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She is the co-host of the MindShift podcast and now produces KQED's Bay Curious podcast.","avatar":"https://secure.gravatar.com/avatar/a6a567574dafefa959593925eead665c?s=600&d=blank&r=g","twitter":"kschwart","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["editor"]},{"site":"mindshift","roles":["administrator"]},{"site":"stateofhealth","roles":["author"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Katrina Schwartz | KQED","description":"Producer","ogImgSrc":"https://secure.gravatar.com/avatar/a6a567574dafefa959593925eead665c?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a6a567574dafefa959593925eead665c?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/katrinaschwartz"},"kqed":{"type":"authors","id":"236","meta":{"index":"authors_1591205172","id":"236","found":true},"name":"KQED News Staff","firstName":"KQED News Staff","lastName":null,"slug":"kqed","email":"faq@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":null,"avatar":"https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]},{"site":"news","roles":["editor"]},{"site":"futureofyou","roles":["author"]}],"headData":{"title":"KQED News Staff | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kqed"},"markfiore":{"type":"authors","id":"3236","meta":{"index":"authors_1591205172","id":"3236","found":true},"name":"Mark Fiore","firstName":"Mark","lastName":"Fiore","slug":"markfiore","email":"mark@markfiore.com","display_author_email":false,"staff_mastheads":["news"],"title":"KQED News Cartoonist","bio":"\u003ca href=\"http://www.MarkFiore.com\">MarkFiore.com\u003c/a> | \u003ca href=\"https://twitter.com/markfiore\">Follow on Twitter\u003c/a> | \u003ca href=\"https://www.facebook.com/pages/Mark-Fiore-Animated-Political-Cartoons/94451707396?ref=bookmarks\">Facebook\u003c/a> | \u003ca href=\"mailto:mark@markfiore.com\">email\u003c/a>\r\n\r\nPulitzer Prize-winner, Mark Fiore, who the Wall Street Journal has called “the undisputed guru of the form,” creates animated political cartoons in San Francisco, where his work has been featured regularly on the San Francisco Chronicle’s web site, SFGate.com. His work has appeared on Newsweek.com, Slate.com, CBSNews.com, MotherJones.com, DailyKos.com and NPR’s web site. Fiore’s political animation has appeared on CNN, Frontline, Bill Moyers Journal, Salon.com and cable and broadcast outlets across the globe.\r\n\r\nBeginning his professional life by drawing traditional political cartoons for newspapers, Fiore’s work appeared in publications ranging from the Washington Post to the Los Angeles Times. In the late 1990s, he began to experiment with animating political cartoons and, after a short stint at the San Jose Mercury News as their staff cartoonist, Fiore devoted all his energies to animation.\r\nGrowing up in California, Fiore also spent a good portion of his life in the backwoods of Idaho. It was this combination that shaped him politically. Mark majored in political science at Colorado College, where, in a perfect send-off for a cartoonist, he received his diploma in 1991 as commencement speaker Dick Cheney smiled approvingly.\r\nMark Fiore was awarded the Pulitzer Prize for political cartooning in 2010, a Robert F. Kennedy Journalism Award in 2004 and has twice received an Online Journalism Award for commentary from the Online News Association (2002, 2008). Fiore has received two awards for his work in new media from the National Cartoonists Society (2001, 2002), and in 2006 received The James Madison Freedom of Information Award from The Society of Professional Journalists.","avatar":"https://secure.gravatar.com/avatar/fc4e2a612b15b67bad0c6f0e1db4ca9b?s=600&d=blank&r=g","twitter":"MarkFiore","facebook":null,"instagram":"https://www.instagram.com/markfiore/?hl=en","linkedin":null,"sites":[{"site":"arts","roles":["contributor"]},{"site":"news","roles":["editor"]},{"site":"futureofyou","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Mark Fiore | KQED","description":"KQED News Cartoonist","ogImgSrc":"https://secure.gravatar.com/avatar/fc4e2a612b15b67bad0c6f0e1db4ca9b?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/fc4e2a612b15b67bad0c6f0e1db4ca9b?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/markfiore"},"cveltman":{"type":"authors","id":"8608","meta":{"index":"authors_1591205172","id":"8608","found":true},"name":"Chloe Veltman","firstName":"Chloe","lastName":"Veltman","slug":"cveltman","email":"cveltman@kqed.org","display_author_email":true,"staff_mastheads":["news"],"title":"Arts and Culture Reporter","bio":"Chloe Veltman is a former arts and culture reporter for KQED. Prior to joining the organization, she launched and led the arts bureau at Colorado Public Radio, served as the Bay Area's culture columnist for the New York Times, and was the founder, host and executive producer of VoiceBox, a national award-winning weekly podcast/radio show and live events series all about the human voice. Chloe is the recipient of numerous prizes, grants and fellowships including a Webby Award for her work on interactive storytelling, both the John S Knight Journalism Fellowship and Humanities Center Fellowship at Stanford University, the Sundance Arts Writing Fellowship and a Library of Congress Research Fellowship. She is the author of the book \"On Acting\" and has appeared as a guest lecturer at Yale University and the San Francisco Conservatory of Music among other institutions. She holds a BA in english literature from King's College, Cambridge, and a Masters in Dramaturgy from the Central School of Speech and Drama/Harvard Institute for Advanced Theater Training.\r\n\u003ca href=\"https://www.chloeveltman.com\">www.chloeveltman.com\u003c/a>","avatar":"https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g","twitter":"chloeveltman","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["author"]},{"site":"pop","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Chloe Veltman | KQED","description":"Arts and Culture Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cveltman"},"ecruzguevarra":{"type":"authors","id":"8654","meta":{"index":"authors_1591205172","id":"8654","found":true},"name":"Ericka Cruz Guevarra","firstName":"Ericka","lastName":"Cruz Guevarra","slug":"ecruzguevarra","email":"ecruzguevarra@kqed.org","display_author_email":true,"staff_mastheads":["news"],"title":"Producer, The Bay Podcast","bio":"Ericka Cruz Guevarra is host of \u003ca href=\"https://www.kqed.org/podcasts/thebay\">\u003cem>The Bay\u003c/em>\u003c/a> podcast at KQED. Before host, she was the show’s producer. Her work in that capacity includes a three-part reported series on policing in Vallejo, which won a 2020 excellence in journalism award from the Society of Professional Journalists. Ericka has worked as a breaking news reporter at Oregon Public Broadcasting, helped produce the Code Switch podcast, and was KQED’s inaugural Raul Ramirez Diversity Fund intern. She’s also an alumna of NPR’s Next Generation Radio program. Send her an email if you have strong feelings about whether Fairfield and Suisun City are the Bay.","avatar":"https://secure.gravatar.com/avatar/25e5ab8d3d53fad2dcc7bb2b5c506b1a?s=600&d=blank&r=g","twitter":"NotoriousECG","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["subscriber"]},{"site":"news","roles":["editor"]},{"site":"futureofyou","roles":["subscriber"]},{"site":"stateofhealth","roles":["subscriber"]},{"site":"science","roles":["editor"]},{"site":"forum","roles":["subscriber"]}],"headData":{"title":"Ericka Cruz Guevarra | KQED","description":"Producer, The Bay Podcast","ogImgSrc":"https://secure.gravatar.com/avatar/25e5ab8d3d53fad2dcc7bb2b5c506b1a?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/25e5ab8d3d53fad2dcc7bb2b5c506b1a?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ecruzguevarra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"news","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_11789064":{"type":"posts","id":"news_11789064","meta":{"index":"posts_1591205157","site":"news","id":"11789064","score":null,"sort":[1575284430000]},"guestAuthors":[],"slug":"the-debate-in-s-f-over-representing-women-in-public-art","title":"San Francisco Debates How to Honor Women With Monuments in the Era of Toppling Statues","publishDate":1575284430,"format":"audio","headTitle":"San Francisco Debates How to Honor Women With Monuments in the Era of Toppling Statues | KQED","labelTerm":{},"content":"\u003cp>San Francisco’s Arts Commission wants\u003ca href=\"https://www.kqed.org/arts/13864632/plans-for-maya-angelou-monument-in-san-francisco-face-long-delay\"> a public monument honoring poet Maya Angelou\u003c/a>. It’s part of an effort to fix the fact that just 2 percent of public sculptures in the city honor women. But the commission and the local arts community can’t agree on how Maya Angelou should be represented. The debate has highlighted a rift between people who want to see women represented in the same way men are — through statues — and others who say there’s gotta be a better way to honor women.\u003c/p>\n\u003cp>Guest: \u003ca href=\"https://www.kqed.org/author/cveltman\">Chloe Veltman\u003c/a>, Arts & Culture Reporter for KQED\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1700694650,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":106},"headData":{"title":"San Francisco Debates How to Honor Women With Monuments in the Era of Toppling Statues | KQED","description":"San Francisco's Arts Commission wants a public monument honoring poet Maya Angelou. It's part of an effort to fix the fact that just 2 percent of public sculptures in the city honor women. But the commission and the local arts community can't agree on how Maya Angelou should be represented. The debate has highlighted a","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"San Francisco Debates How to Honor Women With Monuments in the Era of Toppling Statues","datePublished":"2019-12-02T11:00:30.000Z","dateModified":"2023-11-22T23:10:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"The Bay","sourceUrl":"https://www.kqed.org/news/tag/the-bay/","audioUrl":"https://www.kqed.org/.stream/anon/radio/thebay/2019/11/AngelouEdit3Mixdown1.mp3","audioTrackLength":864,"path":"/news/11789064/the-debate-in-s-f-over-representing-women-in-public-art","audioDuration":867000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco’s Arts Commission wants\u003ca href=\"https://www.kqed.org/arts/13864632/plans-for-maya-angelou-monument-in-san-francisco-face-long-delay\"> a public monument honoring poet Maya Angelou\u003c/a>. It’s part of an effort to fix the fact that just 2 percent of public sculptures in the city honor women. But the commission and the local arts community can’t agree on how Maya Angelou should be represented. The debate has highlighted a rift between people who want to see women represented in the same way men are — through statues — and others who say there’s gotta be a better way to honor women.\u003c/p>\n\u003cp>Guest: \u003ca href=\"https://www.kqed.org/author/cveltman\">Chloe Veltman\u003c/a>, Arts & Culture Reporter for KQED\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11789064/the-debate-in-s-f-over-representing-women-in-public-art","authors":["8654","8608"],"programs":["news_28779"],"categories":["news_8","news_33520"],"tags":["news_6384","news_21745","news_22598"],"featImg":"news_11791763","label":"source_news_11789064"},"news_11696174":{"type":"posts","id":"news_11696174","meta":{"index":"posts_1591205157","site":"news","id":"11696174","score":null,"sort":[1538522814000]},"guestAuthors":[],"slug":"an-equality-update","title":"An Equality Update","publishDate":1538522814,"format":"standard","headTitle":"Mark Fiore: Drawn to the Bay | KQED News","labelTerm":{"term":18515,"site":"news"},"content":"\u003cp>The San Francisco Board of Supervisors \u003ca href=\"http://bit.ly/2y8geOF\" target=\"_blank\" rel=\"noopener\">voted unanimously on Tuesday\u003c/a> to mandate that at least 30 percent of historical figures depicted in statues and other artworks on city-owned property be women.\u003c/p>\n\u003cp>Currently, the San Francisco Arts Commission collection of 87 \"sculptural monuments and memorials\" only contains two women: a statue of Sen. Dianne Feinstein inside City Hall, and another of Florence Nightingale outside Laguna Honda Hospital.\u003c/p>\n\u003cp>The first work of public art planned under the new ordinance is a tribute to Maya Angelou, slated to be installed outside San Francisco's Main Library by the end of 2020.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The San Francisco Board of Supervisors voted unanimously Tuesday to mandate that at least 30 percent of historical figures depicted in statues and other artworks on city-owned property be women.","status":"publish","parent":0,"modified":1538522814,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":101},"headData":{"title":"An Equality Update | KQED","description":"The San Francisco Board of Supervisors voted unanimously Tuesday to mandate that at least 30 percent of historical figures depicted in statues and other artworks on city-owned property be women.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"An Equality Update","datePublished":"2018-10-02T23:26:54.000Z","dateModified":"2018-10-02T23:26:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11696174 https://ww2.kqed.org/news/?p=11696174","disqusUrl":"https://ww2.kqed.org/news/2018/10/02/an-equality-update/","disqusTitle":"An Equality Update","path":"/news/11696174/an-equality-update","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Board of Supervisors \u003ca href=\"http://bit.ly/2y8geOF\" target=\"_blank\" rel=\"noopener\">voted unanimously on Tuesday\u003c/a> to mandate that at least 30 percent of historical figures depicted in statues and other artworks on city-owned property be women.\u003c/p>\n\u003cp>Currently, the San Francisco Arts Commission collection of 87 \"sculptural monuments and memorials\" only contains two women: a statue of Sen. Dianne Feinstein inside City Hall, and another of Florence Nightingale outside Laguna Honda Hospital.\u003c/p>\n\u003cp>The first work of public art planned under the new ordinance is a tribute to Maya Angelou, slated to be installed outside San Francisco's Main Library by the end of 2020.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11696174/an-equality-update","authors":["3236"],"series":["news_18515"],"categories":["news_223","news_6188","news_8","news_13"],"tags":["news_22380","news_17921","news_20949","news_6384","news_21745","news_1917"],"featImg":"news_11696192","label":"news_18515"},"news_10431582":{"type":"posts","id":"news_10431582","meta":{"index":"posts_1591205157","site":"news","id":"10431582","score":null,"sort":[1423854228000]},"guestAuthors":[],"slug":"from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black","title":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'","publishDate":1423854228,"format":"video","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>\u003cem>To celebrate Black History Month, we will be highlighting clips from the KQED video archive throughout February. All clips have been made available by the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive at San Francisco State University\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=0pbL5sR9oiM\" target=\"_blank\">above clip\u003c/a> features three excerpts from the series \"Blacks, Blues, Black!\" The material includes Maya Angelou reciting the poem \"A Letter to an Aspiring Junkie,\" a performance and interview she did with legendary blues guitarist B.B. King, and a visit to Martin Luther King School in San Francisco.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">Watch \"Blacks, Blues, Black!\"\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287/\" target=\"_blank\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/bbb-title.jpg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003cp>All ten episodes available online at the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">S.F. Bay Area Television Archive\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223548\" target=\"_blank\">Episode one: \"Positive Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223549\" target=\"_blank\">Episode two: \"Negative Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223550\" target=\"_blank\">Episode three: African history\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223551\" target=\"_blank\">Episode four: Music\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">more\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>In 1968, Maya Angelou wrote and produced a 10-part series for KQED called \"Blacks, Blues, Black!\" The series explored the influence of African-American culture on American society, and featured episodes on African history, art, Africanisms and \"violence in the black American world.\"\u003c/p>\n\u003cp>After airing in the summer of 1968, \"Blacks, Blues, Black!\" was lost and unavailable for decades. Angelou herself had reportedly been searching for the series for years. Her representatives reached out to the Bay Area TV archive as early as 2005 looking for it, but there was no trace of the series there or in any other local archive, including KQED's.\u003c/p>\n\u003cp>In 2009, San Francisco State film archivist Alex Cherian was working on a project for the Corporation for Public Broadcasting, sifting through thousands of cans of film, when he came across one canister with a single handwritten word scribbled on the outside: \"Angelou.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Intrigued, Cherian queued up the film to find the poet touring a neighborhood in Watts, just a few years after the 1965 riots had ripped through that community. In the segment, which Cherian would later learn was part of the ninth episode, Angelou says the conflicts in Watts \"represented a people, a race fighting for survival.\"\u003c/p>\n\u003cp>\"The material was so compelling, I wanted to find the whole series,\" Cherian says. \"I assumed it would be relatively simple. It was not.\"\u003c/p>\n\u003cfigure id=\"attachment_10432277\" class=\"wp-caption alignleft\" style=\"max-width: 445px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state.jpg\">\u003cimg class=\" wp-image-10432277\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state-1440x800.jpg\" alt=\"SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\" width=\"445\" height=\"247\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-400x222.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-800x444.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-672x372.jpg 672w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-1038x576.jpg 1038w\" sizes=\"(max-width: 445px) 100vw, 445px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\u003c/figcaption>\u003c/figure>\n\u003cp>He spent the next four years looking for any information about the series but found virtually nothing. In early 2013, on a whim, he called the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Library of Congress\u003c/a> and learned that they had the entire 10-hour series preserved on \u003ca href=\"http://upload.wikimedia.org/wikipedia/commons/b/b9/2-inch_Quad_Tape_Reel_with_miniDV_cassette.jpg\" target=\"_blank\">two-inch videotape\u003c/a>.\u003c/p>\n\u003cp>So why did the Library have it? To make a long story short, KQED co-produced many films with \u003ca href=\"http://en.wikipedia.org/wiki/National_Educational_Television\" target=\"_blank\">National Educational Television\u003c/a>, a public broadcasting predecessor to PBS in the sixties. When NET dissolved in 1970, a part of their archive including KQED's \"Blacks, Blues, Black!\" was transferred to WNET, New York City's public media affiliate. At some point after that, WNET deposited a small sampling of this inherited archive at the Library of Congress, where it sat untouched for decades.\u003c/p>\n\u003cp>Until Cherian called in 2013.\u003c/p>\n\u003cfigure id=\"attachment_10432274\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king.jpg\">\u003cimg class=\"wp-image-10432274 size-large\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king-1440x1076.jpg\" alt='Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\"' width=\"640\" height=\"478\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-400x299.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-800x598.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\" (KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>After determining that KQED was the copyright holder and securing permission, the Library of Congress agreed to digitize the series, at a cost of close to $5,000. Over the next year, the J. Paul Leonard Library at San Francisco State, where the Bay Area TV Archive is housed, was able to raise the necessary funds, mainly through commercial licensing for Bay Area television stations.\u003c/p>\n\u003cp>At that point, confident that \"Blacks, Blues, Black!\" would finally be made widely available again, Cherian reached out to Maya Angelou's representatives to share the good news. In an email dated May 14, 2014, Angelou's office manager relayed that the poet was \"over the moon\" that the series had been found.\u003c/p>\n\u003cp>Two weeks later, on May 28, Angelou passed away.\u003c/p>\n\u003cp>By that time the hot summer months had set in, and with them another delay. \"It turns out the Library of Congress doesn’t work with old video in the humid season,\" Cherian said. So the restoration process was put on hold until November.\u003c/p>\n\u003cp>Finally, last month, Cherian received the full 10 hours of uncompressed digital masters of \"Blacks, Blues, Black!\" All ten episodes are now freely available \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">online\u003c/a>.\u003c/p>\n\u003cp>According to Cherian, an American Masters documentary film about Dr. Angelou's life, set to be released in 2016 and endorsed by her family, may use some of the unique footage rediscovered in this series.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you have any information regarding \u003cem>\"Blacks, Blues, Black!\"\u003c/em> contact Alex Cherian at acherian@sfsu.edu. All information will be added to the series record within the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The rediscovered series explores the influence of African American culture on American society.","status":"publish","parent":0,"modified":1423871013,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":786},"headData":{"title":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!' | KQED","description":"The rediscovered series explores the influence of African American culture on American society.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'","datePublished":"2015-02-13T19:03:48.000Z","dateModified":"2015-02-13T23:43:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"10431582 http://ww2.kqed.org/news/?p=10431582","disqusUrl":"https://ww2.kqed.org/news/2015/02/13/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black/","disqusTitle":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'","videoEmbed":"http://youtu.be/0pbL5sR9oiM","path":"/news/10431582/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>To celebrate Black History Month, we will be highlighting clips from the KQED video archive throughout February. All clips have been made available by the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive at San Francisco State University\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=0pbL5sR9oiM\" target=\"_blank\">above clip\u003c/a> features three excerpts from the series \"Blacks, Blues, Black!\" The material includes Maya Angelou reciting the poem \"A Letter to an Aspiring Junkie,\" a performance and interview she did with legendary blues guitarist B.B. King, and a visit to Martin Luther King School in San Francisco.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">Watch \"Blacks, Blues, Black!\"\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287/\" target=\"_blank\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/bbb-title.jpg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003cp>All ten episodes available online at the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">S.F. Bay Area Television Archive\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223548\" target=\"_blank\">Episode one: \"Positive Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223549\" target=\"_blank\">Episode two: \"Negative Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223550\" target=\"_blank\">Episode three: African history\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223551\" target=\"_blank\">Episode four: Music\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">more\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>In 1968, Maya Angelou wrote and produced a 10-part series for KQED called \"Blacks, Blues, Black!\" The series explored the influence of African-American culture on American society, and featured episodes on African history, art, Africanisms and \"violence in the black American world.\"\u003c/p>\n\u003cp>After airing in the summer of 1968, \"Blacks, Blues, Black!\" was lost and unavailable for decades. Angelou herself had reportedly been searching for the series for years. Her representatives reached out to the Bay Area TV archive as early as 2005 looking for it, but there was no trace of the series there or in any other local archive, including KQED's.\u003c/p>\n\u003cp>In 2009, San Francisco State film archivist Alex Cherian was working on a project for the Corporation for Public Broadcasting, sifting through thousands of cans of film, when he came across one canister with a single handwritten word scribbled on the outside: \"Angelou.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Intrigued, Cherian queued up the film to find the poet touring a neighborhood in Watts, just a few years after the 1965 riots had ripped through that community. In the segment, which Cherian would later learn was part of the ninth episode, Angelou says the conflicts in Watts \"represented a people, a race fighting for survival.\"\u003c/p>\n\u003cp>\"The material was so compelling, I wanted to find the whole series,\" Cherian says. \"I assumed it would be relatively simple. It was not.\"\u003c/p>\n\u003cfigure id=\"attachment_10432277\" class=\"wp-caption alignleft\" style=\"max-width: 445px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state.jpg\">\u003cimg class=\" wp-image-10432277\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state-1440x800.jpg\" alt=\"SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\" width=\"445\" height=\"247\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-400x222.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-800x444.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-672x372.jpg 672w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-1038x576.jpg 1038w\" sizes=\"(max-width: 445px) 100vw, 445px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\u003c/figcaption>\u003c/figure>\n\u003cp>He spent the next four years looking for any information about the series but found virtually nothing. In early 2013, on a whim, he called the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Library of Congress\u003c/a> and learned that they had the entire 10-hour series preserved on \u003ca href=\"http://upload.wikimedia.org/wikipedia/commons/b/b9/2-inch_Quad_Tape_Reel_with_miniDV_cassette.jpg\" target=\"_blank\">two-inch videotape\u003c/a>.\u003c/p>\n\u003cp>So why did the Library have it? To make a long story short, KQED co-produced many films with \u003ca href=\"http://en.wikipedia.org/wiki/National_Educational_Television\" target=\"_blank\">National Educational Television\u003c/a>, a public broadcasting predecessor to PBS in the sixties. When NET dissolved in 1970, a part of their archive including KQED's \"Blacks, Blues, Black!\" was transferred to WNET, New York City's public media affiliate. At some point after that, WNET deposited a small sampling of this inherited archive at the Library of Congress, where it sat untouched for decades.\u003c/p>\n\u003cp>Until Cherian called in 2013.\u003c/p>\n\u003cfigure id=\"attachment_10432274\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king.jpg\">\u003cimg class=\"wp-image-10432274 size-large\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king-1440x1076.jpg\" alt='Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\"' width=\"640\" height=\"478\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-400x299.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-800x598.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\" (KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>After determining that KQED was the copyright holder and securing permission, the Library of Congress agreed to digitize the series, at a cost of close to $5,000. Over the next year, the J. Paul Leonard Library at San Francisco State, where the Bay Area TV Archive is housed, was able to raise the necessary funds, mainly through commercial licensing for Bay Area television stations.\u003c/p>\n\u003cp>At that point, confident that \"Blacks, Blues, Black!\" would finally be made widely available again, Cherian reached out to Maya Angelou's representatives to share the good news. In an email dated May 14, 2014, Angelou's office manager relayed that the poet was \"over the moon\" that the series had been found.\u003c/p>\n\u003cp>Two weeks later, on May 28, Angelou passed away.\u003c/p>\n\u003cp>By that time the hot summer months had set in, and with them another delay. \"It turns out the Library of Congress doesn’t work with old video in the humid season,\" Cherian said. So the restoration process was put on hold until November.\u003c/p>\n\u003cp>Finally, last month, Cherian received the full 10 hours of uncompressed digital masters of \"Blacks, Blues, Black!\" All ten episodes are now freely available \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">online\u003c/a>.\u003c/p>\n\u003cp>According to Cherian, an American Masters documentary film about Dr. Angelou's life, set to be released in 2016 and endorsed by her family, may use some of the unique footage rediscovered in this series.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you have any information regarding \u003cem>\"Blacks, Blues, Black!\"\u003c/em> contact Alex Cherian at acherian@sfsu.edu. All information will be added to the series record within the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10431582/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black","authors":["188"],"programs":["news_6944"],"categories":["news_223","news_6188","news_8"],"tags":["news_17651","news_6384","news_150"],"featImg":"news_10432275","label":"news_6944"},"news_137511":{"type":"posts","id":"news_137511","meta":{"index":"posts_1591205157","site":"news","id":"137511","score":null,"sort":[1401469783000]},"guestAuthors":[],"slug":"news-pix-california-mourns-santa-barbara-students-and-maya-angelou","title":"News Pix: California Mourns Santa Barbara Students and Maya Angelou","publishDate":1401469783,"format":"aside","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/fire-near-yosemite.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137513\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/fire-near-yosemite-640x450.jpg\" alt=\"fire-near-yosemite\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nThe \u003ca href=\"http://ww2.kqed.org/news/2014/05/27/firefighters-race-to-contain-blaze-burning-west-of-yosemite\" target=\"_blank\">Hunters Fire has burned\u003c/a> close to 700 acres in the Sierra foothills northwest of the town of Mariposa and west of Yosemite. Cal Fire is steadily containing the blaze, but in the process the agency says eight firefighters have been injured, including one crew member who suffered significant injuries in a chainsaw accident. At some points throughout the week, as many as 900 firefighters were on the lines. (Carol Barrentez via Twitter)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/IslaVista.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137515\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/IslaVista-640x449.jpg\" alt=\"US-CRIME-SHOOTING-SCHOOL\" width=\"640\" height=\"449\">\u003c/a>\u003cbr>\nA \u003ca href=\"http://ww2.kqed.org/news/2014/05/26/stabbing-victims-in-isla-vista-killings-were-from-san-jose-fremont/\" target=\"_blank\">deadly shooting spree in Isla Vista\u003c/a>, a student community close to UC Santa Barbara, left seven people dead, including the alleged killer. The three victims stabbed to death in the gunman's apartment were all from the Bay Area. (Robyn Beck/Getty Images)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/UCB-vigil.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137612\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/UCB-vigil-640x450.jpg\" alt=\"UCB-vigil\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nCal students hold candles at a May 28 memorial for those slain in Isla Vista. The entire UC system mourned the tragedy this week. (D.H. Parks/\u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/MayaAngelou.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137516\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/MayaAngelou-640x450.jpg\" alt=\"Maya Angelou Visits The Schomburg Center For Research In Black Culture\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nWriter, political activist, poet and performer \u003ca href=\"http://ww2.kqed.org/news/2014/05/28/maya-angelou-in-san-francisco\" target=\"_blank\">Maya Angelou died Wednesday\u003c/a>, May 28, at the age of 86. Although loved and admired by many across the country, Angelou made a special impact on San Francisco. At the age of 16 she was one of the first African-American streetcar conductors. (Neilson Barnard/Getty Images)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/womens-building.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137614\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/womens-building-640x450.jpg\" alt=\"women's-building\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nThe Women's Building on 18th Street in the Mission District is \u003ca href=\"http://missionlocal.org/2014/05/womens-building-turns-35/\" target=\"_blank\">celebrating 35 years of women's organizing and empowerment\u003c/a>. Owned and operated by women as a space to come together around the issues that affect them, the building has long been a safe space from discrimination and violence. The eye-catching iconic mural adorning the facade is called MaestraPeace and was painted by a group of female muralists 20 years ago. (Mark Rabine/\u003ca href=\"http://missionlocal.org/\" target=\"_blank\">Mission Local\u003c/a>)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/Madeline-chapel.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137514\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/Madeline-chapel-640x450.jpg\" alt=\"Madeline-chapel\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nControversial new language in the contracts of teachers who work at schools that come under the jurisdiction of the Oakland Diocese has provoked an outcry in the East Bay Catholic education community. The \u003ca href=\"http://www.berkeleyside.com/2014/05/27/bishop-controversy/\" target=\"_blank\">contract asks teachers to pledge\u003c/a> to conform to church teachings outside the workplace, and is seen by many as targeting non-heterosexual teachers. The move has prompted some teachers to resign, rather than sign the contract, which, the diocese says, is mandatory. (Natalie Orenstein/\u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\">Berkeleyside\u003c/a>)\u003c/p>\n\n","blocks":[],"excerpt":"The news in photos from around the Bay Area.","status":"publish","parent":0,"modified":1401486507,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":355},"headData":{"title":"News Pix: California Mourns Santa Barbara Students and Maya Angelou | KQED","description":"The news in photos from around the Bay Area.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"News Pix: California Mourns Santa Barbara Students and Maya Angelou","datePublished":"2014-05-30T17:09:43.000Z","dateModified":"2014-05-30T21:48:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"137511 http://ww2.kqed.org/news/?p=137511","disqusUrl":"https://ww2.kqed.org/news/2014/05/30/news-pix-california-mourns-santa-barbara-students-and-maya-angelou/","disqusTitle":"News Pix: California Mourns Santa Barbara Students and Maya Angelou","customPermalink":"news-pix-yosemite-fire-Isla-Vista-Maya-Angelou/","path":"/news/137511/news-pix-california-mourns-santa-barbara-students-and-maya-angelou","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/fire-near-yosemite.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137513\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/fire-near-yosemite-640x450.jpg\" alt=\"fire-near-yosemite\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nThe \u003ca href=\"http://ww2.kqed.org/news/2014/05/27/firefighters-race-to-contain-blaze-burning-west-of-yosemite\" target=\"_blank\">Hunters Fire has burned\u003c/a> close to 700 acres in the Sierra foothills northwest of the town of Mariposa and west of Yosemite. Cal Fire is steadily containing the blaze, but in the process the agency says eight firefighters have been injured, including one crew member who suffered significant injuries in a chainsaw accident. At some points throughout the week, as many as 900 firefighters were on the lines. (Carol Barrentez via Twitter)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/IslaVista.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137515\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/IslaVista-640x449.jpg\" alt=\"US-CRIME-SHOOTING-SCHOOL\" width=\"640\" height=\"449\">\u003c/a>\u003cbr>\nA \u003ca href=\"http://ww2.kqed.org/news/2014/05/26/stabbing-victims-in-isla-vista-killings-were-from-san-jose-fremont/\" target=\"_blank\">deadly shooting spree in Isla Vista\u003c/a>, a student community close to UC Santa Barbara, left seven people dead, including the alleged killer. The three victims stabbed to death in the gunman's apartment were all from the Bay Area. (Robyn Beck/Getty Images)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/UCB-vigil.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137612\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/UCB-vigil-640x450.jpg\" alt=\"UCB-vigil\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nCal students hold candles at a May 28 memorial for those slain in Isla Vista. The entire UC system mourned the tragedy this week. (D.H. Parks/\u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/MayaAngelou.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137516\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/MayaAngelou-640x450.jpg\" alt=\"Maya Angelou Visits The Schomburg Center For Research In Black Culture\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nWriter, political activist, poet and performer \u003ca href=\"http://ww2.kqed.org/news/2014/05/28/maya-angelou-in-san-francisco\" target=\"_blank\">Maya Angelou died Wednesday\u003c/a>, May 28, at the age of 86. Although loved and admired by many across the country, Angelou made a special impact on San Francisco. At the age of 16 she was one of the first African-American streetcar conductors. (Neilson Barnard/Getty Images)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/womens-building.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137614\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/womens-building-640x450.jpg\" alt=\"women's-building\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nThe Women's Building on 18th Street in the Mission District is \u003ca href=\"http://missionlocal.org/2014/05/womens-building-turns-35/\" target=\"_blank\">celebrating 35 years of women's organizing and empowerment\u003c/a>. Owned and operated by women as a space to come together around the issues that affect them, the building has long been a safe space from discrimination and violence. The eye-catching iconic mural adorning the facade is called MaestraPeace and was painted by a group of female muralists 20 years ago. (Mark Rabine/\u003ca href=\"http://missionlocal.org/\" target=\"_blank\">Mission Local\u003c/a>)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/Madeline-chapel.jpg\">\u003cimg class=\"aligncenter size-medium wp-image-137514\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/05/Madeline-chapel-640x450.jpg\" alt=\"Madeline-chapel\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nControversial new language in the contracts of teachers who work at schools that come under the jurisdiction of the Oakland Diocese has provoked an outcry in the East Bay Catholic education community. The \u003ca href=\"http://www.berkeleyside.com/2014/05/27/bishop-controversy/\" target=\"_blank\">contract asks teachers to pledge\u003c/a> to conform to church teachings outside the workplace, and is seen by many as targeting non-heterosexual teachers. The move has prompted some teachers to resign, rather than sign the contract, which, the diocese says, is mandatory. (Natalie Orenstein/\u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\">Berkeleyside\u003c/a>)\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/137511/news-pix-california-mourns-santa-barbara-students-and-maya-angelou","authors":["234"],"programs":["news_6944"],"categories":["news_8"],"tags":["news_1177","news_212","news_6374","news_6384"],"featImg":"news_137514","label":"news_6944"},"news_137375":{"type":"posts","id":"news_137375","meta":{"index":"posts_1591205157","site":"news","id":"137375","score":null,"sort":[1401325156000]},"guestAuthors":[],"slug":"video-kqeds-belva-davis-recalls-her-friendship-with-maya-angelou","title":"Video: KQED's Belva Davis Recalls Her Friendship with Maya Angelou","publishDate":1401325156,"format":"aside","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003caside class=\"aligncenter\">[youtube http://www.youtube.com/watch?v=LX49I7y6SdU&w=640&h=360]\u003c/aside>\n\u003cp>\u003cstrong> By Olivia Allen-Price and Mina Kim\u003c/strong>\u003c/p>\n\u003cp>Poet and author Maya Angelou spent many formative years in San Francisco after moving here with her family from Arkansas. She studied drama at the California Labor School and, as a teen, was among the first black females to work as a streetcar conductor. She even produced and narrated a documentary series for KQED in 1968 called \u003ca href=\"https://diva.sfsu.edu/bundles/188781\" target=\"_blank\">\"Blacks, Blues, Black!\"\u003c/a>\u003c/p>\n\u003cp>Veteran KQED journalist Belva Davis was a good friend of Maya Angelou. The two met decades ago, as Davis' career was just beginning in news reporting. Of the many memories the two shared, Davis fondly remembers the parties Angelou would throw with another Bay Area friend, writer Jessica (Decca) Mitford. Angelou easily slipped into the role of hostess.\u003c/p>\n\u003cp>[contextly_sidebar id=\"6f66a62aaa0a8aaf3da1c21f58201ce5\"]\u003c/p>\n\u003cp>\"They would come dressed to the nines to their own party with handbags and sometimes even a glove in hand. They would walk around as if they were an invited guest,\" said Davis. \"They said they were [an invited guest] by then because they had already done the work.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Over the years, Davis would often turn to Angelou for advice, particularly on her career as a journalist. A shy person by nature, Davis was empowered by Angelou to be proud when she had done good work.\u003c/p>\n\u003cp>\"I wouldn't have gotten anywhere without friends like her,\" said Davis. \"[She was always] telling me the best I could do was the best I could do. When I was doing the best I could do, be happy with that.\"\u003c/p>\n\u003cp>Angelou was also someone to whom friends would turn for advice on their relationships. Davis credits Angelou with helping to guide her to marry her husband, Bill Moore, who she's been with for 50 years. During their phone calls, Angelou would often ask about Bill, allowing Davis to express whatever was affecting their relationship at the moment.\u003c/p>\n\u003cp>\"When you're really at the depths of not even being able to express yourself, you almost need a partner, a listener, to help guide you out,\" said Davis. \"She's really guided me out of many difficult things.\"\u003c/p>\n\u003cp>When Davis hosted her last show for \"This Week in Northern California\" 18 months ago, she \u003ca href=\"https://www.youtube.com/watch?v=rHWuSrCU_X0\" target=\"_blank\">interviewed Angelou on the importance of friendship\u003c/a>. To some, it was an unusual way to cap off a long career in journalism. But for Davis, it was an important tribute to a person who helped her accomplish what she had.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Davis last saw Angelou in April, at the unveiling of Angelou's portrait at the National Portrait Gallery in Washington, D.C. Despite being in a wheelchair and having recently had a problem with her heart, Angelou commanded the attention of the room with her speech and singing, Davis said. Even in old age, a perfect hostess.\u003c/p>\n\n","blocks":[],"excerpt":"Veteran journalist remembers the parties, advice and confidence instilled by the poet, who is dead at 86.","status":"publish","parent":0,"modified":1412121725,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":483},"headData":{"title":"Video: KQED's Belva Davis Recalls Her Friendship with Maya Angelou | KQED","description":"Veteran journalist remembers the parties, advice and confidence instilled by the poet, who is dead at 86.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Video: KQED's Belva Davis Recalls Her Friendship with Maya Angelou","datePublished":"2014-05-29T00:59:16.000Z","dateModified":"2014-10-01T00:02:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"137375 http://ww2.kqed.org/news/?p=137375","disqusUrl":"https://ww2.kqed.org/news/2014/05/28/video-kqeds-belva-davis-recalls-her-friendship-with-maya-angelou/","disqusTitle":"Video: KQED's Belva Davis Recalls Her Friendship with Maya Angelou","customPermalink":"2014/05/28/belva-davis-recalls-friendship-with-maya-angelou/","path":"/news/137375/video-kqeds-belva-davis-recalls-her-friendship-with-maya-angelou","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LX49I7y6SdU'\n title='//www.youtube.com/embed/LX49I7y6SdU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/aside>\n\u003cp>\u003cstrong> By Olivia Allen-Price and Mina Kim\u003c/strong>\u003c/p>\n\u003cp>Poet and author Maya Angelou spent many formative years in San Francisco after moving here with her family from Arkansas. She studied drama at the California Labor School and, as a teen, was among the first black females to work as a streetcar conductor. She even produced and narrated a documentary series for KQED in 1968 called \u003ca href=\"https://diva.sfsu.edu/bundles/188781\" target=\"_blank\">\"Blacks, Blues, Black!\"\u003c/a>\u003c/p>\n\u003cp>Veteran KQED journalist Belva Davis was a good friend of Maya Angelou. The two met decades ago, as Davis' career was just beginning in news reporting. Of the many memories the two shared, Davis fondly remembers the parties Angelou would throw with another Bay Area friend, writer Jessica (Decca) Mitford. Angelou easily slipped into the role of hostess.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"They would come dressed to the nines to their own party with handbags and sometimes even a glove in hand. They would walk around as if they were an invited guest,\" said Davis. \"They said they were [an invited guest] by then because they had already done the work.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Over the years, Davis would often turn to Angelou for advice, particularly on her career as a journalist. A shy person by nature, Davis was empowered by Angelou to be proud when she had done good work.\u003c/p>\n\u003cp>\"I wouldn't have gotten anywhere without friends like her,\" said Davis. \"[She was always] telling me the best I could do was the best I could do. When I was doing the best I could do, be happy with that.\"\u003c/p>\n\u003cp>Angelou was also someone to whom friends would turn for advice on their relationships. Davis credits Angelou with helping to guide her to marry her husband, Bill Moore, who she's been with for 50 years. During their phone calls, Angelou would often ask about Bill, allowing Davis to express whatever was affecting their relationship at the moment.\u003c/p>\n\u003cp>\"When you're really at the depths of not even being able to express yourself, you almost need a partner, a listener, to help guide you out,\" said Davis. \"She's really guided me out of many difficult things.\"\u003c/p>\n\u003cp>When Davis hosted her last show for \"This Week in Northern California\" 18 months ago, she \u003ca href=\"https://www.youtube.com/watch?v=rHWuSrCU_X0\" target=\"_blank\">interviewed Angelou on the importance of friendship\u003c/a>. To some, it was an unusual way to cap off a long career in journalism. But for Davis, it was an important tribute to a person who helped her accomplish what she had.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Davis last saw Angelou in April, at the unveiling of Angelou's portrait at the National Portrait Gallery in Washington, D.C. Despite being in a wheelchair and having recently had a problem with her heart, Angelou commanded the attention of the room with her speech and singing, Davis said. Even in old age, a perfect hostess.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/137375/video-kqeds-belva-davis-recalls-her-friendship-with-maya-angelou","authors":["236"],"programs":["news_6944"],"categories":["news_8"],"tags":["news_6384"],"featImg":"news_137332","label":"news_6944"},"news_137321":{"type":"posts","id":"news_137321","meta":{"index":"posts_1591205157","site":"news","id":"137321","score":null,"sort":[1401294147000]},"guestAuthors":[],"slug":"maya-angelou-remembering-a-cultural-giants-life-in-san-francisco","title":"Maya Angelou: Remembering a Cultural Giant's Life in San Francisco","publishDate":1401294147,"format":"video","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>\u003cstrong>By Olivia Allen-Price and Dan Brekke\u003c/strong>\u003c/p>\n\u003cp>When veteran KQED journalist Belva Davis bowed out of her longtime post as host of \"This Week in Northern California\" 18 months ago, she asked her longtime friend Maya Angelou to sum up the importance of enduring relationships and friendship.\u003c/p>\n\u003cp>Davis visited Angelou, then 84, at her home in North Carolina. She talked about the literature that mattered most to her, from Shakespeare to Amiri Baraka, and recapped her career as entertainer, novelist, poet and cultural inspiration. That arc brought her at one point to KQED, where in 1968 she wrote, produced and narrated a documentary series called \"Blacks, Blues, Black!\"\u003c/p>\n\u003cp>As the Associated Press recounts, San Francisco was an important part of Angelou's early life, too:\u003c/p>\n\u003cblockquote>\u003cp>Her very name as an adult was a reinvention. Angelou was born Marguerite Johnson in St. Louis and raised in Stamps, Arkansas, and San Francisco, moving back and forth between her parents and her grandmother. She was smart and fresh to the point of danger, packed off by her family to California after sassing a white store clerk in Arkansas. Other times, she didn't speak at all: At age 7, she was raped by her mother's boyfriend and didn't talk for years. She learned by reading, and listening.\u003c/p>\n\u003cp>...At age 9, she was writing poetry. By 17, she was a single mother. In her early 20s, she danced at a strip joint, ran a brothel, was married, and then divorced. But by her mid-20s, she was performing at the Purple Onion in San Francisco, where she shared billing with another future star, Phyllis Diller. She also spent a few days with Billie Holiday, who was kind enough to sing a lullaby to Angelou's son, Guy, surly enough to heckle her off the stage and astute enough to tell her: \"You're going to be famous. But it won't be for singing.\"\u003c/p>\u003c/blockquote>\n\u003cp>WNYC (yes, a New York public media outlet beating us to the punch) relates Angelou's story of being the city's first African-American streetcar conductor:\u003c/p>\n\u003cblockquote>\u003cp>Angelou ... also has a place in civil rights transportation history: At the age of 16, she said she became San Francisco's first black streetcar conductor.\u003c/p>\n\u003cp>In an interview with Oprah Winfrey, she said \"I loved the uniforms. So I said, 'That's the job I want!' \"\u003c/p>\n\u003cp>But when she applied for the job, at first the office wouldn't give her an application. On the advice of her mother, she essentially staged a sit-in.\u003c/p>\n\u003cp>\"I sat there (at the office) for two weeks, every day. And then after two weeks, a man came out of his office and said, 'Come here.' And he asked me 'why do you want the job?' I said, 'I like the uniforms.' And I said, 'And I like people.' And so I got the job.\"\u003c/p>\u003c/blockquote>\n\u003cp>That would have been around 1944. Angela also told Winfrey that her mother kept a watchful eye on the brand-new streetcar conductor when she began her first run every morning:\u003c/p>\n\u003cblockquote>\u003cp>She would drive me out to the beach, and she would have her pistol on the seat of the car, and she would follow the streetcar all the way from the beach to the Ferry Building, right through San Francisco, and back again out to the beach, until daybreak. I mean, stayed close so that nobody got on that she didn't see. ...\u003c/p>\u003c/blockquote>\n\u003cp>Muni said last year that \"anecdotal evidence we’ve gathered over the years indicate several African-Americans found employment on the streetcars a little earlier than Dr. Angelou,\" but added that that didn't diminish the 16-year-old's accomplishment in getting the job. Here is Muni's link to Angelou's story, complete with a video of the \"Oprah\" appearance: \"\u003ca href=\"http://www.streetcar.org/blog/2013/05/maya-angelou-and-market-street-railway.html\" target=\"_blank\">Maya Angelou and the Market Street Railway\u003c/a>.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In her interview with Belva Davis, Angelou declared she had a firm notion of life's cardinal virtue:\u003c/p>\n\u003cblockquote>\u003cp>I owe it to another to say what I've learned. I think each one of us lives in direct relation to the heroes and sheroes we have, always and in all ways. And you have to have enough courage to be a hero/shero. Courage is the most important of all the virtues, because without courage you can't practice any of the other virtues consistently; you can be anything erratically — kind, fair, true, generous, blah, blah, blah. But to be that thing time after time, you have to have courage.\u003c/p>\u003c/blockquote>\n\n","blocks":[],"excerpt":"For the poet and novelist, courage was a cardinal virtue, a lesson learned in part during her life here.","status":"publish","parent":0,"modified":1471544469,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":758},"headData":{"title":"Maya Angelou: Remembering a Cultural Giant's Life in San Francisco | KQED","description":"For the poet and novelist, courage was a cardinal virtue, a lesson learned in part during her life here.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Maya Angelou: Remembering a Cultural Giant's Life in San Francisco","datePublished":"2014-05-28T16:22:27.000Z","dateModified":"2016-08-18T18:21:09.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"137321 http://ww2.kqed.org/news/?p=137321","disqusUrl":"https://ww2.kqed.org/news/2014/05/28/maya-angelou-remembering-a-cultural-giants-life-in-san-francisco/","disqusTitle":"Maya Angelou: Remembering a Cultural Giant's Life in San Francisco","videoEmbed":"https://www.youtube.com/watch?v=rHWuSrCU_X0","customPermalink":"2014/05/28/maya-angelou-in-san-francisco/","path":"/news/137321/maya-angelou-remembering-a-cultural-giants-life-in-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Olivia Allen-Price and Dan Brekke\u003c/strong>\u003c/p>\n\u003cp>When veteran KQED journalist Belva Davis bowed out of her longtime post as host of \"This Week in Northern California\" 18 months ago, she asked her longtime friend Maya Angelou to sum up the importance of enduring relationships and friendship.\u003c/p>\n\u003cp>Davis visited Angelou, then 84, at her home in North Carolina. She talked about the literature that mattered most to her, from Shakespeare to Amiri Baraka, and recapped her career as entertainer, novelist, poet and cultural inspiration. That arc brought her at one point to KQED, where in 1968 she wrote, produced and narrated a documentary series called \"Blacks, Blues, Black!\"\u003c/p>\n\u003cp>As the Associated Press recounts, San Francisco was an important part of Angelou's early life, too:\u003c/p>\n\u003cblockquote>\u003cp>Her very name as an adult was a reinvention. Angelou was born Marguerite Johnson in St. Louis and raised in Stamps, Arkansas, and San Francisco, moving back and forth between her parents and her grandmother. She was smart and fresh to the point of danger, packed off by her family to California after sassing a white store clerk in Arkansas. Other times, she didn't speak at all: At age 7, she was raped by her mother's boyfriend and didn't talk for years. She learned by reading, and listening.\u003c/p>\n\u003cp>...At age 9, she was writing poetry. By 17, she was a single mother. In her early 20s, she danced at a strip joint, ran a brothel, was married, and then divorced. But by her mid-20s, she was performing at the Purple Onion in San Francisco, where she shared billing with another future star, Phyllis Diller. She also spent a few days with Billie Holiday, who was kind enough to sing a lullaby to Angelou's son, Guy, surly enough to heckle her off the stage and astute enough to tell her: \"You're going to be famous. But it won't be for singing.\"\u003c/p>\u003c/blockquote>\n\u003cp>WNYC (yes, a New York public media outlet beating us to the punch) relates Angelou's story of being the city's first African-American streetcar conductor:\u003c/p>\n\u003cblockquote>\u003cp>Angelou ... also has a place in civil rights transportation history: At the age of 16, she said she became San Francisco's first black streetcar conductor.\u003c/p>\n\u003cp>In an interview with Oprah Winfrey, she said \"I loved the uniforms. So I said, 'That's the job I want!' \"\u003c/p>\n\u003cp>But when she applied for the job, at first the office wouldn't give her an application. On the advice of her mother, she essentially staged a sit-in.\u003c/p>\n\u003cp>\"I sat there (at the office) for two weeks, every day. And then after two weeks, a man came out of his office and said, 'Come here.' And he asked me 'why do you want the job?' I said, 'I like the uniforms.' And I said, 'And I like people.' And so I got the job.\"\u003c/p>\u003c/blockquote>\n\u003cp>That would have been around 1944. Angela also told Winfrey that her mother kept a watchful eye on the brand-new streetcar conductor when she began her first run every morning:\u003c/p>\n\u003cblockquote>\u003cp>She would drive me out to the beach, and she would have her pistol on the seat of the car, and she would follow the streetcar all the way from the beach to the Ferry Building, right through San Francisco, and back again out to the beach, until daybreak. I mean, stayed close so that nobody got on that she didn't see. ...\u003c/p>\u003c/blockquote>\n\u003cp>Muni said last year that \"anecdotal evidence we’ve gathered over the years indicate several African-Americans found employment on the streetcars a little earlier than Dr. Angelou,\" but added that that didn't diminish the 16-year-old's accomplishment in getting the job. Here is Muni's link to Angelou's story, complete with a video of the \"Oprah\" appearance: \"\u003ca href=\"http://www.streetcar.org/blog/2013/05/maya-angelou-and-market-street-railway.html\" target=\"_blank\">Maya Angelou and the Market Street Railway\u003c/a>.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In her interview with Belva Davis, Angelou declared she had a firm notion of life's cardinal virtue:\u003c/p>\n\u003cblockquote>\u003cp>I owe it to another to say what I've learned. I think each one of us lives in direct relation to the heroes and sheroes we have, always and in all ways. And you have to have enough courage to be a hero/shero. Courage is the most important of all the virtues, because without courage you can't practice any of the other virtues consistently; you can be anything erratically — kind, fair, true, generous, blah, blah, blah. But to be that thing time after time, you have to have courage.\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/137321/maya-angelou-remembering-a-cultural-giants-life-in-san-francisco","authors":["236"],"programs":["news_6944"],"categories":["news_223"],"tags":["news_1698","news_6384","news_38"],"featImg":"news_137332","label":"news_6944"},"arts_10136795":{"type":"posts","id":"arts_10136795","meta":{"index":"posts_1591205157","site":"arts","id":"10136795","score":null,"sort":[1401290798000]},"guestAuthors":[],"slug":"maya-angelou-poet-activist-and-singular-storyteller-dies-at-86","title":"Maya Angelou, Poet, Activist And Singular Storyteller, Dies At 86","publishDate":1401290798,"format":"aside","headTitle":"Maya Angelou, Poet, Activist And Singular Storyteller, Dies At 86 | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_10136810\" class=\"wp-caption alignleft\" style=\"max-width: 505px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/angelou2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/angelou2.jpg\" alt=\"Angelou became Hollywood’s first black female movie director on Nov. 3, 1971. She also wrote the script and music for Caged Bird, which was based on her best-selling 1969 autobiography. She had been a professional singer, dancer, writer, composer, poet, lecturer, editor and San Francisco streetcar conductor; Source: NPR\" width=\"505\" height=\"746\" class=\"size-full wp-image-10136810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/angelou2.jpg 505w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/angelou2-400x590.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/angelou2-203x300.jpg 203w\" sizes=\"(max-width: 505px) 100vw, 505px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Angelou became Hollywood’s first black female movie director on Nov. 3, 1971. She also wrote the script and music for Caged Bird, which was based on her best-selling 1969 autobiography. She had been a professional singer, dancer, writer, composer, poet, lecturer, editor and San Francisco streetcar conductor; Source: NPR\u003c/figcaption>\u003c/figure>\n\u003cp>Poet, performer and political activist Maya Angelou has died after a long illness at her home in Winston-Salem, N.C. She was 86. Born in St. Louis in 1928, Angelou grew up in a segregated society that she worked to change during the civil rights era. Angelou, who refused to speak for much of her childhood, revealed the scars of her past in \u003cem>I Know Why the Caged Bird Sings\u003c/em>, the first of a series of memoirs.\u003c/p>\n\u003cp>Growing up in St. Louis, Mo., and Stamps, Ark., she was Marguerite Johnson. It was her brother who first called her Maya, and the name stuck. Later she added the Angelou, a version of her first husband’s name.\u003c/p>\n\u003cp>Angelou left a troubled childhood and the segregated world of Arkansas behind and began a career as a dancer and singer. She toured Europe in the1950s with a production of \u003cem>Porgy and Bess\u003c/em>, studied dance with Martha Graham and performed with Alvin Ailey on television. In 1957 she recorded an album called “Calypso Lady.”\u003c/p>\n\u003cp>“I was known as Miss Calypso, and when I’d forget the lyric, I would tell the audience, ‘I seem to have forgotten the lyric. Now I will dance.’ And I would move around a bit,” she recalled with a laugh during a 2008 interview with NPR.\u003c/p>\n\u003cp>“She really believed that life was a banquet,” says Patrik Henry Bass, an editor at \u003cem>Essence Magazine\u003c/em>. When he read Angelou’s memoir \u003cem>I Know Why the Caged Bird Sings\u003c/em>, he saw parallels in his own life in a small town in North Carolina. He says everyone in the African-American community looked up to her; she was a celebrity but she was one of them. He remembers seeing her on television and hearing her speak.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When we think of her, we often think about her books, of course, and her poems,” he says. “But in the African-American community, certainly, we heard so much of her work recited, so I think about her voice. You would hear that voice, and that voice would capture a humanity, and that voice would calm you in so many ways through some of the most significant challenges.”\u003c/p>\n\u003cp>Film director John Singleton grew up in a very different part of the country. But he remembers the effect Angelou’s poem “\u003ca href=\"http://www.poets.org/viewmedia.php/prmMID/15623\" target=\"_blank\" rel=\"noopener\">Still I Rise\u003c/a>” had on him as a kid. It begins:\u003c/p>\n\u003cp>You may write me down in history\u003cbr>With your bitter, twisted lies,\u003cbr>You may trod me in the very dirt\u003cbr>But still, like dust, I’ll rise.\u003c/p>\n\u003cp>“I come from South Central Los Angeles,” he says. It’s “a place where we learn to puff up our chests to make ourselves bigger than we are because we have so many forces knocking us down — including some of our own. And so that poem … it pumps me up, you know. … It makes me feel better about myself, or at least made me feel better about myself when I was young.”\u003c/p>\n\u003cp>Singleton used Angelou’s poems in his 1993 film \u003cem>Poetic Justice\u003c/em>. Angelou also had a small part in the movie. Singleton says he thinks of Angelou as a \u003cem>griot\u003c/em> — a traditional African storyteller.\u003c/p>\n\u003cp>“We all have that one or two people in our families that just can spin a yarn, that has a whole lot to say, and holds a lot of wisdom from walking through the world and experiencing different things,” he says. “And that’s the way I see Dr. Maya Angelou. She was a contemporary of Martin Luther King, a contemporary of Malcolm X and Oprah Winfrey. She transcends so many different generations of African-American culture that have affected all of us.”\u003c/p>\n\u003cp>Joanne Braxton, a professor at the College of William and Mary, says Angelou’s willingness to reveal the sexual abuse she suffered as a child in \u003cem>I Know Why the Caged Bird Sings\u003c/em> was unprecedented at the time. The critical acclaim and popularity of the book opened doors for both African-American and female writers.\u003c/p>\n\u003cp>“Maya Angelou brought about a paradigm shift in American literature and culture,” Braxton says, “so that the works, the gifts, the talents of women writers, including women writers of color, could be brought to the foreground and appreciated. She created an audience by her stunning example.”\u003c/p>\n\u003cp>For Braxton, the world will never be quite the same without Angelou.\u003c/p>\n\u003cp>“I love her,” she says. “She’s beloved by many, including many, many people who have never met her in person, and who will never meet her in person — but she has extended herself that way, so that her touch extends beyond her physical embrace. That is truly a gift, and we are truly blessed to have known her through her presence and her work.”\u003c/p>\n\u003cp>Angelou once said she believed that “life loves the liver of it,” and she did live it, to the fullest. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch Belva Davis’ 2012 \u003ci>This Week in Northern California\u003c/i> tribute to Angelou:\u003cbr>\nhttp://youtu.be/rHWuSrCU_X0\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2014 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Maya+Angelou%2C+Poet%2C+Activist+And+Singular+Storyteller%2C+Dies+At+86&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"Angelou refused to speak for much of her childhood and revealed the scars of her past in her groundbreaking memoir, \u003cem>I Know Why the Caged Bird Sings. \u003c/em> She opened doors for black and female writers.","status":"publish","parent":0,"modified":1705048862,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":935},"headData":{"title":"Maya Angelou, Poet, Activist And Singular Storyteller, Dies At 86 | KQED","description":"Angelou refused to speak for much of her childhood and revealed the scars of her past in her groundbreaking memoir, I Know Why the Caged Bird Sings. She opened doors for black and female writers.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Maya Angelou, Poet, Activist And Singular Storyteller, Dies At 86","datePublished":"2014-05-28T15:26:38.000Z","dateModified":"2024-01-12T08:41:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Lynn Neary","nprStoryId":"147369802","nprApiLink":"http://api.npr.org/query?id=147369802&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"http://www.npr.org/blogs/thetwo-way/2014/05/28/147369802/maya-angelou-poet-activist-and-singular-storyteller-dies-at-86?ft=3&f=147369802","nprRetrievedStory":"1","nprPubDate":"Wed, 28 May 2014 10:06:00 -0400","nprStoryDate":"Wed, 28 May 2014 09:41:00 -0400","nprLastModifiedDate":"Wed, 28 May 2014 10:06:42 -0400","path":"/arts/10136795/maya-angelou-poet-activist-and-singular-storyteller-dies-at-86","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_10136810\" class=\"wp-caption alignleft\" style=\"max-width: 505px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/angelou2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/angelou2.jpg\" alt=\"Angelou became Hollywood’s first black female movie director on Nov. 3, 1971. She also wrote the script and music for Caged Bird, which was based on her best-selling 1969 autobiography. She had been a professional singer, dancer, writer, composer, poet, lecturer, editor and San Francisco streetcar conductor; Source: NPR\" width=\"505\" height=\"746\" class=\"size-full wp-image-10136810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/angelou2.jpg 505w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/angelou2-400x590.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/angelou2-203x300.jpg 203w\" sizes=\"(max-width: 505px) 100vw, 505px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Angelou became Hollywood’s first black female movie director on Nov. 3, 1971. She also wrote the script and music for Caged Bird, which was based on her best-selling 1969 autobiography. She had been a professional singer, dancer, writer, composer, poet, lecturer, editor and San Francisco streetcar conductor; Source: NPR\u003c/figcaption>\u003c/figure>\n\u003cp>Poet, performer and political activist Maya Angelou has died after a long illness at her home in Winston-Salem, N.C. She was 86. Born in St. Louis in 1928, Angelou grew up in a segregated society that she worked to change during the civil rights era. Angelou, who refused to speak for much of her childhood, revealed the scars of her past in \u003cem>I Know Why the Caged Bird Sings\u003c/em>, the first of a series of memoirs.\u003c/p>\n\u003cp>Growing up in St. Louis, Mo., and Stamps, Ark., she was Marguerite Johnson. It was her brother who first called her Maya, and the name stuck. Later she added the Angelou, a version of her first husband’s name.\u003c/p>\n\u003cp>Angelou left a troubled childhood and the segregated world of Arkansas behind and began a career as a dancer and singer. She toured Europe in the1950s with a production of \u003cem>Porgy and Bess\u003c/em>, studied dance with Martha Graham and performed with Alvin Ailey on television. In 1957 she recorded an album called “Calypso Lady.”\u003c/p>\n\u003cp>“I was known as Miss Calypso, and when I’d forget the lyric, I would tell the audience, ‘I seem to have forgotten the lyric. Now I will dance.’ And I would move around a bit,” she recalled with a laugh during a 2008 interview with NPR.\u003c/p>\n\u003cp>“She really believed that life was a banquet,” says Patrik Henry Bass, an editor at \u003cem>Essence Magazine\u003c/em>. When he read Angelou’s memoir \u003cem>I Know Why the Caged Bird Sings\u003c/em>, he saw parallels in his own life in a small town in North Carolina. He says everyone in the African-American community looked up to her; she was a celebrity but she was one of them. He remembers seeing her on television and hearing her speak.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When we think of her, we often think about her books, of course, and her poems,” he says. “But in the African-American community, certainly, we heard so much of her work recited, so I think about her voice. You would hear that voice, and that voice would capture a humanity, and that voice would calm you in so many ways through some of the most significant challenges.”\u003c/p>\n\u003cp>Film director John Singleton grew up in a very different part of the country. But he remembers the effect Angelou’s poem “\u003ca href=\"http://www.poets.org/viewmedia.php/prmMID/15623\" target=\"_blank\" rel=\"noopener\">Still I Rise\u003c/a>” had on him as a kid. It begins:\u003c/p>\n\u003cp>You may write me down in history\u003cbr>With your bitter, twisted lies,\u003cbr>You may trod me in the very dirt\u003cbr>But still, like dust, I’ll rise.\u003c/p>\n\u003cp>“I come from South Central Los Angeles,” he says. It’s “a place where we learn to puff up our chests to make ourselves bigger than we are because we have so many forces knocking us down — including some of our own. And so that poem … it pumps me up, you know. … It makes me feel better about myself, or at least made me feel better about myself when I was young.”\u003c/p>\n\u003cp>Singleton used Angelou’s poems in his 1993 film \u003cem>Poetic Justice\u003c/em>. Angelou also had a small part in the movie. Singleton says he thinks of Angelou as a \u003cem>griot\u003c/em> — a traditional African storyteller.\u003c/p>\n\u003cp>“We all have that one or two people in our families that just can spin a yarn, that has a whole lot to say, and holds a lot of wisdom from walking through the world and experiencing different things,” he says. “And that’s the way I see Dr. Maya Angelou. She was a contemporary of Martin Luther King, a contemporary of Malcolm X and Oprah Winfrey. She transcends so many different generations of African-American culture that have affected all of us.”\u003c/p>\n\u003cp>Joanne Braxton, a professor at the College of William and Mary, says Angelou’s willingness to reveal the sexual abuse she suffered as a child in \u003cem>I Know Why the Caged Bird Sings\u003c/em> was unprecedented at the time. The critical acclaim and popularity of the book opened doors for both African-American and female writers.\u003c/p>\n\u003cp>“Maya Angelou brought about a paradigm shift in American literature and culture,” Braxton says, “so that the works, the gifts, the talents of women writers, including women writers of color, could be brought to the foreground and appreciated. She created an audience by her stunning example.”\u003c/p>\n\u003cp>For Braxton, the world will never be quite the same without Angelou.\u003c/p>\n\u003cp>“I love her,” she says. “She’s beloved by many, including many, many people who have never met her in person, and who will never meet her in person — but she has extended herself that way, so that her touch extends beyond her physical embrace. That is truly a gift, and we are truly blessed to have known her through her presence and her work.”\u003c/p>\n\u003cp>Angelou once said she believed that “life loves the liver of it,” and she did live it, to the fullest. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch Belva Davis’ 2012 \u003ci>This Week in Northern California\u003c/i> tribute to Angelou:\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rHWuSrCU_X0'\n title='//www.youtube.com/embed/rHWuSrCU_X0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2014 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Maya+Angelou%2C+Poet%2C+Activist+And+Singular+Storyteller%2C+Dies+At+86&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/10136795/maya-angelou-poet-activist-and-singular-storyteller-dies-at-86","authors":["byline_arts_10136795"],"categories":["arts_235"],"featImg":"arts_10136804","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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