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Stylistically, the Netflix series has been \u003cem>E.T\u003c/em>. meets \u003cem>The Goonies\u003c/em> meets Stephen King from the get-go. Those of us who grew up in that decade know the joy of a Ghostbusters costume, the pain of Barb's oversized eyeglasses and the convenience of the Walkman. While Season 2 upped the fashion ante with Eleven's shoulder-padded New Wave makeover, Season 3 is promising to take things to the next level. Come with us as we enjoy all the most gloriously '80s elements of the new trailer.\u003c/p>\n\u003cp>Mötley Crüe's 1985 hit, \"\u003ca href=\"https://www.youtube.com/watch?v=Gmrh42foUsg\">Home Sweet Home\u003c/a>,\" playing on this beast:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110468\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-800x397.png\" alt=\"\" width=\"800\" height=\"397\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-800x397.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-160x79.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-768x381.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM.png 828w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Dustin's toys—including an R2-D2, an Ultra Magnus Transformer and a G.I. Joe tank:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110467\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-800x527.png\" alt=\"\" width=\"800\" height=\"527\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-800x527.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-160x105.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-768x506.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM.png 835w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Dustin's Farrah Fawcett hairspray (which was a \u003ca href=\"http://americanhistory.si.edu/collections/search/object/nmah_1414216\">real\u003c/a> thing):\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110470\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-800x482.png\" alt=\"\" width=\"800\" height=\"482\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-800x482.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-160x96.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-768x462.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-1020x614.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM.png 1121w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>This homemade antenna which is totally reminiscent of E.T. and Elliott phoning home:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110472\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-800x476.png\" alt=\"\" width=\"800\" height=\"476\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-800x476.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-160x95.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-768x457.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-1020x608.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM.png 1135w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>This beautifully tousled mullet:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110473\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.03.22-PM.png\" alt=\"\" width=\"655\" height=\"411\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.03.22-PM.png 655w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.03.22-PM-160x100.png 160w\" sizes=\"(max-width: 655px) 100vw, 655px\">\u003c/p>\n\u003cp>Mall culture:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110475\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.06.33-PM.png\" alt=\"\" width=\"668\" height=\"387\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.06.33-PM.png 668w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.06.33-PM-160x93.png 160w\" sizes=\"(max-width: 668px) 100vw, 668px\">\u003c/p>\n\u003cp>...and all of the shocking pink neon that came with that:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110474\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.07.45-PM.png\" alt=\"\" width=\"732\" height=\"413\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.07.45-PM.png 732w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.07.45-PM-160x90.png 160w\" sizes=\"(max-width: 732px) 100vw, 732px\">\u003c/p>\n\u003cp>Every single one of these outfits:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110478\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-800x372.png\" alt=\"\" width=\"800\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-800x372.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-160x74.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-768x357.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-1020x474.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-1200x558.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM.png 1271w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>And these outfits:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110479\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-800x364.png\" alt=\"\" width=\"800\" height=\"364\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-800x364.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-160x73.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-768x349.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM.png 912w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>And \u003cem>definitely\u003c/em> these outfits:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110476\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/stranger-things-season-3-trailer-breakdown-700x314.jpg\" alt=\"\" width=\"700\" height=\"314\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/stranger-things-season-3-trailer-breakdown-700x314.jpg 700w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/stranger-things-season-3-trailer-breakdown-700x314-160x72.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003c/p>\n\u003cp>To revel in all of this nostalgic glory—plus at least one brand new monster—watch the trailer in full:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6Am4v0C_z8c\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Season 3 of \u003cem>Stranger Things\u003c/em> arrives on Netflix, July 4, 2019.\u003c/p>\n\n","blocks":[],"excerpt":"A look at the most gloriously '80s elements of the Season 3 trailer of 'Stranger Things.'","status":"publish","parent":0,"modified":1553111527,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":237},"headData":{"title":"The 'Stranger Things' Season 3 Trailer Is Here And It Is Totally Tubular | KQED","description":"A look at the most gloriously '80s elements of the Season 3 trailer of 'Stranger Things.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The 'Stranger Things' Season 3 Trailer Is Here And It Is Totally Tubular","datePublished":"2019-03-20T19:52:07.000Z","dateModified":"2019-03-20T19:52:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"110464 https://ww2.kqed.org/pop/?p=110464","disqusUrl":"https://ww2.kqed.org/pop/2019/03/20/the-stranger-things-season-3-trailer-is-here-and-it-is-totally-tubular/","disqusTitle":"The 'Stranger Things' Season 3 Trailer Is Here And It Is Totally Tubular","path":"/pop/110464/the-stranger-things-season-3-trailer-is-here-and-it-is-totally-tubular","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the major appeals of \u003cem>Stranger Things\u003c/em> has always been how darn '80s it is. Stylistically, the Netflix series has been \u003cem>E.T\u003c/em>. meets \u003cem>The Goonies\u003c/em> meets Stephen King from the get-go. Those of us who grew up in that decade know the joy of a Ghostbusters costume, the pain of Barb's oversized eyeglasses and the convenience of the Walkman. While Season 2 upped the fashion ante with Eleven's shoulder-padded New Wave makeover, Season 3 is promising to take things to the next level. Come with us as we enjoy all the most gloriously '80s elements of the new trailer.\u003c/p>\n\u003cp>Mötley Crüe's 1985 hit, \"\u003ca href=\"https://www.youtube.com/watch?v=Gmrh42foUsg\">Home Sweet Home\u003c/a>,\" playing on this beast:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110468\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-800x397.png\" alt=\"\" width=\"800\" height=\"397\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-800x397.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-160x79.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM-768x381.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.29.35-AM.png 828w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Dustin's toys—including an R2-D2, an Ultra Magnus Transformer and a G.I. Joe tank:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110467\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-800x527.png\" alt=\"\" width=\"800\" height=\"527\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-800x527.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-160x105.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM-768x506.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.33.14-AM.png 835w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dustin's Farrah Fawcett hairspray (which was a \u003ca href=\"http://americanhistory.si.edu/collections/search/object/nmah_1414216\">real\u003c/a> thing):\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110470\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-800x482.png\" alt=\"\" width=\"800\" height=\"482\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-800x482.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-160x96.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-768x462.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM-1020x614.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-11.41.43-AM.png 1121w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>This homemade antenna which is totally reminiscent of E.T. and Elliott phoning home:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110472\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-800x476.png\" alt=\"\" width=\"800\" height=\"476\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-800x476.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-160x95.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-768x457.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM-1020x608.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.00.32-PM.png 1135w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>This beautifully tousled mullet:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110473\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.03.22-PM.png\" alt=\"\" width=\"655\" height=\"411\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.03.22-PM.png 655w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.03.22-PM-160x100.png 160w\" sizes=\"(max-width: 655px) 100vw, 655px\">\u003c/p>\n\u003cp>Mall culture:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110475\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.06.33-PM.png\" alt=\"\" width=\"668\" height=\"387\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.06.33-PM.png 668w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.06.33-PM-160x93.png 160w\" sizes=\"(max-width: 668px) 100vw, 668px\">\u003c/p>\n\u003cp>...and all of the shocking pink neon that came with that:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110474\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.07.45-PM.png\" alt=\"\" width=\"732\" height=\"413\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.07.45-PM.png 732w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.07.45-PM-160x90.png 160w\" sizes=\"(max-width: 732px) 100vw, 732px\">\u003c/p>\n\u003cp>Every single one of these outfits:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110478\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-800x372.png\" alt=\"\" width=\"800\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-800x372.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-160x74.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-768x357.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-1020x474.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM-1200x558.png 1200w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.12.48-PM.png 1271w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>And these outfits:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-110479\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-800x364.png\" alt=\"\" width=\"800\" height=\"364\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-800x364.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-160x73.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM-768x349.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/Screen-Shot-2019-03-20-at-12.14.23-PM.png 912w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>And \u003cem>definitely\u003c/em> these outfits:\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-110476\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/stranger-things-season-3-trailer-breakdown-700x314.jpg\" alt=\"\" width=\"700\" height=\"314\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/03/stranger-things-season-3-trailer-breakdown-700x314.jpg 700w, https://ww2.kqed.org/app/uploads/sites/12/2019/03/stranger-things-season-3-trailer-breakdown-700x314-160x72.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003c/p>\n\u003cp>To revel in all of this nostalgic glory—plus at least one brand new monster—watch the trailer in full:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6Am4v0C_z8c'\n title='//www.youtube.com/embed/6Am4v0C_z8c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Season 3 of \u003cem>Stranger Things\u003c/em> arrives on Netflix, July 4, 2019.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/110464/the-stranger-things-season-3-trailer-is-here-and-it-is-totally-tubular","authors":["11242"],"categories":["pop_3"],"tags":["pop_1145","pop_3426","pop_3341","pop_438","pop_595","pop_2894"],"featImg":"pop_110481","label":"pop"},"pop_107763":{"type":"posts","id":"pop_107763","meta":{"index":"posts_1591205157","site":"pop","id":"107763","score":null,"sort":[1543478440000]},"guestAuthors":[],"slug":"the-early-aughts-are-back-already-with-nish-kumar","title":"Early Aughts Nostalgia Already?! (With Nish Kumar)","publishDate":1543478440,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Juicy Couture, \u003cem>The Hills\u003c/em>, \u003cem>SpongeBob SquarePants\u003c/em> memes, a \u003cem>Mean Girls\u003c/em> musical, \u003cem>Detective Pikachu\u003c/em>. We're not in the early aughts anymore, but it sure feels like it with the latest wave of nostalgia. Is looking back so much and so soon bad for us?\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107766\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/psyduck-confused.gif\" alt=\"\" width=\"499\" height=\"374\">\u003c/p>\n\u003cp>Also, a conversation with \u003cem>The Mash Report\u003c/em>'s Nish Kumar about Brexit and the dark side of the Spice Girls.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107767\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/mel-c-waking-up-scared.gif\" alt=\"\" width=\"492\" height=\"322\">\u003c/p>\n\u003cp>And a message for those making fun of the Dwight Howard affair situation: your homophobia and transphobia is showing and it's not a good look.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107768\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/not-cure-latrice.gif\" alt=\"\" width=\"320\" height=\"180\">\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2018/11/Aughts.mp3\" title=\"The Early Aughts Are Back... Already?! (With Nish Kumar)\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/get-in.jpg\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"Is being nostalgic for the aughts bad for us? Also, a convo with Nish Kumar about Brexit and the dark side of the Spice Girls.","status":"publish","parent":0,"modified":1544745565,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":161},"headData":{"title":"Early Aughts Nostalgia Already?! (With Nish Kumar) | KQED","description":"Is being nostalgic for the aughts bad for us? Also, a convo with Nish Kumar about Brexit and the dark side of the Spice Girls.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Early Aughts Nostalgia Already?! (With Nish Kumar)","datePublished":"2018-11-29T08:00:40.000Z","dateModified":"2018-12-13T23:59:25.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"107763 https://ww2.kqed.org/pop/?p=107763","disqusUrl":"https://ww2.kqed.org/pop/2018/11/29/the-early-aughts-are-back-already-with-nish-kumar/","disqusTitle":"Early Aughts Nostalgia Already?! (With Nish Kumar)","audioTrackLength":2049,"path":"/pop/107763/the-early-aughts-are-back-already-with-nish-kumar","audioUrl":"https://www.kqed.org/.stream/anon/radio/thecooler/2018/11/Aughts.mp3","audioDuration":2049000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Juicy Couture, \u003cem>The Hills\u003c/em>, \u003cem>SpongeBob SquarePants\u003c/em> memes, a \u003cem>Mean Girls\u003c/em> musical, \u003cem>Detective Pikachu\u003c/em>. We're not in the early aughts anymore, but it sure feels like it with the latest wave of nostalgia. Is looking back so much and so soon bad for us?\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107766\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/psyduck-confused.gif\" alt=\"\" width=\"499\" height=\"374\">\u003c/p>\n\u003cp>Also, a conversation with \u003cem>The Mash Report\u003c/em>'s Nish Kumar about Brexit and the dark side of the Spice Girls.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107767\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/mel-c-waking-up-scared.gif\" alt=\"\" width=\"492\" height=\"322\">\u003c/p>\n\u003cp>And a message for those making fun of the Dwight Howard affair situation: your homophobia and transphobia is showing and it's not a good look.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-107768\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/not-cure-latrice.gif\" alt=\"\" width=\"320\" height=\"180\">\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"src":"https://www.kqed.org/.stream/anon/radio/thecooler/2018/11/Aughts.mp3","title":"The Early Aughts Are Back... Already?! (With Nish Kumar)","program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/11/get-in.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/107763/the-early-aughts-are-back-already-with-nish-kumar","authors":["27"],"categories":["pop_2793"],"tags":["pop_16","pop_3341","pop_424","pop_3366","pop_595","pop_2859"],"featImg":"pop_107765","label":"pop"},"pop_93848":{"type":"posts","id":"pop_93848","meta":{"index":"posts_1591205157","site":"pop","id":"93848","score":null,"sort":[1501028556000]},"guestAuthors":[],"slug":"ms-paint-resurrected-from-the-dead-after-90s-internet-kids-whine-enough","title":"MS Paint Resurrected from the Dead, After '90s Internet Kids Whine Enough","publishDate":1501028556,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Move over, Lazarus. There's a new resurrected entity in town! MS Paint, a.k.a. the rudimentary illustrating program some of us used for killing time (and drawing \u003ca href=\"http://knowyourmeme.com/memes/super-s-stussy\">Stussy S's\u003c/a> and penises) before AOL free trials were a thing, died yesterday (technically it was \"deprecated,\" which means it wouldn't be developed further and would be removed from future products).\u003c/p>\n\u003cp>The internet collectively mourned, joked, and mourned some more:\u003c/p>\n\u003cp>https://twitter.com/SwiftOnSecurity/status/889861119980040192\u003c/p>\n\u003cp>https://twitter.com/McDoFi/status/889453382540328961\u003c/p>\n\u003cp>https://twitter.com/jjc_uk/status/889459845509853184?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fmashable.com%2F2017%2F07%2F25%2Fmicrosoft-paint-tributes%2F\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/unrepentantmess/status/889788489100820480\u003c/p>\n\u003cp>https://twitter.com/MrRyanPorter/status/889485593998131202\u003c/p>\n\u003cp>https://twitter.com/lowfundaboy/status/889821260498313216\u003c/p>\n\u003cp>All the noise was enough to get Microsoft to say, \"JK! Our bad! you can keep it! Don't hurt us!\"\u003c/p>\n\u003cp>Okay, I paraphrased a bit. Here's what a rep actually said:\u003c/p>\n\u003cblockquote>\u003cp>\"Today, we’ve seen an incredible outpouring of support and nostalgia around MS Paint. If there’s anything we learned, it’s that after 32 years, MS Paint has a lot of fans. It’s been amazing to see so much love for our trusty old app. Amidst today’s commentary around MS Paint we wanted to take this opportunity to set the record straight, clear up some confusion and share some good news: MS Paint is here to stay, it will just have a new home soon, in the Windows Store where it will be available for free.\"\u003c/p>\u003c/blockquote>\n\u003cp>Phew! My feelings can be best expressed through this evergreen Lady Gaga tweet:\u003c/p>\n\u003cp>https://twitter.com/ladygaga/status/84441635211059201?lang=en\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>They say you don't know what you've got 'til it's gone (for a few hours). Now that we've been reminded of how deep our love and affection goes for this messy tech relic, I expect us all to forgo Photoshop next time we want to make ourselves look younger in a photo. Paint bucket tool or bust!\u003c/p>\n\n","blocks":[],"excerpt":"Move over, Lazarus! There's a new resurrected entity in town!","status":"publish","parent":0,"modified":1501028556,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":350},"headData":{"title":"MS Paint Resurrected from the Dead, After '90s Internet Kids Whine Enough | KQED","description":"Move over, Lazarus! There's a new resurrected entity in town!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"MS Paint Resurrected from the Dead, After '90s Internet Kids Whine Enough","datePublished":"2017-07-26T00:22:36.000Z","dateModified":"2017-07-26T00:22:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"93848 https://ww2.kqed.org/pop/?p=93848","disqusUrl":"https://ww2.kqed.org/pop/2017/07/25/ms-paint-resurrected-from-the-dead-after-90s-internet-kids-whine-enough/","disqusTitle":"MS Paint Resurrected from the Dead, After '90s Internet Kids Whine Enough","path":"/pop/93848/ms-paint-resurrected-from-the-dead-after-90s-internet-kids-whine-enough","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Move over, Lazarus. There's a new resurrected entity in town! MS Paint, a.k.a. the rudimentary illustrating program some of us used for killing time (and drawing \u003ca href=\"http://knowyourmeme.com/memes/super-s-stussy\">Stussy S's\u003c/a> and penises) before AOL free trials were a thing, died yesterday (technically it was \"deprecated,\" which means it wouldn't be developed further and would be removed from future products).\u003c/p>\n\u003cp>The internet collectively mourned, joked, and mourned some more:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"889861119980040192"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"889453382540328961"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"889459845509853184"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"889788489100820480"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"889485593998131202"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"889821260498313216"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>All the noise was enough to get Microsoft to say, \"JK! Our bad! you can keep it! Don't hurt us!\"\u003c/p>\n\u003cp>Okay, I paraphrased a bit. Here's what a rep actually said:\u003c/p>\n\u003cblockquote>\u003cp>\"Today, we’ve seen an incredible outpouring of support and nostalgia around MS Paint. If there’s anything we learned, it’s that after 32 years, MS Paint has a lot of fans. It’s been amazing to see so much love for our trusty old app. Amidst today’s commentary around MS Paint we wanted to take this opportunity to set the record straight, clear up some confusion and share some good news: MS Paint is here to stay, it will just have a new home soon, in the Windows Store where it will be available for free.\"\u003c/p>\u003c/blockquote>\n\u003cp>Phew! My feelings can be best expressed through this evergreen Lady Gaga tweet:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"84441635211059201"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>They say you don't know what you've got 'til it's gone (for a few hours). Now that we've been reminded of how deep our love and affection goes for this messy tech relic, I expect us all to forgo Photoshop next time we want to make ourselves look younger in a photo. Paint bucket tool or bust!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/93848/ms-paint-resurrected-from-the-dead-after-90s-internet-kids-whine-enough","authors":["27"],"categories":["pop_5"],"tags":["pop_646","pop_595"],"featImg":"pop_93886","label":"pop"},"pop_30573":{"type":"posts","id":"pop_30573","meta":{"index":"posts_1591205157","site":"pop","id":"30573","score":null,"sort":[1468958222000]},"guestAuthors":[],"slug":"why-are-we-treating-the-new-ghostbusters-like-a-cult-classic-on-opening-weekend","title":"Why Are We Treating the New 'Ghostbusters' Like a Cult Classic on Opening Weekend?","publishDate":1468958222,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>I saw \u003ci>Ghostbusters\u003c/i> this weekend with one adult and two children: people born in 1983, 2007 and 2009, respectively. The under-10 set loved it -- the silly jokes, the exploding ghosts, Thor playing a dumb-as-a-brick receptionist, the running gags about slime. But for those of us who had seen the original \u003ci>Ghostbusters\u003c/i> more times than we can count on two hands, it was a far more complex experience.\u003c/p>\n\u003cp>https://youtu.be/w3ugHP-yZXw\u003c/p>\n\u003cp>Let’s just get this out of the way: the \u003ci>Ghostbusters\u003c/i> reboot is funny. Rapid-fire jokes issue forth from Melissa McCarthy in the style of a Tina Fey sitcom, Kate McKinnon’s cadence is weird and wonderful and never serious, Wiig plays the exasperated straight (wo)man, and Leslie Jones gets some of the best one-liners of the bunch. Jokes and ghosts aside, it's ostensibly a film about female friendship, and a satisfying one at that. Then again, I’m a human of the female persuasion, so what do I know?\u003c/p>\n\u003cp>The real reason I’m writing this today is to parse out the strangeness of my moviegoing experience. The theater was jam packed (we watched the entire film from an awkward left-side-of-the-second-row angle), seemingly full of people not there to see a new movie, but people psyched to see a movie they already knew and loved.\u003c/p>\n\u003cp>As my colleague Emma Silvers wrote just a few weeks ago, the driving premise of \u003ci>Ghostbusters\u003c/i> is \"\u003ca href=\"https://ww2.kqed.org/pop/2016/06/23/if-you-hate-music-and-yourself-definitely-listen-to-the-new-ghostbusters-theme-by-fall-out-boy-and-missy-elliott/\" target=\"_blank\">bankable nostalgia\u003c/a>.\" But instead of just translating into ticket sales, this sense of nostalgia actually facilitated some kind of time travel, making the assembled crowd act like they’d seen the 2016 incarnation of \u003ci>Ghostbusters\u003c/i> more times than they could count on two hands. On opening weekend.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ve experienced this before. Way back in 2013 I watched \u003ci>The Canyons\u003c/i> at that ill-fated film’s opening night at San Francisco’s Roxie. Don’t remember this one? All you need to know is that it was the subject of a \u003ci>New York Times Magazine\u003c/i> piece titled “Here Is What Happens When You Cast Lindsay Lohan in Your Movie.” (Spoiler alert: not great things.)\u003c/p>\n\u003cp>https://youtu.be/71Dnzi3W_u0\u003c/p>\n\u003cp>After an impassioned introduction about the specialness of the evening, the specialness of the audience and the specialness of the Roxie itself, the assembled crowd of thirty or so people felt pretty good about themselves and the movie they were about to see. (Live! Not on a computer screen! Because we really love the moviegoing experience! Because we’re not philistines! Three cheers for us!)\u003c/p>\n\u003cp>The Roxie crowd was rowdy, itching for a new cult classic to spring off the screen. They seemed to think they could turn \u003ci>The Canyons\u003c/i> into \u003ci>The Rocky Horror Picture Show\u003c/i> by sheer force of will. By heckling the projection, yelling at the characters, repeating lines in funny voices -- maybe, just maybe -- the audience could create a faux patina and quickly induct \u003ci>The Canyons\u003c/i> into campy cinema history. Unfortunately for all of us present that night, it doesn’t work that way.\u003c/p>\n\u003cp>Fast-forward to 2016 and the audience for \u003ci>Ghostbusters\u003c/i>, much more positive in their reactions, responded to the film in a similarly desperate way. When every star of the original two films (save for Harold Ramis, who died in 2014, and Rick Moranis, who stopped acting after 1997’s \u003ci>Honey, We Shrunk Ourselves\u003c/i>) appeared on the screen, the entire theater burst into applause and cheers. The cacophony rendered all the zingers in those few-second cameos completely inaudible.\u003c/p>\n\u003cp>Scenes that we'd already seen because they appeared in the film’s trailer were met with equally raucous applause. When Jones’ character slapped a possessed McCarthy across the face, screaming “The power of pain compels you!” (itself an \u003ci>Exorcist\u003c/i> reference) the theater erupted. When the first notes of Ray Parker, Jr.’s old theme song played, the theater erupted. When the post-movie credits showed still frames of the characters in action, the theater erupted again and again (though McKinnon was the clear winner in this applause-o-meter).\u003c/p>\n\u003cp>The same kind of thing happened at \u003ci>Star Wars: The Force Awakens\u003c/i> last year. Cheers and applause for Leia, Han, Chewbacca and the rest of that fun-loving gang. There were wolf-whistles and fist pumping.\u003c/p>\n\u003cp>https://youtu.be/ngElkyQ6Rhs\u003c/p>\n\u003cp>Why are films we’re watching for the very first time getting the midnight movie treatment? Partly, it’s because these offerings -- \u003ci>Ghostbusters\u003c/i> and \u003ci>Star Wars\u003c/i> in particular -- follow almost exactly the same narrative arc as their predecessors, simply shifting the familiar faces into cameo roles to make space for new stars. We \u003ci>are\u003c/i> seeing \u003ci>Ghostbusters\u003c/i> for the zillionth time; it just has a new cast.\u003c/p>\n\u003cp>But here’s another theory, just for fun: It’s because we, as an audience, don’t trust ourselves to identify new, high-quality objects of our moviegoing affection. It takes more mental energy. Which then creates a chicken-and-egg situation, because then studio executives don’t think we deserve anything better. So much of contemporary life is steeped in nostalgia -- drenched in a retro veneer of whatever Kodachrome tint Instagram is pushing that week -- that we’ve become obsessed with the comfortable and familiar. So obsessed that we cheer at movies, willing them to becoming something they’re not.\u003c/p>\n\u003cp>Don't get me wrong, I don't want the cheering to end; I’m all for the communal movie-going experience. There’s something wonderful about feeding off of each other's emotional response to images flickering across a screen. It wasn’t until I saw \u003ci>The Shining\u003c/i> in a sold-out Castro Theatre that Kubrick’s masterpiece truly terrified me. But I want us to have wholehearted, enthusiastic reactions to new movies as well. You can’t rush a classic, just like I can never unhear the new \u003ci>Ghostbusters\u003c/i> theme song. We’ll never escape \u003ca href=\"https://ww2.kqed.org/pop/2016/07/18/1984-the-year-we-unwittingly-stopped-watching-movies-and-started-watching-franchises/\" target=\"_blank\">this vortex of sequels, reboots and franchises\u003c/a> -- so long as we keep accepting sameness as something exceptional.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"This is what it feels like to get slimed by nostalgia.","status":"publish","parent":0,"modified":1468958222,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":1044},"headData":{"title":"Why Are We Treating the New 'Ghostbusters' Like a Cult Classic on Opening Weekend? | KQED","description":"This is what it feels like to get slimed by nostalgia.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Why Are We Treating the New 'Ghostbusters' Like a Cult Classic on Opening Weekend?","datePublished":"2016-07-19T19:57:02.000Z","dateModified":"2016-07-19T19:57:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"30573 http://ww2.kqed.org/pop/?p=30573","disqusUrl":"https://ww2.kqed.org/pop/2016/07/19/why-are-we-treating-the-new-ghostbusters-like-a-cult-classic-on-opening-weekend/","disqusTitle":"Why Are We Treating the New 'Ghostbusters' Like a Cult Classic on Opening Weekend?","nprByline":"Sarah Hotchkiss","path":"/pop/30573/why-are-we-treating-the-new-ghostbusters-like-a-cult-classic-on-opening-weekend","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>I saw \u003ci>Ghostbusters\u003c/i> this weekend with one adult and two children: people born in 1983, 2007 and 2009, respectively. The under-10 set loved it -- the silly jokes, the exploding ghosts, Thor playing a dumb-as-a-brick receptionist, the running gags about slime. But for those of us who had seen the original \u003ci>Ghostbusters\u003c/i> more times than we can count on two hands, it was a far more complex experience.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/w3ugHP-yZXw'\n title='//www.youtube.com/embed/w3ugHP-yZXw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Let’s just get this out of the way: the \u003ci>Ghostbusters\u003c/i> reboot is funny. Rapid-fire jokes issue forth from Melissa McCarthy in the style of a Tina Fey sitcom, Kate McKinnon’s cadence is weird and wonderful and never serious, Wiig plays the exasperated straight (wo)man, and Leslie Jones gets some of the best one-liners of the bunch. Jokes and ghosts aside, it's ostensibly a film about female friendship, and a satisfying one at that. Then again, I’m a human of the female persuasion, so what do I know?\u003c/p>\n\u003cp>The real reason I’m writing this today is to parse out the strangeness of my moviegoing experience. The theater was jam packed (we watched the entire film from an awkward left-side-of-the-second-row angle), seemingly full of people not there to see a new movie, but people psyched to see a movie they already knew and loved.\u003c/p>\n\u003cp>As my colleague Emma Silvers wrote just a few weeks ago, the driving premise of \u003ci>Ghostbusters\u003c/i> is \"\u003ca href=\"https://ww2.kqed.org/pop/2016/06/23/if-you-hate-music-and-yourself-definitely-listen-to-the-new-ghostbusters-theme-by-fall-out-boy-and-missy-elliott/\" target=\"_blank\">bankable nostalgia\u003c/a>.\" But instead of just translating into ticket sales, this sense of nostalgia actually facilitated some kind of time travel, making the assembled crowd act like they’d seen the 2016 incarnation of \u003ci>Ghostbusters\u003c/i> more times than they could count on two hands. On opening weekend.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve experienced this before. Way back in 2013 I watched \u003ci>The Canyons\u003c/i> at that ill-fated film’s opening night at San Francisco’s Roxie. Don’t remember this one? All you need to know is that it was the subject of a \u003ci>New York Times Magazine\u003c/i> piece titled “Here Is What Happens When You Cast Lindsay Lohan in Your Movie.” (Spoiler alert: not great things.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/71Dnzi3W_u0'\n title='//www.youtube.com/embed/71Dnzi3W_u0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>After an impassioned introduction about the specialness of the evening, the specialness of the audience and the specialness of the Roxie itself, the assembled crowd of thirty or so people felt pretty good about themselves and the movie they were about to see. (Live! Not on a computer screen! Because we really love the moviegoing experience! Because we’re not philistines! Three cheers for us!)\u003c/p>\n\u003cp>The Roxie crowd was rowdy, itching for a new cult classic to spring off the screen. They seemed to think they could turn \u003ci>The Canyons\u003c/i> into \u003ci>The Rocky Horror Picture Show\u003c/i> by sheer force of will. By heckling the projection, yelling at the characters, repeating lines in funny voices -- maybe, just maybe -- the audience could create a faux patina and quickly induct \u003ci>The Canyons\u003c/i> into campy cinema history. Unfortunately for all of us present that night, it doesn’t work that way.\u003c/p>\n\u003cp>Fast-forward to 2016 and the audience for \u003ci>Ghostbusters\u003c/i>, much more positive in their reactions, responded to the film in a similarly desperate way. When every star of the original two films (save for Harold Ramis, who died in 2014, and Rick Moranis, who stopped acting after 1997’s \u003ci>Honey, We Shrunk Ourselves\u003c/i>) appeared on the screen, the entire theater burst into applause and cheers. The cacophony rendered all the zingers in those few-second cameos completely inaudible.\u003c/p>\n\u003cp>Scenes that we'd already seen because they appeared in the film’s trailer were met with equally raucous applause. When Jones’ character slapped a possessed McCarthy across the face, screaming “The power of pain compels you!” (itself an \u003ci>Exorcist\u003c/i> reference) the theater erupted. When the first notes of Ray Parker, Jr.’s old theme song played, the theater erupted. When the post-movie credits showed still frames of the characters in action, the theater erupted again and again (though McKinnon was the clear winner in this applause-o-meter).\u003c/p>\n\u003cp>The same kind of thing happened at \u003ci>Star Wars: The Force Awakens\u003c/i> last year. Cheers and applause for Leia, Han, Chewbacca and the rest of that fun-loving gang. There were wolf-whistles and fist pumping.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ngElkyQ6Rhs'\n title='//www.youtube.com/embed/ngElkyQ6Rhs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Why are films we’re watching for the very first time getting the midnight movie treatment? Partly, it’s because these offerings -- \u003ci>Ghostbusters\u003c/i> and \u003ci>Star Wars\u003c/i> in particular -- follow almost exactly the same narrative arc as their predecessors, simply shifting the familiar faces into cameo roles to make space for new stars. We \u003ci>are\u003c/i> seeing \u003ci>Ghostbusters\u003c/i> for the zillionth time; it just has a new cast.\u003c/p>\n\u003cp>But here’s another theory, just for fun: It’s because we, as an audience, don’t trust ourselves to identify new, high-quality objects of our moviegoing affection. It takes more mental energy. Which then creates a chicken-and-egg situation, because then studio executives don’t think we deserve anything better. So much of contemporary life is steeped in nostalgia -- drenched in a retro veneer of whatever Kodachrome tint Instagram is pushing that week -- that we’ve become obsessed with the comfortable and familiar. So obsessed that we cheer at movies, willing them to becoming something they’re not.\u003c/p>\n\u003cp>Don't get me wrong, I don't want the cheering to end; I’m all for the communal movie-going experience. There’s something wonderful about feeding off of each other's emotional response to images flickering across a screen. It wasn’t until I saw \u003ci>The Shining\u003c/i> in a sold-out Castro Theatre that Kubrick’s masterpiece truly terrified me. But I want us to have wholehearted, enthusiastic reactions to new movies as well. You can’t rush a classic, just like I can never unhear the new \u003ci>Ghostbusters\u003c/i> theme song. We’ll never escape \u003ca href=\"https://ww2.kqed.org/pop/2016/07/18/1984-the-year-we-unwittingly-stopped-watching-movies-and-started-watching-franchises/\" target=\"_blank\">this vortex of sequels, reboots and franchises\u003c/a> -- so long as we keep accepting sameness as something exceptional.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/30573/why-are-we-treating-the-new-ghostbusters-like-a-cult-classic-on-opening-weekend","authors":["byline_pop_30573"],"categories":["pop_51","pop_1041"],"tags":["pop_2882","pop_595","pop_2849"],"featImg":"pop_30583","label":"pop"},"pop_30073":{"type":"posts","id":"pop_30073","meta":{"index":"posts_1591205157","site":"pop","id":"30073","score":null,"sort":[1468533626000]},"guestAuthors":[],"slug":"nintendo-to-produce-tiny-retro-nes-because-nostalgia-is-an-oil-well-that-never-runs-dry","title":"Nintendo to Produce Tiny Retro NES, Because Nostalgia Is an Oil Well That Never Runs Dry","publishDate":1468533626,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Are you a person who is currently one age, but used to be a different age? Do you remember things that happened when you were different ages, like maybe, say, those years in which getting on the internet involved tying up a landline (ha! so crazy!), or \u003ca href=\"https://www.youtube.com/watch?v=mjrtsIY4WqQ\" target=\"_blank\">a serial rapist got million-dollar contracts for advertising snack foods to children\u003c/a>? Oh man! Previous decades were just nutso!\u003c/p>\n\u003cp>This combination of wistfulness and whimsy we feel at the inexorable march of time is, aside from being the bulk of Buzzfeed's editorial strategy, a reliably bankable force in a #Millennial-driven consumer marketplace.\u003c/p>\n\u003cp>So it makes sense that the Nintendo corporation -- not content with their recent achievement of \u003ca href=\"http://www.bbc.com/news/business-36791275\" target=\"_blank\">overnight worldwide domination\u003c/a> in the form of grown adults \u003ca href=\"https://ww2.kqed.org/pop/2016/07/12/sfpd-issues-pokemon-go-safety-tips-like-do-not-run-into-trees/\" target=\"_blank\">walking into traffic and shrubbery\u003c/a> in pursuit of \u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\">animated dragons and whatnot\u003c/a> -- would strike while the nostalgia iron is hot.\u003c/p>\n\u003cp>https://twitter.com/NintendoAmerica/status/753559995849990144\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yes, the company announced a new yet familiar-looking product today that they're calling the NES Classic Edition. The miniature entertainment system will hit stores Nov. 11, loaded with 30 classic games like \u003cem>Super Mario Bros., The Legend of Zelda, Donkey Kong, Final Fantasy\u003c/em>, and more.\u003c/p>\n\u003cp>If you are a person who played these games when you were younger, the thinking goes, maybe you'd like to play them again, even though you are in fact now older, and games and their respective systems have advanced along with your age? Perhaps you even have children who are now around the same age you were when you first played these games, and it will give you some type of feeling to show this console to said children and tell them about how you used to be their age, which is actually a very weird and disturbing thing to think about when you are a young child, so maybe don't be surprised if they just look at you funny and then go back to playing with their Apple Watches?\u003c/p>\n\u003cp>It's complicated stuff -- and, as a person without a business degree, I don't pretend to understand it entirely. But hey, I'm also one of those poor saps who never had video games as a kid anyway. If anyone needs me I'll just be over here watching the \u003ca href=\"http://ww2.kqed.org/pop/2016/03/03/25-years-of-clarissa-explaining-it-all/\" target=\"_blank\">\u003cem>Clarissa Explains It All\u003c/em>\u003c/a> intro on repeat.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"Hey, consumers in a very specific market-researched age bracket: Have we got news just for you!","status":"publish","parent":0,"modified":1468603737,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":414},"headData":{"title":"Nintendo to Produce Tiny Retro NES, Because Nostalgia Is an Oil Well That Never Runs Dry | KQED","description":"Hey, consumers in a very specific market-researched age bracket: Have we got news just for you!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Nintendo to Produce Tiny Retro NES, Because Nostalgia Is an Oil Well That Never Runs Dry","datePublished":"2016-07-14T22:00:26.000Z","dateModified":"2016-07-15T17:28:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"30073 http://ww2.kqed.org/pop/?p=30073","disqusUrl":"https://ww2.kqed.org/pop/2016/07/14/nintendo-to-produce-tiny-retro-nes-because-nostalgia-is-an-oil-well-that-never-runs-dry/","disqusTitle":"Nintendo to Produce Tiny Retro NES, Because Nostalgia Is an Oil Well That Never Runs Dry","path":"/pop/30073/nintendo-to-produce-tiny-retro-nes-because-nostalgia-is-an-oil-well-that-never-runs-dry","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Are you a person who is currently one age, but used to be a different age? Do you remember things that happened when you were different ages, like maybe, say, those years in which getting on the internet involved tying up a landline (ha! so crazy!), or \u003ca href=\"https://www.youtube.com/watch?v=mjrtsIY4WqQ\" target=\"_blank\">a serial rapist got million-dollar contracts for advertising snack foods to children\u003c/a>? Oh man! Previous decades were just nutso!\u003c/p>\n\u003cp>This combination of wistfulness and whimsy we feel at the inexorable march of time is, aside from being the bulk of Buzzfeed's editorial strategy, a reliably bankable force in a #Millennial-driven consumer marketplace.\u003c/p>\n\u003cp>So it makes sense that the Nintendo corporation -- not content with their recent achievement of \u003ca href=\"http://www.bbc.com/news/business-36791275\" target=\"_blank\">overnight worldwide domination\u003c/a> in the form of grown adults \u003ca href=\"https://ww2.kqed.org/pop/2016/07/12/sfpd-issues-pokemon-go-safety-tips-like-do-not-run-into-trees/\" target=\"_blank\">walking into traffic and shrubbery\u003c/a> in pursuit of \u003ca href=\"https://ww2.kqed.org/pop/2016/07/11/why-everyone-you-know-is-suddenly-obsessed-with-pokemon-go/\" target=\"_blank\">animated dragons and whatnot\u003c/a> -- would strike while the nostalgia iron is hot.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"753559995849990144"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yes, the company announced a new yet familiar-looking product today that they're calling the NES Classic Edition. The miniature entertainment system will hit stores Nov. 11, loaded with 30 classic games like \u003cem>Super Mario Bros., The Legend of Zelda, Donkey Kong, Final Fantasy\u003c/em>, and more.\u003c/p>\n\u003cp>If you are a person who played these games when you were younger, the thinking goes, maybe you'd like to play them again, even though you are in fact now older, and games and their respective systems have advanced along with your age? Perhaps you even have children who are now around the same age you were when you first played these games, and it will give you some type of feeling to show this console to said children and tell them about how you used to be their age, which is actually a very weird and disturbing thing to think about when you are a young child, so maybe don't be surprised if they just look at you funny and then go back to playing with their Apple Watches?\u003c/p>\n\u003cp>It's complicated stuff -- and, as a person without a business degree, I don't pretend to understand it entirely. But hey, I'm also one of those poor saps who never had video games as a kid anyway. If anyone needs me I'll just be over here watching the \u003ca href=\"http://ww2.kqed.org/pop/2016/03/03/25-years-of-clarissa-explaining-it-all/\" target=\"_blank\">\u003cem>Clarissa Explains It All\u003c/em>\u003c/a> intro on repeat.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/30073/nintendo-to-produce-tiny-retro-nes-because-nostalgia-is-an-oil-well-that-never-runs-dry","authors":["7237"],"categories":["pop_1536","pop_1041"],"tags":["pop_2879","pop_595","pop_2849","pop_2880","pop_36"],"featImg":"pop_30080","label":"pop"},"pop_17520":{"type":"posts","id":"pop_17520","meta":{"index":"posts_1591205157","site":"pop","id":"17520","score":null,"sort":[1439211730000]},"guestAuthors":[],"slug":"how-the-felicity-rape-episode-was-ahead-of-its-time","title":"How the 'Felicity' Rape Episode Was Ahead of Its Time","publishDate":1439211730,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>It’s almost impossible to enter the blogosphere these days without encountering the latest about how universities continue to mishandle rape cases. There are countless articles and entire books dedicated to parsing what’s gone wrong on college campuses across the nation, and how to better handle things going forward.\u003c/p>\n\u003cp>For instance, this past April saw the release of Jon Krakauer’s \u003cem>Missoula: Rape and the Justice System in a College Town\u003c/em>, a book that details the inadequate handling of sexual assault cases committed against female college students in Missoula, Montana over the course of two years. We’ve spent the past academic year watching Columbia student Emma Sulkowicz, who many consider to be the face of the college anti-rape movement, drag her mattress all across campus in protest of Columbia’s failure to expel her alleged rapist. In fact, in a recent \u003cem>LA Times\u003c/em> article, columnist Meghan Daum referred to the past school year as the “Year We Decided Women Aren’t Safe on College Campuses.”\u003c/p>\n\u003cp>With the term “rape culture” so heavy in today’s zeitgeist, it’s hard not to feel like we’re getting it wrong all the time. But I recently came across an example of a TV show that got it right...17 years ago.\u003c/p>\n\u003cp>Having missed it the first time around, I began watching the late ’90s/early 2000s WB hit \u003cem>Felicity\u003c/em>. When a rape scandal began to unfold early on in the first season, I braced myself for what I knew—or what I thought I knew—was about to get very ugly. So when the show handled the plotline well, I was pleasantly surprised—shocked even.\u003c/p>\n\u003cp>Things start out promising for Julie (Felicity’s BFF) and Zach (played by Devon Gummersall, who will always be Brian Krakow to me). They meet in the laundry room amidst Zach realizing he’s dyed all his clothes pink, as he hasn’t yet learned to separate colors from whites. Soon they’re dining in the cafeteria together, and going to see \u003cem>Solaris\u003c/em> at the Mercer. She watches his short film, which he later asks her to record music for.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There\u003cem> are\u003c/em> some signs that he’s a little weird, though. He reacts poorly when she critiques his film—even though he asks her to!—but eventually realizes his mistake and addresses it (he doesn’t actually ever apologize, though, which I almost missed). He’s a tad dramatic when she’s apprehensive about their first kiss and he responds by asking for a noose. And he gets a little momentarily aggressive in a subsequent make out sesh. But he’s also awesome. It turns out the reason Julie gets “really freaked out” when Zach kisses her is because, she tells him later, “You treat me like an actual person,” which is something she’s obviously not used to from a suitor. Felicity even tells Julie that she’s jealous of her and Zach’s “whole situation.”\u003c/p>\n\u003cp>When, just a few scenes later, we watch Julie and Zach giggle their way back to her dorm room after recording music and going out—Zach has a token beer in his hand, of course!—we don’t know what’s in store. They kiss into her room, and he shuts the door behind them, ending the scene.\u003c/p>\n\u003cp>Next, we see Julie in her room folding laundry and looking despondent; she eventually tells Felicity, and then a doctor at the hospital, what happened that night with Zach. This includes that their hooking up started out as consensual and switched in the middle. Though Julie’s unsure if what happened was rape as she didn’t “scream” or “hit him,” and “he wasn’t violent,” her doctor confirms that indeed it was.\u003c/p>\n\u003cp>What’s so incredible about the story line is that there’s a lot of nuance and ambiguity in these relationships and interactions. Julie and Zach liked and even respected each other; they had a good thing going; they made out for half an hour before she said she didn’t want to have sex—but it was \u003cem>still\u003c/em> rape! Because that’s the thing—rape, and especially non-stranger rape (the most common kind)—is rarely black and white; and you don’t have to be an entirely bad guy to commit it. Admittedly, this is a somewhat difficult concept to follow, let alone get right on a television show, but the fact that \u003cem>Felicity\u003c/em> goes for it and nails it, and all the way back in 1998, no less, is nothing short of revolutionary.\u003c/p>\n\u003cp>And it’s not just the nuances of the relationship that \u003cem>Felicity \u003c/em>pegs; it’s the logistics too. Felicity and Noel (her RA and sometimes love interest) seek out a school counselor to find out what Julie’s options are, and the counselor very thoroughly spells out all the avenues she can take. Buoyed along by her friends’ encouragement, Julie eventually meets with the school counselor herself, and it’s implied that it’s in this meeting that Julie reports Zach, as the next time we see him he’s being pulled out of class.\u003c/p>\n\u003cp>While it takes Zach a while to grasp the magnitude of everything—he goes from clueless to defensive, at first—he eventually does, and the last conversation he and Julie have is surprisingly endearing. Julie, anxious that Zach doesn’t know what he’s in for, goes to tell him she’s fighting this, only to find him packing to leave school.\u003c/p>\n\u003cp>As they talk, he isn’t defensive; he admits that what happened was in fact rape even though he “didn’t attack [her]; [he] didn’t rip [her] clothes off,” mirroring back Julie's fears from earlier in the episode. He hands her a note he was going to leave her. “It says all the obvious stuff—how sorry I am, how horrible that night must have been for you, how I wish things would have happened \u003cem>very\u003c/em> differently.” He tells her it wasn’t her fault; he actually apologizes this time, using the words “I’m sorry” and everything. Julie says she’s sorry too; because she is. Not because she did anything wrong, but because she wishes it had gone down differently too.\u003cem> \u003c/em>\u003c/p>\n\u003cp>In the end, Julie didn’t have to wait for a school court to decide her fate like Emma Sulkowicz and so many others, and she never had to testify. Whatever the dean of the university said to Zach in their meeting must have been pretty hardcore because he admitted to the dean—and then to his parents—that he was guilty.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Back in real time, as we struggle to figure out how to handle sexual assault complaints, and how to change the dating environments on our campuses, it appears \u003cem>Felicity\u003c/em>, though a seemingly unlikely candidate, may have the answers we’ve been searching for all along.\u003c/p>\n\n","blocks":[],"excerpt":"As we struggle to figure out how to handle sexual assault on campuses, it appears 'Felicity', though a seemingly unlikely candidate, may have the answers we’ve been searching for.","status":"publish","parent":0,"modified":1438985303,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":1247},"headData":{"title":"How the 'Felicity' Rape Episode Was Ahead of Its Time | KQED","description":"As we struggle to figure out how to handle sexual assault on campuses, it appears 'Felicity', though a seemingly unlikely candidate, may have the answers we’ve been searching for.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How the 'Felicity' Rape Episode Was Ahead of Its Time","datePublished":"2015-08-10T13:02:10.000Z","dateModified":"2015-08-07T22:08:23.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"17520 http://ww2.kqed.org/pop/?p=17520","disqusUrl":"https://ww2.kqed.org/pop/2015/08/10/how-the-felicity-rape-episode-was-ahead-of-its-time/","disqusTitle":"How the 'Felicity' Rape Episode Was Ahead of Its Time","path":"/pop/17520/how-the-felicity-rape-episode-was-ahead-of-its-time","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s almost impossible to enter the blogosphere these days without encountering the latest about how universities continue to mishandle rape cases. There are countless articles and entire books dedicated to parsing what’s gone wrong on college campuses across the nation, and how to better handle things going forward.\u003c/p>\n\u003cp>For instance, this past April saw the release of Jon Krakauer’s \u003cem>Missoula: Rape and the Justice System in a College Town\u003c/em>, a book that details the inadequate handling of sexual assault cases committed against female college students in Missoula, Montana over the course of two years. We’ve spent the past academic year watching Columbia student Emma Sulkowicz, who many consider to be the face of the college anti-rape movement, drag her mattress all across campus in protest of Columbia’s failure to expel her alleged rapist. In fact, in a recent \u003cem>LA Times\u003c/em> article, columnist Meghan Daum referred to the past school year as the “Year We Decided Women Aren’t Safe on College Campuses.”\u003c/p>\n\u003cp>With the term “rape culture” so heavy in today’s zeitgeist, it’s hard not to feel like we’re getting it wrong all the time. But I recently came across an example of a TV show that got it right...17 years ago.\u003c/p>\n\u003cp>Having missed it the first time around, I began watching the late ’90s/early 2000s WB hit \u003cem>Felicity\u003c/em>. When a rape scandal began to unfold early on in the first season, I braced myself for what I knew—or what I thought I knew—was about to get very ugly. So when the show handled the plotline well, I was pleasantly surprised—shocked even.\u003c/p>\n\u003cp>Things start out promising for Julie (Felicity’s BFF) and Zach (played by Devon Gummersall, who will always be Brian Krakow to me). They meet in the laundry room amidst Zach realizing he’s dyed all his clothes pink, as he hasn’t yet learned to separate colors from whites. Soon they’re dining in the cafeteria together, and going to see \u003cem>Solaris\u003c/em> at the Mercer. She watches his short film, which he later asks her to record music for.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There\u003cem> are\u003c/em> some signs that he’s a little weird, though. He reacts poorly when she critiques his film—even though he asks her to!—but eventually realizes his mistake and addresses it (he doesn’t actually ever apologize, though, which I almost missed). He’s a tad dramatic when she’s apprehensive about their first kiss and he responds by asking for a noose. And he gets a little momentarily aggressive in a subsequent make out sesh. But he’s also awesome. It turns out the reason Julie gets “really freaked out” when Zach kisses her is because, she tells him later, “You treat me like an actual person,” which is something she’s obviously not used to from a suitor. Felicity even tells Julie that she’s jealous of her and Zach’s “whole situation.”\u003c/p>\n\u003cp>When, just a few scenes later, we watch Julie and Zach giggle their way back to her dorm room after recording music and going out—Zach has a token beer in his hand, of course!—we don’t know what’s in store. They kiss into her room, and he shuts the door behind them, ending the scene.\u003c/p>\n\u003cp>Next, we see Julie in her room folding laundry and looking despondent; she eventually tells Felicity, and then a doctor at the hospital, what happened that night with Zach. This includes that their hooking up started out as consensual and switched in the middle. Though Julie’s unsure if what happened was rape as she didn’t “scream” or “hit him,” and “he wasn’t violent,” her doctor confirms that indeed it was.\u003c/p>\n\u003cp>What’s so incredible about the story line is that there’s a lot of nuance and ambiguity in these relationships and interactions. Julie and Zach liked and even respected each other; they had a good thing going; they made out for half an hour before she said she didn’t want to have sex—but it was \u003cem>still\u003c/em> rape! Because that’s the thing—rape, and especially non-stranger rape (the most common kind)—is rarely black and white; and you don’t have to be an entirely bad guy to commit it. Admittedly, this is a somewhat difficult concept to follow, let alone get right on a television show, but the fact that \u003cem>Felicity\u003c/em> goes for it and nails it, and all the way back in 1998, no less, is nothing short of revolutionary.\u003c/p>\n\u003cp>And it’s not just the nuances of the relationship that \u003cem>Felicity \u003c/em>pegs; it’s the logistics too. Felicity and Noel (her RA and sometimes love interest) seek out a school counselor to find out what Julie’s options are, and the counselor very thoroughly spells out all the avenues she can take. Buoyed along by her friends’ encouragement, Julie eventually meets with the school counselor herself, and it’s implied that it’s in this meeting that Julie reports Zach, as the next time we see him he’s being pulled out of class.\u003c/p>\n\u003cp>While it takes Zach a while to grasp the magnitude of everything—he goes from clueless to defensive, at first—he eventually does, and the last conversation he and Julie have is surprisingly endearing. Julie, anxious that Zach doesn’t know what he’s in for, goes to tell him she’s fighting this, only to find him packing to leave school.\u003c/p>\n\u003cp>As they talk, he isn’t defensive; he admits that what happened was in fact rape even though he “didn’t attack [her]; [he] didn’t rip [her] clothes off,” mirroring back Julie's fears from earlier in the episode. He hands her a note he was going to leave her. “It says all the obvious stuff—how sorry I am, how horrible that night must have been for you, how I wish things would have happened \u003cem>very\u003c/em> differently.” He tells her it wasn’t her fault; he actually apologizes this time, using the words “I’m sorry” and everything. Julie says she’s sorry too; because she is. Not because she did anything wrong, but because she wishes it had gone down differently too.\u003cem> \u003c/em>\u003c/p>\n\u003cp>In the end, Julie didn’t have to wait for a school court to decide her fate like Emma Sulkowicz and so many others, and she never had to testify. Whatever the dean of the university said to Zach in their meeting must have been pretty hardcore because he admitted to the dean—and then to his parents—that he was guilty.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Back in real time, as we struggle to figure out how to handle sexual assault complaints, and how to change the dating environments on our campuses, it appears \u003cem>Felicity\u003c/em>, though a seemingly unlikely candidate, may have the answers we’ve been searching for all along.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/17520/how-the-felicity-rape-episode-was-ahead-of-its-time","authors":["8675"],"categories":["pop_3","pop_1041"],"tags":["pop_646","pop_1555","pop_197","pop_595"],"featImg":"pop_17522","label":"pop"},"pop_14084":{"type":"posts","id":"pop_14084","meta":{"index":"posts_1591205157","site":"pop","id":"14084","score":null,"sort":[1416260259000]},"guestAuthors":[],"slug":"90s-nostalgia-a-look-at-how-our-lives-do-and-dont-matter","title":"'90s Nostalgia: A Look at How Our Lives Do and Don't Matter","publishDate":1416260259,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_14103\" class=\"wp-caption aligncenter\" style=\"max-width: 563px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\">\u003cimg class=\"wp-image-14103 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\" alt=\"Riot Grrrl zines from ALIEN SHE. At Yerba Buena Center for the Arts. Photo by Laura Schadler.\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Riot Grrrl zines from ALIEN SHE, Yerba Buena Center for the Arts. Photo by Laura Schadler.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.npr.org/blogs/monkeysee/2012/04/18/150876971/nostalgia-is-anywhere-but-here\">Nostalgia\u003c/a> is a sentimental, incomplete idea. Our human patterns of emotion, recognition, self-awareness and desire seem far stranger and more difficult to understand than mere wistfulness. However, the ‘90s are certainly having their nostalgic moment right now.\u003c/p>\n\u003cp>From 1990 to 1999, I was 11-20, my entire adolescence comprised of the art, music, fashion, politics, ethos and aesthetic of that time. Its resurgence, Urban Outfitters babydoll dresses and Doc Martens notwithstanding, is unsurprisingly quite compelling to me. There's been talk lately of \u003ca href=\"http://www.newyorker.com/magazine/2012/04/23/the-forty-year-itch\">the cycles of nostalgia\u003c/a>, our romanticizing of the time right before we were born and/or for the time we came of age. I wonder if these cycles are looping us back around to something more existentially provocative, not merely a wish, but an attempt to understand the passage of time, our place within it, what matters, what lasts, and why.\u003c/p>\n\u003cp>Last night, I saw \u003ca href=\"http://floodmagazine.com/3585/watch-j-mascis-covers-mazzy-stars-fade-into-you/\">J Mascis\u003c/a> play a sold out show at The Independent. Granted, his encore was a Dinosaur Jr. song that sort of broke my heart, calling out to the 15-year-old parts of me still alive and well. But the bulk of his material was new, with the energy and intensity of a musician not relying on his previously established reputation. I leaned over to my friend and said, \"When his voice goes high like that, I feel my whole life.\" My \u003cem>whole\u003c/em> life...not just the past, but certainly my life given depth by the past, by where it now intrudes, evolves and somehow, mysteriously, becomes the present.\u003c/p>\n\u003cp>http://youtu.be/v4Xva7X69Os\u003c/p>\n\u003cp>We all think our time on Earth is the most important. Every generation believes theirs is the one that will get to see the apocalypse. It's that dire, that essential. Annie Dillard writes of this strange human belief in her gorgeous book, \u003cem>For the Time Being, \u003c/em>which ruminates on the misplaced confidence we have in our individual egos, as they exist amongst the incomprehensible vastness of all other people and all of history.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>“Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones?...Are we not especially significant because our century is?...No, we are not and it is not. These times of ours are ordinary times...Who can bear to hear this, or who will consider it?\"\u003c/em>\u003c/p>\n\u003cp>The really interesting part is when we have lived long enough to bear hearing it, to consider it, to see just the tiniest flicker of the larger context, alongside the blinding subjectivity of our daily existence. We can begin to see that our lives, the surrounding cultures and subcultures that build, inspire, and support those lives are beautiful, essential, unknowable and fleeting. Somewhere in the mix comes this attempt to look back, to orient ourselves. Where are we? This strange year, this singular present moment, this contemporary time that occasionally seems so unfamiliar, so futuristic. And where were we before? This is not nostalgia, this is the most profound navigation, an attempt at narrative.\u003c/p>\n\u003cp>Last weekend, I saw \u003ca href=\"http://ybca.org/curators-statement-alien-she\">ALIEN SHE\u003c/a> at Yerba Buena Center for the Arts, an exhibit that examines the lasting impact of Riot Grrrl through archival ephemera, as well as a collection of contemporary works by artists who draw their influence from Riot Grrrl. What an intimate and unmoored feeling it is, at age 35, to see the counter-culture of my youth, these early ingredients of my very self on display with placards offering up dates and explanations. Aside from not being able to touch anything, the museum might well have been my high school bedroom. And, in many ways, Riot Grrrl was about our high school bedrooms, the stories written there, the music born there, the sensations of being a girl felt there, the tangible creative results that manifested.\u003c/p>\n\u003cp>http://youtu.be/3kDzHDBjyZA\u003c/p>\n\u003cp>As a teenager, I wrote BITCH on my stomach and went to a party wearing a beret and ripped up stockings. I can't imagine I fully understood the complex combinations of powerful and sexy this outfit inspired in me or why that mattered. But I marvel now at how lucky I was to have the images and language of this particular type of feminism available to me. That snarl and cuteness were ways we could be, an invitation to inhabit contradiction. \u003ca href=\"http://vimeo.com/19060637\">\"Dude, babe, sir,\"\u003c/a> my sister and I joked, mimicking Kathleen Hanna's hilarious and deadpan railing against sexism in the music world on Mike Watt's \u003cem>Ball-Hog or Tugboat\u003c/em> album. It would be a long time before I'd hear the phrase \u003cem>third wave feminism\u003c/em> or even begin to comprehend why, as an adult woman, I'd wear fuchsia stockings to work and keep my last name when I got married.\u003c/p>\n\u003cp>With a spate of films, \u003ca href=\"http://www.feministpress.org/books/riot-grrrl-collection-0\">books\u003c/a>, \u003ca href=\"http://www.nyu.edu/library/bobst/research/fales/riotgrrrltest.html\">archives\u003c/a>, documentaries and exhibits, Riot Grrrl is getting examined and celebrated. Something so visceral cannot yet be a documentary-tidy closed case, right? The past still reverberates, is still relevant. Riot Grrrl politics still have a place; evolved or \u003ca href=\"http://bitchmagazine.org/post/beyonc%C3%A9-has-claimed-feminism-as-her-brand-but-whats-next\">updated\u003c/a>, but still...connected. Watching \u003ca href=\"http://ww2.kqed.org/pop/2013/12/19/kathleen-hanna-on-riot-grrrl-history-her-battle-with-lyme-disease-and-the-punk-singer/\">\u003cem>The Punk Singer\u003c/em>\u003c/a>, I nearly cried when Kathleen Hanna says she doesn't care if people believe \u003ca href=\"http://www.themarysue.com/time-magazine-apologizes-feminism/\">feminism is still important or not\u003c/a>, because she knows it is. 'Girls to the front,' was her rallying cry at the rowdy shows Bikini Kill used to play. She no longer says this \u003ca href=\"http://www.theguardian.com/music/2014/may/09/kathleen-hanna-the-julie-ruin-bikini-kill-interview\">because girls are at the front\u003c/a>. Yet, too, as Sarah Marcus, author of \u003cem>Girls to the Front\u003c/em>, \u003ca href=\"http://www.nytimes.com/2011/06/05/arts/music/the-riot-grrrl-movement-still-inspires.html?pagewanted=all&_r=1&\">says in the \u003cem>New York Times\u003c/em>\u003c/a>, “people are flocking to these reminiscences because there remains a tremendous hunger.”\u003c/p>\n\u003cp>Perhaps hunger is a better word than nostalgia. We seek to understand something while it's happening, and again when we believe it's over, more confident in our abilities to take stock. Yet a different sort of complexity is born when we attempt to weigh the retrospective. Looking back is so evocative, muddled with confusion, recognition, some stirring, some realization of how small we are even in our most important moments.\u003c/p>\n\u003cp>Still, the moments matter because they matter to us. The larger cultural realities help us with our autobiographies, and so are sometimes too difficult to stay objective about, and why should we? Like anthropologists, we might pick up and turn over the reasons for who we are. I wandered the Riot Grrrl exhibit, the fragments of it like a memory in 3D, vivid and fractured, sweet and illuminating to recall, but also not entirely finished or clear.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://www.theguardian.com/music/2012/aug/03/j-mascis-dinosaur-jr-interview\">In an interview with \u003cem>The Guardian\u003c/em>\u003c/a>, the famously short-winded J Mascis, when asked if he considers the overall importance of Dinosaur Jr. in the scheme of things, says no. Because what is the scheme of things, exactly? These ordinary, extraordinary times are ours, these years, of all the millions of years there have been and will be. We do our best to understand. We collect these vital objects to display beneath plexiglass. We play our famous songs during encores. We listen, we look, we remember, we feel this longing. Yes, nostalgia too. We navigate our way through time, the origins of why we are who we are, always, to some degree, shrouded in mystery.\u003c/p>\n\n","blocks":[],"excerpt":"We pay homage to Riot Grrrl history in a museum. We sing along to a Dinosaur Jr. song at a J Mascis show. We try to understand the passage of time, our place within it, what matters, what lasts, and why.","status":"publish","parent":0,"modified":1416337715,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":1250},"headData":{"title":"'90s Nostalgia: A Look at How Our Lives Do and Don't Matter | KQED","description":"We pay homage to Riot Grrrl history in a museum. We sing along to a Dinosaur Jr. song at a J Mascis show. We try to understand the passage of time, our place within it, what matters, what lasts, and why.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"'90s Nostalgia: A Look at How Our Lives Do and Don't Matter","datePublished":"2014-11-17T21:37:39.000Z","dateModified":"2014-11-18T19:08:35.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"14084 http://ww2.kqed.org/pop/?p=14084","disqusUrl":"https://ww2.kqed.org/pop/2014/11/17/90s-nostalgia-a-look-at-how-our-lives-do-and-dont-matter/","disqusTitle":"'90s Nostalgia: A Look at How Our Lives Do and Don't Matter","path":"/pop/14084/90s-nostalgia-a-look-at-how-our-lives-do-and-dont-matter","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_14103\" class=\"wp-caption aligncenter\" style=\"max-width: 563px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\">\u003cimg class=\"wp-image-14103 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\" alt=\"Riot Grrrl zines from ALIEN SHE. At Yerba Buena Center for the Arts. Photo by Laura Schadler.\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Riot Grrrl zines from ALIEN SHE, Yerba Buena Center for the Arts. Photo by Laura Schadler.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.npr.org/blogs/monkeysee/2012/04/18/150876971/nostalgia-is-anywhere-but-here\">Nostalgia\u003c/a> is a sentimental, incomplete idea. Our human patterns of emotion, recognition, self-awareness and desire seem far stranger and more difficult to understand than mere wistfulness. However, the ‘90s are certainly having their nostalgic moment right now.\u003c/p>\n\u003cp>From 1990 to 1999, I was 11-20, my entire adolescence comprised of the art, music, fashion, politics, ethos and aesthetic of that time. Its resurgence, Urban Outfitters babydoll dresses and Doc Martens notwithstanding, is unsurprisingly quite compelling to me. There's been talk lately of \u003ca href=\"http://www.newyorker.com/magazine/2012/04/23/the-forty-year-itch\">the cycles of nostalgia\u003c/a>, our romanticizing of the time right before we were born and/or for the time we came of age. I wonder if these cycles are looping us back around to something more existentially provocative, not merely a wish, but an attempt to understand the passage of time, our place within it, what matters, what lasts, and why.\u003c/p>\n\u003cp>Last night, I saw \u003ca href=\"http://floodmagazine.com/3585/watch-j-mascis-covers-mazzy-stars-fade-into-you/\">J Mascis\u003c/a> play a sold out show at The Independent. Granted, his encore was a Dinosaur Jr. song that sort of broke my heart, calling out to the 15-year-old parts of me still alive and well. But the bulk of his material was new, with the energy and intensity of a musician not relying on his previously established reputation. I leaned over to my friend and said, \"When his voice goes high like that, I feel my whole life.\" My \u003cem>whole\u003c/em> life...not just the past, but certainly my life given depth by the past, by where it now intrudes, evolves and somehow, mysteriously, becomes the present.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v4Xva7X69Os'\n title='//www.youtube.com/embed/v4Xva7X69Os'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We all think our time on Earth is the most important. Every generation believes theirs is the one that will get to see the apocalypse. It's that dire, that essential. Annie Dillard writes of this strange human belief in her gorgeous book, \u003cem>For the Time Being, \u003c/em>which ruminates on the misplaced confidence we have in our individual egos, as they exist amongst the incomprehensible vastness of all other people and all of history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>“Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones?...Are we not especially significant because our century is?...No, we are not and it is not. These times of ours are ordinary times...Who can bear to hear this, or who will consider it?\"\u003c/em>\u003c/p>\n\u003cp>The really interesting part is when we have lived long enough to bear hearing it, to consider it, to see just the tiniest flicker of the larger context, alongside the blinding subjectivity of our daily existence. We can begin to see that our lives, the surrounding cultures and subcultures that build, inspire, and support those lives are beautiful, essential, unknowable and fleeting. Somewhere in the mix comes this attempt to look back, to orient ourselves. Where are we? This strange year, this singular present moment, this contemporary time that occasionally seems so unfamiliar, so futuristic. And where were we before? This is not nostalgia, this is the most profound navigation, an attempt at narrative.\u003c/p>\n\u003cp>Last weekend, I saw \u003ca href=\"http://ybca.org/curators-statement-alien-she\">ALIEN SHE\u003c/a> at Yerba Buena Center for the Arts, an exhibit that examines the lasting impact of Riot Grrrl through archival ephemera, as well as a collection of contemporary works by artists who draw their influence from Riot Grrrl. What an intimate and unmoored feeling it is, at age 35, to see the counter-culture of my youth, these early ingredients of my very self on display with placards offering up dates and explanations. Aside from not being able to touch anything, the museum might well have been my high school bedroom. And, in many ways, Riot Grrrl was about our high school bedrooms, the stories written there, the music born there, the sensations of being a girl felt there, the tangible creative results that manifested.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3kDzHDBjyZA'\n title='//www.youtube.com/embed/3kDzHDBjyZA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a teenager, I wrote BITCH on my stomach and went to a party wearing a beret and ripped up stockings. I can't imagine I fully understood the complex combinations of powerful and sexy this outfit inspired in me or why that mattered. But I marvel now at how lucky I was to have the images and language of this particular type of feminism available to me. That snarl and cuteness were ways we could be, an invitation to inhabit contradiction. \u003ca href=\"http://vimeo.com/19060637\">\"Dude, babe, sir,\"\u003c/a> my sister and I joked, mimicking Kathleen Hanna's hilarious and deadpan railing against sexism in the music world on Mike Watt's \u003cem>Ball-Hog or Tugboat\u003c/em> album. It would be a long time before I'd hear the phrase \u003cem>third wave feminism\u003c/em> or even begin to comprehend why, as an adult woman, I'd wear fuchsia stockings to work and keep my last name when I got married.\u003c/p>\n\u003cp>With a spate of films, \u003ca href=\"http://www.feministpress.org/books/riot-grrrl-collection-0\">books\u003c/a>, \u003ca href=\"http://www.nyu.edu/library/bobst/research/fales/riotgrrrltest.html\">archives\u003c/a>, documentaries and exhibits, Riot Grrrl is getting examined and celebrated. Something so visceral cannot yet be a documentary-tidy closed case, right? The past still reverberates, is still relevant. Riot Grrrl politics still have a place; evolved or \u003ca href=\"http://bitchmagazine.org/post/beyonc%C3%A9-has-claimed-feminism-as-her-brand-but-whats-next\">updated\u003c/a>, but still...connected. Watching \u003ca href=\"http://ww2.kqed.org/pop/2013/12/19/kathleen-hanna-on-riot-grrrl-history-her-battle-with-lyme-disease-and-the-punk-singer/\">\u003cem>The Punk Singer\u003c/em>\u003c/a>, I nearly cried when Kathleen Hanna says she doesn't care if people believe \u003ca href=\"http://www.themarysue.com/time-magazine-apologizes-feminism/\">feminism is still important or not\u003c/a>, because she knows it is. 'Girls to the front,' was her rallying cry at the rowdy shows Bikini Kill used to play. She no longer says this \u003ca href=\"http://www.theguardian.com/music/2014/may/09/kathleen-hanna-the-julie-ruin-bikini-kill-interview\">because girls are at the front\u003c/a>. Yet, too, as Sarah Marcus, author of \u003cem>Girls to the Front\u003c/em>, \u003ca href=\"http://www.nytimes.com/2011/06/05/arts/music/the-riot-grrrl-movement-still-inspires.html?pagewanted=all&_r=1&\">says in the \u003cem>New York Times\u003c/em>\u003c/a>, “people are flocking to these reminiscences because there remains a tremendous hunger.”\u003c/p>\n\u003cp>Perhaps hunger is a better word than nostalgia. We seek to understand something while it's happening, and again when we believe it's over, more confident in our abilities to take stock. Yet a different sort of complexity is born when we attempt to weigh the retrospective. Looking back is so evocative, muddled with confusion, recognition, some stirring, some realization of how small we are even in our most important moments.\u003c/p>\n\u003cp>Still, the moments matter because they matter to us. The larger cultural realities help us with our autobiographies, and so are sometimes too difficult to stay objective about, and why should we? Like anthropologists, we might pick up and turn over the reasons for who we are. I wandered the Riot Grrrl exhibit, the fragments of it like a memory in 3D, vivid and fractured, sweet and illuminating to recall, but also not entirely finished or clear.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.theguardian.com/music/2012/aug/03/j-mascis-dinosaur-jr-interview\">In an interview with \u003cem>The Guardian\u003c/em>\u003c/a>, the famously short-winded J Mascis, when asked if he considers the overall importance of Dinosaur Jr. in the scheme of things, says no. Because what is the scheme of things, exactly? These ordinary, extraordinary times are ours, these years, of all the millions of years there have been and will be. We do our best to understand. We collect these vital objects to display beneath plexiglass. We play our famous songs during encores. We listen, we look, we remember, we feel this longing. Yes, nostalgia too. We navigate our way through time, the origins of why we are who we are, always, to some degree, shrouded in mystery.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14084/90s-nostalgia-a-look-at-how-our-lives-do-and-dont-matter","authors":["2415"],"categories":["pop_1537","pop_4","pop_1041"],"tags":["pop_646","pop_595","pop_1412"],"featImg":"pop_14111","label":"pop"},"pop_13525":{"type":"posts","id":"pop_13525","meta":{"index":"posts_1591205157","site":"pop","id":"13525","score":null,"sort":[1414587687000]},"guestAuthors":[],"slug":"nostalgia-marketing-the-business-of-selling-the-past","title":"Nostalgia Marketing: The Business of Selling the Past","publishDate":1414587687,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>By Ira Brooker\u003c/strong>\u003c/p>\n\u003cp>When Joni Mitchell wrote \"I feel to be a cog in something turning,\" she didn't know the half of it. That line from 1970's \"Woodstock\" originally referred to the widespread hope that the namesake festival would be a catalyst for peaceful revolution. 40-odd years later, Mitchell's song is still a vital cog, but now it's helping to turn the unstoppable machine of nostalgia marketing.\u003c/p>\n\u003cp>There's been a steady rumble in the past few decades about the noxious narcissism of the Baby Boomer generation, much of it grounded in the kind of self-congratulatory sentiments found in Mitchell's song. The standard knock against Boomers is that they're obsessed with lionizing themselves as the generation that changed everything -- music, sex, war, morality -- and that they've spent the past 40 years wallowing in the cultural relics of their youth. There's probably some grain of truth in that characterization, but it doesn't give nearly enough credit to the media and marketers who engineered the selling of a generation.\u003c/p>\n\u003cp>It's been a massively successful campaign. Repackaging '60s and '70s counterculture is as good a renewable resource as a marketing firm could hope for - I have a friend who's bought The Who's \u003cem>Live at Leeds\u003c/em> eight times in various incarnations, for instance - and has even proven adaptable to new markets. When the nation turned its eyes away from the hair metal and excess of the Reagan '80s, the marketing folks zeroed in on the '90s generation's social consciousness and swiftly repackaged the '60s as something to venerate and aspire to. Neil Young was now The Godfather of Grunge. Hendrix, Joplin and Morrison were precious martyrs. The Woodstock logo looked keen on t-shirts. Boomer parents were happy to have a bond with their kids, and everybody bought merch happily ever after.\u003c/p>\n\u003cp>That flurry has died down a bit these days, but it's a persistent strain of nostalgia marketing. Every morning my local public radio station features a brief retrospective on a pop cultural milestone, everything from the 40th anniversary of Ray Stevens' \"The Streak\" to the 50th anniversary of every milestone of The Beatles' eventful 1964. A recent issue of \u003cem>People\u003c/em> featured a cover story on the 45th anniversary of the Manson murders. And of course there's CNN's multi-part documentary \u003cem>The '60s\u003c/em>. All of that makes sense, as the audiences for those outlets skew toward Boomerhood, but it's still an irritating manifestation of the phenomenon.\u003c/p>\n\u003caside class=\"pullquote alignleft\">Absence makes the heart grow fonder, and in the internet era not much gets a chance to go absent.\u003c/aside>\n\u003cp>The merchandisers and marketers would love to make this a self-perpetuating cycle. That's why '90s nostalgia is currently blitzing all across the internet. The kids caught up in the first crush of online entertainment now have kids of their own, and that's an ouroboros with buying power. The commemorations are coming hot and heavy: a two-decade remembrance of Kurt Cobain's death, high-profile features on the 25th anniversaries of \u003cem>Seinfeld\u003c/em> and \u003cem>Twin Peaks\u003c/em>, 20th anniversary reissues of Nas's \u003cem>Illmatic\u003c/em>, Soundgarden's \u003cem>Superunknown\u003c/em> and Jeff Buckley's \u003cem>Grace\u003c/em>, among others. And of course every one of these milestones has inspired dozens of blog entries and thinkpieces.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But there's hope for the '90s generation and those that follow. One major factor in the initial Boomer nostalgia boom was availability. A lot of the material that generation grew up with was, for a time, difficult to come by. As vinyl gave way to cassette tapes and CDs, record collections got packed away and broken turntables were tossed to the curb. TV shows fell out of the syndication loop. Movies went out of print, if they were ever released on video at all. Even if the art you loved was technically available, you often had to live near a well-stocked music shop or video rental place in order to find it.\u003c/p>\n\u003cp>So when the 25th and 30th anniversary editions of '60s and '70s properties started rolling out, many Boomers were understandably eager to get their hands on long-lost art that had defined their youths. (I remember a friend of my dad's being thrilled by our cassette of Crosby, Stills, Nash and Young's \u003cem>So Far\u003c/em> because he hadn't heard some of the songs in 10-plus years.) Of course the media companies were more than happy to provide them with an endless variety of high-priced commemorative editions and remasters.\u003c/p>\n\u003cp>Things have changed, obviously. Thanks to the internet, the list of lost movies and impossible-to-find albums is dwindling daily. Sure, there are still plenty of rare items out there, but it's unlikely that '90s nostalgia buffs will have to dedicate their weekends to scrounging yard sales and thrift stores as did previous generations. As \"available for the first time in decades\" becomes less of a factor, marketers will need to lean more heavily on perks like bonus tracks, outtakes and commentaries as a means of selling our past back to us. That'll work on the hardcore folks, but the average fan will read a few thinkpieces, say \"Huh, I can't believe it's been 25 years since \u003cem>Mystery Science Theater 3000\u003c/em> debuted\" and then maybe watch an episode or two on Netflix.\u003c/p>\n\u003cp>I could well be wrong, but it seems unlikely that Gen X or Gen Y nostalgia will become as obnoxious as Boomer nostalgia is often judged to be. Absence makes the heart grow fonder, and in the internet era not much gets a chance to go absent. The omnipresence of everything should help stave off the sepia tones, and might even encourage aging arts fans to keep exploring new work and avoid getting stuck in a generational rut.\u003c/p>\n\u003cp>Still, I've always found something about '60s nostalgia marketing sort of comforting. If nothing else, it helped push some worthy material in the public eye. I first got into Woodstock as a teen back in '94 when my dad brought home a VHS dub of MTV's 25th anniversary presentation of the exceptional concert documentary. It was one of those movies that changed my life, and I think many of my peers were similarly well-served by the Woodstock revival. I'd even say a lot of us have nostalgia for our parents' nostalgia.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Compare that to the near absence of media buzz surrounding the 20th anniversary of the marketing behemoth that was Woodstock '94. You just can't force fond memories.\u003c/p>\n\n","blocks":[],"excerpt":"Will the nostalgia cycle that had its way with Boomers be put to an end by Millennials or just get worse?","status":"publish","parent":0,"modified":1414587687,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":1102},"headData":{"title":"Nostalgia Marketing: The Business of Selling the Past | KQED","description":"Will the nostalgia cycle that had its way with Boomers be put to an end by Millennials or just get worse?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Nostalgia Marketing: The Business of Selling the Past","datePublished":"2014-10-29T13:01:27.000Z","dateModified":"2014-10-29T13:01:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13525 http://blogs.kqed.org/pop/?p=13525","disqusUrl":"https://ww2.kqed.org/pop/2014/10/29/nostalgia-marketing-the-business-of-selling-the-past/","disqusTitle":"Nostalgia Marketing: The Business of Selling the Past","path":"/pop/13525/nostalgia-marketing-the-business-of-selling-the-past","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Ira Brooker\u003c/strong>\u003c/p>\n\u003cp>When Joni Mitchell wrote \"I feel to be a cog in something turning,\" she didn't know the half of it. That line from 1970's \"Woodstock\" originally referred to the widespread hope that the namesake festival would be a catalyst for peaceful revolution. 40-odd years later, Mitchell's song is still a vital cog, but now it's helping to turn the unstoppable machine of nostalgia marketing.\u003c/p>\n\u003cp>There's been a steady rumble in the past few decades about the noxious narcissism of the Baby Boomer generation, much of it grounded in the kind of self-congratulatory sentiments found in Mitchell's song. The standard knock against Boomers is that they're obsessed with lionizing themselves as the generation that changed everything -- music, sex, war, morality -- and that they've spent the past 40 years wallowing in the cultural relics of their youth. There's probably some grain of truth in that characterization, but it doesn't give nearly enough credit to the media and marketers who engineered the selling of a generation.\u003c/p>\n\u003cp>It's been a massively successful campaign. Repackaging '60s and '70s counterculture is as good a renewable resource as a marketing firm could hope for - I have a friend who's bought The Who's \u003cem>Live at Leeds\u003c/em> eight times in various incarnations, for instance - and has even proven adaptable to new markets. When the nation turned its eyes away from the hair metal and excess of the Reagan '80s, the marketing folks zeroed in on the '90s generation's social consciousness and swiftly repackaged the '60s as something to venerate and aspire to. Neil Young was now The Godfather of Grunge. Hendrix, Joplin and Morrison were precious martyrs. The Woodstock logo looked keen on t-shirts. Boomer parents were happy to have a bond with their kids, and everybody bought merch happily ever after.\u003c/p>\n\u003cp>That flurry has died down a bit these days, but it's a persistent strain of nostalgia marketing. Every morning my local public radio station features a brief retrospective on a pop cultural milestone, everything from the 40th anniversary of Ray Stevens' \"The Streak\" to the 50th anniversary of every milestone of The Beatles' eventful 1964. A recent issue of \u003cem>People\u003c/em> featured a cover story on the 45th anniversary of the Manson murders. And of course there's CNN's multi-part documentary \u003cem>The '60s\u003c/em>. All of that makes sense, as the audiences for those outlets skew toward Boomerhood, but it's still an irritating manifestation of the phenomenon.\u003c/p>\n\u003caside class=\"pullquote alignleft\">Absence makes the heart grow fonder, and in the internet era not much gets a chance to go absent.\u003c/aside>\n\u003cp>The merchandisers and marketers would love to make this a self-perpetuating cycle. That's why '90s nostalgia is currently blitzing all across the internet. The kids caught up in the first crush of online entertainment now have kids of their own, and that's an ouroboros with buying power. The commemorations are coming hot and heavy: a two-decade remembrance of Kurt Cobain's death, high-profile features on the 25th anniversaries of \u003cem>Seinfeld\u003c/em> and \u003cem>Twin Peaks\u003c/em>, 20th anniversary reissues of Nas's \u003cem>Illmatic\u003c/em>, Soundgarden's \u003cem>Superunknown\u003c/em> and Jeff Buckley's \u003cem>Grace\u003c/em>, among others. And of course every one of these milestones has inspired dozens of blog entries and thinkpieces.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But there's hope for the '90s generation and those that follow. One major factor in the initial Boomer nostalgia boom was availability. A lot of the material that generation grew up with was, for a time, difficult to come by. As vinyl gave way to cassette tapes and CDs, record collections got packed away and broken turntables were tossed to the curb. TV shows fell out of the syndication loop. Movies went out of print, if they were ever released on video at all. Even if the art you loved was technically available, you often had to live near a well-stocked music shop or video rental place in order to find it.\u003c/p>\n\u003cp>So when the 25th and 30th anniversary editions of '60s and '70s properties started rolling out, many Boomers were understandably eager to get their hands on long-lost art that had defined their youths. (I remember a friend of my dad's being thrilled by our cassette of Crosby, Stills, Nash and Young's \u003cem>So Far\u003c/em> because he hadn't heard some of the songs in 10-plus years.) Of course the media companies were more than happy to provide them with an endless variety of high-priced commemorative editions and remasters.\u003c/p>\n\u003cp>Things have changed, obviously. Thanks to the internet, the list of lost movies and impossible-to-find albums is dwindling daily. Sure, there are still plenty of rare items out there, but it's unlikely that '90s nostalgia buffs will have to dedicate their weekends to scrounging yard sales and thrift stores as did previous generations. As \"available for the first time in decades\" becomes less of a factor, marketers will need to lean more heavily on perks like bonus tracks, outtakes and commentaries as a means of selling our past back to us. That'll work on the hardcore folks, but the average fan will read a few thinkpieces, say \"Huh, I can't believe it's been 25 years since \u003cem>Mystery Science Theater 3000\u003c/em> debuted\" and then maybe watch an episode or two on Netflix.\u003c/p>\n\u003cp>I could well be wrong, but it seems unlikely that Gen X or Gen Y nostalgia will become as obnoxious as Boomer nostalgia is often judged to be. Absence makes the heart grow fonder, and in the internet era not much gets a chance to go absent. The omnipresence of everything should help stave off the sepia tones, and might even encourage aging arts fans to keep exploring new work and avoid getting stuck in a generational rut.\u003c/p>\n\u003cp>Still, I've always found something about '60s nostalgia marketing sort of comforting. If nothing else, it helped push some worthy material in the public eye. I first got into Woodstock as a teen back in '94 when my dad brought home a VHS dub of MTV's 25th anniversary presentation of the exceptional concert documentary. It was one of those movies that changed my life, and I think many of my peers were similarly well-served by the Woodstock revival. I'd even say a lot of us have nostalgia for our parents' nostalgia.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Compare that to the near absence of media buzz surrounding the 20th anniversary of the marketing behemoth that was Woodstock '94. You just can't force fond memories.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13525/nostalgia-marketing-the-business-of-selling-the-past","authors":["2421"],"categories":["pop_1041"],"tags":["pop_595"],"featImg":"pop_13953","label":"pop"},"pop_12712":{"type":"posts","id":"pop_12712","meta":{"index":"posts_1591205157","site":"pop","id":"12712","score":null,"sort":[1404841947000]},"guestAuthors":[],"slug":"teacher-meets-world-the-collected-wisdom-of-mr-feeny","title":"Teacher Meets World: The Collected Wisdom of Mr. Feeny","publishDate":1404841947,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_12735\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/07/08/teacher-meets-world-the-collected-wisdom-of-mr-feeny/wwfd/\" rel=\"attachment wp-att-12735\">\u003cimg class=\"wp-image-12735 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/wwfd.jpg\" alt=\"wwfd\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/wwfd.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/wwfd-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.brainteezz.com/view/80055/mr-feeny-boy-meets-world-t-shirt\">BrainTeezz\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>It’s easy to list off the most memorable moments in TV history: “Who shot JR” on \u003cem>Dallas\u003c/em>, \u003cem>M*A*S*H \u003c/em>and \u003cem>Cheers’ \u003c/em>final episodes, even Charles and Diana’s royal wedding. But, for millennials, the final episode of \u003cem>Boy Meets World\u003c/em> absolutely \u003cem>must\u003c/em> be added to that list. No \u003cem>BMW\u003c/em> fan in their late 20s or early 30s can recall, without tears, the moment when Mr. George Feeny, teacher and mentor, offered his final weekly advice before dismissing his beloved students into the wider world: “Believe in yourselves. Dream. Try. Do good.\"\u003c/p>\n\u003cp>\u003cem>Boy Meets World\u003c/em>’s seven year run from 1993-2000 came at a time in my life when I was just as awkward, geeky, and endearingly naïve as the young Cory Matthews. And while I cared about the drama between Cory and Topanga and Shawn and Angela, laughed at Eric’s antics, and, later, rolled my eyes along with Jack and Rachel, I mostly tuned in to see Mr. Feeny. While I was lucky enough to receive guidance from loving, supportive parents (who also both happened to be teachers), I still marveled at Feeny’s ability to learn from any situation.\u003c/p>\n\u003cp>With a mentor like that, it's no surprise that, 14 years and one revamp later, Cory has grown into the mentor’s role and become a teacher himself in \u003cem>Girl Meets World\u003c/em> (which premiered June 27th). The first episode featured Cory assuring his daughter Riley that he will be there as she navigates her world in New York City. But, to the delight of this viewer and fellow teacher, Mr. Feeny still mysteriously appears at the end of the episode to offer Cory his approval. While the season’s sneak peek promised new schoolwork, new challenges, and new discoveries, here’s hoping Cory remembers lessons from Philadelphia’s favorite educator like these:\u003c/p>\n\u003cp>\u003cstrong>Learning Isn’t Just Found In Books\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://youtu.be/mmyZyw9B-gs\u003c/p>\n\u003cp>Although early seasons relied heavily on connections between Feeny’s lesson plans and the week’s message, the show thankfully moved away from that setup. After all, Feeny cared less about grades (aside from Topanga’s relentless focus on her perfect GPA) than about his students’ growth. To get results, Feeny relied on metaphors, thoughtful one-line retorts, and special out-of-class “projects.”\u003c/p>\n\u003cp>\u003cstrong>A Good Friend Is An Honest One\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/j3kl4z9YPLk\u003c/p>\n\u003cp>Mr. Feeny always said what he thought, but only if it helped the situation. And while Amy and Alan Matthews didn’t always want to hear their neighbor’s advice on raising their children, they knew George spoke the truth. He defended Cory and Topanga’s young love, badgered Eric “ten thousand times” about going to college, and encouraged Shawn to overcome his chaotic upbringing. (On the other hand, George delightfully never feared telling students when they were being “morons.”)\u003c/p>\n\u003cp>\u003cstrong>Be Yourself\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/ZTh2CwQF1Dc\u003c/p>\n\u003cp>Sure, there were moments when Mr. Feeny’s students decided they’d had enough of the veteran educator (seasons two through four featuring the leather-clad, poetry-reading, motorcycle-riding Jonathan Turner come to mind), but George Feeny didn’t care. Other teachers would have resorted to flashy new methods for popularity, but George stayed consistent. Of course, as a seasoned teacher, he’d learned to pull a few tricks himself.\u003c/p>\n\u003cp>\u003cstrong>Embrace Change And Take Risks\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/NjuCC1j1c8A\u003c/p>\n\u003cp>Feeny taught every grade level, every subject. Yes, he had the same students year after year (except for the rows of extras), but the man needed a lot of hutzpah to create all those lesson plans, even if it took a while for students to understand them.\u003c/p>\n\u003cp>\u003cstrong>Listen To Your Heart And Follow It\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/wkRjMb0RNL4\u003c/p>\n\u003cp>For a while, it seemed like every season cliffhanger involved Feeny planning his retirement and moving away from Philadelphia. And, yet, every season he’d return, having realized that his home and his heart was with his adopted family and in the classroom. Although he often preached to his students to follow their hearts, in season six, it took a lot of prodding from Eric before Feeny found love with Dean Bolander (the actor’s real-life wife).\u003c/p>\n\u003cp>\u003cstrong>Success Takes Time\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/wp0-7QerYBo\u003c/p>\n\u003cp>It took seven years, 158 episodes, countless heart-to-heart talks, a marriage, and a move to New York for George Feeny to finally teach Cory Matthews how to navigate his world.\u003c/p>\n\u003cp>\u003cstrong>Love Changes Lives\u003c/strong>\u003c/p>\n\u003cp>And, last but not least, Mr. Feeny taught us that love sometimes takes on a unique language:\u003c/p>\n\u003cp>http://youtu.be/m-BB-Xk9xYY\u003c/p>\n\u003cp>And sometimes it doesn’t need to be expressed for it to be felt.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://youtu.be/6BTIaBVgNdU\u003c/p>\n\n","blocks":[],"excerpt":"In honor of the Boy Meets World revamp, let's take a moment to remember all the wisdom Mr. Feeny gave us the first time around.","status":"publish","parent":0,"modified":1418162574,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":828},"headData":{"title":"Teacher Meets World: The Collected Wisdom of Mr. Feeny | KQED","description":"In honor of the Boy Meets World revamp, let's take a moment to remember all the wisdom Mr. Feeny gave us the first time around.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Teacher Meets World: The Collected Wisdom of Mr. Feeny","datePublished":"2014-07-08T17:52:27.000Z","dateModified":"2014-12-09T22:02:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"12712 http://blogs.kqed.org/pop/?p=12712","disqusUrl":"https://ww2.kqed.org/pop/2014/07/08/teacher-meets-world-the-collected-wisdom-of-mr-feeny/","disqusTitle":"Teacher Meets World: The Collected Wisdom of Mr. Feeny","path":"/pop/12712/teacher-meets-world-the-collected-wisdom-of-mr-feeny","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_12735\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/07/08/teacher-meets-world-the-collected-wisdom-of-mr-feeny/wwfd/\" rel=\"attachment wp-att-12735\">\u003cimg class=\"wp-image-12735 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/wwfd.jpg\" alt=\"wwfd\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/wwfd.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/wwfd-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.brainteezz.com/view/80055/mr-feeny-boy-meets-world-t-shirt\">BrainTeezz\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>It’s easy to list off the most memorable moments in TV history: “Who shot JR” on \u003cem>Dallas\u003c/em>, \u003cem>M*A*S*H \u003c/em>and \u003cem>Cheers’ \u003c/em>final episodes, even Charles and Diana’s royal wedding. But, for millennials, the final episode of \u003cem>Boy Meets World\u003c/em> absolutely \u003cem>must\u003c/em> be added to that list. No \u003cem>BMW\u003c/em> fan in their late 20s or early 30s can recall, without tears, the moment when Mr. George Feeny, teacher and mentor, offered his final weekly advice before dismissing his beloved students into the wider world: “Believe in yourselves. Dream. Try. Do good.\"\u003c/p>\n\u003cp>\u003cem>Boy Meets World\u003c/em>’s seven year run from 1993-2000 came at a time in my life when I was just as awkward, geeky, and endearingly naïve as the young Cory Matthews. And while I cared about the drama between Cory and Topanga and Shawn and Angela, laughed at Eric’s antics, and, later, rolled my eyes along with Jack and Rachel, I mostly tuned in to see Mr. Feeny. While I was lucky enough to receive guidance from loving, supportive parents (who also both happened to be teachers), I still marveled at Feeny’s ability to learn from any situation.\u003c/p>\n\u003cp>With a mentor like that, it's no surprise that, 14 years and one revamp later, Cory has grown into the mentor’s role and become a teacher himself in \u003cem>Girl Meets World\u003c/em> (which premiered June 27th). The first episode featured Cory assuring his daughter Riley that he will be there as she navigates her world in New York City. But, to the delight of this viewer and fellow teacher, Mr. Feeny still mysteriously appears at the end of the episode to offer Cory his approval. While the season’s sneak peek promised new schoolwork, new challenges, and new discoveries, here’s hoping Cory remembers lessons from Philadelphia’s favorite educator like these:\u003c/p>\n\u003cp>\u003cstrong>Learning Isn’t Just Found In Books\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mmyZyw9B-gs'\n title='//www.youtube.com/embed/mmyZyw9B-gs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Although early seasons relied heavily on connections between Feeny’s lesson plans and the week’s message, the show thankfully moved away from that setup. After all, Feeny cared less about grades (aside from Topanga’s relentless focus on her perfect GPA) than about his students’ growth. To get results, Feeny relied on metaphors, thoughtful one-line retorts, and special out-of-class “projects.”\u003c/p>\n\u003cp>\u003cstrong>A Good Friend Is An Honest One\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j3kl4z9YPLk'\n title='//www.youtube.com/embed/j3kl4z9YPLk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Mr. Feeny always said what he thought, but only if it helped the situation. And while Amy and Alan Matthews didn’t always want to hear their neighbor’s advice on raising their children, they knew George spoke the truth. He defended Cory and Topanga’s young love, badgered Eric “ten thousand times” about going to college, and encouraged Shawn to overcome his chaotic upbringing. (On the other hand, George delightfully never feared telling students when they were being “morons.”)\u003c/p>\n\u003cp>\u003cstrong>Be Yourself\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZTh2CwQF1Dc'\n title='//www.youtube.com/embed/ZTh2CwQF1Dc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sure, there were moments when Mr. Feeny’s students decided they’d had enough of the veteran educator (seasons two through four featuring the leather-clad, poetry-reading, motorcycle-riding Jonathan Turner come to mind), but George Feeny didn’t care. Other teachers would have resorted to flashy new methods for popularity, but George stayed consistent. Of course, as a seasoned teacher, he’d learned to pull a few tricks himself.\u003c/p>\n\u003cp>\u003cstrong>Embrace Change And Take Risks\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NjuCC1j1c8A'\n title='//www.youtube.com/embed/NjuCC1j1c8A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Feeny taught every grade level, every subject. Yes, he had the same students year after year (except for the rows of extras), but the man needed a lot of hutzpah to create all those lesson plans, even if it took a while for students to understand them.\u003c/p>\n\u003cp>\u003cstrong>Listen To Your Heart And Follow It\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wkRjMb0RNL4'\n title='//www.youtube.com/embed/wkRjMb0RNL4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For a while, it seemed like every season cliffhanger involved Feeny planning his retirement and moving away from Philadelphia. And, yet, every season he’d return, having realized that his home and his heart was with his adopted family and in the classroom. Although he often preached to his students to follow their hearts, in season six, it took a lot of prodding from Eric before Feeny found love with Dean Bolander (the actor’s real-life wife).\u003c/p>\n\u003cp>\u003cstrong>Success Takes Time\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wp0-7QerYBo'\n title='//www.youtube.com/embed/wp0-7QerYBo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It took seven years, 158 episodes, countless heart-to-heart talks, a marriage, and a move to New York for George Feeny to finally teach Cory Matthews how to navigate his world.\u003c/p>\n\u003cp>\u003cstrong>Love Changes Lives\u003c/strong>\u003c/p>\n\u003cp>And, last but not least, Mr. Feeny taught us that love sometimes takes on a unique language:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m-BB-Xk9xYY'\n title='//www.youtube.com/embed/m-BB-Xk9xYY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And sometimes it doesn’t need to be expressed for it to be felt.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6BTIaBVgNdU'\n title='//www.youtube.com/embed/6BTIaBVgNdU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/12712/teacher-meets-world-the-collected-wisdom-of-mr-feeny","authors":["3218"],"categories":["pop_3"],"tags":["pop_646","pop_1629","pop_1630","pop_595","pop_266","pop_2787"],"featImg":"pop_12735","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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