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He is the author of a comic book called \"A Lifetime of Free Haircuts.\" He is an MFA candidate in Fiction at San Francisco State University.","avatar":"https://secure.gravatar.com/avatar/e14b8951d8895c262c0d4b3eadc54f23?s=600&d=blank&r=g","twitter":"NathanielWagg","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Nate Waggoner | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/e14b8951d8895c262c0d4b3eadc54f23?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/e14b8951d8895c262c0d4b3eadc54f23?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/natewaggoner"},"tanya":{"type":"authors","id":"2520","meta":{"index":"authors_1591205172","id":"2520","found":true},"name":"Tanya Feldman","firstName":"Tanya","lastName":"Feldman","slug":"tanya","email":"sunsetgun@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Tanya Feldman is a Bay Area pop culture blogger and podcaster who loves movies, museum meandering, mixology, and lots of other things that don't all start with the letter M. She has written for Flavorpill and Coilhouse. In her spare time, she edits a blog on critical analysis of geek pop culture, writes about her favorite cult movies, and takes too many pictures of her food.","avatar":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Tanya Feldman | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/tanya"},"esilvers":{"type":"authors","id":"7237","meta":{"index":"authors_1591205172","id":"7237","found":true},"name":"Emma Silvers","firstName":"Emma","lastName":"Silvers","slug":"esilvers","email":"esilvers@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Emma Silvers is an editor at KQED Arts and a former digital producer at KQED News. Born and raised in the Bay Area, she has previously been an arts and entertainment editor at the \u003cem>San Francisco Chronicle\u003c/em>, \u003cem>SF Weekly\u003c/em> and the \u003cem>San Francisco Bay Guardian.\u003c/em> Her work has also appeared in \u003cem>Rolling Stone\u003c/em>, Pitchfork and \u003cem>Mother Jones\u003c/em>. In 2017 she was the recipient of the Society of Professional Journalists-Northern California's award for arts and culture reporting. In 1993 she \u003ca href=\"https://www.kqed.org/pop/16759/wait-what-my-coworker-was-a-voice-over-hyperventilator-for-jurassic-park\">hyperventilated in \u003cem>Jurassic Park\u003c/em>\u003c/a>.","avatar":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g","twitter":"emmaruthless","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["contributor"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["contributor"]},{"site":"liveblog","roles":["editor"]}],"headData":{"title":"Emma Silvers | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/esilvers"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_31531":{"type":"posts","id":"pop_31531","meta":{"index":"posts_1591205157","site":"pop","id":"31531","score":null,"sort":[1469651525000]},"guestAuthors":[],"slug":"miss-cleo-has-died-long-live-miss-cleo","title":"Miss Cleo Has Died; Long Live Miss Cleo","publishDate":1469651525,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Miss Cleo, perhaps the most famous late-night TV infomercial psychic in our grand American tradition of late-night TV infomercial psychics, died yesterday, July 26, in Palm Beach, Florida. She was 53 years old, and the cause was cancer, according to a statement from her attorney.\u003c/p>\n\u003cp>For the unfortunate few who never had the pleasure of flipping through channels on some odd Sunday at 2am in the late '90s and suddenly finding yourself bathed in the psychedelic glow of her candlelight and lilting, sonorous voice -- \u003ca href=\"https://www.buzzfeed.com/mjs538/the-legend-of-miss-cleo?utm_term=.gtbvRXOG5#.xloERBj17\" target=\"_blank\">fake Jamaican accent\u003c/a> and all -- you're just going to have to find someone else to answer your love life conundrums. But will they do it with Tarot cards and tough, motherly affection, all for the low price of $4.99 per minute?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oxopPDMq7rs\u003c/p>\n\u003cp>For those interested in the official story of the life and times of Miss Cleo (real name: Youree Dell Harris, birthplace: Los Angeles, federal investigation and lawsuit story: \u003ca href=\"http://www.nytimes.com/2002/11/15/us/national-briefing-washington-reversal-of-fortune.html\" target=\"_blank\">here\u003c/a>), go ahead and read the \u003ca href=\"http://www.nytimes.com/2016/07/27/business/media/tv-psychic-miss-cleo-dies.html\" target=\"_blank\">\u003cem>New York Times\u003c/em> obituary\u003c/a>.\u003c/p>\n\u003cp>If, however, you just want to revel in the fact that a person who communes with spirits beyond our comprehension can never \u003cem>really\u003c/em> die, you might enjoy replicating the Miss Cleo experience by using \u003ca href=\"http://www.realmofdarkness.net/pc/sb/cleo/2\" target=\"_blank\">this handy soundboard\u003c/a> courtesy of soundboard supercenter Realm of Darkness.\u003c/p>\n\u003cfigure id=\"attachment_31833\" class=\"wp-caption aligncenter\" style=\"max-width: 759px\">\u003cimg class=\"size-full wp-image-31833\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Screen-Shot-2016-07-29-at-10.23.53-PM.png\" alt=\"(Click through above for sound.)\" width=\"759\" height=\"639\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Screen-Shot-2016-07-29-at-10.23.53-PM.png 759w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Screen-Shot-2016-07-29-at-10.23.53-PM-400x337.png 400w\" sizes=\"(max-width: 759px) 100vw, 759px\">\u003cfigcaption class=\"wp-caption-text\">(Click through above for sound.)\u003c/figcaption>\u003c/figure>\n\u003cp>Questioning whether you should go on that weekend trip with the married man? \"Don't do it, alright? It would be a bad move.\" Wondering how you could have just been so callously laid off at work? \"Things happen for a reason, don't you agree?\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If nothing else, seeing the formula for a Miss Cleo experience laid out in visual form underscores the essence of what made viewers actually call in night after night, year after year: Mystically guided or not, she really did have an answer for everything. RIP, Miss Cleo. We look forward to hitting your no-nonsense spirit up for advice until time eternal.\u003c/p>\n\u003cp>\u003cem>A few other highlights from her career, including a turn shilling for French Toast Crunch and a classic \u003c/em>Chappelle's Show\u003cem> skit, below. \u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=k4y8uubaIW4\u003c/p>\n\u003cp>https://vimeo.com/122135563\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://media.mtvnservices.com/embed/mgid:arc:video:comedycentral.com:98df1dd6-ed00-11e0-aca6-0026b9414f30\" width=\"512\" height=\"288\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"Who cares if she was really psychic -- or Jamaican? When you're the star of the best-loved late-night hotline infomercial in existence, you kind of live forever. ","status":"publish","parent":0,"modified":1469856430,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":377},"headData":{"title":"Miss Cleo Has Died; Long Live Miss Cleo | KQED","description":"Who cares if she was really psychic -- or Jamaican? When you're the star of the best-loved late-night hotline infomercial in existence, you kind of live forever. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Miss Cleo Has Died; Long Live Miss Cleo","datePublished":"2016-07-27T20:32:05.000Z","dateModified":"2016-07-30T05:27:10.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"31531 http://ww2.kqed.org/pop/?p=31531","disqusUrl":"https://ww2.kqed.org/pop/2016/07/27/miss-cleo-has-died-long-live-miss-cleo/","disqusTitle":"Miss Cleo Has Died; Long Live Miss Cleo","path":"/pop/31531/miss-cleo-has-died-long-live-miss-cleo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Miss Cleo, perhaps the most famous late-night TV infomercial psychic in our grand American tradition of late-night TV infomercial psychics, died yesterday, July 26, in Palm Beach, Florida. She was 53 years old, and the cause was cancer, according to a statement from her attorney.\u003c/p>\n\u003cp>For the unfortunate few who never had the pleasure of flipping through channels on some odd Sunday at 2am in the late '90s and suddenly finding yourself bathed in the psychedelic glow of her candlelight and lilting, sonorous voice -- \u003ca href=\"https://www.buzzfeed.com/mjs538/the-legend-of-miss-cleo?utm_term=.gtbvRXOG5#.xloERBj17\" target=\"_blank\">fake Jamaican accent\u003c/a> and all -- you're just going to have to find someone else to answer your love life conundrums. But will they do it with Tarot cards and tough, motherly affection, all for the low price of $4.99 per minute?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oxopPDMq7rs'\n title='//www.youtube.com/embed/oxopPDMq7rs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For those interested in the official story of the life and times of Miss Cleo (real name: Youree Dell Harris, birthplace: Los Angeles, federal investigation and lawsuit story: \u003ca href=\"http://www.nytimes.com/2002/11/15/us/national-briefing-washington-reversal-of-fortune.html\" target=\"_blank\">here\u003c/a>), go ahead and read the \u003ca href=\"http://www.nytimes.com/2016/07/27/business/media/tv-psychic-miss-cleo-dies.html\" target=\"_blank\">\u003cem>New York Times\u003c/em> obituary\u003c/a>.\u003c/p>\n\u003cp>If, however, you just want to revel in the fact that a person who communes with spirits beyond our comprehension can never \u003cem>really\u003c/em> die, you might enjoy replicating the Miss Cleo experience by using \u003ca href=\"http://www.realmofdarkness.net/pc/sb/cleo/2\" target=\"_blank\">this handy soundboard\u003c/a> courtesy of soundboard supercenter Realm of Darkness.\u003c/p>\n\u003cfigure id=\"attachment_31833\" class=\"wp-caption aligncenter\" style=\"max-width: 759px\">\u003cimg class=\"size-full wp-image-31833\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Screen-Shot-2016-07-29-at-10.23.53-PM.png\" alt=\"(Click through above for sound.)\" width=\"759\" height=\"639\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Screen-Shot-2016-07-29-at-10.23.53-PM.png 759w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Screen-Shot-2016-07-29-at-10.23.53-PM-400x337.png 400w\" sizes=\"(max-width: 759px) 100vw, 759px\">\u003cfigcaption class=\"wp-caption-text\">(Click through above for sound.)\u003c/figcaption>\u003c/figure>\n\u003cp>Questioning whether you should go on that weekend trip with the married man? \"Don't do it, alright? It would be a bad move.\" Wondering how you could have just been so callously laid off at work? \"Things happen for a reason, don't you agree?\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If nothing else, seeing the formula for a Miss Cleo experience laid out in visual form underscores the essence of what made viewers actually call in night after night, year after year: Mystically guided or not, she really did have an answer for everything. RIP, Miss Cleo. We look forward to hitting your no-nonsense spirit up for advice until time eternal.\u003c/p>\n\u003cp>\u003cem>A few other highlights from her career, including a turn shilling for French Toast Crunch and a classic \u003c/em>Chappelle's Show\u003cem> skit, below. \u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/k4y8uubaIW4'\n title='//www.youtube.com/embed/k4y8uubaIW4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"vimeoLink","attributes":{"named":{"vimeoId":"122135563"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://media.mtvnservices.com/embed/mgid:arc:video:comedycentral.com:98df1dd6-ed00-11e0-aca6-0026b9414f30\" width=\"512\" height=\"288\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/31531/miss-cleo-has-died-long-live-miss-cleo","authors":["7237"],"categories":["pop_3"],"tags":["pop_685","pop_2890","pop_2849","pop_2892","pop_2891","pop_2893"],"featImg":"pop_31553","label":"pop"},"pop_13428":{"type":"posts","id":"pop_13428","meta":{"index":"posts_1591205157","site":"pop","id":"13428","score":null,"sort":[1410374740000]},"guestAuthors":[],"slug":"how-does-the-hunger-games-mockingjay-handle-the-ghost-of-philip-seymour-hoffman-trailer","title":"How Does 'The Hunger Games: Mockingjay' Handle the Ghost of Philip Seymour Hoffman?","publishDate":1410374740,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_13431\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13431\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/philip-seymour-hoffman1.jpg\" alt=\"Photo: Welcome to District 12\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/philip-seymour-hoffman1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/philip-seymour-hoffman1-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.welcometodistrict12.com/\">Welcome to District 12\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Lily Kelting\u003c/strong>\u003c/p>\n\u003cp>Performance is supposed to be about liveness. TV is \"rawest\" live, sports are shown live, and theater has been selling liveness for millennia. This ethos rubs off even on movies and TV; there is an ongoing tension between the \"living\" work of the actors and the mechanical, “off-stage” work of post-production animators. Theater scholar Marvin Carlson writes, “One of the universals of performance is its ghostliness, its sense of return, the uncanny but inescapable impression that we are seeing what we saw before.” Performance, Carlson muses, is haunted.\u003c/p>\n\u003cp>Marvin Carlson, of course, wasn’t really talking about ghosts -- he’s talking about the way that theater doubles life, presenting cultural and historical forces a second time. But what about ghosts? The teaser trailer for the Hunger Games franchise’s third installment, \u003cem>Mockingjay: Part I\u003c/em>, begins with a voiceover from Philip Seymour Hoffman. An unmistakable throaty growl, “Listen to me...” And yes, we’re listening. This is the first glimpse of the film that viewers have been offered. “The Capitol” has been waging a very clever PR campaign, where mock-propaganda from the dystopia has been released in lieu of traditional trailers.\u003c/p>\n\u003cp>http://youtu.be/JzcYyzCZdiM\u003c/p>\n\u003cp>If theater is seeing what we have seen before, then isn't the movie trailer a way to see what we are about to see? After being tantalized by \u003ca href=\"http://screenrant.com/hunger-games-mockingjay-posters-district-heroes/\">the glossy fashion spreads\u003c/a> as if we, too, were citizens of Panem, the trailer speaks to us as an audience. It says: Come see this movie, starring Philip Seymour Hoffman, Julianne Moore, and Jennifer Lawrence! It does feel uncanny to look forward to an actor’s final film, to hear a voice that you realize is speaking from beyond the grave.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There are a handful of ways that one can deal with a deceased actor in post-production. In Heath Ledger’s last unfinished film, \u003cem>The Imaginarium of Doctor Parnassus\u003c/em>, other actors were brought in and lines were redistributed. In Bruce Lee’s last film, \u003cem>Game of Death\u003c/em>, body doubles performed stunts wearing wigs and sunglasses. When Lee had to look in a mirror, the double gazed at a cardboard cut-out. The manipulation of the image of a dead actor breaks down some deep taboos about respect for the dead, especially respect for dead bodies. Attempts to graft the moving face of a posthumous actor onto a body double ignite these same taboos: think the crass recycling of deleted footage from the first three Pink Panther movies to stitch Peter Sellers into a fourth installment, though he died 18 months before the film went into production. There’s also, of course, the ambivalently received posthumous editing of Nancy Marchand into \u003cem>The Sopranos\u003c/em> or Oliver Reed in \u003cem>Gladiator\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=uFnJhZa94wA\u003c/p>\n\u003cp>Lionsgate has clearly opted to avoid these latter, loaded solutions. In an interactive promotional packet, director Francis Lawrence and writer Nina Jacobson are clearly responding both to the negative history of technology in posthumous acting and to earlier press materials that made it sound like a CGI Hoffman would star in \u003cem>Mockingjay: Part II\u003c/em>. Lawrence explained, “We finished the majority of his work. I think he might have had 8 to 10 days left on our schedule. In most of those scenes, Phil didn’t have any dialogue. We are going to put him into those scenes, but we’re only using real footage. We’re not creating anything digital or a robotic version of him.” Jacobsen continued, “We might give a line of Plutarch’s to Haymitch or Effie, but only in circumstances that we are able to do that without undermining the intent of the scene.”\u003c/p>\n\u003cp>Part of this reactionary, anti-tech stance must come from Hoffman himself. Philip Seymour Hoffman was an “actor’s actor.” As A.O. Scott stresses, “As the heavy, the weird friend or the volatile co-worker in a big commercial movie he could offer not only comic relief but also the specific pleasure that comes from encountering an actor who takes his art seriously no matter the project. He may have specialized in unhappiness, but you were always glad to see him.” The assumption that the Mockingjay movies would form Hoffman’s epitaph seems off-putting, no matter how much gravitas, humanity or professionalism he brought to the role. To digitally simulate Hoffman’s performance would undo not only the work of one film but of his entire career.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But choosing to leave Hoffman’s performance intact only makes it all the more ghostly. His opening speech in the trailer, the cut to Hoffman waggling his eyebrows: it is this humanity and liveliness that makes the movie so haunted. Though the actor dies, the character can and must live without him. And so in sticking to Hoffman’s recorded material, and insisting that the film will represent his talent largely intact, the director and producers stress acting as an important part of the fantasy world of Panem, acting that is embodied, personal, dynamic, even \"live\". The trailer successfully hypes the film’s performances. I, for one, am looking forward to see Julianne Moore, Jennifer Lawrence, and especially Philip Seymour Hoffman. But the unmediated, character-driven realness of the end of the Hunger Games series reminds us that we will never really look forward to another Philip Seymour Hoffman movie again.\u003c/p>\n\n","blocks":[],"excerpt":"How should movie trailers feature posthumous acting? ","status":"publish","parent":0,"modified":1410389042,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":933},"headData":{"title":"How Does 'The Hunger Games: Mockingjay' Handle the Ghost of Philip Seymour Hoffman? | KQED","description":"How should movie trailers feature posthumous acting? ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Does 'The Hunger Games: Mockingjay' Handle the Ghost of Philip Seymour Hoffman?","datePublished":"2014-09-10T18:45:40.000Z","dateModified":"2014-09-10T22:44:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13428 http://blogs.kqed.org/pop/?p=13428","disqusUrl":"https://ww2.kqed.org/pop/2014/09/10/how-does-the-hunger-games-mockingjay-handle-the-ghost-of-philip-seymour-hoffman-trailer/","disqusTitle":"How Does 'The Hunger Games: Mockingjay' Handle the Ghost of Philip Seymour Hoffman?","path":"/pop/13428/how-does-the-hunger-games-mockingjay-handle-the-ghost-of-philip-seymour-hoffman-trailer","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13431\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13431\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/philip-seymour-hoffman1.jpg\" alt=\"Photo: Welcome to District 12\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/philip-seymour-hoffman1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/philip-seymour-hoffman1-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.welcometodistrict12.com/\">Welcome to District 12\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Lily Kelting\u003c/strong>\u003c/p>\n\u003cp>Performance is supposed to be about liveness. TV is \"rawest\" live, sports are shown live, and theater has been selling liveness for millennia. This ethos rubs off even on movies and TV; there is an ongoing tension between the \"living\" work of the actors and the mechanical, “off-stage” work of post-production animators. Theater scholar Marvin Carlson writes, “One of the universals of performance is its ghostliness, its sense of return, the uncanny but inescapable impression that we are seeing what we saw before.” Performance, Carlson muses, is haunted.\u003c/p>\n\u003cp>Marvin Carlson, of course, wasn’t really talking about ghosts -- he’s talking about the way that theater doubles life, presenting cultural and historical forces a second time. But what about ghosts? The teaser trailer for the Hunger Games franchise’s third installment, \u003cem>Mockingjay: Part I\u003c/em>, begins with a voiceover from Philip Seymour Hoffman. An unmistakable throaty growl, “Listen to me...” And yes, we’re listening. This is the first glimpse of the film that viewers have been offered. “The Capitol” has been waging a very clever PR campaign, where mock-propaganda from the dystopia has been released in lieu of traditional trailers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JzcYyzCZdiM'\n title='//www.youtube.com/embed/JzcYyzCZdiM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If theater is seeing what we have seen before, then isn't the movie trailer a way to see what we are about to see? After being tantalized by \u003ca href=\"http://screenrant.com/hunger-games-mockingjay-posters-district-heroes/\">the glossy fashion spreads\u003c/a> as if we, too, were citizens of Panem, the trailer speaks to us as an audience. It says: Come see this movie, starring Philip Seymour Hoffman, Julianne Moore, and Jennifer Lawrence! It does feel uncanny to look forward to an actor’s final film, to hear a voice that you realize is speaking from beyond the grave.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There are a handful of ways that one can deal with a deceased actor in post-production. In Heath Ledger’s last unfinished film, \u003cem>The Imaginarium of Doctor Parnassus\u003c/em>, other actors were brought in and lines were redistributed. In Bruce Lee’s last film, \u003cem>Game of Death\u003c/em>, body doubles performed stunts wearing wigs and sunglasses. When Lee had to look in a mirror, the double gazed at a cardboard cut-out. The manipulation of the image of a dead actor breaks down some deep taboos about respect for the dead, especially respect for dead bodies. Attempts to graft the moving face of a posthumous actor onto a body double ignite these same taboos: think the crass recycling of deleted footage from the first three Pink Panther movies to stitch Peter Sellers into a fourth installment, though he died 18 months before the film went into production. There’s also, of course, the ambivalently received posthumous editing of Nancy Marchand into \u003cem>The Sopranos\u003c/em> or Oliver Reed in \u003cem>Gladiator\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uFnJhZa94wA'\n title='//www.youtube.com/embed/uFnJhZa94wA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lionsgate has clearly opted to avoid these latter, loaded solutions. In an interactive promotional packet, director Francis Lawrence and writer Nina Jacobson are clearly responding both to the negative history of technology in posthumous acting and to earlier press materials that made it sound like a CGI Hoffman would star in \u003cem>Mockingjay: Part II\u003c/em>. Lawrence explained, “We finished the majority of his work. I think he might have had 8 to 10 days left on our schedule. In most of those scenes, Phil didn’t have any dialogue. We are going to put him into those scenes, but we’re only using real footage. We’re not creating anything digital or a robotic version of him.” Jacobsen continued, “We might give a line of Plutarch’s to Haymitch or Effie, but only in circumstances that we are able to do that without undermining the intent of the scene.”\u003c/p>\n\u003cp>Part of this reactionary, anti-tech stance must come from Hoffman himself. Philip Seymour Hoffman was an “actor’s actor.” As A.O. Scott stresses, “As the heavy, the weird friend or the volatile co-worker in a big commercial movie he could offer not only comic relief but also the specific pleasure that comes from encountering an actor who takes his art seriously no matter the project. He may have specialized in unhappiness, but you were always glad to see him.” The assumption that the Mockingjay movies would form Hoffman’s epitaph seems off-putting, no matter how much gravitas, humanity or professionalism he brought to the role. To digitally simulate Hoffman’s performance would undo not only the work of one film but of his entire career.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But choosing to leave Hoffman’s performance intact only makes it all the more ghostly. His opening speech in the trailer, the cut to Hoffman waggling his eyebrows: it is this humanity and liveliness that makes the movie so haunted. Though the actor dies, the character can and must live without him. And so in sticking to Hoffman’s recorded material, and insisting that the film will represent his talent largely intact, the director and producers stress acting as an important part of the fantasy world of Panem, acting that is embodied, personal, dynamic, even \"live\". The trailer successfully hypes the film’s performances. I, for one, am looking forward to see Julianne Moore, Jennifer Lawrence, and especially Philip Seymour Hoffman. But the unmediated, character-driven realness of the end of the Hunger Games series reminds us that we will never really look forward to another Philip Seymour Hoffman movie again.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13428/how-does-the-hunger-games-mockingjay-handle-the-ghost-of-philip-seymour-hoffman-trailer","authors":["2421"],"categories":["pop_51"],"tags":["pop_685","pop_385","pop_1678","pop_505"],"featImg":"pop_13430","label":"pop"},"pop_13382":{"type":"posts","id":"pop_13382","meta":{"index":"posts_1591205157","site":"pop","id":"13382","score":null,"sort":[1409859434000]},"guestAuthors":[],"slug":"joan-rivers-dead-at-81-watch-some-of-her-best-televised-moments","title":"Joan Rivers Dead at 81: Watch Some of Her Best Televised Moments","publishDate":1409859434,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/joan-rivers.jpg\" alt=\"joan-rivers\" width=\"640\" height=\"360\" class=\"aligncenter size-full wp-image-13383\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/joan-rivers.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/joan-rivers-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Comedian Joan Rivers died today, \u003ca href=\"http://abcnews.go.com/Entertainment/joan-rivers-dead-81/story?id=25160389\">ABC News reports\u003c/a>. Her daughter, Melissa Rivers, released this statement: \"It is with great sadness that I announce the death of my mother, Joan Rivers. She passed peacefully at 1:17pm surrounded by family and close friends...Cooper and I have found ourselves humbled by the outpouring of love, support, and prayers we have received from around the world. They have been heard and appreciated. My mother’s greatest joy in life was to make people laugh. Although that is difficult to do right now, I know her final wish would be that we return to laughing soon.\"\u003c/p>\n\u003cp>The easiest way to fulfill that final wish is to revisit some of Joan's work:\u003c/p>\n\u003cp>http://youtu.be/EpPCFoXXhF0\u003c/p>\n\u003cp>http://youtu.be/-lEX6HI4Mew\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://youtu.be/oWncIpPuNJo\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://youtu.be/srtES-HebG0\u003c/p>\n\n","blocks":[],"excerpt":"The woman who broke through the sexist world of comedy has died. Remember her through some of her best clips.","status":"publish","parent":0,"modified":1409859434,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":139},"headData":{"title":"Joan Rivers Dead at 81: Watch Some of Her Best Televised Moments | KQED","description":"The woman who broke through the sexist world of comedy has died. Remember her through some of her best clips.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Joan Rivers Dead at 81: Watch Some of Her Best Televised Moments","datePublished":"2014-09-04T19:37:14.000Z","dateModified":"2014-09-04T19:37:14.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13382 http://blogs.kqed.org/pop/?p=13382","disqusUrl":"https://ww2.kqed.org/pop/2014/09/04/joan-rivers-dead-at-81-watch-some-of-her-best-televised-moments/","disqusTitle":"Joan Rivers Dead at 81: Watch Some of Her Best Televised Moments","path":"/pop/13382/joan-rivers-dead-at-81-watch-some-of-her-best-televised-moments","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/joan-rivers.jpg\" alt=\"joan-rivers\" width=\"640\" height=\"360\" class=\"aligncenter size-full wp-image-13383\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/joan-rivers.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/joan-rivers-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Comedian Joan Rivers died today, \u003ca href=\"http://abcnews.go.com/Entertainment/joan-rivers-dead-81/story?id=25160389\">ABC News reports\u003c/a>. Her daughter, Melissa Rivers, released this statement: \"It is with great sadness that I announce the death of my mother, Joan Rivers. She passed peacefully at 1:17pm surrounded by family and close friends...Cooper and I have found ourselves humbled by the outpouring of love, support, and prayers we have received from around the world. They have been heard and appreciated. My mother’s greatest joy in life was to make people laugh. Although that is difficult to do right now, I know her final wish would be that we return to laughing soon.\"\u003c/p>\n\u003cp>The easiest way to fulfill that final wish is to revisit some of Joan's work:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EpPCFoXXhF0'\n title='//www.youtube.com/embed/EpPCFoXXhF0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>http://youtu.be/-lEX6HI4Mew\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oWncIpPuNJo'\n title='//www.youtube.com/embed/oWncIpPuNJo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/srtES-HebG0'\n title='//www.youtube.com/embed/srtES-HebG0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13382/joan-rivers-dead-at-81-watch-some-of-her-best-televised-moments","authors":["27"],"categories":["pop_7","pop_1536"],"tags":["pop_16","pop_685","pop_1671","pop_764"],"featImg":"pop_13383","label":"pop"},"pop_12217":{"type":"posts","id":"pop_12217","meta":{"index":"posts_1591205157","site":"pop","id":"12217","score":null,"sort":[1401216705000]},"guestAuthors":[],"slug":"how-the-death-of-a-bachelorette-contestant-is-dismantling-the-fairy-tale-of-reality-tv-eric-hill-andi-dorfman","title":"How the Death of a Bachelorette Contestant Is Dismantling the Fairy Tale of Reality TV","publishDate":1401216705,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_12222\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/05/27/how-the-death-of-a-bachelorette-contestant-is-dismantling-the-fairy-tale-of-reality-tv-eric-hill-andi-dorfman/bachelorette/\" rel=\"attachment wp-att-12222\">\u003cimg class=\"wp-image-12222\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/05/bachelorette.jpg\" alt=\"bachelorette\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/05/bachelorette.jpg 770w, https://ww2.kqed.org/app/uploads/sites/12/2014/05/bachelorette-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Eric Hill & Andi Dorfman. Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp>I'm not sure whether to start with death or reality TV. Perhaps unsurprisingly, but still to unsettling effect, the two have recently become entwined. In the last few seasons, the facade of \u003cem>The Bachelor\u003c/em> franchise's faux-reality has been falling away bit by bit. Front-runners have sent themselves home at the 11th hour with no last minute cinematic change of heart. Bachelorettes have settled for their second choice. The word 'love' has not been uttered. Proposals have not even occurred each time! The oft repeated mantra of, \"This is like a fairy tale,\" is being dismantled, and it's thrilling to see. This thrill speaks both to the power in \u003ca href=\"http://www.nytimes.com/2014/05/11/opinion/sunday/the-marriage-plot.html?_r=0\">the desire for fairy tales\u003c/a>, but also in the delight at their upending and ruin.\u003c/p>\n\u003cp>And now, despite its best efforts, this absurd reality show has finally revealed one of the most real things: that at the end of it all, we will die. In the latest season, the sudden death of one of the men competing for the Bachelorette, has interrupted \u003cem>The Bachelorette\u003c/em> fantasy entirely in a way nothing else could. Eric Hill died in a paragliding accident in the weeks between the filming and airing of the show. Most of the discussion leading up to the premiere of \u003cem>The Bachelorette\u003c/em> centered around how to sincerely honor and acknowledge Hill in the context of this show where nothing is ever really honored. Producers decided not to edit him out, and Chris Harrison somberly dedicated the season to him at the top of the premiere, before a jarring transition to the inane opening rituals we all recognize.\u003c/p>\n\u003cp>Yet, no matter what the producers did or didn't do with Eric Hill's footage, we're watching a fairy tale with a ghost prince. I don't know if it's the gravitas of being the ghost amongst all those tanned, muscular, oafish men, but I couldn't take my eyes off Hill during the first episode. He seemed to practically glow. He magnetized the edge of every camera angle that scanned the crowd of forgettable first night boys. When he got his one-on-one time by the fireplace I wanted to hear everything he said. These were some of his last weeks of words. Who among us will have those on camera?\u003c/p>\n\u003cp>When a celebrity dies, we collectively mourn them, some combination of parasocial psychology, human empathy, surreal familiarity, and celebrity worship at work. We feel that we know them and we attach to some part of the death that we find sad or meaningful. There are, of course, also many people who think mourning the deaths of the famous is ludicrous since there are so many other tragedies every day, involving people whose names we'll never know. But whether death reveals itself through the famous or the non-famous, it still confounds and it still looms. Yet Eric Hill does not raise the usual questions of \u003ca href=\"http://www.npr.org/blogs/monkeysee/2014/05/02/308925901/pop-culture-happy-hour-posthumous-projects-and-people-were-pulling-for\">how to proceed with a posthumous project\u003c/a>. What makes this public death different from others is that Eric Hill wasn't a celebrity yet; he was somewhere between famous and not-famous. We heard about him dying first and we saw him on TV second.\u003c/p>\n\u003cp>A fair amount of reality TV stars have died, but most of them died \u003ca href=\"http://www.hollywoodreporter.com/gallery/dark-side-reality-tv-27-432060#1-eric-hill\">after their shows aired or their death interrupted an already airing show\u003c/a>. The timing of this particular tragedy is unprecedented in the world of reality TV. \u003ca href=\"http://time.com/106222/the-bachelorette-death-eric-hill-andi-dorfman/\">TIME\u003c/a> calls Hill's death a \"glitch in the Matrix.\" When I see him in the Bachelorette mansion, I do expect an interruption of static, the curtain pulling back. What are we watching? We've always known it isn't real. We know it happened in the past. And yet something of the dark magic of reality TV makes us forget that, at least momentarily. But now, watching Hill, we don't forget. The surreality of his presence enhances the clarity of the truth: this spontaneous string of tropical weeks and socially awkward cocktail parties are in fact already over, the outcome already determined, the inevitable already occurred. This is the intrusion of actual real life into supposed real life.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hill's presence in this version of reality is a glitch, certainly, and a haunting, it's a lot of strange things: it's us watching someone in the last months of their life -- us knowing that, and him not knowing. And perhaps it's our knowing that feels so profound, so uncomfortable. It reminds me of this moment in \u003cem>Jesus' Son \u003c/em>by Denis Johnson, after the narrator has survived a car accident:\u003c/p>\n\u003cp>\u003cem>“Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead. We knew. That's what gave her such power over us. The doctor took her into a room with a desk at the end of the hall, and from under the closed door a slab of brilliance radiated as if, by some stupendous process, diamonds were being incinerated in there. What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I've gone looking for that feeling everywhere.” \u003c/em>\u003c/p>\n\u003cp>That's what gives Eric Hill such power over us. We know he's dead even though he doesn't. And we know how it feels to be alive, yet more confronted now by the knowledge that we could so easily not be. We're reminded of mortality by watching this doomed courtship play out. When he talks about the next three years, we already know there won't be a next three years. And we wonder at the timing. Perhaps if the Bachelorette had given him a rose he would've stayed longer, his life would've played out along a different trajectory? Are each of us so beholden to such a random and uncaring universe? And how can it be that it's \u003cem>The Bachelorette\u003c/em> posing this existential concern? Fifteen years ago, there would've been no way to see someone's life (and death) in such an artificially curated, yet intimate, way. Fiction and non-fiction had cleaner lines. \u003c/p>\n\u003cp>Death is understood and interpreted, in large part, through our cultural lenses. In some cultures, being unconscious means you're dead. In others, people sleep with decaying corpses and meditate on the truth that one day their bodies will also decompose. We use different words to explain death, we believe different things to be true of death, we behave in different ways when confronted with death. In our contemporary Western lives, death is often hidden away from public view, and yet we are simultaneously bombarded by it through screens. We experience plenty of death in this second-hand way, through the sensational reporting of gruesome violent crimes, countless fictional deaths, or even Facebook, \u003ca href=\"http://mashable.com/2013/02/13/facebook-after-death/\">an ever-growing graveyard\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>With death so often such a private thing, and \u003ca href=\"http://www.socresonline.org.uk/14/5/1.html\">reality TV so public\u003c/a>, Hill seems all the more strangely powerful, a symbol of this ultimate and inexplicable specter we so often manage to ignore. He is our meditation on death and dying because we don't know how else to do it. So, week after week, we'll tune in to watch him, and we'll try to forget what happens next. But we know.\u003c/p>\n\n","blocks":[],"excerpt":"Despite its best efforts, this absurd reality show has finally revealed one of the most real things: that at the end of it all, we will die.","status":"publish","parent":0,"modified":1401216708,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":1259},"headData":{"title":"How the Death of a Bachelorette Contestant Is Dismantling the Fairy Tale of Reality TV | KQED","description":"Despite its best efforts, this absurd reality show has finally revealed one of the most real things: that at the end of it all, we will die.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How the Death of a Bachelorette Contestant Is Dismantling the Fairy Tale of Reality TV","datePublished":"2014-05-27T18:51:45.000Z","dateModified":"2014-05-27T18:51:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"12217 http://blogs.kqed.org/pop/?p=12217","disqusUrl":"https://ww2.kqed.org/pop/2014/05/27/how-the-death-of-a-bachelorette-contestant-is-dismantling-the-fairy-tale-of-reality-tv-eric-hill-andi-dorfman/","disqusTitle":"How the Death of a Bachelorette Contestant Is Dismantling the Fairy Tale of Reality TV","path":"/pop/12217/how-the-death-of-a-bachelorette-contestant-is-dismantling-the-fairy-tale-of-reality-tv-eric-hill-andi-dorfman","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_12222\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/05/27/how-the-death-of-a-bachelorette-contestant-is-dismantling-the-fairy-tale-of-reality-tv-eric-hill-andi-dorfman/bachelorette/\" rel=\"attachment wp-att-12222\">\u003cimg class=\"wp-image-12222\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/05/bachelorette.jpg\" alt=\"bachelorette\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/05/bachelorette.jpg 770w, https://ww2.kqed.org/app/uploads/sites/12/2014/05/bachelorette-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Eric Hill & Andi Dorfman. Photo: ABC\u003c/figcaption>\u003c/figure>\n\u003cp>I'm not sure whether to start with death or reality TV. Perhaps unsurprisingly, but still to unsettling effect, the two have recently become entwined. In the last few seasons, the facade of \u003cem>The Bachelor\u003c/em> franchise's faux-reality has been falling away bit by bit. Front-runners have sent themselves home at the 11th hour with no last minute cinematic change of heart. Bachelorettes have settled for their second choice. The word 'love' has not been uttered. Proposals have not even occurred each time! The oft repeated mantra of, \"This is like a fairy tale,\" is being dismantled, and it's thrilling to see. This thrill speaks both to the power in \u003ca href=\"http://www.nytimes.com/2014/05/11/opinion/sunday/the-marriage-plot.html?_r=0\">the desire for fairy tales\u003c/a>, but also in the delight at their upending and ruin.\u003c/p>\n\u003cp>And now, despite its best efforts, this absurd reality show has finally revealed one of the most real things: that at the end of it all, we will die. In the latest season, the sudden death of one of the men competing for the Bachelorette, has interrupted \u003cem>The Bachelorette\u003c/em> fantasy entirely in a way nothing else could. Eric Hill died in a paragliding accident in the weeks between the filming and airing of the show. Most of the discussion leading up to the premiere of \u003cem>The Bachelorette\u003c/em> centered around how to sincerely honor and acknowledge Hill in the context of this show where nothing is ever really honored. Producers decided not to edit him out, and Chris Harrison somberly dedicated the season to him at the top of the premiere, before a jarring transition to the inane opening rituals we all recognize.\u003c/p>\n\u003cp>Yet, no matter what the producers did or didn't do with Eric Hill's footage, we're watching a fairy tale with a ghost prince. I don't know if it's the gravitas of being the ghost amongst all those tanned, muscular, oafish men, but I couldn't take my eyes off Hill during the first episode. He seemed to practically glow. He magnetized the edge of every camera angle that scanned the crowd of forgettable first night boys. When he got his one-on-one time by the fireplace I wanted to hear everything he said. These were some of his last weeks of words. Who among us will have those on camera?\u003c/p>\n\u003cp>When a celebrity dies, we collectively mourn them, some combination of parasocial psychology, human empathy, surreal familiarity, and celebrity worship at work. We feel that we know them and we attach to some part of the death that we find sad or meaningful. There are, of course, also many people who think mourning the deaths of the famous is ludicrous since there are so many other tragedies every day, involving people whose names we'll never know. But whether death reveals itself through the famous or the non-famous, it still confounds and it still looms. Yet Eric Hill does not raise the usual questions of \u003ca href=\"http://www.npr.org/blogs/monkeysee/2014/05/02/308925901/pop-culture-happy-hour-posthumous-projects-and-people-were-pulling-for\">how to proceed with a posthumous project\u003c/a>. What makes this public death different from others is that Eric Hill wasn't a celebrity yet; he was somewhere between famous and not-famous. We heard about him dying first and we saw him on TV second.\u003c/p>\n\u003cp>A fair amount of reality TV stars have died, but most of them died \u003ca href=\"http://www.hollywoodreporter.com/gallery/dark-side-reality-tv-27-432060#1-eric-hill\">after their shows aired or their death interrupted an already airing show\u003c/a>. The timing of this particular tragedy is unprecedented in the world of reality TV. \u003ca href=\"http://time.com/106222/the-bachelorette-death-eric-hill-andi-dorfman/\">TIME\u003c/a> calls Hill's death a \"glitch in the Matrix.\" When I see him in the Bachelorette mansion, I do expect an interruption of static, the curtain pulling back. What are we watching? We've always known it isn't real. We know it happened in the past. And yet something of the dark magic of reality TV makes us forget that, at least momentarily. But now, watching Hill, we don't forget. The surreality of his presence enhances the clarity of the truth: this spontaneous string of tropical weeks and socially awkward cocktail parties are in fact already over, the outcome already determined, the inevitable already occurred. This is the intrusion of actual real life into supposed real life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hill's presence in this version of reality is a glitch, certainly, and a haunting, it's a lot of strange things: it's us watching someone in the last months of their life -- us knowing that, and him not knowing. And perhaps it's our knowing that feels so profound, so uncomfortable. It reminds me of this moment in \u003cem>Jesus' Son \u003c/em>by Denis Johnson, after the narrator has survived a car accident:\u003c/p>\n\u003cp>\u003cem>“Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead. We knew. That's what gave her such power over us. The doctor took her into a room with a desk at the end of the hall, and from under the closed door a slab of brilliance radiated as if, by some stupendous process, diamonds were being incinerated in there. What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I've gone looking for that feeling everywhere.” \u003c/em>\u003c/p>\n\u003cp>That's what gives Eric Hill such power over us. We know he's dead even though he doesn't. And we know how it feels to be alive, yet more confronted now by the knowledge that we could so easily not be. We're reminded of mortality by watching this doomed courtship play out. When he talks about the next three years, we already know there won't be a next three years. And we wonder at the timing. Perhaps if the Bachelorette had given him a rose he would've stayed longer, his life would've played out along a different trajectory? Are each of us so beholden to such a random and uncaring universe? And how can it be that it's \u003cem>The Bachelorette\u003c/em> posing this existential concern? Fifteen years ago, there would've been no way to see someone's life (and death) in such an artificially curated, yet intimate, way. Fiction and non-fiction had cleaner lines. \u003c/p>\n\u003cp>Death is understood and interpreted, in large part, through our cultural lenses. In some cultures, being unconscious means you're dead. In others, people sleep with decaying corpses and meditate on the truth that one day their bodies will also decompose. We use different words to explain death, we believe different things to be true of death, we behave in different ways when confronted with death. In our contemporary Western lives, death is often hidden away from public view, and yet we are simultaneously bombarded by it through screens. We experience plenty of death in this second-hand way, through the sensational reporting of gruesome violent crimes, countless fictional deaths, or even Facebook, \u003ca href=\"http://mashable.com/2013/02/13/facebook-after-death/\">an ever-growing graveyard\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With death so often such a private thing, and \u003ca href=\"http://www.socresonline.org.uk/14/5/1.html\">reality TV so public\u003c/a>, Hill seems all the more strangely powerful, a symbol of this ultimate and inexplicable specter we so often manage to ignore. He is our meditation on death and dying because we don't know how else to do it. So, week after week, we'll tune in to watch him, and we'll try to forget what happens next. But we know.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/12217/how-the-death-of-a-bachelorette-contestant-is-dismantling-the-fairy-tale-of-reality-tv-eric-hill-andi-dorfman","authors":["2415"],"categories":["pop_3"],"tags":["pop_685","pop_280","pop_1028"],"featImg":"pop_12241","label":"pop"},"pop_11002":{"type":"posts","id":"pop_11002","meta":{"index":"posts_1591205157","site":"pop","id":"11002","score":null,"sort":[1392127317000]},"guestAuthors":[],"slug":"lets-talk-about-death-shattering-the-taboo-death-cafe","title":"Let's Talk About Death: Shattering the Taboo","publishDate":1392127317,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_11051\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/02/11/lets-talk-about-death-shattering-the-taboo-death-cafe/skull-coffee/\" rel=\"attachment wp-att-11051\">\u003cimg class=\"size-full wp-image-11051\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/skull-coffee.jpg\" alt=\"Photo: Michael Allen Smith, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/02/skull-coffee.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/02/skull-coffee-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.flickr.com/photos/digitalcolony/5773862163/\">Michael Allen Smith\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Without really planning it, 2014 is off to a good start for me as the year of thinking negatively. By that, I mean honestly looking at uncomfortable truths, rather than glossing over them and relying on one-size-fits-all soothing aphorisms. At the top of my reading pile sits Oliver Burkeman’s anti-self-help (yet still somehow self-help) book \u003cem>The Antidote: Happiness for People Who Can’t Stand Positive Thinking, \u003c/em>a book I am certain was written with me in mind. \"Confronting the worst-case scenario saps it of much of its anxiety-inducing power,\" writes Burkeman. Following that theme, about a week ago, I found myself seated in a circle with about twenty strangers in the Victorian front room of the \u003ca href=\"http://www.zenhospice.org/\" target=\"_blank\">Zen Hospice Project\u003c/a>. Over plates of chocolate and Dutch apple cake, the facilitator of the salon led us in a candid discussion about…death. Yep, you read that right. Talking about this challenging topic ended up being a surprisingly uplifting experience.\u003c/p>\n\u003cp>This wasn't a room full of \u003ca href=\"http://www.youtube.com/watch?v=NtYggjHmEFc\" target=\"_blank\">Lydia Deetz types\u003c/a> reveling in the macabre over candles -- not that there's anything wrong with that sort of thing. The evening’s gathering, which to an outside observer could have looked like any old book club or committee meeting, was a locally organized \u003ca href=\"http://deathcafe.com/\" target=\"_blank\">Death Cafe\u003c/a>, part of a \"social franchise\" kicked off by UK-based Jon Underwood. The salon is inspired by the “cafés mortels” of Swiss sociologist \u003ca href=\"http://www.independent.co.uk/news/world/europe/never-say-die-far-from-it-in-paris-death-caf233-2121850.html\" target=\"_blank\">Bernard Crettaz\u003c/a>, and Underwood's objective is \"to increase awareness of death with a view to helping people make the most of their (finite) lives\" through participant-led conversations.\u003c/p>\n\u003cp>Last week's session in San Francisco was facilitated by Roy Remer, Guest House Volunteer Coordinator at the Zen Hospice Project. After introductions and initial thoughts, Roy led the room in an exercise that served as the catalyst for the conversation. We were each handed a piece of card stock covered in four columns of Post-It notes and asked to write down people, objects, activities and roles that mattered to us. Roy then went around the room, randomly ripping off different notes from our sheets, a symbolic action that served as a reminder that time can strip us of so much that we hold dear, quite unexpectedly at times.\u003c/p>\n\u003cfigure id=\"attachment_11014\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"wp-image-11014 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/deepdarkfears.jpg\" alt=\"deepdarkfears\" width=\"300\" height=\"406\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/02/deepdarkfears.jpg 1000w, https://ww2.kqed.org/app/uploads/sites/12/2014/02/deepdarkfears-400x541.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/02/deepdarkfears-800x1082.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://deep-dark-fears.tumblr.com/\">Illustrator Fran Krause\u003c/a> interprets a surprisingly common fear surrounding death\u003c/figcaption>\u003c/figure>\n\u003cp>When my turn came, I wasn't prepared for the hot flash of anger I felt. \"Those are mine!\" I thought, as I watched Roy continue his turn about the room, silent except for that sound of peeling and crumpling paper. The exercise led to an engaging conversation, with some participants talking more about specific instances of loss they've had in their lives, while others addressed their reticence in accepting death, as well as the steps they've been taking to confront their feelings.\u003c/p>\n\u003cp>As a practical concern, end of life care providers like the Zen Hospice Project have an established history of enabling an environment of support for the dying and their loved ones. Death as a more abstract concept has also been a source of inspiration and discussion for artists, writers, philosophers and theologians alike for centuries. For me, there wasn't any particular prompt to attending the event other than the basic fact that death, as a realistic concept, is still something that I don't particularly like to think about. Sure, I like crime procedural shows, and I still miss the days when \u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/\" target=\"_blank\">\u003cem>Six Feet Under\u003c/em>\u003c/a> was on the air. But movies and TV are a filter through which we can separate ourselves a bit from these unpalatable thoughts. Thinking about it without that filter can be jarring but also eye opening, which is where events like Death Cafe come in.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Cafe series isn't the only example of a growing movement to bring people together in order to stimulate a discussion about this still fairly taboo topic. \u003ca href=\"http://deathoverdinner.org/\" target=\"_blank\">Death Over Dinner\u003c/a> and \u003ca href=\"http://theconversationproject.org/\" target=\"_blank\">The Conversation Project\u003c/a> similarly provide an interdisciplinary approach to the tough discussion by providing web tool kits to help guide the discussion over a meal. Last October in Los Angeles, \u003ca href=\"http://deathsalon.org/\" target=\"_blank\">Death Salon\u003c/a> director Megan Rosenbloom gathered a roster of artists, academics, and death industry professionals for a well attended series of events that ranged from historical and medical discussions to musical performances, all revolving around the topic of our mortality.\u003c/p>\n\u003cfigure id=\"attachment_11009\" class=\"wp-caption alignright\" style=\"max-width: 206px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/Rosenbloom.jpg\">\u003cimg class=\"size-medium wp-image-11009 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/Rosenbloom-206x300.jpg\" alt=\"Rosenbloom\" width=\"206\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Death Salon director & co-founder Megan Rosenbloom. Photo: \u003ca href=\"http://www.elliandpollyphotography.com\">Elli & Polly Photography\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\"People want to talk about death, but they don't know how to do it, because it's been a taboo subject for so long,\" \u003ca href=\"http://www.newsworks.org/index.php/component/flexicontent/item/64396-lets-talk-about-death-says-medical-librarian-donating-her-corpse-to-science\" target=\"_blank\">Rosenbloom wrote\u003c/a> recently. Rosenbloom, a librarian and historian herself, is part of a collective called The Order of the Good Death. Its members come from a variety of backgrounds, all sharing an interest in society's relationship with mortality, rituals of death and grieving, and its interpretation in all forms of art and media. Fashion designer \u003ca href=\"http://www.piainterlandi.com/\" target=\"_blank\">Pia Interlandi\u003c/a>, for instance, focused her doctoral research on textile projects relating to death and burial, including designing dissoluble garments. The Order's founder Caitlin Doughty hosts a web series called \"\u003ca href=\"https://www.youtube.com/user/OrderoftheGoodDeath/videos\" target=\"_blank\">Ask a Mortician\u003c/a>\", helping demystify her work and the industry in general with humor.\u003c/p>\n\u003cp>In a lot of cases, bringing up the topic of death, whether as an abstract concept or a specific personal experience, can be a challenge. But whether you are suddenly overcome with awareness of your own -- hopefully not too imminent -- demise, or the loss of a loved one, not talking about it doesn't make it go away. And discussing our mortality can actually be a reminder of all the things we have to enjoy in the present moment.\u003c/p>\n\u003cp>Towards the end of our evening at the Zen Hospice Project, several people found themselves in tears, for the first time able to verbalize their complicated feelings about the recent deaths they've experienced in their lives, as well as the anticipatory grief they've been carrying over loved ones who are nearing their end. The sense of relief around the room was palpable, the participants feeling supported by the reminder that we're all in this together. Events like Death Cafe aren't meant to be -- and shouldn't be -- a substitute for grief counseling, but they go in tandem, giving us an opportunity to learn how to coexist with the idea of this eventuality. And having cake while doing this soul searching definitely doesn't hurt.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>If you are interested in attending a Death Cafe in the Bay Area, consider the upcoming gathering on \u003cem>\u003ca href=\"http://deathcafe.com/deathcafe/489/\" target=\"_blank\">February 19\u003c/a>\u003c/em> to be hosted at the beautiful Chapel of the Chimes in Oakland. If you're intrigued by Megan Rosenbloom's Death Salon events, word is that a San Francisco pop up will be taking place this coming fall.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The Death Cafe series is part of a movement to bring the specter of death out of the shadows and into conversation.","status":"publish","parent":0,"modified":1392144106,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":1163},"headData":{"title":"Let's Talk About Death: Shattering the Taboo | KQED","description":"The Death Cafe series is part of a movement to bring the specter of death out of the shadows and into conversation.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Let's Talk About Death: Shattering the Taboo","datePublished":"2014-02-11T14:01:57.000Z","dateModified":"2014-02-11T18:41:46.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"11002 http://blogs.kqed.org/pop/?p=11002","disqusUrl":"https://ww2.kqed.org/pop/2014/02/11/lets-talk-about-death-shattering-the-taboo-death-cafe/","disqusTitle":"Let's Talk About Death: Shattering the Taboo","path":"/pop/11002/lets-talk-about-death-shattering-the-taboo-death-cafe","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_11051\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/02/11/lets-talk-about-death-shattering-the-taboo-death-cafe/skull-coffee/\" rel=\"attachment wp-att-11051\">\u003cimg class=\"size-full wp-image-11051\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/skull-coffee.jpg\" alt=\"Photo: Michael Allen Smith, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/02/skull-coffee.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/02/skull-coffee-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.flickr.com/photos/digitalcolony/5773862163/\">Michael Allen Smith\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Without really planning it, 2014 is off to a good start for me as the year of thinking negatively. By that, I mean honestly looking at uncomfortable truths, rather than glossing over them and relying on one-size-fits-all soothing aphorisms. At the top of my reading pile sits Oliver Burkeman’s anti-self-help (yet still somehow self-help) book \u003cem>The Antidote: Happiness for People Who Can’t Stand Positive Thinking, \u003c/em>a book I am certain was written with me in mind. \"Confronting the worst-case scenario saps it of much of its anxiety-inducing power,\" writes Burkeman. Following that theme, about a week ago, I found myself seated in a circle with about twenty strangers in the Victorian front room of the \u003ca href=\"http://www.zenhospice.org/\" target=\"_blank\">Zen Hospice Project\u003c/a>. Over plates of chocolate and Dutch apple cake, the facilitator of the salon led us in a candid discussion about…death. Yep, you read that right. Talking about this challenging topic ended up being a surprisingly uplifting experience.\u003c/p>\n\u003cp>This wasn't a room full of \u003ca href=\"http://www.youtube.com/watch?v=NtYggjHmEFc\" target=\"_blank\">Lydia Deetz types\u003c/a> reveling in the macabre over candles -- not that there's anything wrong with that sort of thing. The evening’s gathering, which to an outside observer could have looked like any old book club or committee meeting, was a locally organized \u003ca href=\"http://deathcafe.com/\" target=\"_blank\">Death Cafe\u003c/a>, part of a \"social franchise\" kicked off by UK-based Jon Underwood. The salon is inspired by the “cafés mortels” of Swiss sociologist \u003ca href=\"http://www.independent.co.uk/news/world/europe/never-say-die-far-from-it-in-paris-death-caf233-2121850.html\" target=\"_blank\">Bernard Crettaz\u003c/a>, and Underwood's objective is \"to increase awareness of death with a view to helping people make the most of their (finite) lives\" through participant-led conversations.\u003c/p>\n\u003cp>Last week's session in San Francisco was facilitated by Roy Remer, Guest House Volunteer Coordinator at the Zen Hospice Project. After introductions and initial thoughts, Roy led the room in an exercise that served as the catalyst for the conversation. We were each handed a piece of card stock covered in four columns of Post-It notes and asked to write down people, objects, activities and roles that mattered to us. Roy then went around the room, randomly ripping off different notes from our sheets, a symbolic action that served as a reminder that time can strip us of so much that we hold dear, quite unexpectedly at times.\u003c/p>\n\u003cfigure id=\"attachment_11014\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"wp-image-11014 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/deepdarkfears.jpg\" alt=\"deepdarkfears\" width=\"300\" height=\"406\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/02/deepdarkfears.jpg 1000w, https://ww2.kqed.org/app/uploads/sites/12/2014/02/deepdarkfears-400x541.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/02/deepdarkfears-800x1082.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://deep-dark-fears.tumblr.com/\">Illustrator Fran Krause\u003c/a> interprets a surprisingly common fear surrounding death\u003c/figcaption>\u003c/figure>\n\u003cp>When my turn came, I wasn't prepared for the hot flash of anger I felt. \"Those are mine!\" I thought, as I watched Roy continue his turn about the room, silent except for that sound of peeling and crumpling paper. The exercise led to an engaging conversation, with some participants talking more about specific instances of loss they've had in their lives, while others addressed their reticence in accepting death, as well as the steps they've been taking to confront their feelings.\u003c/p>\n\u003cp>As a practical concern, end of life care providers like the Zen Hospice Project have an established history of enabling an environment of support for the dying and their loved ones. Death as a more abstract concept has also been a source of inspiration and discussion for artists, writers, philosophers and theologians alike for centuries. For me, there wasn't any particular prompt to attending the event other than the basic fact that death, as a realistic concept, is still something that I don't particularly like to think about. Sure, I like crime procedural shows, and I still miss the days when \u003ca href=\"http://blogs.kqed.org/pop/2013/08/02/the-most-marathonable-tv-shows-ever/\" target=\"_blank\">\u003cem>Six Feet Under\u003c/em>\u003c/a> was on the air. But movies and TV are a filter through which we can separate ourselves a bit from these unpalatable thoughts. Thinking about it without that filter can be jarring but also eye opening, which is where events like Death Cafe come in.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Cafe series isn't the only example of a growing movement to bring people together in order to stimulate a discussion about this still fairly taboo topic. \u003ca href=\"http://deathoverdinner.org/\" target=\"_blank\">Death Over Dinner\u003c/a> and \u003ca href=\"http://theconversationproject.org/\" target=\"_blank\">The Conversation Project\u003c/a> similarly provide an interdisciplinary approach to the tough discussion by providing web tool kits to help guide the discussion over a meal. Last October in Los Angeles, \u003ca href=\"http://deathsalon.org/\" target=\"_blank\">Death Salon\u003c/a> director Megan Rosenbloom gathered a roster of artists, academics, and death industry professionals for a well attended series of events that ranged from historical and medical discussions to musical performances, all revolving around the topic of our mortality.\u003c/p>\n\u003cfigure id=\"attachment_11009\" class=\"wp-caption alignright\" style=\"max-width: 206px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/Rosenbloom.jpg\">\u003cimg class=\"size-medium wp-image-11009 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/02/Rosenbloom-206x300.jpg\" alt=\"Rosenbloom\" width=\"206\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Death Salon director & co-founder Megan Rosenbloom. Photo: \u003ca href=\"http://www.elliandpollyphotography.com\">Elli & Polly Photography\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\"People want to talk about death, but they don't know how to do it, because it's been a taboo subject for so long,\" \u003ca href=\"http://www.newsworks.org/index.php/component/flexicontent/item/64396-lets-talk-about-death-says-medical-librarian-donating-her-corpse-to-science\" target=\"_blank\">Rosenbloom wrote\u003c/a> recently. Rosenbloom, a librarian and historian herself, is part of a collective called The Order of the Good Death. Its members come from a variety of backgrounds, all sharing an interest in society's relationship with mortality, rituals of death and grieving, and its interpretation in all forms of art and media. Fashion designer \u003ca href=\"http://www.piainterlandi.com/\" target=\"_blank\">Pia Interlandi\u003c/a>, for instance, focused her doctoral research on textile projects relating to death and burial, including designing dissoluble garments. The Order's founder Caitlin Doughty hosts a web series called \"\u003ca href=\"https://www.youtube.com/user/OrderoftheGoodDeath/videos\" target=\"_blank\">Ask a Mortician\u003c/a>\", helping demystify her work and the industry in general with humor.\u003c/p>\n\u003cp>In a lot of cases, bringing up the topic of death, whether as an abstract concept or a specific personal experience, can be a challenge. But whether you are suddenly overcome with awareness of your own -- hopefully not too imminent -- demise, or the loss of a loved one, not talking about it doesn't make it go away. And discussing our mortality can actually be a reminder of all the things we have to enjoy in the present moment.\u003c/p>\n\u003cp>Towards the end of our evening at the Zen Hospice Project, several people found themselves in tears, for the first time able to verbalize their complicated feelings about the recent deaths they've experienced in their lives, as well as the anticipatory grief they've been carrying over loved ones who are nearing their end. The sense of relief around the room was palpable, the participants feeling supported by the reminder that we're all in this together. Events like Death Cafe aren't meant to be -- and shouldn't be -- a substitute for grief counseling, but they go in tandem, giving us an opportunity to learn how to coexist with the idea of this eventuality. And having cake while doing this soul searching definitely doesn't hurt.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>If you are interested in attending a Death Cafe in the Bay Area, consider the upcoming gathering on \u003cem>\u003ca href=\"http://deathcafe.com/deathcafe/489/\" target=\"_blank\">February 19\u003c/a>\u003c/em> to be hosted at the beautiful Chapel of the Chimes in Oakland. If you're intrigued by Megan Rosenbloom's Death Salon events, word is that a San Francisco pop up will be taking place this coming fall.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/11002/lets-talk-about-death-shattering-the-taboo-death-cafe","authors":["2520"],"categories":["pop_1041"],"tags":["pop_685","pop_1485","pop_565"],"featImg":"pop_11051","label":"pop"},"pop_8957":{"type":"posts","id":"pop_8957","meta":{"index":"posts_1591205157","site":"pop","id":"8957","score":null,"sort":[1381517949000]},"guestAuthors":[],"slug":"kumar-pallana-your-favorite-wes-anderson-character-actor-dies-at-94","title":"Kumar Pallana, Your Favorite Wes Anderson Character Actor, Dies at 94","publishDate":1381517949,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_8966\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/10/11/kumar-pallana-your-favorite-wes-anderson-character-actor-dies-at-94/tumblr_ks9uedqzbs1qzhiqwo1_1280/\" rel=\"attachment wp-att-8966\">\u003cimg class=\"size-full wp-image-8966\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/tumblr_ks9uedqZBs1qzhiqwo1_1280.png\" alt=\"tumblr_ks9uedqZBs1qzhiqwo1_1280\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/10/tumblr_ks9uedqZBs1qzhiqwo1_1280.png 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/10/tumblr_ks9uedqZBs1qzhiqwo1_1280-400x225.png 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kumar Pallana/The Royal Tenenbaums\u003c/figcaption>\u003c/figure>\n\u003cp>Kumar Pallana, who played some of the best characters to ever exist in the Wes Anderson universe, \u003ca href=\"http://www.avclub.com/articles/rip-kumar-pallana-star-of-several-wes-anderson-mov,104109/\" target=\"_blank\">has died at age 94\u003c/a>. It's always sad/happy when a person that old dies because, honestly, we should all be so lucky, right? Let's all join in remembering him, as Mr. Pagoda, Mr. LittleJeans and more.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/5BKMV5PyjDg\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/j0pWNprikrk\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/5WLQxqdkqSU\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Celebrate Kumar Pallana by watching these clips of him in Wes Anderson movies.","status":"publish","parent":0,"modified":1381517949,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":63},"headData":{"title":"Kumar Pallana, Your Favorite Wes Anderson Character Actor, Dies at 94 | KQED","description":"Celebrate Kumar Pallana by watching these clips of him in Wes Anderson movies.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Kumar Pallana, Your Favorite Wes Anderson Character Actor, Dies at 94","datePublished":"2013-10-11T18:59:09.000Z","dateModified":"2013-10-11T18:59:09.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"8957 http://blogs.kqed.org/pop/?p=8957","disqusUrl":"https://ww2.kqed.org/pop/2013/10/11/kumar-pallana-your-favorite-wes-anderson-character-actor-dies-at-94/","disqusTitle":"Kumar Pallana, Your Favorite Wes Anderson Character Actor, Dies at 94","path":"/pop/8957/kumar-pallana-your-favorite-wes-anderson-character-actor-dies-at-94","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_8966\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/10/11/kumar-pallana-your-favorite-wes-anderson-character-actor-dies-at-94/tumblr_ks9uedqzbs1qzhiqwo1_1280/\" rel=\"attachment wp-att-8966\">\u003cimg class=\"size-full wp-image-8966\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/tumblr_ks9uedqZBs1qzhiqwo1_1280.png\" alt=\"tumblr_ks9uedqZBs1qzhiqwo1_1280\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/10/tumblr_ks9uedqZBs1qzhiqwo1_1280.png 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/10/tumblr_ks9uedqZBs1qzhiqwo1_1280-400x225.png 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kumar Pallana/The Royal Tenenbaums\u003c/figcaption>\u003c/figure>\n\u003cp>Kumar Pallana, who played some of the best characters to ever exist in the Wes Anderson universe, \u003ca href=\"http://www.avclub.com/articles/rip-kumar-pallana-star-of-several-wes-anderson-mov,104109/\" target=\"_blank\">has died at age 94\u003c/a>. It's always sad/happy when a person that old dies because, honestly, we should all be so lucky, right? Let's all join in remembering him, as Mr. Pagoda, Mr. LittleJeans and more.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/5BKMV5PyjDg\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/j0pWNprikrk\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/5WLQxqdkqSU\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/8957/kumar-pallana-your-favorite-wes-anderson-character-actor-dies-at-94","authors":["2130"],"categories":["pop_7","pop_6","pop_51"],"tags":["pop_685","pop_1292","pop_1291"],"label":"pop"},"pop_7087":{"type":"posts","id":"pop_7087","meta":{"index":"posts_1591205157","site":"pop","id":"7087","score":null,"sort":[1375189206000]},"guestAuthors":[],"slug":"death-is-complicated-6-emotionally-ambivalent-funeral-scenes","title":"Death Is Complicated: 6 Emotionally Ambivalent Funeral Scenes","publishDate":1375189206,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>I was thinking about funeral scenes recently, and I realized the best rarely elicit the same effect an actual funeral is meant to. The best funeral scenes in movies and television provide no catharsis. These scenes avoid the absolute existential terror that death presents, as well as the pure heartwarming feeling that a group of grieving loved ones can create, in order to create something else, something uncomfortable but compelling.\u003c/p>\n\u003cp>Why do scenes like these resonate? It may just be that the heartwarming stuff and the terror we feel at funerals don't translate to narrative very often, and they happen very rarely in life. But that gross, uncomfortable feeling of not knowing whether to laugh or cry, which also happens at funerals, happens pretty much every day, as well. Each of the following scenes is funny, but the humor works so well because the dead characters are all rendered with some degree of actual tenderness -- the works never mock the deceased.\u003c/p>\n\u003cp>These clips are ordered from least spoiler-y to most spoiler-y, but since the scenes are emotionally ambivalent, knowing about any of these character deaths shouldn't ruin your enjoyment of any of the following works. The order is: \u003cem>Kids in the Hall, Saturday Night Live,\u003c/em> \u003cem>Seinfeld, The Big Lebowski,\u003c/em> \u003cem>The Sopranos, \u003c/em>and\u003cem> The Wire.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The\u003c/em> \u003cem>Kids in the Hall\u003c/em> - Reg\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/tKd6wQqn6Wg\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>My favorite line in this sketch might be the remark that while Reg's hair was \"always perfect,\" \"you never saw him with a comb.\" The characters say such perfectly typical things about the memory of their friend, but it is also revealed they murdered him for no apparent reason. As with a lot of these scenes, that kind of callousness provides a weird relief. The sketch \u003cem>almost \u003c/em>takes you to the abyss, then reveals it's just kidding.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Saturday Night Live\u003c/em> - Bill Brasky\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/-NjgPDIeSXA\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>This sketch might not hold up after the 2000s explosion of hyperbole-based humor exemplified by \u003ca href=\"http://www.youtube.com/watch?v=MDUQW8LUMs8\">Chuck Norris jokes\u003c/a> and \u003ca href=\"http://www.youtube.com/watch?v=L-4zfsy6rsM\">The Most Interesting Man in the World\u003c/a>, except for the folksy-poetic nature of some of the dialogue (\"He taught me how to love a woman, and how to scold a child\") and the timing of the mourners' embarrassing confessions. It's worth noting that so far 100% of these scenes have featured Mark McKinney, the mourner on the left in this sketch and one of the Kids in the Hall.\u003c/p>\n\u003cp>\u003cem>Seinfeld \u003c/em>- Susan\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/Dt8E_27iyOk\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The actual funeral scene in this storyline is very brief, but this video encapsulates the rest of the storyline: hapless George Costanza insists on buying cheap envelopes for invitations to a wedding he has reservations about, and his fiancee dies from licking the envelopes, which turn out to be toxic. It's great because the comically self-absorbed characters have to deal with mortality, but also because the show itself, built on the maxim \"\u003ca href=\"http://www.guardian.co.uk/culture/tvandradioblog/2008/may/13/tenyearsagotomorrow75\">no hugging, no learning\u003c/a>,\" soldiered on with funny beats in the face of death, and the effect is more powerful, in a weird way, than if hugging or learning occurred.\u003c/p>\n\u003cp>\u003cem>The Big Lebowski\u003c/em> - Donny (language NSFW)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/_4ezPvzKe5M\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Like the death of Susan on \u003cem>Seinfeld\u003c/em>, Donny's fate at the end of \u003cem>The Big Lebowski\u003c/em> lends gravity to the characters' bumbling, if only briefly. If \u003cem>Seinfeld\u003c/em> is a \"show about nothing,\" in which nobody learns anything, \u003cem>The Big Lebowski\u003c/em>, like many of the Coen brothers' films, is similarly existential: by the end, nothing is accomplished, and The Dude's and Walter's comical meddling has led only to the death of their bowling buddy. Walter knows so little about his friend that he starts ranting about Vietnam in the middle of the eulogy he gives, as if for lack of material. Also like \u003cem>Seinfeld, \u003c/em>the friends go back to doing what they'd always done. This clips omits the scene's final line, \"F--- it, dude. Let's go bowling.\"\u003c/p>\n\u003cp>\u003cem>The Sopranos - \u003c/em>Livia\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/kQrQcAzMb8E\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Early in the third season of \u003cem>The Sopranos\u003c/em>, Tony Soprano's emotionally abusive mother Livia dies. The show killed her off because Nancy Marchand, the actress who played her, passed away, but Livia's death allows the show to continue to emphasize its theme of peoples' inability to change or find closure. Marchand gets one final scene via an awkward use of old footage, something the show could not have gotten away with if they attempted a touching sendoff for Livia. In this clip, Tony's protege Christopher goes off on a stoned tangent about Livia, but trails off at \"What I'm trying to say is...\" He, too, has trouble finding meaning in any of this.\u003c/p>\n\u003cp>\u003cem>The Wire - \u003c/em>D'Angelo Barksdale (language NSFW here also, but what are you doing watching YouTube videos at work without headphones? You have to at least \u003cem>pretend\u003c/em> to work)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/4pazj7Vo-wk\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>D'Angelo, a sympathetic character on the criminal end of things in \u003cem>The Wire\u003c/em>, is killed in prison by an associate of his own gang. Bodie, a member of his crew, is tasked with finding an appropriately gangster flower arrangement for his funeral, and he succeeds. This scene is \u003cem>The Wire\u003c/em> at its wry best, juxtaposing social convention with criminality, and showing Bodie's complexity: he does all this grudgingly and with little respect for D'Angelo, but ultimately comes up with a fitting tribute.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A lot of these scenes take on the absurdity of life and death, even hinting that some of the more grim aspects of existence are senseless and meaningless. This makes them funny, but also depressing. Here are some things we \u003cem>can \u003c/em>learn from the emotionally-ambivalent funeral scene, though: Be ready to honor someone's memory at any time. That means thinking generally good thoughts about people and hanging on to those thoughts, even if it's hard to. Conversely, and this may seem obvious, live a life that will make people want to memorialize you when you're gone, and avoid the kind of people who wouldn't care in the end. What I'm really trying to say is: stay away from the George Costanzas of the world. You might need a Walter in your life at some point, though.\u003c/p>\n\n","blocks":[],"excerpt":"What can funeral scenes in movies and television teach us about how to grieve and how to continue living our lives?","status":"publish","parent":0,"modified":1382053766,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1041},"headData":{"title":"Death Is Complicated: 6 Emotionally Ambivalent Funeral Scenes | KQED","description":"What can funeral scenes in movies and television teach us about how to grieve and how to continue living our lives?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Death Is Complicated: 6 Emotionally Ambivalent Funeral Scenes","datePublished":"2013-07-30T13:00:06.000Z","dateModified":"2013-10-17T23:49:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"7087 http://blogs.kqed.org/pop/?p=7087","disqusUrl":"https://ww2.kqed.org/pop/2013/07/30/death-is-complicated-6-emotionally-ambivalent-funeral-scenes/","disqusTitle":"Death Is Complicated: 6 Emotionally Ambivalent Funeral Scenes","path":"/pop/7087/death-is-complicated-6-emotionally-ambivalent-funeral-scenes","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>I was thinking about funeral scenes recently, and I realized the best rarely elicit the same effect an actual funeral is meant to. The best funeral scenes in movies and television provide no catharsis. These scenes avoid the absolute existential terror that death presents, as well as the pure heartwarming feeling that a group of grieving loved ones can create, in order to create something else, something uncomfortable but compelling.\u003c/p>\n\u003cp>Why do scenes like these resonate? It may just be that the heartwarming stuff and the terror we feel at funerals don't translate to narrative very often, and they happen very rarely in life. But that gross, uncomfortable feeling of not knowing whether to laugh or cry, which also happens at funerals, happens pretty much every day, as well. Each of the following scenes is funny, but the humor works so well because the dead characters are all rendered with some degree of actual tenderness -- the works never mock the deceased.\u003c/p>\n\u003cp>These clips are ordered from least spoiler-y to most spoiler-y, but since the scenes are emotionally ambivalent, knowing about any of these character deaths shouldn't ruin your enjoyment of any of the following works. The order is: \u003cem>Kids in the Hall, Saturday Night Live,\u003c/em> \u003cem>Seinfeld, The Big Lebowski,\u003c/em> \u003cem>The Sopranos, \u003c/em>and\u003cem> The Wire.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The\u003c/em> \u003cem>Kids in the Hall\u003c/em> - Reg\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/tKd6wQqn6Wg\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>My favorite line in this sketch might be the remark that while Reg's hair was \"always perfect,\" \"you never saw him with a comb.\" The characters say such perfectly typical things about the memory of their friend, but it is also revealed they murdered him for no apparent reason. As with a lot of these scenes, that kind of callousness provides a weird relief. The sketch \u003cem>almost \u003c/em>takes you to the abyss, then reveals it's just kidding.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Saturday Night Live\u003c/em> - Bill Brasky\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/-NjgPDIeSXA\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>This sketch might not hold up after the 2000s explosion of hyperbole-based humor exemplified by \u003ca href=\"http://www.youtube.com/watch?v=MDUQW8LUMs8\">Chuck Norris jokes\u003c/a> and \u003ca href=\"http://www.youtube.com/watch?v=L-4zfsy6rsM\">The Most Interesting Man in the World\u003c/a>, except for the folksy-poetic nature of some of the dialogue (\"He taught me how to love a woman, and how to scold a child\") and the timing of the mourners' embarrassing confessions. It's worth noting that so far 100% of these scenes have featured Mark McKinney, the mourner on the left in this sketch and one of the Kids in the Hall.\u003c/p>\n\u003cp>\u003cem>Seinfeld \u003c/em>- Susan\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/Dt8E_27iyOk\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The actual funeral scene in this storyline is very brief, but this video encapsulates the rest of the storyline: hapless George Costanza insists on buying cheap envelopes for invitations to a wedding he has reservations about, and his fiancee dies from licking the envelopes, which turn out to be toxic. It's great because the comically self-absorbed characters have to deal with mortality, but also because the show itself, built on the maxim \"\u003ca href=\"http://www.guardian.co.uk/culture/tvandradioblog/2008/may/13/tenyearsagotomorrow75\">no hugging, no learning\u003c/a>,\" soldiered on with funny beats in the face of death, and the effect is more powerful, in a weird way, than if hugging or learning occurred.\u003c/p>\n\u003cp>\u003cem>The Big Lebowski\u003c/em> - Donny (language NSFW)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/_4ezPvzKe5M\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Like the death of Susan on \u003cem>Seinfeld\u003c/em>, Donny's fate at the end of \u003cem>The Big Lebowski\u003c/em> lends gravity to the characters' bumbling, if only briefly. If \u003cem>Seinfeld\u003c/em> is a \"show about nothing,\" in which nobody learns anything, \u003cem>The Big Lebowski\u003c/em>, like many of the Coen brothers' films, is similarly existential: by the end, nothing is accomplished, and The Dude's and Walter's comical meddling has led only to the death of their bowling buddy. Walter knows so little about his friend that he starts ranting about Vietnam in the middle of the eulogy he gives, as if for lack of material. Also like \u003cem>Seinfeld, \u003c/em>the friends go back to doing what they'd always done. This clips omits the scene's final line, \"F--- it, dude. Let's go bowling.\"\u003c/p>\n\u003cp>\u003cem>The Sopranos - \u003c/em>Livia\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/kQrQcAzMb8E\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Early in the third season of \u003cem>The Sopranos\u003c/em>, Tony Soprano's emotionally abusive mother Livia dies. The show killed her off because Nancy Marchand, the actress who played her, passed away, but Livia's death allows the show to continue to emphasize its theme of peoples' inability to change or find closure. Marchand gets one final scene via an awkward use of old footage, something the show could not have gotten away with if they attempted a touching sendoff for Livia. In this clip, Tony's protege Christopher goes off on a stoned tangent about Livia, but trails off at \"What I'm trying to say is...\" He, too, has trouble finding meaning in any of this.\u003c/p>\n\u003cp>\u003cem>The Wire - \u003c/em>D'Angelo Barksdale (language NSFW here also, but what are you doing watching YouTube videos at work without headphones? You have to at least \u003cem>pretend\u003c/em> to work)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/4pazj7Vo-wk\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>D'Angelo, a sympathetic character on the criminal end of things in \u003cem>The Wire\u003c/em>, is killed in prison by an associate of his own gang. Bodie, a member of his crew, is tasked with finding an appropriately gangster flower arrangement for his funeral, and he succeeds. This scene is \u003cem>The Wire\u003c/em> at its wry best, juxtaposing social convention with criminality, and showing Bodie's complexity: he does all this grudgingly and with little respect for D'Angelo, but ultimately comes up with a fitting tribute.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A lot of these scenes take on the absurdity of life and death, even hinting that some of the more grim aspects of existence are senseless and meaningless. This makes them funny, but also depressing. Here are some things we \u003cem>can \u003c/em>learn from the emotionally-ambivalent funeral scene, though: Be ready to honor someone's memory at any time. That means thinking generally good thoughts about people and hanging on to those thoughts, even if it's hard to. Conversely, and this may seem obvious, live a life that will make people want to memorialize you when you're gone, and avoid the kind of people who wouldn't care in the end. What I'm really trying to say is: stay away from the George Costanzas of the world. You might need a Walter in your life at some point, though.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/7087/death-is-complicated-6-emotionally-ambivalent-funeral-scenes","authors":["2422"],"categories":["pop_51","pop_3"],"tags":["pop_685","pop_1059","pop_385","pop_266"],"featImg":"pop_7121","label":"pop"},"pop_4339":{"type":"posts","id":"pop_4339","meta":{"index":"posts_1591205157","site":"pop","id":"4339","score":null,"sort":[1367472441000]},"guestAuthors":[],"slug":"chris-kelly-of-kris-kross-dies","title":"Chris Kelly, of Kris Kross, Dies","publishDate":1367472441,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_4341\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://s3.amazonaws.com/rapgenius/1365767263_kriss-kross.jpg\" rel=\"attachment wp-att-4341\">\u003cimg class=\"size-full wp-image-4341\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/krisskross.jpg\" alt=\"krisskross\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/krisskross.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/krisskross-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kris Kross/Sony\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">Tonight's saddest story is: Chris Kelly, \"Mac Daddy\" of the '90s rap group Kris Cross, \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=180429801\" target=\"_blank\" rel=\"noopener\">died of a possible drug overdose\u003c/a>. He was only 34.\u003c/p>\n\u003cp>I grew up without a TV but even I knew Kris Kross and liked to sing, \"Jump! Jump!\" at every opportunity and wear my pants backwards occasionally, to the consternation of the adults in my life. Really, what an amazing and hilariously tame form of youthful rebellion that Kris Kross cultivated with their signature backwards clothing style. Of course, it was probably a producer somewhere that came up with the idea, since the boys (the group was him and the other Chris, Chris Smith, \"Daddy Mac\") were all of 14 when they hit the scene in 1992. And if he really did die of a drug overdose, then we might want to think about that, what our culture's obsession with kid stars is doing to the kids, seemingly all the time. Whatever happend, 34 is too young to die without it being a tragedy. Tonight Facebook is lit up with this video but if you haven't seen it, watch now. And if you have, watch again. RIP Chris. May we remember your sacrifice when we jump to your song and scream along with the lyrics at weddings and dances for the rest of our lives.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=010KyIQjkTk&w=420&h=315]\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Tonight's saddest story is: Chris Kelly, \"Mac Daddy\" of the '90s rap group Kris Cross, died of a possible drug overdose. He was only 34.","status":"publish","parent":0,"modified":1552198416,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":242},"headData":{"title":"Chris Kelly, of Kris Kross, Dies | KQED","description":"Tonight's saddest story is: Chris Kelly, "Mac Daddy" of the '90s rap group Kris Cross, died of a possible drug overdose. He was only 34.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Chris Kelly, of Kris Kross, Dies","datePublished":"2013-05-02T05:27:21.000Z","dateModified":"2019-03-10T06:13:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"4339 http://blogs.kqed.org/pop/?p=4339","disqusUrl":"https://ww2.kqed.org/pop/2013/05/01/chris-kelly-of-kris-kross-dies/","disqusTitle":"Chris Kelly, of Kris Kross, Dies","path":"/pop/4339/chris-kelly-of-kris-kross-dies","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_4341\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://s3.amazonaws.com/rapgenius/1365767263_kriss-kross.jpg\" rel=\"attachment wp-att-4341\">\u003cimg class=\"size-full wp-image-4341\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/krisskross.jpg\" alt=\"krisskross\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/krisskross.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/krisskross-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kris Kross/Sony\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">Tonight's saddest story is: Chris Kelly, \"Mac Daddy\" of the '90s rap group Kris Cross, \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=180429801\" target=\"_blank\" rel=\"noopener\">died of a possible drug overdose\u003c/a>. He was only 34.\u003c/p>\n\u003cp>I grew up without a TV but even I knew Kris Kross and liked to sing, \"Jump! Jump!\" at every opportunity and wear my pants backwards occasionally, to the consternation of the adults in my life. Really, what an amazing and hilariously tame form of youthful rebellion that Kris Kross cultivated with their signature backwards clothing style. Of course, it was probably a producer somewhere that came up with the idea, since the boys (the group was him and the other Chris, Chris Smith, \"Daddy Mac\") were all of 14 when they hit the scene in 1992. And if he really did die of a drug overdose, then we might want to think about that, what our culture's obsession with kid stars is doing to the kids, seemingly all the time. Whatever happend, 34 is too young to die without it being a tragedy. Tonight Facebook is lit up with this video but if you haven't seen it, watch now. And if you have, watch again. RIP Chris. May we remember your sacrifice when we jump to your song and scream along with the lyrics at weddings and dances for the rest of our lives.\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/010KyIQjkTk'\n title='//www.youtube.com/embed/010KyIQjkTk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/4339/chris-kelly-of-kris-kross-dies","authors":["2130"],"categories":["pop_7","pop_6","pop_56","pop_4"],"tags":["pop_687","pop_685","pop_688","pop_565","pop_26"],"featImg":"pop_4341","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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