Photo: Wiki Commons
Photo: Wiki Commons

Music is a multi-purpose tool. It can help you get over a breakup or resuscitate happy childhood memories or even neurologically bring you out of an Alzheimer’s-induced haze. There’s something about listening to music, singing along to it and creating it that is primal, a full body experience; the senses wake up, hearts are laid out, we feel alive.

During particularly trying times throughout history, this musical power has been harnessed in the form of protest songs that express pain, foster a sense of unity, allow the space to process, and hold up the promise of a better tomorrow. Spirituals like “Sometimes I Feel Like a Motherless Child” and “Go Down, Moses” gave voice to the oppression of 19th century slave life. Billie Holiday’s “Strange Fruit” pushed back against lynching in the 1930s. And the civil rights movement of the 1960s brought out songs about terrible injustice (Bob Dylan’s “The Lonesome Death of Hattie Carroll“) and the hope that it would end (“We Shall Overcome” and Sam Cooke’s “A Change Is Gonna Come“).

The events in Ferguson over the past few weeks have reminded us of the ugly reality of our country: we have made progress, but we still have a long way to go and plenty left to sing about. Inspired by Michael Brown’s murder and the aftermath, J. Cole and Lauryn Hill are separately continuing the tradition of protest music.

In “Be Free,” Cole pairs goosebump-inducing lines like “All we wanna do is take the chains off / All we wanna do is be free” and “…ain’t no gun they can make that could kill my soul” with witness testimony from Michael Brown’s friend. Warning: this will make you cry.

Set to the tune of The Sound of Music‘s “My Favorite Things,” Lauryn Hill’s “Black Rage” isn’t directly about Michael Brown (she’s been performing it since 2012), but she dedicated the song to his memory this week because in a way it is about Michael in that it spells out all the foundational racism that led to his murder being possible.

Martin Luther King famously reassured a nation, “The arc of the moral universe is long, but it bends towards justice.” We will get there someday. Until then, it’s important to have songs like these for the long road ahead.

Author

Emmanuel Hapsis

Emmanuel Hapsis studied creative writing at University of Maryland, College Park and went on to receive his MFA in the field from California College of the Arts. After a few years of odd jobs, he landed at KQED, where he worked his way up from an intern to being the lead producer of a literature podcast and then the creator and editor of KQED Pop. In his free time, he teaches yoga and sings his heart out at karaoke.

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