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Next Stop: Vietnam, Thailand and Korea.","avatar":"https://secure.gravatar.com/avatar/e4df716be95aadc7807274c2405ccac8?s=600&d=blank&r=g","twitter":"Journalist_Gina","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]},{"site":"bayareabites","roles":["contributor"]}],"headData":{"title":"Gina Scialabba | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/e4df716be95aadc7807274c2405ccac8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/e4df716be95aadc7807274c2405ccac8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ginascialabba"},"alexvikmanis":{"type":"authors","id":"2523","meta":{"index":"authors_1591205172","id":"2523","found":true},"name":"Alex Vikmanis","firstName":null,"lastName":null,"slug":"alexvikmanis","email":"alexvikmanis@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Alex Vikmanis grew up in Ohio, studied biomedical engineering, and taught English at a public school in Madagascar before realizing he just wanted to write, so he moved to San Francisco and got his MFA from California College of the Arts. He also cooks, collects words, and makes the strongest Manhattan in town.","avatar":"https://secure.gravatar.com/avatar/1510f991c426d6b0edd21142e9c4cf87?s=600&d=blank&r=g","twitter":"Alex Vikmanis","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Alex Vikmanis | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/1510f991c426d6b0edd21142e9c4cf87?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/1510f991c426d6b0edd21142e9c4cf87?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/alexvikmanis"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_10072":{"type":"posts","id":"pop_10072","meta":{"index":"posts_1591205157","site":"pop","id":"10072","score":null,"sort":[1386604880000]},"guestAuthors":[],"slug":"the-lost-art-of-music-video-morphing","title":"The Lost Art of Music Video Morphing","publishDate":1386604880,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_10108\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=10108\" rel=\"attachment wp-att-10108\">\u003cimg class=\"size-full wp-image-10108\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/12/bjork-hunter.jpg\" alt=\"bjork-hunter\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/12/bjork-hunter.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/12/bjork-hunter-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bjork just being Bjork in the \"Hunter\" music video\u003c/figcaption>\u003c/figure>\n\u003cp>Like most kids growing up in the '80s and '90s, I watched music videos non-stop. I have a secret timeline in my head of what was number one on VH1’s countdown as opposed to TRL. I could practically write out the storyboard of most videos from 1995 to 2005 shot by shot. Videos for me weren’t so much advertisements for music (which essentially they really are) as they were miniature visual fantasies of the impossible. The videos that captured me most were the ones that used technology and mind-blowing conceptual ideas (at least for a teenager) that made the song much more than just pop.\u003c/p>\n\u003cp>Enter, Michael Jackson’s “Black or White.” If not spectacular enough with MJ killing it while dancing with people from all over the world, the last minute of the video features faces of lots of races and genders jamming to the song and morphing into each other. The technology was so new at the time that it sent shivers down my spine.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/F2AitTPI5U0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>During the next 10 to 15 years, the use of morphing in music videos skyrocketed. All of the hottest directors from Hype Willams to Mark Romanec and Chris Cunningham jumped on the bandwagon. Sometimes high budget (some of the videos in this article are among \u003ca href=\"http://www.vh1.com/music/tuner/2013-09-26/25-most-expensive-music-videos/\">the most expensive videos ever made\u003c/a>) and sometimes low (editors just spliced scenes together), the effect was used to change the images of our favorite pop stars right before our eyes. Here are some of the highlights:\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/0Gl2QnHNpkA\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>What’s swoonier than a young Nick Carter with a middle-parted bowl cut? A young Nick Carter morphing into Kevin Richardson morphing into Howie Dorough, of course. And in the Backstreet Boys’ video for “As Long As You Love Me,” it was as easy as clicking a TV remote. The boys keep turning into each other, which makes it so much harder to really decide that age old question: which BSB is my favorite?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/TWZKw_MgUPI\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Not to be outdone, the other boy band, ‘N Sync (or is BSB the other boy band? but that’s another discussion entirely) had to show off their morphing skills in their \"Pop\" video clip. They bust some classic early 2000s dance moves during the mid-song break down, including the always sexy high-plank-hip-thrust, all the while changing in the blink of an eye from one outfit to another. The dancing and the instantaneous costume changes embodies everything that is pop: fast, luxurious, excessive, ephemeral.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/K4gcQj_NZ30\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Morphing wasn’t just a boy’s game. Mya’s video for \"My Love is Like Whoa\" features her in an Adidas running getup that changes from blue to red and back to blue as she uses her tightest dance moves to prove what her love is like. This clip only pulls the morphing off thanks to great editing and Mya’s precise dancing skills because it’s clear that director, Paul Hunter, didn’t use any fancy technology, but the effect is the same: pop stars have a huge wardrobe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/0P4A1K4lXDo\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/RGc79llajx4\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Not only Michael, but the whole family got in on the morphing trend during the '90s. Michael indoctrinated Janet into the fold in their epic \"Scream\" short film. Everything morphs into everything: Michael into Janet, Warhol into Pollock, Buddha into Magritte. The Jacksons had the power to have whatever they wanted and, when they got tired of it, they could just turn it into something else. Janet used the technique again in her collaboration with Busta Rhymes, \"What’s It Gonna Be?” Rhymes and an entire marching band morph out of a silver water wall à la Alex Mack in order to parade around a purple leather-clad Janet.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/XS088Opj9o0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Madonna’s \"Frozen\" shows that morphing isn’t just about excess and showing off how many styles you can flaunt in one video. Her spooky and contemplative clip demonstrates that not only can she wear whatever she wants, but she can be anything she wants. She morphs into a flock of ravens and into different versions of herself just to prove that she will always be the baddest witch in the desert.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/3CBVtC-Y3ek\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>But let’s be honest; when I think of morphing, I only think of one video: Bjork’s \"Hunter.\" The image of a stripped down, bald Bjork slowing turning into a struggling polar bear will forever be imprinted on my brain. I think it’s the most powerful example of the technique because it speaks to the transformative power of pop music. This is why we listen to it, for just a few moments to be someone or something that we’re not.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Despite the fact that morphing technology has improved over the last decade and it is constantly used in movies and TV shows, music videos feature it less and less, probably due to decreased video budgets and declining record sales. It’s a shame to see such a dazzling technique fall to the wayside in favor of twerking and \u003ca href=\"http://www.youtube.com/watch?v=r4VQoP2_eL4\">metallic lip gloss\u003c/a>. Please add recent examples or your own favorites in the comments!\u003c/p>\n\n","blocks":[],"excerpt":"The face morphing technology made famous by Michael Jackson's \"Black or White\" music video inspired a trend during the '90s and early 2000s. We pay tribute to the form with a look back at the best examples, from Bjork to the Backstreet Boys!","status":"publish","parent":0,"modified":1386367307,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":887},"headData":{"title":"The Lost Art of Music Video Morphing | KQED","description":"The face morphing technology made famous by Michael Jackson's "Black or White" music video inspired a trend during the '90s and early 2000s. We pay tribute to the form with a look back at the best examples, from Bjork to the Backstreet Boys!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"10072 http://blogs.kqed.org/pop/?p=10072","disqusUrl":"https://ww2.kqed.org/pop/2013/12/09/the-lost-art-of-music-video-morphing/","disqusTitle":"The Lost Art of Music Video Morphing","path":"/pop/10072/the-lost-art-of-music-video-morphing","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_10108\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=10108\" rel=\"attachment wp-att-10108\">\u003cimg class=\"size-full wp-image-10108\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/12/bjork-hunter.jpg\" alt=\"bjork-hunter\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/12/bjork-hunter.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/12/bjork-hunter-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bjork just being Bjork in the \"Hunter\" music video\u003c/figcaption>\u003c/figure>\n\u003cp>Like most kids growing up in the '80s and '90s, I watched music videos non-stop. I have a secret timeline in my head of what was number one on VH1’s countdown as opposed to TRL. I could practically write out the storyboard of most videos from 1995 to 2005 shot by shot. Videos for me weren’t so much advertisements for music (which essentially they really are) as they were miniature visual fantasies of the impossible. The videos that captured me most were the ones that used technology and mind-blowing conceptual ideas (at least for a teenager) that made the song much more than just pop.\u003c/p>\n\u003cp>Enter, Michael Jackson’s “Black or White.” If not spectacular enough with MJ killing it while dancing with people from all over the world, the last minute of the video features faces of lots of races and genders jamming to the song and morphing into each other. The technology was so new at the time that it sent shivers down my spine.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/F2AitTPI5U0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>During the next 10 to 15 years, the use of morphing in music videos skyrocketed. All of the hottest directors from Hype Willams to Mark Romanec and Chris Cunningham jumped on the bandwagon. Sometimes high budget (some of the videos in this article are among \u003ca href=\"http://www.vh1.com/music/tuner/2013-09-26/25-most-expensive-music-videos/\">the most expensive videos ever made\u003c/a>) and sometimes low (editors just spliced scenes together), the effect was used to change the images of our favorite pop stars right before our eyes. Here are some of the highlights:\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/0Gl2QnHNpkA\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>What’s swoonier than a young Nick Carter with a middle-parted bowl cut? A young Nick Carter morphing into Kevin Richardson morphing into Howie Dorough, of course. And in the Backstreet Boys’ video for “As Long As You Love Me,” it was as easy as clicking a TV remote. The boys keep turning into each other, which makes it so much harder to really decide that age old question: which BSB is my favorite?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/TWZKw_MgUPI\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Not to be outdone, the other boy band, ‘N Sync (or is BSB the other boy band? but that’s another discussion entirely) had to show off their morphing skills in their \"Pop\" video clip. They bust some classic early 2000s dance moves during the mid-song break down, including the always sexy high-plank-hip-thrust, all the while changing in the blink of an eye from one outfit to another. The dancing and the instantaneous costume changes embodies everything that is pop: fast, luxurious, excessive, ephemeral.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/K4gcQj_NZ30\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Morphing wasn’t just a boy’s game. Mya’s video for \"My Love is Like Whoa\" features her in an Adidas running getup that changes from blue to red and back to blue as she uses her tightest dance moves to prove what her love is like. This clip only pulls the morphing off thanks to great editing and Mya’s precise dancing skills because it’s clear that director, Paul Hunter, didn’t use any fancy technology, but the effect is the same: pop stars have a huge wardrobe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/0P4A1K4lXDo\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/RGc79llajx4\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Not only Michael, but the whole family got in on the morphing trend during the '90s. Michael indoctrinated Janet into the fold in their epic \"Scream\" short film. Everything morphs into everything: Michael into Janet, Warhol into Pollock, Buddha into Magritte. The Jacksons had the power to have whatever they wanted and, when they got tired of it, they could just turn it into something else. Janet used the technique again in her collaboration with Busta Rhymes, \"What’s It Gonna Be?” Rhymes and an entire marching band morph out of a silver water wall à la Alex Mack in order to parade around a purple leather-clad Janet.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/XS088Opj9o0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Madonna’s \"Frozen\" shows that morphing isn’t just about excess and showing off how many styles you can flaunt in one video. Her spooky and contemplative clip demonstrates that not only can she wear whatever she wants, but she can be anything she wants. She morphs into a flock of ravens and into different versions of herself just to prove that she will always be the baddest witch in the desert.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/3CBVtC-Y3ek\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>But let’s be honest; when I think of morphing, I only think of one video: Bjork’s \"Hunter.\" The image of a stripped down, bald Bjork slowing turning into a struggling polar bear will forever be imprinted on my brain. I think it’s the most powerful example of the technique because it speaks to the transformative power of pop music. This is why we listen to it, for just a few moments to be someone or something that we’re not.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Despite the fact that morphing technology has improved over the last decade and it is constantly used in movies and TV shows, music videos feature it less and less, probably due to decreased video budgets and declining record sales. It’s a shame to see such a dazzling technique fall to the wayside in favor of twerking and \u003ca href=\"http://www.youtube.com/watch?v=r4VQoP2_eL4\">metallic lip gloss\u003c/a>. Please add recent examples or your own favorites in the comments!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/10072/the-lost-art-of-music-video-morphing","authors":["2523"],"categories":["pop_4"],"tags":["pop_353","pop_1398","pop_464","pop_1400","pop_484","pop_1301","pop_52","pop_25","pop_26","pop_1399","pop_1397"],"featImg":"pop_10108","label":"pop"},"pop_9900":{"type":"posts","id":"pop_9900","meta":{"index":"posts_1591205157","site":"pop","id":"9900","score":null,"sort":[1384956015000]},"guestAuthors":[],"slug":"watchplay-with-the-new-interactive-bob-dylan-music-video-all-day","title":"Watch/Play With the New Interactive Bob Dylan Music Video All Day","publishDate":1384956015,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>In case you missed it yesterday: a new Bob Dylan video for \"Like a Rolling Stone\" is blowing up the internet. How does it feel? The consensus is: it feels pretty great. The video lets you toggle between channels and watch people on TV lip-sync to the classic Dylan song. It's awesome and will make you happy and when you send it to your parents they will be very impressed and excited, but just beware: click on the video and you might be done with productive work for the day.\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://rack.3.mshcdn.com/media/ZgkyMDEzLzExLzE5L2MyL0JvYkR5bGFuTGlrLjQ3ODZhLmpwZwpwCXRodW1iCTEyMDB4NjI3IwplCWpwZw/c57c05fe/2da/Bob-Dylan-Like-a-Rolling-Stone.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://mashable.com/2013/11/19/bob-dylan-like-a-rolling-stone-interactive-video/\" target=\"_blank\">Bob Dylan's 'Like a Rolling Stone' Interactive Video Mimics TV Surfing\u003c/a>Rock icon Bob Dylan's 1965 hit \"Like a Rolling Stone,\" deemed one of the greatest songs ever by experts, just received the 2013 music video treatment. The interactive video, shared first with Mashable, is the song's first official video.\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly/code?url=http%3A%2F%2Fmashable.com%2F2013%2F11%2F19%2Fbob-dylan-like-a-rolling-stone-interactive-video%2F\" target=\"_blank\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">via \u003ca class=\"media-attribution-link\" href=\"http://mashable.com\" target=\"_blank\">Mashable\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A new Bob Dylan video for \"Like a Rolling Stone\" is blowing up the internet. How does it feel? The consensus is: it feels pretty great.","status":"publish","parent":0,"modified":1384958541,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":148},"headData":{"title":"Watch/Play With the New Interactive Bob Dylan Music Video All Day | KQED","description":"A new Bob Dylan video for "Like a Rolling Stone" is blowing up the internet. How does it feel? The consensus is: it feels pretty great.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"9900 http://blogs.kqed.org/pop/?p=9900","disqusUrl":"https://ww2.kqed.org/pop/2013/11/20/watchplay-with-the-new-interactive-bob-dylan-music-video-all-day/","disqusTitle":"Watch/Play With the New Interactive Bob Dylan Music Video All Day","path":"/pop/9900/watchplay-with-the-new-interactive-bob-dylan-music-video-all-day","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In case you missed it yesterday: a new Bob Dylan video for \"Like a Rolling Stone\" is blowing up the internet. How does it feel? The consensus is: it feels pretty great. The video lets you toggle between channels and watch people on TV lip-sync to the classic Dylan song. It's awesome and will make you happy and when you send it to your parents they will be very impressed and excited, but just beware: click on the video and you might be done with productive work for the day.\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://rack.3.mshcdn.com/media/ZgkyMDEzLzExLzE5L2MyL0JvYkR5bGFuTGlrLjQ3ODZhLmpwZwpwCXRodW1iCTEyMDB4NjI3IwplCWpwZw/c57c05fe/2da/Bob-Dylan-Like-a-Rolling-Stone.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://mashable.com/2013/11/19/bob-dylan-like-a-rolling-stone-interactive-video/\" target=\"_blank\">Bob Dylan's 'Like a Rolling Stone' Interactive Video Mimics TV Surfing\u003c/a>Rock icon Bob Dylan's 1965 hit \"Like a Rolling Stone,\" deemed one of the greatest songs ever by experts, just received the 2013 music video treatment. The interactive video, shared first with Mashable, is the song's first official video.\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly/code?url=http%3A%2F%2Fmashable.com%2F2013%2F11%2F19%2Fbob-dylan-like-a-rolling-stone-interactive-video%2F\" target=\"_blank\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">via \u003ca class=\"media-attribution-link\" href=\"http://mashable.com\" target=\"_blank\">Mashable\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/9900/watchplay-with-the-new-interactive-bob-dylan-music-video-all-day","authors":["2130"],"categories":["pop_4","pop_5","pop_1041"],"tags":["pop_1375","pop_1376","pop_1377","pop_1378","pop_26"],"featImg":"pop_9901","label":"pop"},"pop_7597":{"type":"posts","id":"pop_7597","meta":{"index":"posts_1591205157","site":"pop","id":"7597","score":null,"sort":[1376931189000]},"guestAuthors":[],"slug":"watch-the-national-play-this-is-the-last-time-all-over-the-place","title":"Watch The National Play \"This Is The Last Time\" All Over The Place","publishDate":1376931189,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_7600\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/08/19/watch-the-national-play-this-is-the-last-time-all-over-the-place/9063937259_3d305eab2b_z/\" rel=\"attachment wp-att-7600\">\u003cimg class=\"size-full wp-image-7600\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/9063937259_3d305eab2b_z.jpg\" alt=\"9063937259_3d305eab2b_z\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/9063937259_3d305eab2b_z.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/9063937259_3d305eab2b_z-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The National on the main stage at Bonnaroo 2013. Photo by Laura Fedele/Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Last week The National played their song \"This Is The Last Time\" on both \u003cem>Conan \u003c/em>and\u003cem> Kimmel.\u003c/em> While everyone knows that \"Get Lucky\" and \"Blurred Lines\" are the Songs of the Early to Mid-Summer, those happy days when everything is a dance party, everyone is two drinks in and romance flourishes, it's becoming clear that \"This Is The Last Time\" is the Song of the End of Summer. It's the emotional hangover song. The everything ends song. Instead of mainly taking place in falsetto like \"Blurred Lines,\" this song is about two registers lower than regular man-voice. And it's main thrust is that love is a swamp and that if we are ever happy, we're all going to be sad and then eventually we're all going to die (okay I may have drawn that last conclusion). But at least we can listen to The National while the sky turns gray and our dreams die or atrophy. Because they are now as ubiquitous as Daft Punk and Robin Thicke.\u003c/p>\n\u003cp>So here you go. The National and the Song of the End of Summer. Everywhere. Enjoy!\u003c/p>\n\u003cp>\u003cstrong>Live in Studio Q:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/UdQMFGNodUU\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>At Bonnaroo with St. Vincent:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/4ir-MIVEcFY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>On \u003cem>Conan\u003c/em>:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/bvnk3NIFHrY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>Outside on \u003cem>Kimmel\u003c/em>:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/QoXydeE8jJM\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>At NPR for a Tiny Desk Concert (watch this one for some less sad songs too!):\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/TdFCD3oXMZo\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Sure \"Blurred Lines\" and \"Get Lucky\" were the Songs of the Early Summer, but is \"This Is The Last Time\" the Song of the END of Summer?","status":"publish","parent":0,"modified":1382053954,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":239},"headData":{"title":"Watch The National Play \"This Is The Last Time\" All Over The Place | KQED","description":"Sure "Blurred Lines" and "Get Lucky" were the Songs of the Early Summer, but is "This Is The Last Time" the Song of the END of Summer?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"7597 http://blogs.kqed.org/pop/?p=7597","disqusUrl":"https://ww2.kqed.org/pop/2013/08/19/watch-the-national-play-this-is-the-last-time-all-over-the-place/","disqusTitle":"Watch The National Play \"This Is The Last Time\" All Over The Place","path":"/pop/7597/watch-the-national-play-this-is-the-last-time-all-over-the-place","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_7600\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/08/19/watch-the-national-play-this-is-the-last-time-all-over-the-place/9063937259_3d305eab2b_z/\" rel=\"attachment wp-att-7600\">\u003cimg class=\"size-full wp-image-7600\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/9063937259_3d305eab2b_z.jpg\" alt=\"9063937259_3d305eab2b_z\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/08/9063937259_3d305eab2b_z.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/08/9063937259_3d305eab2b_z-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The National on the main stage at Bonnaroo 2013. Photo by Laura Fedele/Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Last week The National played their song \"This Is The Last Time\" on both \u003cem>Conan \u003c/em>and\u003cem> Kimmel.\u003c/em> While everyone knows that \"Get Lucky\" and \"Blurred Lines\" are the Songs of the Early to Mid-Summer, those happy days when everything is a dance party, everyone is two drinks in and romance flourishes, it's becoming clear that \"This Is The Last Time\" is the Song of the End of Summer. It's the emotional hangover song. The everything ends song. Instead of mainly taking place in falsetto like \"Blurred Lines,\" this song is about two registers lower than regular man-voice. And it's main thrust is that love is a swamp and that if we are ever happy, we're all going to be sad and then eventually we're all going to die (okay I may have drawn that last conclusion). But at least we can listen to The National while the sky turns gray and our dreams die or atrophy. Because they are now as ubiquitous as Daft Punk and Robin Thicke.\u003c/p>\n\u003cp>So here you go. The National and the Song of the End of Summer. Everywhere. Enjoy!\u003c/p>\n\u003cp>\u003cstrong>Live in Studio Q:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/UdQMFGNodUU\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>At Bonnaroo with St. Vincent:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/4ir-MIVEcFY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>On \u003cem>Conan\u003c/em>:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/bvnk3NIFHrY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>Outside on \u003cem>Kimmel\u003c/em>:\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/QoXydeE8jJM\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>At NPR for a Tiny Desk Concert (watch this one for some less sad songs too!):\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/TdFCD3oXMZo\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/7597/watch-the-national-play-this-is-the-last-time-all-over-the-place","authors":["2130"],"categories":["pop_4","pop_3","pop_1041"],"tags":["pop_675","pop_1127","pop_26","pop_164","pop_1126","pop_696","pop_949","pop_1125","pop_559"],"featImg":"pop_7600","label":"pop"},"pop_7125":{"type":"posts","id":"pop_7125","meta":{"index":"posts_1591205157","site":"pop","id":"7125","score":null,"sort":[1375207137000]},"guestAuthors":[],"slug":"what-your-friends-are-listening-to-new-music-to-love","title":"What Your Friends Are Listening To: New Music To Love","publishDate":1375207137,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_7152\" class=\"wp-caption aligncenter\" style=\"max-width: 567px\">\u003ca href=\"http://tempersmusic.com/\" rel=\"attachment wp-att-7152\">\u003cimg class=\" wp-image-7152\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/07/bio_red.jpg\" alt=\"bio_red\" width=\"567\" height=\"378\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/07/bio_red.jpg 700w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/bio_red-400x266.jpg 400w\" sizes=\"(max-width: 567px) 100vw, 567px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tempers.\u003cbr>Via tempersmusic.\u003c/figcaption>\u003c/figure>\n\u003cp>Every once in a while a song/band comes along that just sweeps me up in an extra dramatic way. The latest of these spells has been woven by Tempers, whose songs are danceable and melancholy, which is only the best combination ever. They are \u003ca href=\"http://sangbleu.com/2013/07/18/tempers-an-editorial-and-interview/\">a photogenic duo\u003c/a> who sulk in wine bars and are inspired by Latvian dance clubs. In short, there’s nothing not to love. Sadly they only have 3 ½ songs and are apparently really taking their time on that full-length. They mostly play in NYC and have a \u003ca href=\"http://tempersmusic.com/\">minimalist website\u003c/a>. So I must somehow satisfy myself with making multiple Spotify playlists that contain one or all of their songs and writing short stories that visually incorporate or respond to my favorite lyrics (“born to die in a seaside casino,” for example). Instead of writing an entire article about three songs and the subtle nuances of my fixation (though I could), I thought I’d ask around and see what songs my friends can't get enough of these days. Included below are their answers, a random and specific “mixed tape” of the moment.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/JA5EkxHpG8s\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-The members of Desert Relay Fever Dream are listening to \u003ca href=\"http://www.uncut.co.uk/the-fall/the-falls-mark-e-smith-i-threw-a-bottle-at-mumford-sons-news\">The Fall\u003c/a>, Buck Owens and Tiger Trap. They also just went to see Soft Metals and can't stop listening to \"In the Air.\" Don't miss DRFD playing Monday, August 5 at \u003ca href=\"http://www.theknockoutsf.com/\">The Knockout \u003c/a>with Voco and Roland (full disclosure: I'm married to one of them).\u003c/p>\n\u003cp>-My magical pen-pal and Chicago playwright, Calamity West, is listening to Fiona Apple's \"Hot Knife.\" Bonus points for this video by Paul Thomas Anderson that she sent along too.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/VG1VVFfOnYQ\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-The dreamy Jared Harrell, an \u003ca href=\"http://jaredharrell.com/\">NYC-based photographer\u003c/a>, is listening to \"Centuries\" by Emika.\u003c/p>\n\u003cp>-\u003ca href=\"http://www.jessesposato.com/\">Jesse Sposato\u003c/a>, a Brooklyn writer and musician, is \u003ca href=\"http://bedfordandbowery.com/2013/07/listen-to-a-new-desert-stars-song-before-tonights-album-release-party/\">writing about\u003c/a> and loving the awesome Desert Stars (who I'm stealing as an addition to my list of new music to love).\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/o7whz194ZDs\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-Video artist, \u003ca href=\"http://tinacorfield.com/\">Christina Corfield\u003c/a>,has been listening to \"Quicksand\" by David Bowie.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>-The SF writer, \u003ca href=\"http://zestlit.files.wordpress.com/2013/03/zest_issue1_april20131.pdf\">Lisa Gordon\u003c/a>, is really into \"Bravado\" by Lorde and also says it's time to listen to TLC's \"Creep\" again (I agree!).\u003c/p>\n\u003cp>-My teenage students weren't too keen to give me the dirt beyond Drake, but finally said J. Cole is who grown-ups need to know about (especially \"Power Trip\" and \"Crooked Smile\").\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/VMeirNg87AY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-The Sundays' old-school sad/sweet \"Here's Where The Story Ends\" is alleviating the existential terror of my friend\u003ca href=\"http://thelongboxproject.com/collector-projects/2013/4/21/i-own-this\"> Matt Jent \u003c/a>who just moved across the country to California. I also sent him \u003ca href=\"http://www.youtube.com/watch?v=oEf1Qq6upEU\">this\u003c/a>.\u003c/p>\n\u003cp>-My \u003ca href=\"http://petuniaandpetunia.tumblr.com/\">ever-hip sister \u003c/a>is listening to Appaloosa while educating the best and brightest at a contractually not-to-be-mentioned Ivy League.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/5-q3yPydQkQ\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-\u003ca href=\"http://www.metalsugar.com/\">Jewelry designer\u003c/a> Melissa Cohen is \u003ca href=\"https://www.youtube.com/watch?v=FjmQ5F4wrtg\">often telling me about my new favorite band \u003c/a>before I know they are. Right now she's listening to \"Won't You Listen\" by Daughn Gibson.\u003c/p>\n\u003cp>-Joanna Lioce, one half of the not-to-be-missed local duo \u003ca href=\"https://www.facebook.com/pages/David-and-Joanna/115195291834472\">David & Joanna\u003c/a> calls Tim Cohen's Magic Trick's \"I Looked Up \" alarmingly sweet and beautiful, and warns that we will all be hooked on \"Call Me In The Day\" by La Luz (she's right!).\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/0SE94HWE3ks\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-Leuwam Tesfai took a break from studying for the bar to say she's been listening to Air France's \"Collapsing Outside Your Doorstep.\"\u003c/p>\n\u003cp>-\u003ca href=\"http://instagram.com/robynemme\">Robyn Marsh\u003c/a>, SF stylist and costume designer, is loving Metronomy's \"Everything Goes My Way.\"\u003c/p>\n\u003cp>-Justin Loney of \u003ca href=\"http://themantles.tumblr.com/\">The Mantles \u003c/a>recommends \"Sanity\" by Juan Wuaters.\u003c/p>\n\u003cp>Thankfully not all of my friends wrote me back to my musical inquiries because I'd be here all day listening and falling in love. Prince Rama's \"Those Who Live For Love Will Live\" was also mentioned as a recent song on loop, and seems a fitting place to end.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/FTxvNI765WI\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>See below for a Spotify playlist of all the recommended songs I could find. Thanks, friends! What are you listening to and loving right this second? I want to know!\u003cbr>\n\u003ciframe src=\"https://embed.spotify.com/?uri=spotify:user:1213029062:playlist:54ARDh9HogOhKVZjl0M486\" frameborder=\"0\" width=\"640\" height=\"380\">\u003c/iframe>\u003c/p>\n\n","blocks":[],"excerpt":"Get your headphones ready...here's whole list of music you won't be able to get enough of. ","status":"publish","parent":0,"modified":1382053776,"stats":{"hasAudio":true,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":679},"headData":{"title":"What Your Friends Are Listening To: New Music To Love | KQED","description":"Get your headphones ready...here's whole list of music you won't be able to get enough of. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"7125 http://blogs.kqed.org/pop/?p=7125","disqusUrl":"https://ww2.kqed.org/pop/2013/07/30/what-your-friends-are-listening-to-new-music-to-love/","disqusTitle":"What Your Friends Are Listening To: New Music To Love","path":"/pop/7125/what-your-friends-are-listening-to-new-music-to-love","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_7152\" class=\"wp-caption aligncenter\" style=\"max-width: 567px\">\u003ca href=\"http://tempersmusic.com/\" rel=\"attachment wp-att-7152\">\u003cimg class=\" wp-image-7152\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/07/bio_red.jpg\" alt=\"bio_red\" width=\"567\" height=\"378\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/07/bio_red.jpg 700w, https://ww2.kqed.org/app/uploads/sites/12/2013/07/bio_red-400x266.jpg 400w\" sizes=\"(max-width: 567px) 100vw, 567px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tempers.\u003cbr>Via tempersmusic.\u003c/figcaption>\u003c/figure>\n\u003cp>Every once in a while a song/band comes along that just sweeps me up in an extra dramatic way. The latest of these spells has been woven by Tempers, whose songs are danceable and melancholy, which is only the best combination ever. They are \u003ca href=\"http://sangbleu.com/2013/07/18/tempers-an-editorial-and-interview/\">a photogenic duo\u003c/a> who sulk in wine bars and are inspired by Latvian dance clubs. In short, there’s nothing not to love. Sadly they only have 3 ½ songs and are apparently really taking their time on that full-length. They mostly play in NYC and have a \u003ca href=\"http://tempersmusic.com/\">minimalist website\u003c/a>. So I must somehow satisfy myself with making multiple Spotify playlists that contain one or all of their songs and writing short stories that visually incorporate or respond to my favorite lyrics (“born to die in a seaside casino,” for example). Instead of writing an entire article about three songs and the subtle nuances of my fixation (though I could), I thought I’d ask around and see what songs my friends can't get enough of these days. Included below are their answers, a random and specific “mixed tape” of the moment.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/JA5EkxHpG8s\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-The members of Desert Relay Fever Dream are listening to \u003ca href=\"http://www.uncut.co.uk/the-fall/the-falls-mark-e-smith-i-threw-a-bottle-at-mumford-sons-news\">The Fall\u003c/a>, Buck Owens and Tiger Trap. They also just went to see Soft Metals and can't stop listening to \"In the Air.\" Don't miss DRFD playing Monday, August 5 at \u003ca href=\"http://www.theknockoutsf.com/\">The Knockout \u003c/a>with Voco and Roland (full disclosure: I'm married to one of them).\u003c/p>\n\u003cp>-My magical pen-pal and Chicago playwright, Calamity West, is listening to Fiona Apple's \"Hot Knife.\" Bonus points for this video by Paul Thomas Anderson that she sent along too.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/VG1VVFfOnYQ\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-The dreamy Jared Harrell, an \u003ca href=\"http://jaredharrell.com/\">NYC-based photographer\u003c/a>, is listening to \"Centuries\" by Emika.\u003c/p>\n\u003cp>-\u003ca href=\"http://www.jessesposato.com/\">Jesse Sposato\u003c/a>, a Brooklyn writer and musician, is \u003ca href=\"http://bedfordandbowery.com/2013/07/listen-to-a-new-desert-stars-song-before-tonights-album-release-party/\">writing about\u003c/a> and loving the awesome Desert Stars (who I'm stealing as an addition to my list of new music to love).\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/o7whz194ZDs\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-Video artist, \u003ca href=\"http://tinacorfield.com/\">Christina Corfield\u003c/a>,has been listening to \"Quicksand\" by David Bowie.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>-The SF writer, \u003ca href=\"http://zestlit.files.wordpress.com/2013/03/zest_issue1_april20131.pdf\">Lisa Gordon\u003c/a>, is really into \"Bravado\" by Lorde and also says it's time to listen to TLC's \"Creep\" again (I agree!).\u003c/p>\n\u003cp>-My teenage students weren't too keen to give me the dirt beyond Drake, but finally said J. Cole is who grown-ups need to know about (especially \"Power Trip\" and \"Crooked Smile\").\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/VMeirNg87AY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-The Sundays' old-school sad/sweet \"Here's Where The Story Ends\" is alleviating the existential terror of my friend\u003ca href=\"http://thelongboxproject.com/collector-projects/2013/4/21/i-own-this\"> Matt Jent \u003c/a>who just moved across the country to California. I also sent him \u003ca href=\"http://www.youtube.com/watch?v=oEf1Qq6upEU\">this\u003c/a>.\u003c/p>\n\u003cp>-My \u003ca href=\"http://petuniaandpetunia.tumblr.com/\">ever-hip sister \u003c/a>is listening to Appaloosa while educating the best and brightest at a contractually not-to-be-mentioned Ivy League.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/5-q3yPydQkQ\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-\u003ca href=\"http://www.metalsugar.com/\">Jewelry designer\u003c/a> Melissa Cohen is \u003ca href=\"https://www.youtube.com/watch?v=FjmQ5F4wrtg\">often telling me about my new favorite band \u003c/a>before I know they are. Right now she's listening to \"Won't You Listen\" by Daughn Gibson.\u003c/p>\n\u003cp>-Joanna Lioce, one half of the not-to-be-missed local duo \u003ca href=\"https://www.facebook.com/pages/David-and-Joanna/115195291834472\">David & Joanna\u003c/a> calls Tim Cohen's Magic Trick's \"I Looked Up \" alarmingly sweet and beautiful, and warns that we will all be hooked on \"Call Me In The Day\" by La Luz (she's right!).\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/0SE94HWE3ks\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>-Leuwam Tesfai took a break from studying for the bar to say she's been listening to Air France's \"Collapsing Outside Your Doorstep.\"\u003c/p>\n\u003cp>-\u003ca href=\"http://instagram.com/robynemme\">Robyn Marsh\u003c/a>, SF stylist and costume designer, is loving Metronomy's \"Everything Goes My Way.\"\u003c/p>\n\u003cp>-Justin Loney of \u003ca href=\"http://themantles.tumblr.com/\">The Mantles \u003c/a>recommends \"Sanity\" by Juan Wuaters.\u003c/p>\n\u003cp>Thankfully not all of my friends wrote me back to my musical inquiries because I'd be here all day listening and falling in love. Prince Rama's \"Those Who Live For Love Will Live\" was also mentioned as a recent song on loop, and seems a fitting place to end.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/FTxvNI765WI\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>See below for a Spotify playlist of all the recommended songs I could find. Thanks, friends! What are you listening to and loving right this second? I want to know!\u003cbr>\n\u003ciframe src=\"https://embed.spotify.com/?uri=spotify:user:1213029062:playlist:54ARDh9HogOhKVZjl0M486\" frameborder=\"0\" width=\"640\" height=\"380\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/7125/what-your-friends-are-listening-to-new-music-to-love","authors":["2415"],"categories":["pop_4"],"tags":["pop_26","pop_747","pop_38","pop_433","pop_1060"],"featImg":"pop_7174","label":"pop"},"pop_6129":{"type":"posts","id":"pop_6129","meta":{"index":"posts_1591205157","site":"pop","id":"6129","score":null,"sort":[1371819641000]},"guestAuthors":[],"slug":"let-miley-dance-jezebel-and-their-cultural-appropriation-problem","title":"Let Miley Dance: Jezebel and Their Cultural Appropriation Problem","publishDate":1371819641,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_6130\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://jezebel.com/on-miley-cyrus-ratchet-culture-and-accessorizing-with-514381016\" rel=\"attachment wp-att-6130\">\u003cimg class=\"size-full wp-image-6130\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/ku-xlarge.jpg\" alt=\"ku-xlarge\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/ku-xlarge.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/ku-xlarge-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Exhibit A: Jezebel doesn't want Miley to wear a handkerchief in her hair?/Via Jezebel\u003c/figcaption>\u003c/figure>\n\u003cp>The internet is not the most nuanced place. The flashier your title, the simpler your concept, the more pageviews, likes and shares your post will get. I'm not above it, just see my \u003ca href=\"http://blogs.kqed.org/pop/2013/04/03/macklemore-is-a-feminist-who-proves-conclusively-that-irony-should-be-dead/\" target=\"_blank\">\"Macklemore is a Feminist Who Proves Conclusively That Irony Should Be Dead\"\u003c/a> post. This was shared on Reddit, Twitter, Facebook, everywhere. The headline alone said enough so anyone who shared it managed to be saying something about themselves that they thought reflected something cool. It's a bit \"behind the curtain\" of me to say this, but I also I think it is something everyone knows. The problem is, sometimes this desire for likes, pageviews and shares encourages otherwise great blogs to post something that is just shocking or reactionary, with no real purpose, that ends up being harmful. Earlier this week Linda Holmes over on Monkey See \u003ca href=\"http://www.npr.org/blogs/monkeysee/2013/06/19/193424141/bait-and-twitch-vice-magazine-suicide-glamour-and-not-staying-quiet\" target=\"_blank\">wrote about the problem of the \u003cem>Vice\u003c/em> fashion spread \u003c/a>which used models to depict female writers who had committed suicide. In her piece, she acknowledged that \u003cem>Vice\u003c/em> was probably baiting her, and all of us, with this overtly horrifying spread and yet, she was going to take the bait, and respond, because it was worth it to her.\u003c/p>\n\u003cp>Recently one of my favorite blogs, \u003cem>Jezebel\u003c/em>, the blog that actually \u003ca href=\"http://jezebel.com/vice-published-a-fashion-spread-of-female-writer-suicid-513888861\" target=\"_blank\">called out \u003cem>Vice\u003c/em>\u003c/a> on the suicide spread in the first place, has gotten very involved in their own sort of baiting: the cultural appropriation gambit. It's disappointing in a way because \u003cem>Jezebel\u003c/em> has long been a feminist blog with an interesting and alternative perspective that seeks to raise the level of discussion around complicated issues of gender and race. But yesterday they posted this: \u003ca href=\"http://jezebel.com/on-miley-cyrus-ratchet-culture-and-accessorizing-with-514381016\" target=\"_blank\">\"On Miley Cyrus, Ratchet Culture and Accessorizing With Black People.\"\u003c/a> The article basically calls Miley Cyrus a racist for using things associated with black culture in her recent music video. Now, this isn't the first time that \u003cem>Jezebel\u003c/em> has jumped on a young woman for supposed cultural appropriation. The last time \u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/the-michelle-williams-red-face-cover-debate-political-correctness-vs-extremism/\" target=\"_blank\">we wrote about it\u003c/a>, it was Michelle Williams the racist, because she was dressing in a fashion spread in a way that was reminiscent of Native American style.\u003c/p>\n\u003cp>In Dodai Stewart's piece in \u003cem>Jezebel\u003c/em>, she calls Miley out for the way she dresses, the way she dances and for having black back-up dancers because she is using people as props, saying: \"In a white-centric world, putting white women quite literally in the center of the frame while women of color are off to the side is a powerful, disrespectful visual message, and it really must be said: Human beings are not accessories.\"\u003c/p>\n\u003cp>Here's my issue, with this whole thing (most of which I wrote in the \u003ca href=\"http://jezebel.com/i-think-its-pretty-ridiculous-to-call-out-a-20-year-old-524117609\" target=\"_blank\">comments section\u003c/a> of the piece by the way, due to getting fired up):\u003c/p>\n\u003cp>First: I think it's ridiculous to call out a 20-year-old girl for experimenting with her identity and trying on different ways of being, even if her song is terrible. Twerking is a dance move that doesn't belong to anyone (\u003ca href=\"http://blogs.kqed.org/pop/2013/05/07/afternoon-activity-learn-to-twerk-in-your-cubicle/\" target=\"_blank\">even I like to do it!\u003c/a>) and if the only people who are allowed certain moves are the exact race of the person who invented them then I guess every single ballroom dancer, salsa dancer, white person at Carnival, etc, is a racist.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Second, the idea that back-up dancers in a video should NOT be props, ever, is nonsense. Miley's allowed back-up people in her video, because everyone is allowed back-up people in their videos. The singer is always center stage. That's how music videos work. That girl has been a prop her whole life, for Disney and for her dad and for us, to be whatever we want. Yesterday, she was \u003cem>Jezebel\u003c/em>'s prop for \"Big Bad Racist.\" There are real, serious race issues in this country and Miley Cyrus is not one of them. Honestly, this feels to me like piling on the most obvious target because it's easier than looking at the deep misogyny in hip hop or exploring the complexity of the exchange of ideas and race relations in this country. Yes, this story got a ton of pageviews, but did it really elevate the conversation? Personally, I think it just gave white people who aren't twerking with black people in their video (all other white people besides Miley and like two others) another thing to pat themselves on the back about when they say, \"Look! I'm not racist!\" and then go back to their lives, glad they aren't \u003ca href=\"http://www.naacp.org/pages/criminal-justice-fact-sheet\" target=\"_blank\">young black men getting unfairly jailed\u003c/a>, getting killed or beat up \u003ca href=\"http://www.theroot.com/multimedia/beyond-trayvon-black-and-unarmed\" target=\"_blank\">by police\u003c/a> or \u003ca href=\"http://www.jsonline.com/blogs/news/190868061.html\" target=\"_blank\">each other\u003c/a>. This sort of rhetoric doesn't change anything. In my opinion, it only makes things worse.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So what do you think? Should we let Miley twerk or not?\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=LrUvu1mlWco&w=560&h=315]\u003c/div>\n\n","blocks":[],"excerpt":"Is it fair to call Miley Cyrus a racist just because she's twerking in her music video?","status":"publish","parent":0,"modified":1374184291,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":832},"headData":{"title":"Let Miley Dance: Jezebel and Their Cultural Appropriation Problem | KQED","description":"Is it fair to call Miley Cyrus a racist just because she's twerking in her music video?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"6129 http://blogs.kqed.org/pop/?p=6129","disqusUrl":"https://ww2.kqed.org/pop/2013/06/21/let-miley-dance-jezebel-and-their-cultural-appropriation-problem/","disqusTitle":"Let Miley Dance: Jezebel and Their Cultural Appropriation Problem","path":"/pop/6129/let-miley-dance-jezebel-and-their-cultural-appropriation-problem","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_6130\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://jezebel.com/on-miley-cyrus-ratchet-culture-and-accessorizing-with-514381016\" rel=\"attachment wp-att-6130\">\u003cimg class=\"size-full wp-image-6130\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/ku-xlarge.jpg\" alt=\"ku-xlarge\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/ku-xlarge.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/ku-xlarge-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Exhibit A: Jezebel doesn't want Miley to wear a handkerchief in her hair?/Via Jezebel\u003c/figcaption>\u003c/figure>\n\u003cp>The internet is not the most nuanced place. The flashier your title, the simpler your concept, the more pageviews, likes and shares your post will get. I'm not above it, just see my \u003ca href=\"http://blogs.kqed.org/pop/2013/04/03/macklemore-is-a-feminist-who-proves-conclusively-that-irony-should-be-dead/\" target=\"_blank\">\"Macklemore is a Feminist Who Proves Conclusively That Irony Should Be Dead\"\u003c/a> post. This was shared on Reddit, Twitter, Facebook, everywhere. The headline alone said enough so anyone who shared it managed to be saying something about themselves that they thought reflected something cool. It's a bit \"behind the curtain\" of me to say this, but I also I think it is something everyone knows. The problem is, sometimes this desire for likes, pageviews and shares encourages otherwise great blogs to post something that is just shocking or reactionary, with no real purpose, that ends up being harmful. Earlier this week Linda Holmes over on Monkey See \u003ca href=\"http://www.npr.org/blogs/monkeysee/2013/06/19/193424141/bait-and-twitch-vice-magazine-suicide-glamour-and-not-staying-quiet\" target=\"_blank\">wrote about the problem of the \u003cem>Vice\u003c/em> fashion spread \u003c/a>which used models to depict female writers who had committed suicide. In her piece, she acknowledged that \u003cem>Vice\u003c/em> was probably baiting her, and all of us, with this overtly horrifying spread and yet, she was going to take the bait, and respond, because it was worth it to her.\u003c/p>\n\u003cp>Recently one of my favorite blogs, \u003cem>Jezebel\u003c/em>, the blog that actually \u003ca href=\"http://jezebel.com/vice-published-a-fashion-spread-of-female-writer-suicid-513888861\" target=\"_blank\">called out \u003cem>Vice\u003c/em>\u003c/a> on the suicide spread in the first place, has gotten very involved in their own sort of baiting: the cultural appropriation gambit. It's disappointing in a way because \u003cem>Jezebel\u003c/em> has long been a feminist blog with an interesting and alternative perspective that seeks to raise the level of discussion around complicated issues of gender and race. But yesterday they posted this: \u003ca href=\"http://jezebel.com/on-miley-cyrus-ratchet-culture-and-accessorizing-with-514381016\" target=\"_blank\">\"On Miley Cyrus, Ratchet Culture and Accessorizing With Black People.\"\u003c/a> The article basically calls Miley Cyrus a racist for using things associated with black culture in her recent music video. Now, this isn't the first time that \u003cem>Jezebel\u003c/em> has jumped on a young woman for supposed cultural appropriation. The last time \u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/the-michelle-williams-red-face-cover-debate-political-correctness-vs-extremism/\" target=\"_blank\">we wrote about it\u003c/a>, it was Michelle Williams the racist, because she was dressing in a fashion spread in a way that was reminiscent of Native American style.\u003c/p>\n\u003cp>In Dodai Stewart's piece in \u003cem>Jezebel\u003c/em>, she calls Miley out for the way she dresses, the way she dances and for having black back-up dancers because she is using people as props, saying: \"In a white-centric world, putting white women quite literally in the center of the frame while women of color are off to the side is a powerful, disrespectful visual message, and it really must be said: Human beings are not accessories.\"\u003c/p>\n\u003cp>Here's my issue, with this whole thing (most of which I wrote in the \u003ca href=\"http://jezebel.com/i-think-its-pretty-ridiculous-to-call-out-a-20-year-old-524117609\" target=\"_blank\">comments section\u003c/a> of the piece by the way, due to getting fired up):\u003c/p>\n\u003cp>First: I think it's ridiculous to call out a 20-year-old girl for experimenting with her identity and trying on different ways of being, even if her song is terrible. Twerking is a dance move that doesn't belong to anyone (\u003ca href=\"http://blogs.kqed.org/pop/2013/05/07/afternoon-activity-learn-to-twerk-in-your-cubicle/\" target=\"_blank\">even I like to do it!\u003c/a>) and if the only people who are allowed certain moves are the exact race of the person who invented them then I guess every single ballroom dancer, salsa dancer, white person at Carnival, etc, is a racist.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Second, the idea that back-up dancers in a video should NOT be props, ever, is nonsense. Miley's allowed back-up people in her video, because everyone is allowed back-up people in their videos. The singer is always center stage. That's how music videos work. That girl has been a prop her whole life, for Disney and for her dad and for us, to be whatever we want. Yesterday, she was \u003cem>Jezebel\u003c/em>'s prop for \"Big Bad Racist.\" There are real, serious race issues in this country and Miley Cyrus is not one of them. Honestly, this feels to me like piling on the most obvious target because it's easier than looking at the deep misogyny in hip hop or exploring the complexity of the exchange of ideas and race relations in this country. Yes, this story got a ton of pageviews, but did it really elevate the conversation? Personally, I think it just gave white people who aren't twerking with black people in their video (all other white people besides Miley and like two others) another thing to pat themselves on the back about when they say, \"Look! I'm not racist!\" and then go back to their lives, glad they aren't \u003ca href=\"http://www.naacp.org/pages/criminal-justice-fact-sheet\" target=\"_blank\">young black men getting unfairly jailed\u003c/a>, getting killed or beat up \u003ca href=\"http://www.theroot.com/multimedia/beyond-trayvon-black-and-unarmed\" target=\"_blank\">by police\u003c/a> or \u003ca href=\"http://www.jsonline.com/blogs/news/190868061.html\" target=\"_blank\">each other\u003c/a>. This sort of rhetoric doesn't change anything. In my opinion, it only makes things worse.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So what do you think? Should we let Miley twerk or not?\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LrUvu1mlWco'\n title='//www.youtube.com/embed/LrUvu1mlWco'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/6129/let-miley-dance-jezebel-and-their-cultural-appropriation-problem","authors":["2130"],"categories":["pop_7","pop_4","pop_1041"],"tags":["pop_948","pop_588","pop_234","pop_721","pop_26","pop_406"],"featImg":"pop_6133","label":"pop"},"pop_5925":{"type":"posts","id":"pop_5925","meta":{"index":"posts_1591205157","site":"pop","id":"5925","score":null,"sort":[1371490612000]},"guestAuthors":[],"slug":"fall-in-love-with-the-mowglis","title":"Fall in Love with The Mowgli's","publishDate":1371490612,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_5971\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/06/17/fall-in-love-with-the-mowglis/mowglis-1-2/\" rel=\"attachment wp-att-5971\">\u003cimg class=\" wp-image-5971\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/Mowglis-11.jpg\" alt=\"Mowglis-1\" width=\"640\" height=\"363\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/Mowglis-11.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/Mowglis-11-400x226.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The eight-member band, The Mowgli's/Courtesy of The Mowgli's\u003c/figcaption>\u003c/figure>\n\u003cp>Everywhere I turn these days I encounter The Mowgli’s. Talk shows, concerts, YouTube. They’re on fire, tearing up charts and embracing success. They’re obsessed with the simple concept of love and spreading it all around.\u003c/p>\n\u003cp>What should you know about this eight-person indie band hailing from southern California? Well, first of all they're a troupe of best friends ranging in age from their mid-twenties to early thirties. You can hear it in their melodies, a chorus of voices in perfect harmony. The group is large enough in numbers to start a gang, but without all the bad stuff that comes along with membership like violence, initiation rituals and havoc-wrecking.\u003c/p>\n\u003cp>What is a Mowgli, anyway? Recall \u003ca href=\"http://www.youtube.com/watch?v=9ogQ0uge06o\" target=\"_blank\">\u003cem>The Jungle Book\u003c/em>’s main character\u003c/a>. The band’s front man, Colin Louis Dieden explains: “The Mowgli’s to us means being young and wild forever. Until we get old and boring I guess.”\u003c/p>\n\u003cp>The Mowgli’s mission is to spread the good word. No, not the Bible or the word of God. It’s the word of L-O-V-E in its most raw form. They are “in love with love,” as their most popular song to date, \"San Francisco,\" goes.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=8RZqPq1-1Tw&w=560&h=315]\u003c/div>\n\u003cp>You could say the band is love-stoned. And why not? Being young, fun and living a musician’s dream of rising fame can have its perks and certainly put you in a good mood. The Mowgli’s have appeared on everything from \u003cem>Jimmy Kimmel\u003c/em> to \u003cem>\u003ca href=\"http://www.youtube.com/watch?v=XA862Oi1Fko\" target=\"_blank\">Conan O’Brien\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Each band member retains individuality yet functions in a symbiotic, group identity way. The long list includes Colin Louis Dieden (vocals/guitar/percussion), Michael Vincze (guitar/vocals), Katie Jayne Earl (vocals/percussion), Matthew Di Panni (bass/vocals), Josh Hogan (guitar/vocals), Dave Appelbaum (keys/vocals), Spencer Trent (percussion/guitar/melodica/vocals), and Andy Warren (drums/percussion/vocals). They all sing and harmonize together.\u003c/p>\n\u003cp>“We create this symbiotic energy flow that makes us step up….It’s like when you are on a team and you are in the big game. Everyone is so fired up and they win the game together. That’s sort of the synergy that happens,” Vincze said.\u003c/p>\n\u003cp>Their musical style is extremely catchy and upbeat. It’s pop beach music with an indie vibe. On a recent trip to Los Angeles, I listened to their upcoming album, \u003cem>\u003ca href=\"http://www.themowglis.net\">Waiting for the Dawn\u003c/a>,\u003c/em> while driving down the Pacific Coast Highway, and yes, in a convertible. Very cliché, but oh so perfect.\u003c/p>\n\u003cp>Music often times has the ability to transport you to that place you wish you could be. I imagine that’s what the Mowgli’s have in mind for their audience. Feel-good music that brings the nostalgia of California to the entire world. Whether it’s a coastal drive down Highway 1 or the comfort I feel while strolling down the Embarcadero and taking in the fog, (that’s one of Dieden’s favorite things to do in San Francisco). The Mowgli’s unique sound allows you, the listener, to bring the eclectic California feeling just about anywhere you are. Break out your headphones and you too can be on the Santa Monica pier without a care in the world.\u003c/p>\n\u003cp>Besides creating a California feeling anywhere, Vincze recently explained to me that the band wants to start a “love movement.” It’s not some hippy, 1960s esoteric Haight Ashbury, drug haze they are talking about. (Although, the band has admittedly been influenced by Janis Joplin, Kerouac, Ginsburg and the Beat Generation). The love movement is a set of ideals grounded in a single philosophy—finding joy and fulfillment in everything.\u003c/p>\n\u003cp>“For me, it's this thing we are trying to awaken inside of all of us. We all know we’ve got it. We’ve got this pure joy. You can find it anywhere. It’s not hard to discover,” Dieden said .\u003c/p>\n\u003cp>Several songs on the new album exemplify the love-factor. Take “Emily” for instance, a song written collaboratively by Dieden with friends Sam Hollander and Nate Campany. The lyrics and beat are simple. That’s what they pride themselves on. So many musicians get caught up on writing “deep lyrics.” Sometimes what touches our soul in the most intimate places doesn’t need to be wrapped in a polysyllabic dissertation on life.\u003c/p>\n\u003cp>[soundcloud url=\"http://api.soundcloud.com/tracks/96323630\" params=\"color=ff6600&auto_play=false&player_type=artwork\" width=\" 300\" height=\"300\" iframe=\"false\" /]\u003c/p>\n\u003cp>I’m also really digging “Say It, Just Say it,” another Dieden collaboration, but this time with a personal spin. The song is about a mysterious woman he once was involved with in his life.\u003c/p>\n\u003cp>[soundcloud url=\"http://api.soundcloud.com/tracks/95875520\" params=\"color=ff6600&auto_play=false&player_type=artwork\" width=\" 300\" height=\"300\" iframe=\"false\" /]\u003c/p>\n\u003cp>The Mowgli's will be spreading the love and joy on The Tonight Show with Jay Leno, Thursday June 20, two days after the new album drops on June 18. They just played closing night at the The Bonnaroo Music & Arts Festival in Manchester, TN and they'll wrap up the summer with their biggest concert to date, \u003ca href=\"http://lineup.lollapalooza.com/band/the-mowglis\">Lollapalooza\u003c/a>, on Sunday, August 4. And make sure you catch them when they come back to San Francisco October 17 to play \u003ca href=\"https://www.facebook.com/events/164458493731997/\">The Regency Ballroom.\u003c/a>\u003c/p>\n\u003cp>So, as I sit here on a cramped commuter train, surrounded by people, dogs and luggage, far from the ocean breeze, warm sand and smell of sunscreen, I think back longingly to last weekend’s drive down the PCH. Why not relive it right here on my iPod with the help of the Mowgli’s? I’ll shut out the world, close my eyes and listen…Do-do-do-do- Do you feel the love? I feel the love…\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Can't get enough of The Mowgli's? \u003ca href=\"http://www.californiareport.org/archive/R201306141630/e\" target=\"_blank\">Check them out on The California Report.\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"The Mowgli’s mission is to spread the word of L-O-V-E. And it's a hard message to resist.","status":"publish","parent":0,"modified":1371574151,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1067},"headData":{"title":"Fall in Love with The Mowgli's | KQED","description":"The Mowgli’s mission is to spread the word of L-O-V-E. And it's a hard message to resist.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"5925 http://blogs.kqed.org/pop/?p=5925","disqusUrl":"https://ww2.kqed.org/pop/2013/06/17/fall-in-love-with-the-mowglis/","disqusTitle":"Fall in Love with The Mowgli's","path":"/pop/5925/fall-in-love-with-the-mowglis","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_5971\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/06/17/fall-in-love-with-the-mowglis/mowglis-1-2/\" rel=\"attachment wp-att-5971\">\u003cimg class=\" wp-image-5971\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/Mowglis-11.jpg\" alt=\"Mowglis-1\" width=\"640\" height=\"363\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/Mowglis-11.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/Mowglis-11-400x226.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The eight-member band, The Mowgli's/Courtesy of The Mowgli's\u003c/figcaption>\u003c/figure>\n\u003cp>Everywhere I turn these days I encounter The Mowgli’s. Talk shows, concerts, YouTube. They’re on fire, tearing up charts and embracing success. They’re obsessed with the simple concept of love and spreading it all around.\u003c/p>\n\u003cp>What should you know about this eight-person indie band hailing from southern California? Well, first of all they're a troupe of best friends ranging in age from their mid-twenties to early thirties. You can hear it in their melodies, a chorus of voices in perfect harmony. The group is large enough in numbers to start a gang, but without all the bad stuff that comes along with membership like violence, initiation rituals and havoc-wrecking.\u003c/p>\n\u003cp>What is a Mowgli, anyway? Recall \u003ca href=\"http://www.youtube.com/watch?v=9ogQ0uge06o\" target=\"_blank\">\u003cem>The Jungle Book\u003c/em>’s main character\u003c/a>. The band’s front man, Colin Louis Dieden explains: “The Mowgli’s to us means being young and wild forever. Until we get old and boring I guess.”\u003c/p>\n\u003cp>The Mowgli’s mission is to spread the good word. No, not the Bible or the word of God. It’s the word of L-O-V-E in its most raw form. They are “in love with love,” as their most popular song to date, \"San Francisco,\" goes.\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8RZqPq1-1Tw'\n title='//www.youtube.com/embed/8RZqPq1-1Tw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>You could say the band is love-stoned. And why not? Being young, fun and living a musician’s dream of rising fame can have its perks and certainly put you in a good mood. The Mowgli’s have appeared on everything from \u003cem>Jimmy Kimmel\u003c/em> to \u003cem>\u003ca href=\"http://www.youtube.com/watch?v=XA862Oi1Fko\" target=\"_blank\">Conan O’Brien\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Each band member retains individuality yet functions in a symbiotic, group identity way. The long list includes Colin Louis Dieden (vocals/guitar/percussion), Michael Vincze (guitar/vocals), Katie Jayne Earl (vocals/percussion), Matthew Di Panni (bass/vocals), Josh Hogan (guitar/vocals), Dave Appelbaum (keys/vocals), Spencer Trent (percussion/guitar/melodica/vocals), and Andy Warren (drums/percussion/vocals). They all sing and harmonize together.\u003c/p>\n\u003cp>“We create this symbiotic energy flow that makes us step up….It’s like when you are on a team and you are in the big game. Everyone is so fired up and they win the game together. That’s sort of the synergy that happens,” Vincze said.\u003c/p>\n\u003cp>Their musical style is extremely catchy and upbeat. It’s pop beach music with an indie vibe. On a recent trip to Los Angeles, I listened to their upcoming album, \u003cem>\u003ca href=\"http://www.themowglis.net\">Waiting for the Dawn\u003c/a>,\u003c/em> while driving down the Pacific Coast Highway, and yes, in a convertible. Very cliché, but oh so perfect.\u003c/p>\n\u003cp>Music often times has the ability to transport you to that place you wish you could be. I imagine that’s what the Mowgli’s have in mind for their audience. Feel-good music that brings the nostalgia of California to the entire world. Whether it’s a coastal drive down Highway 1 or the comfort I feel while strolling down the Embarcadero and taking in the fog, (that’s one of Dieden’s favorite things to do in San Francisco). The Mowgli’s unique sound allows you, the listener, to bring the eclectic California feeling just about anywhere you are. Break out your headphones and you too can be on the Santa Monica pier without a care in the world.\u003c/p>\n\u003cp>Besides creating a California feeling anywhere, Vincze recently explained to me that the band wants to start a “love movement.” It’s not some hippy, 1960s esoteric Haight Ashbury, drug haze they are talking about. (Although, the band has admittedly been influenced by Janis Joplin, Kerouac, Ginsburg and the Beat Generation). The love movement is a set of ideals grounded in a single philosophy—finding joy and fulfillment in everything.\u003c/p>\n\u003cp>“For me, it's this thing we are trying to awaken inside of all of us. We all know we’ve got it. We’ve got this pure joy. You can find it anywhere. It’s not hard to discover,” Dieden said .\u003c/p>\n\u003cp>Several songs on the new album exemplify the love-factor. Take “Emily” for instance, a song written collaboratively by Dieden with friends Sam Hollander and Nate Campany. The lyrics and beat are simple. That’s what they pride themselves on. So many musicians get caught up on writing “deep lyrics.” Sometimes what touches our soul in the most intimate places doesn’t need to be wrapped in a polysyllabic dissertation on life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width=' 300' height='300'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=http://api.soundcloud.com/tracks/96323630&visual=true&color=ff6600&auto_play=false&player_type=artwork'\n title='http://api.soundcloud.com/tracks/96323630'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>I’m also really digging “Say It, Just Say it,” another Dieden collaboration, but this time with a personal spin. The song is about a mysterious woman he once was involved with in his life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width=' 300' height='300'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=http://api.soundcloud.com/tracks/95875520&visual=true&color=ff6600&auto_play=false&player_type=artwork'\n title='http://api.soundcloud.com/tracks/95875520'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The Mowgli's will be spreading the love and joy on The Tonight Show with Jay Leno, Thursday June 20, two days after the new album drops on June 18. They just played closing night at the The Bonnaroo Music & Arts Festival in Manchester, TN and they'll wrap up the summer with their biggest concert to date, \u003ca href=\"http://lineup.lollapalooza.com/band/the-mowglis\">Lollapalooza\u003c/a>, on Sunday, August 4. And make sure you catch them when they come back to San Francisco October 17 to play \u003ca href=\"https://www.facebook.com/events/164458493731997/\">The Regency Ballroom.\u003c/a>\u003c/p>\n\u003cp>So, as I sit here on a cramped commuter train, surrounded by people, dogs and luggage, far from the ocean breeze, warm sand and smell of sunscreen, I think back longingly to last weekend’s drive down the PCH. Why not relive it right here on my iPod with the help of the Mowgli’s? I’ll shut out the world, close my eyes and listen…Do-do-do-do- Do you feel the love? I feel the love…\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Can't get enough of The Mowgli's? \u003ca href=\"http://www.californiareport.org/archive/R201306141630/e\" target=\"_blank\">Check them out on The California Report.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/5925/fall-in-love-with-the-mowglis","authors":["2451"],"categories":["pop_4"],"tags":["pop_26","pop_914","pop_913"],"featImg":"pop_5971","label":"pop"},"pop_5844":{"type":"posts","id":"pop_5844","meta":{"index":"posts_1591205157","site":"pop","id":"5844","score":null,"sort":[1371128431000]},"guestAuthors":[],"slug":"cool-summer-videos-by-hot-bay-area-artists","title":"Cool Summer Videos By Hot Bay Area Artists","publishDate":1371128431,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_5879\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/06/13/cool-summer-videos-by-hot-bay-area-artists/tumblr_mjej6utpzd1qf7sygo1_1280-2/\" rel=\"attachment wp-att-5879\">\u003cimg class=\"size-full wp-image-5879 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/tumblr_mjej6utPzd1qf7sygo1_12801.jpg\" alt=\"tumblr_mjej6utPzd1qf7sygo1_1280\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/tumblr_mjej6utPzd1qf7sygo1_12801.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/tumblr_mjej6utPzd1qf7sygo1_12801-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">DSTVV expressing themselves/Image courtesy of \u003ca href=\"mathewscott.com\">Matthew Scott\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>It's no secret that the Bay Area breeds creativity. We're the epicenter of business, technological innovation, advertising, art and ballet, to name a few. So it comes as no surprise that a myriad of incredible musical acts have called the Bay home. There's just something about the San Francisco Bay that attracts the wildest, most fascinating, best costumed, musicians. From CCR and the Avengers, to Sly and the Family Stone and The Donnas, the Bay area just seems to churn out the hit-makers. And the trend shows no signs of stopping as the likes of Ty Segall, Thee Oh Sees and Shannon and the Clams continually win the hearts, minds and eardrums of rockers nationwide. But things have changed a little. Nowadays bands don't wait around to get a huge record contract to make the most of their music. Nowadays they take matters into their own hands. They pick up a camera, they recruit their friends, and they make a music video. And as it turns out making your own video is one of the best tools a burgeoning band can use to get themselves heard. They're easy to share, fun to watch and you don't need an OK from The Man to make them. The best videos are a collaboration between the band and the director/editor, contributions from various artists on one project are what make them shine. Hey man, we don't need MTV, we have Vimeo! Here is a sample of my favorite videos by rad Bay Area bands and the tales behind how they came to be. Add these to your summer playlist and keep your eyes peeled for more.\u003c/p>\n\u003cp>\u003cstrong>Burnt Ones\u003c/strong>: \"Web\" Directed by Rob Williamson\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=WiJOMsDoZbY]\u003c/div>\n\u003cp> \u003cbr>\nWith the \u003ca href=\"http://www.burgerrecords.org/apps/webstore/products/show/3805960\">release of their sophomore album\u003c/a>, \u003cem>You'll Never Walk Alone\u003c/em>, SF-based poppy, psychedelic, fuzz-hounds \u003ca href=\"http://www.facebook.com/burntones\">Burnt Ones\u003c/a> knew the video for their first single, \"Web,\" would best capture the complexity of their sound through simplicity. Lucky for them, longtime pal and rock n'roll romantic \u003ca href=\"http://robistall.com/\">Rob Williamson\u003c/a> was up for the challenge. Tired of the same old overblown, high-definition renditions of music videos, Burnt Ones' Mark Tester and Williamson set out to create just the opposite. \"When Mark and I watched bands from 30 years ago just play in front of a crummy camera it was really refreshing,\" Williamson said. With their concept locked down, Williamson and the Burnt Ones headed to an SF warehouse where they had only a few hours, and very limited resources, to get the job done. \"With the help of a few friends, some borrowed lights, and a lot of extension cords we built our set in about half an hour and started shooting.\" To achieve that perfect lo-fi, analog look and feel, they opted to use Williamson's dad's 8mm Sony Handycam straight from the '90s. The effect is a perfectly blissful psych for eyes and ears. \"The Burnt Ones came over to check it out, were stoked on it, and that was that,\" Williamson mused. It's fuzzy and fine and a beautiful accompaniment to your summer playlist.\u003c/p>\n\u003cp>Burnt Ones hit the road this summer, follow their shenanigans \u003ca href=\"http://www.facebook.com/burntones\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Cocktails\u003c/strong>: \"Hey Winnie\" directed by Lauren Matsui\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=mB_pIeykbQ0]\u003c/div>\n\u003cp> \u003cbr>\nIn celebration of their self titled EP release on SF/Miami label \u003ca href=\"http://www.fatherdaughterrecords.com/album-releases/\">Father/Daughter records\u003c/a>, San Francisco power-poppers \u003ca href=\"https://www.facebook.com/cocktails.the.band\">Cocktails\u003c/a> conjured up one wicked music video. Using their own lyrics as their guide, frontman Patrick Clos came up with the robbery concept to pay hommage to their Bonnie & Clyde-style love song. With their vision in place, Cocktails recruited their camera toting pals, Tyler Cushing and Blake Bogosian to shoot the video on location at sassy Mission \u003ca href=\"http://www.yelp.com/biz/no-shop-san-francisco\">vintage boutique No Shop\u003c/a> and the band's practice space on Grace St. Meanwhile multitasking bandmate Lauren Matsui acted as director (and getaway driver). A true testament to kids who grew up on candy and MTV, this video has it all: violence, comedy, and silly string, not to mention catchy riffs and sugar-sweet melodies that would do Ric Ocasek proud. But the hardest part about filming a fake robbery in the Mission is proving to passersby that it is in fact a fake robbery. \"It took a few people being totally alarmed by our filming a robbery before we actually had someone go out there to be a buffer and let them know it wasn’t real,\" Matsui explained. For Clos, \"The best part was kind of getting drunk and eating pizza while also getting to pistol whip our friends.\" All in a day's work, I suppose. Add Cocktails to your summer repertoire and you won't be sorry.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Catch Cocktails live (and free!) in SF on 7/2 at \u003ca href=\"http://www.brickandmortarmusic.com/event/281693-pure-bathing-culture-san-francisco/#\">Brick and Mortar alongside Pure Bathing Culture, Cannons & Clouds and DJ CoolGreg\u003c/a> as part of \u003ca href=\"https://www.facebook.com/woodshoppesf?fref=ts\">Wood Shoppe SF's\u003c/a> free monthly music series.\u003c/p>\n\u003cp>\u003cstrong>The Trashies\u003c/strong>: \"I'm A Worm\" Directed by Dan Shaw\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=Cg4fgl9jnT0]\u003c/div>\n\u003cp> \u003cbr>\nThough they mostly hail from our neighbor to the North, Seattle, \u003ca href=\"https://www.facebook.com/thetrashies\">Trashies\u003c/a>' keyboardist Max \"J.C. Trash\" Nordile and \u003ca href=\"http://www.youtube.com/user/huffingduster/videos?tag_id=&sort=dd&view=0\">video creator Dan Shaw\u003c/a>, both currently living in the East Bay, give this motley crew of misfits Bay Area clout. With the release of their third LP, \u003cem>Teenage Rattlesnakes\u003c/em>, on \u003ca href=\"http://1234gorecords.com/\">Oakland label 1-2-3-4 Go! Records\u003c/a>, the Trashies had the perfect idea for a video to accompany their spazzy, schitzo, punk-rock circus of a single, \"I'm A Worm.\" They knew Dan Shaw was the man for the job.\"The Trashies wanted the video to be disgusting and primordial so I went with my grimiest VHS camera,\" Shaw told me. Armed with a camera and a goofball plan, Shaw and the Trashies made their way to the Bay. \"We shot it in the Bay. Literally in the Bay. We went out to the tidal mud flats out by Golden Gate Fields/the Albany Bulb,\" and the boys got dirty. After a 10 minute camcorder set up (most of this time was used to, smartly, drink \"courage beers\"), they filmed for a little over 90 seconds. To achieve that pulsating static effect, Shaw then transferred the footage using a dying VCR. The result is a music video as crass and mesmerizing as the band, it's both creepy and artful. Too bad that mud wanted to stick around. \"That mud didn't really rinse off,\" Shaw mentions. \"And it was painful. And it stank. And they left their underwear in my driveway.\" This is music to pound a beer and roll around to, so get to it.\u003c/p>\n\u003cp>Stay tuned in with the Trashies \u003ca href=\"https://www.facebook.com/thetrashies\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>DSTVV:\u003c/strong> \"Crusher\" Directed by Andy Cary\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=6P_fT7_8Ty4]\u003c/div>\n\u003cp> \u003cbr>\nYou may recognize \u003ca href=\"http://www.facebook.com/VVTSD\">DSTVV's\u003c/a> crooner, Joel Cusumano, as the creep in the dressing room of the Cocktails video. What can I say? He's really good at videos. So when \u003ca href=\"http://www.facebook.com/wormholerecords\">Wormhole Records\u003c/a> decided to release his latest project, \u003ca href=\"http://wormholerecords.bigcartel.com/product/dstvv-underground-product-ep\">DSTVV's cassette EP\u003c/a>, \u003cem>Underground Product\u003c/em>, earlier this year, Cusumano knew just who to trust with the video for its wild single \"Crusher.\" Andy Cary (AKA Andrea Scary), of \u003ca href=\"http://psychedelicdaze.tumblr.com/\">psychpop outfit Snow Wite\u003c/a> fame, was enlisted to bring this four minute journey of entrancing, psychy-snythpop to sweet, sweet life. \"I wanted a kind of dark element to it so I rented those grotesque minotaur/bear/fake Mickey Mouse masks from \u003ca href=\"http://costumesonhaight.com/\">Costumes on Haight\u003c/a>, and got all the chains and stuff,\" Cusumano explained, adding, \"I just wanted it to look cool and abrasive and weird.\" Cary was on the same page, delivering a shining, shimmering gem of weirdness over the hypnotic, grungy beat. Though filming in bondage gear on a lovely sunny Sunday afternoon at the top of Bernal Hill with plenty of families looking on and laughing was, \"definitely a traumatizing moment for everyone involved,\" the end result is just priceless. Recognize that bunny in the background? That's Don Bolles, drummer for the \u003ca href=\"http://www.allmusic.com/artist/the-germs-mn0000076055\">infamous LA punk band the Germs\u003c/a>, NBD. So pump up the volume and shake a tail feather to this summer boombox blaster.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Party with DSTVV live at Milk Bar on 7/6.\u003c/p>\n\n","blocks":[],"excerpt":"Music videos are making a comeback and Bay Area bands are churning 'em out. Check out this collection of great music videos by rad local acts. ","status":"publish","parent":0,"modified":1371165793,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":1467},"headData":{"title":"Cool Summer Videos By Hot Bay Area Artists | KQED","description":"Music videos are making a comeback and Bay Area bands are churning 'em out. Check out this collection of great music videos by rad local acts. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"5844 http://blogs.kqed.org/pop/?p=5844","disqusUrl":"https://ww2.kqed.org/pop/2013/06/13/cool-summer-videos-by-hot-bay-area-artists/","disqusTitle":"Cool Summer Videos By Hot Bay Area Artists","path":"/pop/5844/cool-summer-videos-by-hot-bay-area-artists","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_5879\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/06/13/cool-summer-videos-by-hot-bay-area-artists/tumblr_mjej6utpzd1qf7sygo1_1280-2/\" rel=\"attachment wp-att-5879\">\u003cimg class=\"size-full wp-image-5879 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/06/tumblr_mjej6utPzd1qf7sygo1_12801.jpg\" alt=\"tumblr_mjej6utPzd1qf7sygo1_1280\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/06/tumblr_mjej6utPzd1qf7sygo1_12801.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/06/tumblr_mjej6utPzd1qf7sygo1_12801-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">DSTVV expressing themselves/Image courtesy of \u003ca href=\"mathewscott.com\">Matthew Scott\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>It's no secret that the Bay Area breeds creativity. We're the epicenter of business, technological innovation, advertising, art and ballet, to name a few. So it comes as no surprise that a myriad of incredible musical acts have called the Bay home. There's just something about the San Francisco Bay that attracts the wildest, most fascinating, best costumed, musicians. From CCR and the Avengers, to Sly and the Family Stone and The Donnas, the Bay area just seems to churn out the hit-makers. And the trend shows no signs of stopping as the likes of Ty Segall, Thee Oh Sees and Shannon and the Clams continually win the hearts, minds and eardrums of rockers nationwide. But things have changed a little. Nowadays bands don't wait around to get a huge record contract to make the most of their music. Nowadays they take matters into their own hands. They pick up a camera, they recruit their friends, and they make a music video. And as it turns out making your own video is one of the best tools a burgeoning band can use to get themselves heard. They're easy to share, fun to watch and you don't need an OK from The Man to make them. The best videos are a collaboration between the band and the director/editor, contributions from various artists on one project are what make them shine. Hey man, we don't need MTV, we have Vimeo! Here is a sample of my favorite videos by rad Bay Area bands and the tales behind how they came to be. Add these to your summer playlist and keep your eyes peeled for more.\u003c/p>\n\u003cp>\u003cstrong>Burnt Ones\u003c/strong>: \"Web\" Directed by Rob Williamson\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WiJOMsDoZbY'\n title='//www.youtube.com/embed/WiJOMsDoZbY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp> \u003cbr>\nWith the \u003ca href=\"http://www.burgerrecords.org/apps/webstore/products/show/3805960\">release of their sophomore album\u003c/a>, \u003cem>You'll Never Walk Alone\u003c/em>, SF-based poppy, psychedelic, fuzz-hounds \u003ca href=\"http://www.facebook.com/burntones\">Burnt Ones\u003c/a> knew the video for their first single, \"Web,\" would best capture the complexity of their sound through simplicity. Lucky for them, longtime pal and rock n'roll romantic \u003ca href=\"http://robistall.com/\">Rob Williamson\u003c/a> was up for the challenge. Tired of the same old overblown, high-definition renditions of music videos, Burnt Ones' Mark Tester and Williamson set out to create just the opposite. \"When Mark and I watched bands from 30 years ago just play in front of a crummy camera it was really refreshing,\" Williamson said. With their concept locked down, Williamson and the Burnt Ones headed to an SF warehouse where they had only a few hours, and very limited resources, to get the job done. \"With the help of a few friends, some borrowed lights, and a lot of extension cords we built our set in about half an hour and started shooting.\" To achieve that perfect lo-fi, analog look and feel, they opted to use Williamson's dad's 8mm Sony Handycam straight from the '90s. The effect is a perfectly blissful psych for eyes and ears. \"The Burnt Ones came over to check it out, were stoked on it, and that was that,\" Williamson mused. It's fuzzy and fine and a beautiful accompaniment to your summer playlist.\u003c/p>\n\u003cp>Burnt Ones hit the road this summer, follow their shenanigans \u003ca href=\"http://www.facebook.com/burntones\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Cocktails\u003c/strong>: \"Hey Winnie\" directed by Lauren Matsui\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mB_pIeykbQ0'\n title='//www.youtube.com/embed/mB_pIeykbQ0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp> \u003cbr>\nIn celebration of their self titled EP release on SF/Miami label \u003ca href=\"http://www.fatherdaughterrecords.com/album-releases/\">Father/Daughter records\u003c/a>, San Francisco power-poppers \u003ca href=\"https://www.facebook.com/cocktails.the.band\">Cocktails\u003c/a> conjured up one wicked music video. Using their own lyrics as their guide, frontman Patrick Clos came up with the robbery concept to pay hommage to their Bonnie & Clyde-style love song. With their vision in place, Cocktails recruited their camera toting pals, Tyler Cushing and Blake Bogosian to shoot the video on location at sassy Mission \u003ca href=\"http://www.yelp.com/biz/no-shop-san-francisco\">vintage boutique No Shop\u003c/a> and the band's practice space on Grace St. Meanwhile multitasking bandmate Lauren Matsui acted as director (and getaway driver). A true testament to kids who grew up on candy and MTV, this video has it all: violence, comedy, and silly string, not to mention catchy riffs and sugar-sweet melodies that would do Ric Ocasek proud. But the hardest part about filming a fake robbery in the Mission is proving to passersby that it is in fact a fake robbery. \"It took a few people being totally alarmed by our filming a robbery before we actually had someone go out there to be a buffer and let them know it wasn’t real,\" Matsui explained. For Clos, \"The best part was kind of getting drunk and eating pizza while also getting to pistol whip our friends.\" All in a day's work, I suppose. Add Cocktails to your summer repertoire and you won't be sorry.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Catch Cocktails live (and free!) in SF on 7/2 at \u003ca href=\"http://www.brickandmortarmusic.com/event/281693-pure-bathing-culture-san-francisco/#\">Brick and Mortar alongside Pure Bathing Culture, Cannons & Clouds and DJ CoolGreg\u003c/a> as part of \u003ca href=\"https://www.facebook.com/woodshoppesf?fref=ts\">Wood Shoppe SF's\u003c/a> free monthly music series.\u003c/p>\n\u003cp>\u003cstrong>The Trashies\u003c/strong>: \"I'm A Worm\" Directed by Dan Shaw\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Cg4fgl9jnT0'\n title='//www.youtube.com/embed/Cg4fgl9jnT0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp> \u003cbr>\nThough they mostly hail from our neighbor to the North, Seattle, \u003ca href=\"https://www.facebook.com/thetrashies\">Trashies\u003c/a>' keyboardist Max \"J.C. Trash\" Nordile and \u003ca href=\"http://www.youtube.com/user/huffingduster/videos?tag_id=&sort=dd&view=0\">video creator Dan Shaw\u003c/a>, both currently living in the East Bay, give this motley crew of misfits Bay Area clout. With the release of their third LP, \u003cem>Teenage Rattlesnakes\u003c/em>, on \u003ca href=\"http://1234gorecords.com/\">Oakland label 1-2-3-4 Go! Records\u003c/a>, the Trashies had the perfect idea for a video to accompany their spazzy, schitzo, punk-rock circus of a single, \"I'm A Worm.\" They knew Dan Shaw was the man for the job.\"The Trashies wanted the video to be disgusting and primordial so I went with my grimiest VHS camera,\" Shaw told me. Armed with a camera and a goofball plan, Shaw and the Trashies made their way to the Bay. \"We shot it in the Bay. Literally in the Bay. We went out to the tidal mud flats out by Golden Gate Fields/the Albany Bulb,\" and the boys got dirty. After a 10 minute camcorder set up (most of this time was used to, smartly, drink \"courage beers\"), they filmed for a little over 90 seconds. To achieve that pulsating static effect, Shaw then transferred the footage using a dying VCR. The result is a music video as crass and mesmerizing as the band, it's both creepy and artful. Too bad that mud wanted to stick around. \"That mud didn't really rinse off,\" Shaw mentions. \"And it was painful. And it stank. And they left their underwear in my driveway.\" This is music to pound a beer and roll around to, so get to it.\u003c/p>\n\u003cp>Stay tuned in with the Trashies \u003ca href=\"https://www.facebook.com/thetrashies\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>DSTVV:\u003c/strong> \"Crusher\" Directed by Andy Cary\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6P_fT7_8Ty4'\n title='//www.youtube.com/embed/6P_fT7_8Ty4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp> \u003cbr>\nYou may recognize \u003ca href=\"http://www.facebook.com/VVTSD\">DSTVV's\u003c/a> crooner, Joel Cusumano, as the creep in the dressing room of the Cocktails video. What can I say? He's really good at videos. So when \u003ca href=\"http://www.facebook.com/wormholerecords\">Wormhole Records\u003c/a> decided to release his latest project, \u003ca href=\"http://wormholerecords.bigcartel.com/product/dstvv-underground-product-ep\">DSTVV's cassette EP\u003c/a>, \u003cem>Underground Product\u003c/em>, earlier this year, Cusumano knew just who to trust with the video for its wild single \"Crusher.\" Andy Cary (AKA Andrea Scary), of \u003ca href=\"http://psychedelicdaze.tumblr.com/\">psychpop outfit Snow Wite\u003c/a> fame, was enlisted to bring this four minute journey of entrancing, psychy-snythpop to sweet, sweet life. \"I wanted a kind of dark element to it so I rented those grotesque minotaur/bear/fake Mickey Mouse masks from \u003ca href=\"http://costumesonhaight.com/\">Costumes on Haight\u003c/a>, and got all the chains and stuff,\" Cusumano explained, adding, \"I just wanted it to look cool and abrasive and weird.\" Cary was on the same page, delivering a shining, shimmering gem of weirdness over the hypnotic, grungy beat. Though filming in bondage gear on a lovely sunny Sunday afternoon at the top of Bernal Hill with plenty of families looking on and laughing was, \"definitely a traumatizing moment for everyone involved,\" the end result is just priceless. Recognize that bunny in the background? That's Don Bolles, drummer for the \u003ca href=\"http://www.allmusic.com/artist/the-germs-mn0000076055\">infamous LA punk band the Germs\u003c/a>, NBD. So pump up the volume and shake a tail feather to this summer boombox blaster.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Party with DSTVV live at Milk Bar on 7/6.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/5844/cool-summer-videos-by-hot-bay-area-artists","authors":["2438"],"categories":["pop_4"],"tags":["pop_2789","pop_26"],"featImg":"pop_5879","label":"pop"},"pop_5585":{"type":"posts","id":"pop_5585","meta":{"index":"posts_1591205157","site":"pop","id":"5585","score":null,"sort":[1370527220000]},"guestAuthors":[],"slug":"pbs-digital-studios-releases-the-mr-rogers-remix-b-side","title":"Here's a New Mister Rogers Remix for You to Listen to On Repeat! ","publishDate":1370527220,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=CdAZ79AhcfY&w=560&h=315]\u003c/div>\n\u003cp>A year ago tomorrow, PBS Digital Studios released \u003ca href=\"http://youtu.be/OFzXaFbxDcM\" target=\"_blank\">\"Garden of Your Mind,\"\u003c/a> the Mister Rogers remix made by \u003ca href=\"http://www.youtube.com/user/melodysheep\" target=\"_blank\">Melody Sheep\u003c/a> that caused everyone everywhere to cry nostalgic tears for a week or more. The Mister Rogers remix spawned other remixes of shows millennials and their parents (us, guys, that's us) felt nostalgic for. You've got \u003ca href=\"http://youtu.be/-FD1K8OvVCs\" target=\"_blank\">the \u003cem>Reading Rainbow\u003c/em> remix\u003c/a>, \u003ca href=\"http://youtu.be/80ZrUI7RNfI\" target=\"_blank\">the Julia Child remix\u003c/a> and \u003ca href=\"http://youtu.be/YLO7tCdBVrA\" target=\"_blank\">the Bob Ross remix\u003c/a>. Today PBS Digital Studios released a new Mr. Rogers remix called \"Sing Together.\" I'm going to be honest, after three listens I don't love it with the same obsessive feeling I had for the first remix. But there is something reassuring and calming about Mister Rogers' voice that does make it perfect for a Melody Sheep remix, so while I would be excited if PBS Digital Studios tried something completely new, I also won't complain if they decide to make a million more Mr. Rogers remixes. What do you think?\u003c/p>\n\u003cp>And for those of you that can't get enough of these remixes, here they are, in one playlist all in a row, for you to listen to all day long:\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=OFzXaFbxDcM?list=PL1LaW-AR98H8LuFsKR7D5Hgbt2PS5bTUH&w=560&h=315]\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A year ago tomorrow, PBS Digital Studios released the original Mr. Rogers remix, \"Garden of Your Mind.\" Today they've got a new one for you to love and it's called \"Sing Together.\" Enjoy!","status":"publish","parent":0,"modified":1370554001,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":229},"headData":{"title":"Here's a New Mister Rogers Remix for You to Listen to On Repeat! | KQED","description":"A year ago tomorrow, PBS Digital Studios released the original Mr. Rogers remix, "Garden of Your Mind." Today they've got a new one for you to love and it's called "Sing Together." Enjoy!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"5585 http://blogs.kqed.org/pop/?p=5585","disqusUrl":"https://ww2.kqed.org/pop/2013/06/06/pbs-digital-studios-releases-the-mr-rogers-remix-b-side/","disqusTitle":"Here's a New Mister Rogers Remix for You to Listen to On Repeat! ","path":"/pop/5585/pbs-digital-studios-releases-the-mr-rogers-remix-b-side","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CdAZ79AhcfY'\n title='//www.youtube.com/embed/CdAZ79AhcfY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>A year ago tomorrow, PBS Digital Studios released \u003ca href=\"http://youtu.be/OFzXaFbxDcM\" target=\"_blank\">\"Garden of Your Mind,\"\u003c/a> the Mister Rogers remix made by \u003ca href=\"http://www.youtube.com/user/melodysheep\" target=\"_blank\">Melody Sheep\u003c/a> that caused everyone everywhere to cry nostalgic tears for a week or more. The Mister Rogers remix spawned other remixes of shows millennials and their parents (us, guys, that's us) felt nostalgic for. You've got \u003ca href=\"http://youtu.be/-FD1K8OvVCs\" target=\"_blank\">the \u003cem>Reading Rainbow\u003c/em> remix\u003c/a>, \u003ca href=\"http://youtu.be/80ZrUI7RNfI\" target=\"_blank\">the Julia Child remix\u003c/a> and \u003ca href=\"http://youtu.be/YLO7tCdBVrA\" target=\"_blank\">the Bob Ross remix\u003c/a>. Today PBS Digital Studios released a new Mr. Rogers remix called \"Sing Together.\" I'm going to be honest, after three listens I don't love it with the same obsessive feeling I had for the first remix. But there is something reassuring and calming about Mister Rogers' voice that does make it perfect for a Melody Sheep remix, so while I would be excited if PBS Digital Studios tried something completely new, I also won't complain if they decide to make a million more Mr. Rogers remixes. What do you think?\u003c/p>\n\u003cp>And for those of you that can't get enough of these remixes, here they are, in one playlist all in a row, for you to listen to all day long:\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OFzXaFbxDcM?list=PL1LaW-AR98H8LuFsKR7D5Hgbt2PS5bTUH'\n title='//www.youtube.com/embed/OFzXaFbxDcM?list=PL1LaW-AR98H8LuFsKR7D5Hgbt2PS5bTUH'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/5585/pbs-digital-studios-releases-the-mr-rogers-remix-b-side","authors":["2130"],"categories":["pop_4","pop_5","pop_3"],"tags":["pop_444","pop_869","pop_26","pop_868","pop_870"],"featImg":"pop_5588","label":"pop"},"pop_4528":{"type":"posts","id":"pop_4528","meta":{"index":"posts_1591205157","site":"pop","id":"4528","score":null,"sort":[1367956816000]},"guestAuthors":[],"slug":"afternoon-activity-learn-to-twerk-in-your-cubicle","title":"Afternoon Activity: Learn to Twerk in Your Cubicle","publishDate":1367956816,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/05/07/afternoon-activity-learn-to-twerk-in-your-cubicle/579860_10101915850462218_1623711474_n/\" rel=\"attachment wp-att-4530\">\u003cimg class=\"aligncenter size-full wp-image-4530\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n.jpg\" alt=\"579860_10101915850462218_1623711474_n\" width=\"612\" height=\"612\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n.jpg 612w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-75x75.jpg 75w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>Welcome to Tuesday, the day of the week that isn't called Monday but is still basically a whole week away from Friday. There are two ways to look at the week stretching out before you: one, you can be sad, listless, overwhelmed by the never ending work and \u003ca href=\"http://youtu.be/Fy3rjQGc6lA\" target=\"_blank\">the mounting TPS report situation\u003c/a>. Or two, you can think of it as almost four more days to practice your twerking skillz before the weekend!\u003c/p>\n\u003cp>What's \u003ca href=\"http://en.wikipedia.org/wiki/Twerking\" target=\"_blank\">twerking\u003c/a>, you say (okay, you didn't say that but hypothetically, someone could have said it if they have been on an internet fast since like 2010 and don't believe in watching \u003ca href=\"http://youtu.be/j5Z3KUOrhS0\" target=\"_blank\">hip hop videos\u003c/a>)? Why, it's the dance craze sweeping the nation faster than the \u003ca href=\"http://youtu.be/XiBYM6g8Tck\" target=\"_blank\">\"Macarena\"\u003c/a>! Basically, it involves shaking your hips and hindquarters in a vaguely or super, depending on your skill level, suggestive way. All the kids are doing it, though some of them are \u003ca href=\"http://abcnews.go.com/blogs/headlines/2013/05/high-school-students-suspended-for-twerking/\" target=\"_blank\">getting suspended for doing it\u003c/a> because there is apparently still a group of people alive who haven't seen any version of \u003ca href=\"http://youtu.be/vkhOiPc-yvA\" target=\"_blank\">\u003cem>Footloose\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Now, without years of dance training and hours of daily practice and a unicorn onesie, you're never going to reach \u003ca href=\"http://youtu.be/_GTVb-w6aLI\" target=\"_blank\">the twerking heights of Dame Miley Cyrus\u003c/a>. That said, you can probably get enough of an idea of how to do it from the video below that by Friday you can at least entertain your friends at parties. Remember, there is no wrong place or wrong outfit for twerking (see above, work function and clogs). All you need is strong thighs and a big heart. Happy Tuesday!\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=NgoyVRO0A0E&w=560&h=315]\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"If you start now, you have almost four more days to practice your twerking skillz before the weekend! ","status":"publish","parent":0,"modified":1367959812,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":285},"headData":{"title":"Afternoon Activity: Learn to Twerk in Your Cubicle | KQED","description":"If you start now, you have almost four more days to practice your twerking skillz before the weekend! ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"4528 http://blogs.kqed.org/pop/?p=4528","disqusUrl":"https://ww2.kqed.org/pop/2013/05/07/afternoon-activity-learn-to-twerk-in-your-cubicle/","disqusTitle":"Afternoon Activity: Learn to Twerk in Your Cubicle","path":"/pop/4528/afternoon-activity-learn-to-twerk-in-your-cubicle","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/05/07/afternoon-activity-learn-to-twerk-in-your-cubicle/579860_10101915850462218_1623711474_n/\" rel=\"attachment wp-att-4530\">\u003cimg class=\"aligncenter size-full wp-image-4530\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n.jpg\" alt=\"579860_10101915850462218_1623711474_n\" width=\"612\" height=\"612\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n.jpg 612w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/579860_10101915850462218_1623711474_n-75x75.jpg 75w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>Welcome to Tuesday, the day of the week that isn't called Monday but is still basically a whole week away from Friday. There are two ways to look at the week stretching out before you: one, you can be sad, listless, overwhelmed by the never ending work and \u003ca href=\"http://youtu.be/Fy3rjQGc6lA\" target=\"_blank\">the mounting TPS report situation\u003c/a>. Or two, you can think of it as almost four more days to practice your twerking skillz before the weekend!\u003c/p>\n\u003cp>What's \u003ca href=\"http://en.wikipedia.org/wiki/Twerking\" target=\"_blank\">twerking\u003c/a>, you say (okay, you didn't say that but hypothetically, someone could have said it if they have been on an internet fast since like 2010 and don't believe in watching \u003ca href=\"http://youtu.be/j5Z3KUOrhS0\" target=\"_blank\">hip hop videos\u003c/a>)? Why, it's the dance craze sweeping the nation faster than the \u003ca href=\"http://youtu.be/XiBYM6g8Tck\" target=\"_blank\">\"Macarena\"\u003c/a>! Basically, it involves shaking your hips and hindquarters in a vaguely or super, depending on your skill level, suggestive way. All the kids are doing it, though some of them are \u003ca href=\"http://abcnews.go.com/blogs/headlines/2013/05/high-school-students-suspended-for-twerking/\" target=\"_blank\">getting suspended for doing it\u003c/a> because there is apparently still a group of people alive who haven't seen any version of \u003ca href=\"http://youtu.be/vkhOiPc-yvA\" target=\"_blank\">\u003cem>Footloose\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Now, without years of dance training and hours of daily practice and a unicorn onesie, you're never going to reach \u003ca href=\"http://youtu.be/_GTVb-w6aLI\" target=\"_blank\">the twerking heights of Dame Miley Cyrus\u003c/a>. That said, you can probably get enough of an idea of how to do it from the video below that by Friday you can at least entertain your friends at parties. Remember, there is no wrong place or wrong outfit for twerking (see above, work function and clogs). All you need is strong thighs and a big heart. Happy Tuesday!\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NgoyVRO0A0E'\n title='//www.youtube.com/embed/NgoyVRO0A0E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/4528/afternoon-activity-learn-to-twerk-in-your-cubicle","authors":["2130"],"categories":["pop_6","pop_4","pop_5"],"tags":["pop_720","pop_588","pop_722","pop_560","pop_11","pop_721","pop_26","pop_719"],"featImg":"pop_4531","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. 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