 695px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Breanna Sinclairé, center, in a 2008 production of \"Platee\" by Rameau, courtesy of Breanna Sinclairé,\u003c/figcaption>\u003c/figure>\n\u003cp>The Baltimore native knew she could sing at an early age. \"In the church I grew up in—and you know how black people are with their church music—I was singing from a very young age,\" she says, recounting her first experiences as a performer. \"I was a really androgynous, feminine child and a lot of times people didn't know if I was a boy or a girl with my big hair and pretty face. I remember standing up there with the choir and just letting go. When they told me I could sing, really sing, it was finally something I knew that was mine.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sinclairé describes her family, with whom she's had limited contact since her transition began, as \"traditional\" and \"churchy,\" which was not atypical of the African American community she grew up in. \"I was constantly told to act more masculine, to be a man, that I had to act like a boy. I used to cry with both of my parents 'I'm not a boy; I'm a girl,' but that just made it worse.\"\u003c/p>\n\u003cp>A life preserver of sorts presented itself to Sinclairé, then known as \"Bradley,\" when she was accepted into the Baltimore High School for the Arts' voice program. But instead of the \u003cem>Glee-\u003c/em>type happy ending you see in recent media depictions of gay teenagers, Sinclairé's journey was just beginning; there would be hard times ahead.\u003c/p>\n\u003cp>It wasn't until well into her education at a Canadian bible college (where she was majoring in music) that Sinclairé came to terms with her identity as a trans woman. After donning a dress and putting on makeup for a performance as Tina Turner (whom she resembles) for a school talent show, something clicked. Not surprisingly, her religious school did not take it well. \"The night of the show everyone wanted to know who that girl was. When the faculty was told it was Bradley, there was such a ruckus. For three weeks, the school talked about it.\"\u003c/p>\n\u003cp>Sinclairé's coming out to her family as transgender and her decision to leave college was also traumatic. She says her family is not currently in her life, which she points out is common in the African American and transgender communities; \"and I got it coming at me twice.\" After a period of being homeless in Manhattan, Sinclairé was able to audition for the voice program at Cal Arts in Valencia and, once she was accepted into the prestigious program, Bradley slowly fell away and Breanna was able to emerge as the woman she had always been. \u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_5872\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=5872\" rel=\"attachment wp-att-5872\">\u003cimg class=\"size-full wp-image-5872 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/942454_10151938274213835_667435027_n.jpg\" alt=\"Breanna Sinclairé, the first transgender classical voice student at the San Francisco Conservatory of Music, courtesy of Breanna Sinclairé\" width=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/942454_10151938274213835_667435027_n.jpg 410w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/942454_10151938274213835_667435027_n-400x571.jpg 400w\" sizes=\"(max-width: 410px) 100vw, 410px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Breanna Sinclairé, the first transgender classical voice student at the San Francisco Conservatory of Music, courtesy of Breanna Sinclairé\u003c/figcaption>\u003c/figure>\n\u003cp>As she transitioned, Sinclairé's voice teachers at Cal Arts and the San Francisco Conservatory encouraged her resonant, clear upper register after she initially sang repertoire in the lower mezzo soprano range (including Bizet's famed gypsy-tale \u003cem>Carmen\u003c/em>). \"I'd always had a very high voice, I sang tenor in choir, but I was singing much higher than that really. The soprano never left me as a boy in high school; that was Breanna in there.\"\u003c/p>\n\u003cp>Sinclairé is currently studying dramatic soprano roles. When pressed, she admits that eventually her ambition is to play the tragic title heroine in Verdi's \u003cem>Tosca.\u003c/em> \"I'll do stunts! I can take it,\" she jokes of the role's legendary final leap to her death.\u003cem> \u003c/em>Sinclairé says her pioneering experience as a trans woman at the Conservatory has been very positive, both with staff and students.\u003c/p>\n\u003cp>Since hormones are known to profoundly affect the female voice (diva Renata Tebaldi was alleged to have remarked that \"a woman sings with her ovaries--you're only as good as your hormones\"), I asked if different treatments and fluctuating levels of estrogen had any impact on her training. \"When I was going from pills to injections, there were times when my teacher made me power through and sing when I was a little shaky from the boost, but it was good for me to regain that stability in the sound. My register itself hasn't changed, but I do feel fuller on some of those notes at the very top.\"\u003c/p>\n\u003cp>\"Opera's Greatest Tits\" will include the advertised classical repertoire such as \"En vain pour eviter,\" the famous \"death card\" scene from \u003cem>Carmen,\u003c/em> and \u003cem>\"\u003c/em>Mon couer souvre ta voix\" from \u003cem>Samson et Delilah,\u003c/em> as well as contemporary standards like Audra McDonald's \u003cem>Ragtime\u003c/em> showstopper \"Your Daddy's Son.\" The recital is becoming a bit of a Pride Month scene; it was even mentioned by Leah Garchik in a recent column in \u003ca href=\"http://www.sfchronicle.com/entertainment/garchik/article/A-real-hero-comes-to-the-rescue-4573113.php\">The San Francisco Chronicle\u003c/a>.\u003c/p>\n\u003cp>When she thinks back on her journey from Bradley to Breanna, from homeless to finding her community in San Francisco and from bible college student to the first openly transgender classic voice major at the San Francisco Conservatory of Music, Sinclairé is grateful to be where she is, but doesn't spend too much time thinking about the past. \"I feel like I have such a future available now I wouldn't have dreamed of years ago. After the Conservatory, I'd like to study in Europe and start my career there. I want to sing in all the big houses—La Scala, Covent Garden, Paris—and I want to come back here. My music and my voice are what got me through everything else and they are what's allowing me to put on a recital to take the next steps to become who I am.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003ca href=\"http://operasgreatesttits.eventbrite.com/\">Opera's Greatest Tits\u003c/a>\u003c/em>\u003c/strong>\u003cbr>\nSaturday, June 22, 7pm-11:30pm\u003cbr>\nStuff (150 Valencia Street)\u003cbr>\n$25.00\u003c/p>\n\n","blocks":[],"excerpt":"Breanna Sinclairé talks about what it feels like to be one of the few (if not the only) transwomen trying to make a career in the conservative, traditionally inclined opera world.","status":"publish","parent":0,"modified":1434739333,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":1419},"headData":{"title":"First Openly Trans Opera Student at SF Conservatory | KQED","description":"Breanna Sinclairé talks about what it feels like to be one of the few (if not the only) transwomen trying to make a career in the conservative, traditionally inclined opera world.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"5791 http://blogs.kqed.org/pop/?p=5791","disqusUrl":"https://ww2.kqed.org/pop/2013/06/14/first-openly-trans-opera-student-at-sf-conservatory-breanna-sinclaire-lgbt/","disqusTitle":"First Openly Trans Opera Student at SF Conservatory","path":"/pop/5791/first-openly-trans-opera-student-at-sf-conservatory-breanna-sinclaire-lgbt","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_5871\" class=\"wp-caption aligncenter\" style=\"max-width: 448px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=5871\" rel=\"attachment wp-att-5871\">\u003cimg class=\" wp-image-5871 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/operas-greatest-tits.jpg\" alt=\""Opera's Greatest Tits" June 22, courtesy of Breanna Sinclairé\" width=\"448\" height=\"672\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/operas-greatest-tits.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/operas-greatest-tits-400x600.jpg 400w\" sizes=\"(max-width: 448px) 100vw, 448px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\"Opera's Greatest Tits\" June 22, courtesy of Breanna Sinclairé\u003c/figcaption>\u003c/figure>\n\u003cp>Breanna Sinclairé doesn't look like your stereotypical opera singer. First of all, she dons neither metal brassiere nor matching horned helmet and she's not in the least bit the Wagnerian \"fat lady\" of yore. With her long, straight hair and eclectic wardrobe (usually completed with faux fur booties), she's the kind of girl you see on Valencia at all hours. If not for her occasional soprano trills to illustrate a point, you might not ever know she was a classical voice major at San Francisco's Conservatory of Music and, if you didn't stop and listen to her story, you definitely wouldn't know about the new ground Breanna is breaking in the opera world.\u003c/p>\n\u003cp>The 24-year-old is, by her own estimates, one of the few (if not the only) trans singers currently studying classical voice at a major music conservatory in the United States and has already received attention from \u003ca href=\"http://online.wsj.com/article/PR-CO-20130430-913418.html\">The Wall Street Journal\u003c/a> and \u003ca href=\"http://www.out.com/entertainment/popnography/2013/04/30/gay-couple-raising-money-breast-implants%E2%80%A6\">Out Magazine \u003c/a>among others for her unique story. Yet again, San Francisco breaks new ground: this time in the very traditionally minded world of classical voice.\u003c/p>\n\u003cp>Sinclairé, after a busy school year pursuing her Masters in Music, is currently prepping for the first of several recital-fundraisers designed to help pay for the singer's transition. The first recital, \u003ca href=\"http://operasgreatesttits.eventbrite.com/%20#\">Saturday, June 22nd\u003c/a> at the antique store Stuff on Valencia where Sinclairé works, is punningly titled \"Opera's Greatest Tits\" since, as she laughingly put it: \"That's what this recital is paying for! I'll sing Bach to get myself a pair of boobies!\" Sinclairé has already performed in works as varied as Mozart's \u003cem>The Magic Flute\u003c/em>, Ravel's \u003cem>L'enfant et les sortileges\u003c/em>, Rameau's\u003cem> Platee\u003c/em>, Gershwin's \u003cem>Porgy and Bess\u003c/em>, and Bernstein's \u003cem>West Side Story \u003c/em>and is looking forward to getting to use her gifts as a singer to pay for her transition.\u003c/p>\n\u003cp>The recent Endeavor Scholarship for the Arts recipient is amazingly candid about her life, her journey as a trans woman, and her love of her art form. \"I've been to some dark places,\" she says reflectively, brushing a strand of highlighted hair off her face. \"What kept me going inside was knowing I had this gift. When nothing else made sense, I knew I had this voice and that eventually, it would take me places. I hoped it would take me somewhere I could belong.\"\u003c/p>\n\u003cfigure id=\"attachment_5875\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=5875\" rel=\"attachment wp-att-5875\">\u003cimg class=\"wp-image-5875 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/1D2O6503.jpg\" alt='Breanna Sinclairé, center, in a 2008 production of \"Platee\" by Rameau, courtesy of Breanna Sinclairé, ' width=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/1D2O6503.jpg 695w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/1D2O6503-400x381.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/1D2O6503-32x32.jpg 32w\" sizes=\"(max-width: 695px) 100vw, 695px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Breanna Sinclairé, center, in a 2008 production of \"Platee\" by Rameau, courtesy of Breanna Sinclairé,\u003c/figcaption>\u003c/figure>\n\u003cp>The Baltimore native knew she could sing at an early age. \"In the church I grew up in—and you know how black people are with their church music—I was singing from a very young age,\" she says, recounting her first experiences as a performer. \"I was a really androgynous, feminine child and a lot of times people didn't know if I was a boy or a girl with my big hair and pretty face. I remember standing up there with the choir and just letting go. When they told me I could sing, really sing, it was finally something I knew that was mine.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sinclairé describes her family, with whom she's had limited contact since her transition began, as \"traditional\" and \"churchy,\" which was not atypical of the African American community she grew up in. \"I was constantly told to act more masculine, to be a man, that I had to act like a boy. I used to cry with both of my parents 'I'm not a boy; I'm a girl,' but that just made it worse.\"\u003c/p>\n\u003cp>A life preserver of sorts presented itself to Sinclairé, then known as \"Bradley,\" when she was accepted into the Baltimore High School for the Arts' voice program. But instead of the \u003cem>Glee-\u003c/em>type happy ending you see in recent media depictions of gay teenagers, Sinclairé's journey was just beginning; there would be hard times ahead.\u003c/p>\n\u003cp>It wasn't until well into her education at a Canadian bible college (where she was majoring in music) that Sinclairé came to terms with her identity as a trans woman. After donning a dress and putting on makeup for a performance as Tina Turner (whom she resembles) for a school talent show, something clicked. Not surprisingly, her religious school did not take it well. \"The night of the show everyone wanted to know who that girl was. When the faculty was told it was Bradley, there was such a ruckus. For three weeks, the school talked about it.\"\u003c/p>\n\u003cp>Sinclairé's coming out to her family as transgender and her decision to leave college was also traumatic. She says her family is not currently in her life, which she points out is common in the African American and transgender communities; \"and I got it coming at me twice.\" After a period of being homeless in Manhattan, Sinclairé was able to audition for the voice program at Cal Arts in Valencia and, once she was accepted into the prestigious program, Bradley slowly fell away and Breanna was able to emerge as the woman she had always been. \u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_5872\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=5872\" rel=\"attachment wp-att-5872\">\u003cimg class=\"size-full wp-image-5872 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/942454_10151938274213835_667435027_n.jpg\" alt=\"Breanna Sinclairé, the first transgender classical voice student at the San Francisco Conservatory of Music, courtesy of Breanna Sinclairé\" width=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/942454_10151938274213835_667435027_n.jpg 410w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/942454_10151938274213835_667435027_n-400x571.jpg 400w\" sizes=\"(max-width: 410px) 100vw, 410px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Breanna Sinclairé, the first transgender classical voice student at the San Francisco Conservatory of Music, courtesy of Breanna Sinclairé\u003c/figcaption>\u003c/figure>\n\u003cp>As she transitioned, Sinclairé's voice teachers at Cal Arts and the San Francisco Conservatory encouraged her resonant, clear upper register after she initially sang repertoire in the lower mezzo soprano range (including Bizet's famed gypsy-tale \u003cem>Carmen\u003c/em>). \"I'd always had a very high voice, I sang tenor in choir, but I was singing much higher than that really. The soprano never left me as a boy in high school; that was Breanna in there.\"\u003c/p>\n\u003cp>Sinclairé is currently studying dramatic soprano roles. When pressed, she admits that eventually her ambition is to play the tragic title heroine in Verdi's \u003cem>Tosca.\u003c/em> \"I'll do stunts! I can take it,\" she jokes of the role's legendary final leap to her death.\u003cem> \u003c/em>Sinclairé says her pioneering experience as a trans woman at the Conservatory has been very positive, both with staff and students.\u003c/p>\n\u003cp>Since hormones are known to profoundly affect the female voice (diva Renata Tebaldi was alleged to have remarked that \"a woman sings with her ovaries--you're only as good as your hormones\"), I asked if different treatments and fluctuating levels of estrogen had any impact on her training. \"When I was going from pills to injections, there were times when my teacher made me power through and sing when I was a little shaky from the boost, but it was good for me to regain that stability in the sound. My register itself hasn't changed, but I do feel fuller on some of those notes at the very top.\"\u003c/p>\n\u003cp>\"Opera's Greatest Tits\" will include the advertised classical repertoire such as \"En vain pour eviter,\" the famous \"death card\" scene from \u003cem>Carmen,\u003c/em> and \u003cem>\"\u003c/em>Mon couer souvre ta voix\" from \u003cem>Samson et Delilah,\u003c/em> as well as contemporary standards like Audra McDonald's \u003cem>Ragtime\u003c/em> showstopper \"Your Daddy's Son.\" The recital is becoming a bit of a Pride Month scene; it was even mentioned by Leah Garchik in a recent column in \u003ca href=\"http://www.sfchronicle.com/entertainment/garchik/article/A-real-hero-comes-to-the-rescue-4573113.php\">The San Francisco Chronicle\u003c/a>.\u003c/p>\n\u003cp>When she thinks back on her journey from Bradley to Breanna, from homeless to finding her community in San Francisco and from bible college student to the first openly transgender classic voice major at the San Francisco Conservatory of Music, Sinclairé is grateful to be where she is, but doesn't spend too much time thinking about the past. \"I feel like I have such a future available now I wouldn't have dreamed of years ago. After the Conservatory, I'd like to study in Europe and start my career there. I want to sing in all the big houses—La Scala, Covent Garden, Paris—and I want to come back here. My music and my voice are what got me through everything else and they are what's allowing me to put on a recital to take the next steps to become who I am.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003ca href=\"http://operasgreatesttits.eventbrite.com/\">Opera's Greatest Tits\u003c/a>\u003c/em>\u003c/strong>\u003cbr>\nSaturday, June 22, 7pm-11:30pm\u003cbr>\nStuff (150 Valencia Street)\u003cbr>\n$25.00\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/5791/first-openly-trans-opera-student-at-sf-conservatory-breanna-sinclaire-lgbt","authors":["2436"],"categories":["pop_4"],"tags":["pop_855","pop_858","pop_909","pop_910"],"featImg":"pop_5898","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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