Crowds (and Dragons) Pack Chinatown for San Francisco's Chinese New Year Parade
SF Chinatown Weighs in on Controversial Monuments in Portsmouth Square
Chinatown Walking Tour Spotlights Rich Culinary History During APEC
Will a Plan to Cut SFPD Command Staff Stop 'Revolving Door' of Top Brass?
Rose Pak Film 'Rally' Explores the Community Legacy of a 'Power Broker'
The Transamerica Pyramid at 50: From 'Architectural Butchery' to Icon
SF Chinatown Vigil Pushes Back Against China's Anti-COVID Lockdowns
Central Subway Opening Marks a Milestone for San Francisco and Chinatown
Deep Roots: Home and History in the Golden State
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Dragon\u003c/a>.\u003c/p>\n\u003cp>Beginning at Second and Market streets in downtown San Francisco at 5:15 p.m., the nearly three-hour parade made its way through Chinatown on a 1.3-mile course that rounded Union Square before ending at Kearny and Columbus Avenue.\u003c/p>\n\u003cfigure id=\"attachment_11977001\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977001\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A dragon passes by at the Chinese New Year Festival and Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Organizers of the parade say it’s considered one of the top ten parades in the world by the International Festivals & Events Association and \u003ca href=\"https://www.sfchronicle.com/bayarea/article/sf-chinese-new-year-18678491.php\">the biggest Lunar New Year parade outside of Asia\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11977004\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977004\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Performing Arts perform during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977014\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977014\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Members of Lisa Performing Arts watch the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many arrived early to get a good spot or a seat ahead of the parade. Cynthia Lee and her family, who’ve been coming to the annual event for the last five years, were there an hour before the parade started with their lawn chairs set up against the barricade.\u003c/p>\n\u003cp>“We have family members who are born in the year of the dragon. and this is their year,” Lee said. “It only comes around once every 12 years, and we’ve got a couple people reaching 96 this year, so the fact that they’re still around is already a big deal.”\u003c/p>\n\u003cfigure id=\"attachment_11977008\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977008\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mayor London Breed (left) and City Administrator Carmen Chu wave to the crowd during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977015\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977015\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Participants walk with a dragon at the Chinese New Year Festival and Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Calvin Hom, 73, started coming to the parade when he was 12 years old, but this year’s is the first he’s been to in 10 years.\u003c/p>\n\u003cp>“After the weather, we’ve been having, it’s so beautiful tonight, and after the pandemic, we gotta come out and celebrate,” said Hom, who was gifted a seat in the bleachers by a “fabulous, fabulous” friend.\u003c/p>\n\u003cp>“It’s a celebration of life. … It’s wall-to-wall people, I love it.”\u003c/p>\n\u003cfigure id=\"attachment_11977016\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977016\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Calvin Hom, 74, attends the Chinese New Festival and Parade in San Francisco on Feb. 24, 2024. Hom is a San Francisco native and was born in the SF Chinese Hospital. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977002\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977002\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yau Kung Moon performs during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The parade featured floats and a nearly 300-foot dragon puppet, with Golden Globe-winning comedian and actor Awkwafina as grand marshal. There are also five wooden dragon statues across the city, produced by local artists for the Lunar New Year celebrations, which will continue through March 3.\u003c/p>\n\u003cfigure id=\"attachment_11977009\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977009\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Spectators watch the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Elianna Goldstein, who used to go to the parade when she was a kid, was back for the first time in 20 years with her two kids, aged 7 and 11.\u003c/p>\n\u003cp>“I remember always dodging between legs trying to see anything, so I’m very excited that we have this spot, and [my kids are] going to be able to see everything up close.”\u003c/p>\n\u003cfigure id=\"attachment_11977010\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977010\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Firecrackers are set off at the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Year of the Dragon officially began on Feb. 10 and is the fifth of the 12-year cycle of animals in the Chinese zodiac, considered a powerful and lucky sign, with those born that year being considered innovative thinkers with inquisitive minds. This is the year of the wood dragon, one of five elements along with water, earth, fire and metal. It lasts until Jan. 28 and will be followed by the Year of the Snake.\u003c/p>\n\u003cfigure id=\"attachment_11977011\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977011\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yau Kung Moon performs during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977018\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977018\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lion dancers at the Chinese New Year Festival and Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Alex Rodriguez, who was there with her 5-year-old, the experience this year was nostalgic.\u003c/p>\n\u003cp>“It was really fun when I was young; I grew up in Castro Valley, and [[our school]] would do a little dragon parade for us when I was little, so I wanted to pass on the joy,” she said. “It’s amazing. I love the costumes, the people, everybody’s so friendly. … The lion dances have also been my favorite since I was little.”\u003c/p>\n\u003cfigure id=\"attachment_11977012\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977012\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Garfield Elementary School prepares to march at the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Besides the parade, there is a Community Street Fair on Saturday and Sunday, 5:15–8 p.m., with food vendors, activities, folk dancing, opera and drumming performances organized by the San Francisco Chinese Chamber of Commerce.\u003c/p>\n\u003cfigure id=\"attachment_11977013\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977013\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fireworks go off at the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>KQED’s Juan Carlos Lara, Lakshmi Sarah, Dana Cronin and Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Thousands gathered to celebrate the Lunar New Year and the Year of the Dragon in downtown San Francisco, with an impressive dragon puppet and Awkwafina as grand marshal.","status":"publish","parent":0,"modified":1708974548,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":946},"headData":{"title":"Crowds (and Dragons) Pack Chinatown for San Francisco's Chinese New Year Parade | KQED","description":"Thousands gathered to celebrate the Lunar New Year and the Year of the Dragon in downtown San Francisco, with an impressive dragon puppet and Awkwafina as grand marshal.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11976974/crowds-and-dragons-pack-chinatown-for-san-franciscos-chinese-new-year-parade","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thousands lined the streets of Chinatown Saturday for San Francisco’s dazzling annual \u003ca href=\"https://www.kqed.org/news/11976610/your-guide-to-the-2024-san-francisco-chinese-new-year-parade\">Chinese New Year Parade\u003c/a> that celebrates the Lunar New Year and the Chinese \u003ca href=\"https://www.kqed.org/arts/13951648/lunar-new-year-of-the-dragon-superstitions-celebrations\">Year of the Dragon\u003c/a>.\u003c/p>\n\u003cp>Beginning at Second and Market streets in downtown San Francisco at 5:15 p.m., the nearly three-hour parade made its way through Chinatown on a 1.3-mile course that rounded Union Square before ending at Kearny and Columbus Avenue.\u003c/p>\n\u003cfigure id=\"attachment_11977001\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977001\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-10_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A dragon passes by at the Chinese New Year Festival and Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Organizers of the parade say it’s considered one of the top ten parades in the world by the International Festivals & Events Association and \u003ca href=\"https://www.sfchronicle.com/bayarea/article/sf-chinese-new-year-18678491.php\">the biggest Lunar New Year parade outside of Asia\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11977004\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977004\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-38-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Performing Arts perform during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977014\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977014\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-22-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Members of Lisa Performing Arts watch the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many arrived early to get a good spot or a seat ahead of the parade. Cynthia Lee and her family, who’ve been coming to the annual event for the last five years, were there an hour before the parade started with their lawn chairs set up against the barricade.\u003c/p>\n\u003cp>“We have family members who are born in the year of the dragon. and this is their year,” Lee said. “It only comes around once every 12 years, and we’ve got a couple people reaching 96 this year, so the fact that they’re still around is already a big deal.”\u003c/p>\n\u003cfigure id=\"attachment_11977008\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977008\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-55-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mayor London Breed (left) and City Administrator Carmen Chu wave to the crowd during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977015\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977015\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-14_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Participants walk with a dragon at the Chinese New Year Festival and Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Calvin Hom, 73, started coming to the parade when he was 12 years old, but this year’s is the first he’s been to in 10 years.\u003c/p>\n\u003cp>“After the weather, we’ve been having, it’s so beautiful tonight, and after the pandemic, we gotta come out and celebrate,” said Hom, who was gifted a seat in the bleachers by a “fabulous, fabulous” friend.\u003c/p>\n\u003cp>“It’s a celebration of life. … It’s wall-to-wall people, I love it.”\u003c/p>\n\u003cfigure id=\"attachment_11977016\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977016\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-12_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Calvin Hom, 74, attends the Chinese New Festival and Parade in San Francisco on Feb. 24, 2024. Hom is a San Francisco native and was born in the SF Chinese Hospital. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977002\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977002\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yau Kung Moon performs during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The parade featured floats and a nearly 300-foot dragon puppet, with Golden Globe-winning comedian and actor Awkwafina as grand marshal. There are also five wooden dragon statues across the city, produced by local artists for the Lunar New Year celebrations, which will continue through March 3.\u003c/p>\n\u003cfigure id=\"attachment_11977009\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977009\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-10-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Spectators watch the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Elianna Goldstein, who used to go to the parade when she was a kid, was back for the first time in 20 years with her two kids, aged 7 and 11.\u003c/p>\n\u003cp>“I remember always dodging between legs trying to see anything, so I’m very excited that we have this spot, and [my kids are] going to be able to see everything up close.”\u003c/p>\n\u003cfigure id=\"attachment_11977010\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977010\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-27-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Firecrackers are set off at the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Year of the Dragon officially began on Feb. 10 and is the fifth of the 12-year cycle of animals in the Chinese zodiac, considered a powerful and lucky sign, with those born that year being considered innovative thinkers with inquisitive minds. This is the year of the wood dragon, one of five elements along with water, earth, fire and metal. It lasts until Jan. 28 and will be followed by the Year of the Snake.\u003c/p>\n\u003cfigure id=\"attachment_11977011\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977011\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-31-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yau Kung Moon performs during the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11977018\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977018\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-Chinese-new-year-parade-KSM-18_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lion dancers at the Chinese New Year Festival and Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Alex Rodriguez, who was there with her 5-year-old, the experience this year was nostalgic.\u003c/p>\n\u003cp>“It was really fun when I was young; I grew up in Castro Valley, and [[our school]] would do a little dragon parade for us when I was little, so I wanted to pass on the joy,” she said. “It’s amazing. I love the costumes, the people, everybody’s so friendly. … The lion dances have also been my favorite since I was little.”\u003c/p>\n\u003cfigure id=\"attachment_11977012\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977012\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-03-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Garfield Elementary School prepares to march at the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Besides the parade, there is a Community Street Fair on Saturday and Sunday, 5:15–8 p.m., with food vendors, activities, folk dancing, opera and drumming performances organized by the San Francisco Chinese Chamber of Commerce.\u003c/p>\n\u003cfigure id=\"attachment_11977013\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977013\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240224-ChineseNYParade-60-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fireworks go off at the Chinese New Year Parade in San Francisco on Feb. 24, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>KQED’s Juan Carlos Lara, Lakshmi Sarah, Dana Cronin and Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11976974/crowds-and-dragons-pack-chinatown-for-san-franciscos-chinese-new-year-parade","authors":["236"],"categories":["news_29992","news_223","news_8"],"tags":["news_32662","news_393","news_23078","news_876","news_30924","news_27626","news_24932","news_2672","news_38"],"featImg":"news_11977003","label":"news"},"news_11973503":{"type":"posts","id":"news_11973503","meta":{"index":"posts_1591205157","site":"news","id":"11973503","score":null,"sort":[1706196647000]},"guestAuthors":[],"slug":"sf-chinatown-weighs-in-on-controversial-monuments-in-portsmouth-square","title":"SF Chinatown Weighs in on Controversial Monuments in Portsmouth Square","publishDate":1706196647,"format":"standard","headTitle":"SF Chinatown Weighs in on Controversial Monuments in Portsmouth Square | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Portsmouth Square, a one-block plaza at the heart of San Francisco’s historic Chinatown, is \u003ca href=\"https://sfrecpark.org/1166/Portsmouth-Square\">slated to undergo a major facelift\u003c/a>.[pullquote size=\"medium\" align=\"right\" citation=\"Allison Cummings, senior registrar, San Francisco Arts Commission Civic Art Collection\"]‘We’re in a moment of work, doing deep work with the community to understand what they want and what makes sense for the park.’[/pullquote]The project is nearly a decade in the making. But before breaking ground, the city must decide what to do with nearly a dozen controversial public artworks, monuments and plaques currently at the park.\u003c/p>\n\u003cp>Reconsidering, contextualizing or outright removing public artwork that can represent different things to different people is not a simple process. But it is increasingly necessary, according to community members and the city’s public art curators.\u003c/p>\n\u003cp>“We’re in a moment of work, doing deep work with the community to understand what they want and what makes sense for the park,” said Allison Cummings, senior registrar for the city’s civic art collection. “Things are moving all over the palace in the park, and nothing will be in the same place that it’s in now. What is the story that’s going to be told?”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>Protest and public art\u003c/h2>\n\u003cp>Colloquially known as the “living room” of one of the country’s oldest Chinatowns, Portsmouth Square is recognized as the city’s first park — originally called Plaza de Yerba Buena — established while California was still part of Mexico.\u003c/p>\n\u003cp>Since then, it’s become a gathering place and geographic symbol for the Chinatown community. On any given day, it’s bustling with people headed to nearby transit lines, huddled playing cards and those looking for a reprieve from dense housing framing the park.\u003c/p>\n\u003cfigure id=\"attachment_11973429\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973429\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED.jpg\" alt=\"People fill Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People fill Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is the birthplace of San Francisco, and it’s the living room for Chinatown. Most of the people you see here live in Chinatown,” Chinatown expert and historian David Lei said. “Generations of Chinese have started out this way, as poor immigrants, and here, you can put a roof over you and your family’s head. The purpose is to allow people to have a chance.”[pullquote size=\"medium\" align=\"right\" citation=\"David Lei, Chinatown expert and historian\"]‘This is the birthplace of San Francisco, and it’s the living room for Chinatown. Most of the people you see here live in Chinatown.’[/pullquote]Reckonings over controversial public art and monuments took off across the Bay Area amid nationwide protests against police brutality in 2020 — after a Minneapolis police officer killed George Floyd. The discussions led to the removal of statues like the one of \u003ca href=\"https://www.mercurynews.com/2021/11/09/example-of-what-systematic-racism-is-controversial-san-jose-statue-will-officially-be-removed/\">Thomas Fallon, a former San José mayor\u003c/a>, who played a role in the U.S. annexation of California.\u003c/p>\n\u003cp>In San Francisco, activists toppled and vandalized multiple statues in 2020 that critics said celebrated racist and colonialist histories. That prompted the city to remove a 12-foot bronze statue of \u003ca href=\"https://www.kqed.org/news/11825103/san-francisco-removes-controversial-christopher-columbus-statue-on-telegraph-hill\">Christopher Columbus\u003c/a> the day before protestors had planned to pull it down. Mayor London Breed then directed the Arts Commission to review its public art collection and refine processes around monuments and memorials.\u003c/p>\n\u003cp>Last year, San Francisco’s Art Commission updated its \u003ca href=\"https://sfartscommission.org/sites/default/files/documents/SF_MMAC_Final_Report_07_2023.pdf\">procedures for reviewing public artwork\u003c/a> that may uphold racist, colonialist or other harmful narratives. Also, in 2023, the city received a \u003ca href=\"https://sfartscommission.org/our-role-impact/press-room/press-release/mayor-london-breed-announces-san-francisco-arts-commission\">$3 million grant\u003c/a> to implement those new recommendations, starting with an equity audit of the current monuments and memorials in the city’s Civic Art Collection later this year and community outreach.\u003c/p>\n\u003ch2>Representation as history\u003c/h2>\n\u003cp>As the Columbus statue now sits in storage and awaits its public review, three pieces at Portsmouth Square are in the very early stages of the updated review process. Those are the Goddess of Democracy monument, a monument to Scottish novelist Robert Louis Stevenson, and a zodiac sculpture on the children’s playground.\u003c/p>\n\u003cp>“There’s arguably no artwork in Portsmouth Square that actually commemorates Asian American history,” said Hoi Leung, curator and deputy director of the Chinese Culture Center. She added that no current artwork at the park is by artists of Asian descent, either.\u003c/p>\n\u003cfigure id=\"attachment_11973426\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973426\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED.jpg\" alt=\"Birds fly above a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Birds fly above a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Over the last year, the Chinese Culture Center of San Francisco, the Chinatown Community Development Center, the Manilatown Heritage Foundation, and other community organizations, gathered residents and historians to discuss what type of art and interpretation they would like to see to increase public education and understanding about the park and its history.\u003c/p>\n\u003cp>San Francisco Arts Commission, Planning Department and Recreation and Parks oversee different elements of the redesign. Their next community feedback meeting is on \u003ca href=\"https://sfrecpark.org/CivicAlerts.aspx?AID=1698\">Jan. 30\u003c/a> at 808 Kearny St. in room 402.[pullquote size=\"medium\" align=\"right\" citation=\"Hoi Leung, curator and deputy director, Chinese Culture Center\"]‘There’s arguably no artwork in Portsmouth Square that actually commemorates Asian American history.’[/pullquote]At the meetings, Leung said, community members shared that monuments in the park today do little to represent the historical or contemporary contributions and lived experiences of Chinese or Asian Americans.\u003c/p>\n\u003cp>The Robert Louis Stevenson monument, for example, felt out of touch with some locals who attended one of the recent feedback meetings. The \u003cem>Treasure Island\u003c/em> author only briefly stayed in the city and had little to do with the Chinatown community directly.\u003c/p>\n\u003cp>“There were a lot of vocal opinions about how we have to remove the school monument because it’s racist, and Robert Louis Stevenson had nothing to do with Chinatown. A lot of those comments,” Leung told KQED.\u003c/p>\n\u003cp>A stone monument honoring the state’s first public schoolhouse that opened at the site of the park in 1848 also exemplifies the frustration some park-goers have. That’s because the school did not allow students of Asian descent to enroll, and many Chinese immigrants in the neighborhood were excluded from any opportunities the school provided.\u003c/p>\n\u003cp>More than a dozen community members said at a feedback session in October that they would like to see the schoolhouse monument removed because it upholds racist narratives by excluding information on how Chinese students were barred from attending the school. Some said they would rather see artwork depicting the story of segregated Chinese schools and more history of the Chinese Exclusion Act.\u003c/p>\n\u003cp>But opinions differ.\u003c/p>\n\u003cp>Lei said he would “make a fuss” if the entire statue were removed.\u003c/p>\n\u003cfigure id=\"attachment_11973432\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973432\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED.jpg\" alt=\"Historian David Lei sits on a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Historian David Lei sits on a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people say, ‘Well, there’s a whole history of [Chinese immigrants] not being able to go,’” Lei said. “They only hear part of it, but there is so much to say.”\u003c/p>\n\u003cp>The monument needs more historical context, he said, but removing the piece completely could also overlook some important history about the school, which was founded by William Leidesdorff — an affluent Black and Jewish man and one of the earliest founders of the city — who is also left off the plaque.[pullquote size=\"medium\" align=\"right\" citation=\"Hoi Leung, curator and deputy director, Chinese Culture Center\"]‘This is a museum without walls. We hope that people who care about this come out and add to the pool of endless stories that this park can be a repository for.’[/pullquote]“This is such an important opportunity to actually empower the community’s voice. Whether it’s ‘remove’ or ‘not remove.’ The point is to give agency to the community to have a voice during that process,” said Jenny Leung, executive director of the Chinese Culture Center. “So often, it’s just about removing pieces or putting them right back where they were. But there are ways to make room for these stories.”\u003c/p>\n\u003cp>Hoi Leung added that the feedback meetings are a chance for the community to finally weigh in on what art and interpretation at the park can look like moving forward.\u003c/p>\n\u003cp>“This is a museum without walls,” she said. “We hope that people who care about this come out and add to the pool of endless stories that this park can be a repository for.”\u003c/p>\n\u003ch2>Art for future generations\u003c/h2>\n\u003cp>Pieces in Portsmouth Square won’t be the first civic artwork to undergo the city’s revamped review process. Recently, the Arts Commission approved the removal of the bust of former mayor James Phelan, who advocated for Chinese exclusion. The city plans to replace the piece with a similar bronze bust on a sandstone plinth of Ed Lee, the city’s first Asian American mayor, who died in 2017.\u003c/p>\n\u003cp>Lei, the historian, said Portsmouth Square could integrate technology like QR codes to create more didactic educational experiences and go beyond a physical plaque’s limited word count. That, he said, could be used to tell stories about the historic buildings that flank Portsmouth Square, some of which were the site of former legal offices that handled cases that have shaped the American fabric, like \u003cem>Tape v. Hurley\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11973428\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED.jpg\" alt=\"Historian David Lei points to a school house memorial plaque in Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Historian David Lei points to a school house memorial plaque in Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years before the landmark ruling of\u003cem> Brown v. Board of Education\u003c/em>, members of San Francisco’s Chinatown community fought for Mamie Tape, a Chinese American who was barred from attending a San Francisco public school because of her ethnic background. Her family successfully challenged the school’s decision and won in 1885.[aside label='More Stories on Chinatown' tag='chinatown']But new artwork for Portsmouth Square is not only about sharing new narratives; it’s about highlighting contemporary art and activism that’s exploding in the neighborhood today.\u003c/p>\n\u003cp>The site was a center for activism at the height of anti-Asian attacks during the pandemic — and a center for healing across generations.\u003c/p>\n\u003cp>Portsmouth Square’s redevelopment will also coincide with a full renovation of the adjacent brick-and-mortar space run by the Chinatown Media & Arts Collaborative, a multidisciplinary, multiracial art and cultural hub founded in 2017.\u003c/p>\n\u003cp>“We’re thinking about what we want to leave for the next generation as well,” Hoi Leung said. “What’s critical about this moment is that there is a reckoning for needing to reexamine these monuments and commemoration — and Chinatown should fully participate in it.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"San Francisco is implementing new processes for replacing and redefining art in public spaces. Several pieces at the historic Portsmouth Square will soon be up for review.","status":"publish","parent":0,"modified":1706651025,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1838},"headData":{"title":"SF Chinatown Weighs in on Controversial Monuments in Portsmouth Square | KQED","description":"San Francisco is implementing new processes for replacing and redefining art in public spaces. Several pieces at the historic Portsmouth Square will soon be up for review.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/0f27bf12-8acd-4740-af05-b107015bcf26/audio.mp3","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11973503/sf-chinatown-weighs-in-on-controversial-monuments-in-portsmouth-square","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Portsmouth Square, a one-block plaza at the heart of San Francisco’s historic Chinatown, is \u003ca href=\"https://sfrecpark.org/1166/Portsmouth-Square\">slated to undergo a major facelift\u003c/a>.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘We’re in a moment of work, doing deep work with the community to understand what they want and what makes sense for the park.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Allison Cummings, senior registrar, San Francisco Arts Commission Civic Art Collection","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The project is nearly a decade in the making. But before breaking ground, the city must decide what to do with nearly a dozen controversial public artworks, monuments and plaques currently at the park.\u003c/p>\n\u003cp>Reconsidering, contextualizing or outright removing public artwork that can represent different things to different people is not a simple process. But it is increasingly necessary, according to community members and the city’s public art curators.\u003c/p>\n\u003cp>“We’re in a moment of work, doing deep work with the community to understand what they want and what makes sense for the park,” said Allison Cummings, senior registrar for the city’s civic art collection. “Things are moving all over the palace in the park, and nothing will be in the same place that it’s in now. What is the story that’s going to be told?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Protest and public art\u003c/h2>\n\u003cp>Colloquially known as the “living room” of one of the country’s oldest Chinatowns, Portsmouth Square is recognized as the city’s first park — originally called Plaza de Yerba Buena — established while California was still part of Mexico.\u003c/p>\n\u003cp>Since then, it’s become a gathering place and geographic symbol for the Chinatown community. On any given day, it’s bustling with people headed to nearby transit lines, huddled playing cards and those looking for a reprieve from dense housing framing the park.\u003c/p>\n\u003cfigure id=\"attachment_11973429\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973429\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED.jpg\" alt=\"People fill Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-29-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People fill Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is the birthplace of San Francisco, and it’s the living room for Chinatown. Most of the people you see here live in Chinatown,” Chinatown expert and historian David Lei said. “Generations of Chinese have started out this way, as poor immigrants, and here, you can put a roof over you and your family’s head. The purpose is to allow people to have a chance.”\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘This is the birthplace of San Francisco, and it’s the living room for Chinatown. Most of the people you see here live in Chinatown.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"David Lei, Chinatown expert and historian","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Reckonings over controversial public art and monuments took off across the Bay Area amid nationwide protests against police brutality in 2020 — after a Minneapolis police officer killed George Floyd. The discussions led to the removal of statues like the one of \u003ca href=\"https://www.mercurynews.com/2021/11/09/example-of-what-systematic-racism-is-controversial-san-jose-statue-will-officially-be-removed/\">Thomas Fallon, a former San José mayor\u003c/a>, who played a role in the U.S. annexation of California.\u003c/p>\n\u003cp>In San Francisco, activists toppled and vandalized multiple statues in 2020 that critics said celebrated racist and colonialist histories. That prompted the city to remove a 12-foot bronze statue of \u003ca href=\"https://www.kqed.org/news/11825103/san-francisco-removes-controversial-christopher-columbus-statue-on-telegraph-hill\">Christopher Columbus\u003c/a> the day before protestors had planned to pull it down. Mayor London Breed then directed the Arts Commission to review its public art collection and refine processes around monuments and memorials.\u003c/p>\n\u003cp>Last year, San Francisco’s Art Commission updated its \u003ca href=\"https://sfartscommission.org/sites/default/files/documents/SF_MMAC_Final_Report_07_2023.pdf\">procedures for reviewing public artwork\u003c/a> that may uphold racist, colonialist or other harmful narratives. Also, in 2023, the city received a \u003ca href=\"https://sfartscommission.org/our-role-impact/press-room/press-release/mayor-london-breed-announces-san-francisco-arts-commission\">$3 million grant\u003c/a> to implement those new recommendations, starting with an equity audit of the current monuments and memorials in the city’s Civic Art Collection later this year and community outreach.\u003c/p>\n\u003ch2>Representation as history\u003c/h2>\n\u003cp>As the Columbus statue now sits in storage and awaits its public review, three pieces at Portsmouth Square are in the very early stages of the updated review process. Those are the Goddess of Democracy monument, a monument to Scottish novelist Robert Louis Stevenson, and a zodiac sculpture on the children’s playground.\u003c/p>\n\u003cp>“There’s arguably no artwork in Portsmouth Square that actually commemorates Asian American history,” said Hoi Leung, curator and deputy director of the Chinese Culture Center. She added that no current artwork at the park is by artists of Asian descent, either.\u003c/p>\n\u003cfigure id=\"attachment_11973426\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973426\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED.jpg\" alt=\"Birds fly above a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-11-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Birds fly above a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Over the last year, the Chinese Culture Center of San Francisco, the Chinatown Community Development Center, the Manilatown Heritage Foundation, and other community organizations, gathered residents and historians to discuss what type of art and interpretation they would like to see to increase public education and understanding about the park and its history.\u003c/p>\n\u003cp>San Francisco Arts Commission, Planning Department and Recreation and Parks oversee different elements of the redesign. Their next community feedback meeting is on \u003ca href=\"https://sfrecpark.org/CivicAlerts.aspx?AID=1698\">Jan. 30\u003c/a> at 808 Kearny St. in room 402.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘There’s arguably no artwork in Portsmouth Square that actually commemorates Asian American history.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Hoi Leung, curator and deputy director, Chinese Culture Center","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>At the meetings, Leung said, community members shared that monuments in the park today do little to represent the historical or contemporary contributions and lived experiences of Chinese or Asian Americans.\u003c/p>\n\u003cp>The Robert Louis Stevenson monument, for example, felt out of touch with some locals who attended one of the recent feedback meetings. The \u003cem>Treasure Island\u003c/em> author only briefly stayed in the city and had little to do with the Chinatown community directly.\u003c/p>\n\u003cp>“There were a lot of vocal opinions about how we have to remove the school monument because it’s racist, and Robert Louis Stevenson had nothing to do with Chinatown. A lot of those comments,” Leung told KQED.\u003c/p>\n\u003cp>A stone monument honoring the state’s first public schoolhouse that opened at the site of the park in 1848 also exemplifies the frustration some park-goers have. That’s because the school did not allow students of Asian descent to enroll, and many Chinese immigrants in the neighborhood were excluded from any opportunities the school provided.\u003c/p>\n\u003cp>More than a dozen community members said at a feedback session in October that they would like to see the schoolhouse monument removed because it upholds racist narratives by excluding information on how Chinese students were barred from attending the school. Some said they would rather see artwork depicting the story of segregated Chinese schools and more history of the Chinese Exclusion Act.\u003c/p>\n\u003cp>But opinions differ.\u003c/p>\n\u003cp>Lei said he would “make a fuss” if the entire statue were removed.\u003c/p>\n\u003cfigure id=\"attachment_11973432\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973432\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED.jpg\" alt=\"Historian David Lei sits on a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-13-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Historian David Lei sits on a pedestrian bridge connecting a Hilton to Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people say, ‘Well, there’s a whole history of [Chinese immigrants] not being able to go,’” Lei said. “They only hear part of it, but there is so much to say.”\u003c/p>\n\u003cp>The monument needs more historical context, he said, but removing the piece completely could also overlook some important history about the school, which was founded by William Leidesdorff — an affluent Black and Jewish man and one of the earliest founders of the city — who is also left off the plaque.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘This is a museum without walls. We hope that people who care about this come out and add to the pool of endless stories that this park can be a repository for.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Hoi Leung, curator and deputy director, Chinese Culture Center","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“This is such an important opportunity to actually empower the community’s voice. Whether it’s ‘remove’ or ‘not remove.’ The point is to give agency to the community to have a voice during that process,” said Jenny Leung, executive director of the Chinese Culture Center. “So often, it’s just about removing pieces or putting them right back where they were. But there are ways to make room for these stories.”\u003c/p>\n\u003cp>Hoi Leung added that the feedback meetings are a chance for the community to finally weigh in on what art and interpretation at the park can look like moving forward.\u003c/p>\n\u003cp>“This is a museum without walls,” she said. “We hope that people who care about this come out and add to the pool of endless stories that this park can be a repository for.”\u003c/p>\n\u003ch2>Art for future generations\u003c/h2>\n\u003cp>Pieces in Portsmouth Square won’t be the first civic artwork to undergo the city’s revamped review process. Recently, the Arts Commission approved the removal of the bust of former mayor James Phelan, who advocated for Chinese exclusion. The city plans to replace the piece with a similar bronze bust on a sandstone plinth of Ed Lee, the city’s first Asian American mayor, who died in 2017.\u003c/p>\n\u003cp>Lei, the historian, said Portsmouth Square could integrate technology like QR codes to create more didactic educational experiences and go beyond a physical plaque’s limited word count. That, he said, could be used to tell stories about the historic buildings that flank Portsmouth Square, some of which were the site of former legal offices that handled cases that have shaped the American fabric, like \u003cem>Tape v. Hurley\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11973428\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11973428\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED.jpg\" alt=\"Historian David Lei points to a school house memorial plaque in Portsmouth Square in San Francisco's Chinatown neighborhood on Jan. 22, 2024.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/240122-PORTSMOUTHSQUARE-23-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Historian David Lei points to a school house memorial plaque in Portsmouth Square in San Francisco’s Chinatown neighborhood on Jan. 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years before the landmark ruling of\u003cem> Brown v. Board of Education\u003c/em>, members of San Francisco’s Chinatown community fought for Mamie Tape, a Chinese American who was barred from attending a San Francisco public school because of her ethnic background. Her family successfully challenged the school’s decision and won in 1885.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More Stories on Chinatown ","tag":"chinatown"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But new artwork for Portsmouth Square is not only about sharing new narratives; it’s about highlighting contemporary art and activism that’s exploding in the neighborhood today.\u003c/p>\n\u003cp>The site was a center for activism at the height of anti-Asian attacks during the pandemic — and a center for healing across generations.\u003c/p>\n\u003cp>Portsmouth Square’s redevelopment will also coincide with a full renovation of the adjacent brick-and-mortar space run by the Chinatown Media & Arts Collaborative, a multidisciplinary, multiracial art and cultural hub founded in 2017.\u003c/p>\n\u003cp>“We’re thinking about what we want to leave for the next generation as well,” Hoi Leung said. “What’s critical about this moment is that there is a reckoning for needing to reexamine these monuments and commemoration — and Chinatown should fully participate in it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11973503/sf-chinatown-weighs-in-on-controversial-monuments-in-portsmouth-square","authors":["11840"],"categories":["news_29992","news_8"],"tags":["news_393","news_23114","news_27626","news_6931","news_27959","news_21090","news_19216","news_38","news_30076","news_29608"],"featImg":"news_11973430","label":"news"},"news_11967659":{"type":"posts","id":"news_11967659","meta":{"index":"posts_1591205157","site":"news","id":"11967659","score":null,"sort":[1700251251000]},"guestAuthors":[],"slug":"chinatown-walking-tour-spotlights-rich-culinary-history-during-apec","title":"Chinatown Walking Tour Spotlights Rich Culinary History During APEC","publishDate":1700251251,"format":"standard","headTitle":"Chinatown Walking Tour Spotlights Rich Culinary History During APEC | KQED","labelTerm":{},"content":"\u003cp>[dropcap]I[/dropcap]n his booming announcer voice and wearing a classy black suit and pair of sunglasses, Steven Lee recounted his first memories of dining at Sam Wo Restaurant in San Francisco’s Chinatown.\u003c/p>\n\u003cp>As a 20-year-old San Francisco State University student, he stepped into the establishment with friends after a late night out. With its doors open until 3 a.m., the restaurant satiated the cravings of hungry customers by serving inexpensive, classic Cantonese dishes like chicken jook, wonton soup, chow fun, sweet and sour pork and rice noodles.\u003c/p>\n\u003cp>Grandparents brought their children to learn how to use chopsticks. Mahjong players, with their minds fixed on a plate of $4 chow mein, filtered in after the parlors closed for the night.\u003c/p>\n\u003cp>Little did Lee know that decades later, he would be vital in raising money for Sam Wo’s resurrection in a humble location steps away from Portsmouth Square. After more than 100 years of service, a change in ownership and location, the reputation of having the “world’s rudest waiter” and maintaining a place in the ever-changing landscape of the country’s oldest Chinatown, Sam Wo endures.\u003c/p>\n\u003cfigure id=\"attachment_11967533\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967533\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL.jpg\" alt=\"A group of people walk on a crosswalk across a wet city street.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Steven Lee (center), co-founder of Chinatown nightclub Lion’s Den, leads a walking tour of the neighborhood for attendees of the APEC conference in San Francisco on Wednesday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With President Joe Biden and world leaders from the Pacific Rim, including President Xi Jinping of China, in San Francisco for the Asia-Pacific Economic Cooperation (APEC) summit, it has put neighborhoods like Chinatown in the spotlight.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lee wants the light to shine on legacy establishments like Sam Wo and the new restaurants reimagining Chinatown. That was the premise behind Wednesday night’s walking tour of the neighborhood’s beloved restaurants.\u003c/p>\n\u003cp>Lee, the city’s former entertainment commissioner, created the tour with Beverly Yip, an events and hospitality entrepreneur. Together, they led a diverse group of about a dozen summit attendees, some of whom were journalists, to iconic spots while weaving in personal anecdotes, history and stories. At hole-in-the-wall to-go spots, Michelin-star restaurants, chic lounges and revamped eateries, attendees met with chefs, owners and employees.\u003c/p>\n\u003cfigure id=\"attachment_11967534\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967534\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL.jpg\" alt=\"A hand reaches for one of five dumplings on a dish.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dishes are served to guests at China Live during a Chinatown walking tour for APEC attendees in San Francisco on Wednesday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The group started at China Live, which offers an elevated take on Chinese cuisine and is known for its Peking duck. Next was Osmanthus Dim Sum Lounge. The tour stopped at the Golden Gate Fortune Cookie Factory, where tens of thousands of fortune cookies are made by hand daily and images of visiting celebrities decorate the walls.\u003c/p>\n\u003cp>[aside postID=news_11742748]Also on the itinerary: Empress by Boon, R & G Lounge, Capital, Mister Jiu’s and Hang Ah Tea Room, the oldest dim sum restaurant in America.\u003c/p>\n\u003cp>Lee, 66, is also a Chinatown institution. He founded several clubs, including Lion’s Den, which is just a couple of blocks away from Sam Wo.\u003c/p>\n\u003cp>On Monday, Lee met with a KQED reporter at Sam Wo. After showing his signature on the bottom of the tables, he explained each weathered photograph on the walls. On the way to his club, locals shouted greetings. Some accompanied him for a few moments, while others just simply embraced him.\u003c/p>\n\u003cp>Yip said Chinatown runs in her blood. She lived on Sacramento Street growing up. Her father worked at a restaurant and her mom owned a business. When she was in high school, she competed for Miss Chinatown USA. She agreed to co-lead the tour, drawn to the fact attendees would “see Chinatown through our eyes.”\u003c/p>\n\u003cp>Lee spoke of the “battle of Chinatown” and the lingering perception of the area as unsafe and dirty. He wants that to change.\u003c/p>\n\u003cp>“During AAPI hate — even before that really was heavy-hitting, before COVID — you would come to Chinatown and all the restaurants would be empty,” Lee said. “But if you go through the Stockton Tunnel and hit Union Square or even go to North Beach, there’s lines waiting to get in.”\u003c/p>\n\u003cfigure id=\"attachment_11967527\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967527\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL.jpg\" alt=\"A group of people sit at a table in a restaurant turned toward two people speaking.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dishes are served to guests at China Live during Wednesday’s Chinatown walking tour for APEC attendees in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The summit — and the tour, on a smaller scale — can work to reverse the perception, he hopes.\u003c/p>\n\u003cp>“The biggest thing we hope for is to send that message that Chinatown and San Francisco, in general, that we are clean. We are safe,” he said. “We’re not any different from any other city. It’s just that we get the publicity.”\u003c/p>\n\u003cp>Before coming to the tour, Zahara Stroud, an APEC attendee who lives in the South Bay, rarely visited Chinatown. She thought it was a crowded cluster of streets filled with tourist shops. She said she thought it was “a very casual atmosphere — you walk in, you grab your food and leave.” She went home with a different mindset.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Tonight, we learned about the families who still run these restaurants as a dedication of love, and we also got to see some of the new owners who are trying to upgrade the experience of eating in Chinatown to a new level,” she said.\u003c/p>\n\n","blocks":[],"excerpt":"A Wednesday evening walking tour showcased many of Chinatown's beloved legacy establishments for APEC attendees, as well as new restaurants reimagining the San Francisco neighborhood.","status":"publish","parent":0,"modified":1700250345,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":908},"headData":{"title":"Chinatown Walking Tour Spotlights Rich Culinary History During APEC | KQED","description":"A Wednesday evening walking tour showcased many of Chinatown's beloved legacy establishments for APEC attendees, as well as new restaurants reimagining the San Francisco neighborhood.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Food","nprByline":"Naomi Vanderlip","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11967659/chinatown-walking-tour-spotlights-rich-culinary-history-during-apec","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp>n his booming announcer voice and wearing a classy black suit and pair of sunglasses, Steven Lee recounted his first memories of dining at Sam Wo Restaurant in San Francisco’s Chinatown.\u003c/p>\n\u003cp>As a 20-year-old San Francisco State University student, he stepped into the establishment with friends after a late night out. With its doors open until 3 a.m., the restaurant satiated the cravings of hungry customers by serving inexpensive, classic Cantonese dishes like chicken jook, wonton soup, chow fun, sweet and sour pork and rice noodles.\u003c/p>\n\u003cp>Grandparents brought their children to learn how to use chopsticks. Mahjong players, with their minds fixed on a plate of $4 chow mein, filtered in after the parlors closed for the night.\u003c/p>\n\u003cp>Little did Lee know that decades later, he would be vital in raising money for Sam Wo’s resurrection in a humble location steps away from Portsmouth Square. After more than 100 years of service, a change in ownership and location, the reputation of having the “world’s rudest waiter” and maintaining a place in the ever-changing landscape of the country’s oldest Chinatown, Sam Wo endures.\u003c/p>\n\u003cfigure id=\"attachment_11967533\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967533\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL.jpg\" alt=\"A group of people walk on a crosswalk across a wet city street.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-16-BL-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Steven Lee (center), co-founder of Chinatown nightclub Lion’s Den, leads a walking tour of the neighborhood for attendees of the APEC conference in San Francisco on Wednesday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With President Joe Biden and world leaders from the Pacific Rim, including President Xi Jinping of China, in San Francisco for the Asia-Pacific Economic Cooperation (APEC) summit, it has put neighborhoods like Chinatown in the spotlight.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lee wants the light to shine on legacy establishments like Sam Wo and the new restaurants reimagining Chinatown. That was the premise behind Wednesday night’s walking tour of the neighborhood’s beloved restaurants.\u003c/p>\n\u003cp>Lee, the city’s former entertainment commissioner, created the tour with Beverly Yip, an events and hospitality entrepreneur. Together, they led a diverse group of about a dozen summit attendees, some of whom were journalists, to iconic spots while weaving in personal anecdotes, history and stories. At hole-in-the-wall to-go spots, Michelin-star restaurants, chic lounges and revamped eateries, attendees met with chefs, owners and employees.\u003c/p>\n\u003cfigure id=\"attachment_11967534\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967534\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL.jpg\" alt=\"A hand reaches for one of five dumplings on a dish.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-06-BL-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dishes are served to guests at China Live during a Chinatown walking tour for APEC attendees in San Francisco on Wednesday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The group started at China Live, which offers an elevated take on Chinese cuisine and is known for its Peking duck. Next was Osmanthus Dim Sum Lounge. The tour stopped at the Golden Gate Fortune Cookie Factory, where tens of thousands of fortune cookies are made by hand daily and images of visiting celebrities decorate the walls.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11742748","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Also on the itinerary: Empress by Boon, R & G Lounge, Capital, Mister Jiu’s and Hang Ah Tea Room, the oldest dim sum restaurant in America.\u003c/p>\n\u003cp>Lee, 66, is also a Chinatown institution. He founded several clubs, including Lion’s Den, which is just a couple of blocks away from Sam Wo.\u003c/p>\n\u003cp>On Monday, Lee met with a KQED reporter at Sam Wo. After showing his signature on the bottom of the tables, he explained each weathered photograph on the walls. On the way to his club, locals shouted greetings. Some accompanied him for a few moments, while others just simply embraced him.\u003c/p>\n\u003cp>Yip said Chinatown runs in her blood. She lived on Sacramento Street growing up. Her father worked at a restaurant and her mom owned a business. When she was in high school, she competed for Miss Chinatown USA. She agreed to co-lead the tour, drawn to the fact attendees would “see Chinatown through our eyes.”\u003c/p>\n\u003cp>Lee spoke of the “battle of Chinatown” and the lingering perception of the area as unsafe and dirty. He wants that to change.\u003c/p>\n\u003cp>“During AAPI hate — even before that really was heavy-hitting, before COVID — you would come to Chinatown and all the restaurants would be empty,” Lee said. “But if you go through the Stockton Tunnel and hit Union Square or even go to North Beach, there’s lines waiting to get in.”\u003c/p>\n\u003cfigure id=\"attachment_11967527\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967527\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL.jpg\" alt=\"A group of people sit at a table in a restaurant turned toward two people speaking.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/231115-APECWalkingTour-07-BL-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dishes are served to guests at China Live during Wednesday’s Chinatown walking tour for APEC attendees in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The summit — and the tour, on a smaller scale — can work to reverse the perception, he hopes.\u003c/p>\n\u003cp>“The biggest thing we hope for is to send that message that Chinatown and San Francisco, in general, that we are clean. We are safe,” he said. “We’re not any different from any other city. It’s just that we get the publicity.”\u003c/p>\n\u003cp>Before coming to the tour, Zahara Stroud, an APEC attendee who lives in the South Bay, rarely visited Chinatown. She thought it was a crowded cluster of streets filled with tourist shops. She said she thought it was “a very casual atmosphere — you walk in, you grab your food and leave.” She went home with a different mindset.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Tonight, we learned about the families who still run these restaurants as a dedication of love, and we also got to see some of the new owners who are trying to upgrade the experience of eating in Chinatown to a new level,” she said.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11967659/chinatown-walking-tour-spotlights-rich-culinary-history-during-apec","authors":["byline_news_11967659"],"categories":["news_1758","news_24114","news_8"],"tags":["news_1867","news_393","news_27626","news_333","news_38","news_30076"],"featImg":"news_11967706","label":"source_news_11967659"},"news_11961640":{"type":"posts","id":"news_11961640","meta":{"index":"posts_1591205157","site":"news","id":"11961640","score":null,"sort":[1695121308000]},"guestAuthors":[],"slug":"will-a-plan-to-cut-sfpd-command-staff-stop-revolving-door-of-top-brass-aaron-peskin","title":"Will a Plan to Cut SFPD Command Staff Stop 'Revolving Door' of Top Brass?","publishDate":1695121308,"format":"standard","headTitle":"Will a Plan to Cut SFPD Command Staff Stop ‘Revolving Door’ of Top Brass? | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Ed Siu is a pro at giving Central Station police captains tours of Chinatown.\u003c/p>\n\u003cp>But at this point, the chairman of the \u003ca href=\"https://www.cmuasf.org/%E9%97%9C%E6%96%BC-about-us\">Chinatown Merchants United Association of San Francisco\u003c/a> thinks he’s given too many.\u003c/p>\n\u003cp>In San Francisco, district police captains serve as public figures and tacticians for clusters of neighborhoods. Central Station, a six-story gray slab at the edge of North Beach, oversees Chinatown as well as the Financial District, Fisherman’s Wharf, Telegraph Hill, Nob Hill and Russian Hill.\u003c/p>\n\u003cp>Hoping to ensure captains learn the safety needs of Chinatown merchants, Siu will walk them down bustling Stockton Street, jockeying between thick crowds of shoppers to arrive at the door of New Golden Daisy, one of those restaurants with ducks hanging in the window.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Siu and the captain may amble over to the Sweetheart Florist, \u003ca href=\"https://sweetheartfloristsf.com/collections/blanketofferings\">which also offers traditional Chinese silk blankets\u003c/a>, before going down to Kearny Street, the heart of the neighborhood’s tourist offerings, to Hon’s Wun-Tun House for soup.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Ed Siu, chairman, Chinatown Merchants United Association of San Francisco\"]‘I mention it to the captains, the turnover is too fast. They should help us by knowing about Chinatown and the district.’[/pullquote]Siu has led tours for so many new police leaders that he can’t remember all of their names. The expansion of the San Francisco Police Department’s command staff has led to high turnover among captains.\u003c/p>\n\u003cp>“I mention it to the captains, the turnover is too fast,” said Siu, who has owned a Chinatown travel agency for more than four decades. “They should help us by knowing about Chinatown and the district.”\u003c/p>\n\u003cp>It’s not just a Central Station dilemma. Anecdotally, some San Francisco supervisors have long complained of turnover among station police captains, saying that as soon as they’ve got good footing in a neighborhood they’re already out the door, oftentimes by way of promotion.\u003c/p>\n\u003cp>Eight captains have led Central Station in the past 11 years, an average of just over a year per captain. The swelling of SFPD’s leadership has also led to the swelling of salaries and pensions. According to SFPD data, the command staff’s total salary was just over $3 million in 2016, but is projected to grow to $7.5 million by 2025.\u003c/p>\n\u003cfigure id=\"attachment_11961412\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11961412 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED.jpg\" alt=\"People cross the street at a city intersection.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People cross Stockton Street in San Francisco’s Chinatown neighborhood on Sept. 13, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Board of Supervisors President Aaron Peskin, who represents neighborhoods served by Central Station, wants to stop the speedy promotions by eliminating four positions in the upper echelons of SFPD, \u003ca href=\"https://www.sanfranciscopolice.org/your-sfpd/leadership\">winnowing its size\u003c/a> and redirecting funds to pay for eight police officers to walk city beats. Peskin’s budget adjustment is set to be considered at a \u003ca href=\"https://sfbos.org/committees\">Board of Supervisors Budget & Appropriations Committee hearing\u003c/a> on Wednesday.\u003c/p>\n\u003cp>“A top-heavy, bloated command staff has grown exponentially in recent years,” Peskin told KQED. “This is something that I think makes policy sense. It makes economic sense and will lead to better policing in San Francisco.”\u003c/p>\n\u003cp>While the move sounds like a simple budget cut, it may significantly hamper police reform efforts in San Francisco, Chief Bill Scott said at an August Board of Supervisors meeting. He admitted SFPD had staffing problems, but said the force needs administrative support as it balances the competing demands of reform and public safety concerns in the Tenderloin and surrounding neighborhoods.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"San Francisco Board of Supervisors President Aaron Peskin\"]‘A top-heavy, bloated command staff has grown exponentially in recent years. This is something that I think makes policy sense. It makes economic sense and will lead to better policing in San Francisco.’[/pullquote]One of the more recently minted commander positions, for instance, coordinates the rollout of information to the public when an officer shoots a person. That transparency is a key part of the \u003ca href=\"https://www.sanfranciscopolice.org/your-sfpd/police-reform/cri-current-status\">U.S. Department of Justice’s reform recommendations to SFPD\u003c/a> in 2016, Scott said.\u003c/p>\n\u003cp>He also said that goes for many of the newer command staff roles, arguing to Peskin that the department can’t just lop off a swath of commanders without consequences to that work.\u003c/p>\n\u003cp>Decades ago, there were only a handful of people who reported directly to the chief, according to Jim Wunderman, the \u003ca href=\"https://www.bayareacouncil.org/staff/jim-wunderman/\">CEO of the Bay Area Council\u003c/a>, a nonprofit representing business interests across the region. Wunderman served in a number of roles in then-Mayor Dianne Feinstein’s administration and as chief of staff for Mayor Frank Jordan, a former chief of police.\u003c/p>\n\u003cp>Back in the late 1970s and early 1980s, many police captains stayed at that rank longer, even until retirement. But Wunderman recalled when Feinstein was first urged to expand the command.\u003c/p>\n\u003cp>“Dianne’s first reaction to it was pretty negative,” he said. “Why do we want to add more administrative staff? Don’t we want to put more cops out in the stations where crime actually occurs?”\u003c/p>\n\u003cp>Eventually, Feinstein was convinced. Jordan was promoted in 1978 from lieutenant to a newly created commander position. Three decades later, there are 16 sworn members of SFPD’s command staff: two assistant chiefs, five deputy chiefs and nine commanders.\u003c/p>\n\u003cfigure id=\"attachment_11961410\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11961410 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED.jpg\" alt=\"A person with glasses speaks to someone with long hair inside a store.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Store owner Tracy Liu (left) speaks with Edward Siu, president of the Chinatown Merchants United Association, at her shop in San Francisco’s Chinatown neighborhood on Sept. 13, 2023. Liu worries about the safety of tourists affecting business at her shop. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wunderman said that when there’s leadership bloat “in any organization, whether it’s business or government for that matter, you end up with a loss of accountability. There’s too many people trying to talk to too many people and nothing gets done.”\u003c/p>\n\u003cp>Some former Central Station captains include David Lazar, who now serves as an assistant chief and Julian Ng, who is now a deputy chief. Paul Yep is commander of the administration bureau and Garret Tom, who was the Central Station captain 10 years ago, is retired.\u003c/p>\n\u003cp>“I can tell you as a district supervisor for most of the last quarter century that my go-to person on virtually a daily basis is the captain of Central Station,” Peskin said. “And we haven’t had a captain at all for two months, until last week, and had an acting captain for almost two years before that because of the misplaced priorities of the leadership of the department.”\u003c/p>\n\u003cp>[aside label='More on San Francsisco Police Department' tag='san-francisco-police-department']And just like station captains, most command staff don’t stay in their roles for long, either. Data shows they don’t spend longer than three years in the positions before they’re promoted or retire. San Francisco’s pension liability for SFPD command staff has grown from under $100,000 a month in 2017 to a monthly cost of nearly $500,000 just this year.\u003c/p>\n\u003cp>“You don’t want a revolving door” of top staff, Peskin said. “A revolving door is pension spiking, and yes, there is some of that.”\u003c/p>\n\u003cp>Lily Lo, the founder of \u003ca href=\"https://bechinatown.com/\">BeChinatown\u003c/a>, a group that helps small businesses in the neighborhood, would like to see funding redirected to beat cops in Chinatown and other neighborhoods.\u003c/p>\n\u003cp>“It’s good to have more police patrolling,” she said.\u003c/p>\n\u003cp>As for Chief Scott’s concerns over implementing hard-won police reforms, retired Judge LaDoris Cordell wonders if some roles could be taken on by less-expensive civilian staff. From 2010-2015, Cordell served as an independent police auditor for San José, a civilian position. That police auditor’s job was to make recommendations to the chief, like creating a new policy on chokeholds. In 2015, she served on the Blue Ribbon Panel that made reform recommendations to SFPD \u003ca href=\"https://www.kqed.org/news/10454955/racist-texts-prompt-sfpd-internal-investigation\">after its racist texting scandal.\u003c/a>\u003c/p>\n\u003cp>While implementing reforms is important, a strong part of creating better bonds between police and Black and brown communities is true community policing, Cordell said. A key recommendation to SFPD by the Department of Justice was to craft a strategic plan for community policing. SFPD’s website shows this goal is still “in progress.”\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"California Superior Court Judge LaDoris Cordell, retired\"]‘I don’t know that any of these are contradictory. They can all be done. But it’s hard to do it in a system that says your best reward is being promoted and moving up as fast as you can.’[/pullquote]That was also a recommendation of the Blue Ribbon Panel Cordell served on, which \u003ca href=\"https://www.sfdistrictattorney.org/wp-content/uploads/2020/08/BRP_report.pdf\">noted that community members desired (PDF)\u003c/a> police to serve “long-term assignments in a community to get to know and build trust with residents.”\u003c/p>\n\u003cp>People “get to know them, then they get to trust them,” Cordell said. “And then, when issues come up regarding crime, they’re willing to go and talk to these officers because the officers have gotten to know them. And that is the key.”\u003c/p>\n\u003cp>According to Cordell, it’s not impossible for a police force to balance promotions and to provide longevity for neighborhoods. Cordell said SFPD may need to think more creatively, like offering incentive pay or other benefits if police stay in communities longer.\u003c/p>\n\u003cp>“I don’t know that any of these are contradictory. They can all be done,” she said. “But it’s hard to do it in a system that says your best reward is being promoted and moving up as fast as you can.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Sup. Aaron Peskin's effort to axe 4 SFPD top-brass positions aims to slow the pace of promotions and keep station captains in neighborhoods longer.","status":"publish","parent":0,"modified":1695135842,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":33,"wordCount":1659},"headData":{"title":"Will a Plan to Cut SFPD Command Staff Stop 'Revolving Door' of Top Brass? | KQED","description":"Sup. Aaron Peskin's effort to axe 4 SFPD top-brass positions aims to slow the pace of promotions and keep station captains in neighborhoods longer.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11961640/will-a-plan-to-cut-sfpd-command-staff-stop-revolving-door-of-top-brass-aaron-peskin","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ed Siu is a pro at giving Central Station police captains tours of Chinatown.\u003c/p>\n\u003cp>But at this point, the chairman of the \u003ca href=\"https://www.cmuasf.org/%E9%97%9C%E6%96%BC-about-us\">Chinatown Merchants United Association of San Francisco\u003c/a> thinks he’s given too many.\u003c/p>\n\u003cp>In San Francisco, district police captains serve as public figures and tacticians for clusters of neighborhoods. Central Station, a six-story gray slab at the edge of North Beach, oversees Chinatown as well as the Financial District, Fisherman’s Wharf, Telegraph Hill, Nob Hill and Russian Hill.\u003c/p>\n\u003cp>Hoping to ensure captains learn the safety needs of Chinatown merchants, Siu will walk them down bustling Stockton Street, jockeying between thick crowds of shoppers to arrive at the door of New Golden Daisy, one of those restaurants with ducks hanging in the window.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Siu and the captain may amble over to the Sweetheart Florist, \u003ca href=\"https://sweetheartfloristsf.com/collections/blanketofferings\">which also offers traditional Chinese silk blankets\u003c/a>, before going down to Kearny Street, the heart of the neighborhood’s tourist offerings, to Hon’s Wun-Tun House for soup.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I mention it to the captains, the turnover is too fast. They should help us by knowing about Chinatown and the district.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Ed Siu, chairman, Chinatown Merchants United Association of San Francisco","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Siu has led tours for so many new police leaders that he can’t remember all of their names. The expansion of the San Francisco Police Department’s command staff has led to high turnover among captains.\u003c/p>\n\u003cp>“I mention it to the captains, the turnover is too fast,” said Siu, who has owned a Chinatown travel agency for more than four decades. “They should help us by knowing about Chinatown and the district.”\u003c/p>\n\u003cp>It’s not just a Central Station dilemma. Anecdotally, some San Francisco supervisors have long complained of turnover among station police captains, saying that as soon as they’ve got good footing in a neighborhood they’re already out the door, oftentimes by way of promotion.\u003c/p>\n\u003cp>Eight captains have led Central Station in the past 11 years, an average of just over a year per captain. The swelling of SFPD’s leadership has also led to the swelling of salaries and pensions. According to SFPD data, the command staff’s total salary was just over $3 million in 2016, but is projected to grow to $7.5 million by 2025.\u003c/p>\n\u003cfigure id=\"attachment_11961412\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11961412 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED.jpg\" alt=\"People cross the street at a city intersection.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-022-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People cross Stockton Street in San Francisco’s Chinatown neighborhood on Sept. 13, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Board of Supervisors President Aaron Peskin, who represents neighborhoods served by Central Station, wants to stop the speedy promotions by eliminating four positions in the upper echelons of SFPD, \u003ca href=\"https://www.sanfranciscopolice.org/your-sfpd/leadership\">winnowing its size\u003c/a> and redirecting funds to pay for eight police officers to walk city beats. Peskin’s budget adjustment is set to be considered at a \u003ca href=\"https://sfbos.org/committees\">Board of Supervisors Budget & Appropriations Committee hearing\u003c/a> on Wednesday.\u003c/p>\n\u003cp>“A top-heavy, bloated command staff has grown exponentially in recent years,” Peskin told KQED. “This is something that I think makes policy sense. It makes economic sense and will lead to better policing in San Francisco.”\u003c/p>\n\u003cp>While the move sounds like a simple budget cut, it may significantly hamper police reform efforts in San Francisco, Chief Bill Scott said at an August Board of Supervisors meeting. He admitted SFPD had staffing problems, but said the force needs administrative support as it balances the competing demands of reform and public safety concerns in the Tenderloin and surrounding neighborhoods.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘A top-heavy, bloated command staff has grown exponentially in recent years. This is something that I think makes policy sense. It makes economic sense and will lead to better policing in San Francisco.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"San Francisco Board of Supervisors President Aaron Peskin","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>One of the more recently minted commander positions, for instance, coordinates the rollout of information to the public when an officer shoots a person. That transparency is a key part of the \u003ca href=\"https://www.sanfranciscopolice.org/your-sfpd/police-reform/cri-current-status\">U.S. Department of Justice’s reform recommendations to SFPD\u003c/a> in 2016, Scott said.\u003c/p>\n\u003cp>He also said that goes for many of the newer command staff roles, arguing to Peskin that the department can’t just lop off a swath of commanders without consequences to that work.\u003c/p>\n\u003cp>Decades ago, there were only a handful of people who reported directly to the chief, according to Jim Wunderman, the \u003ca href=\"https://www.bayareacouncil.org/staff/jim-wunderman/\">CEO of the Bay Area Council\u003c/a>, a nonprofit representing business interests across the region. Wunderman served in a number of roles in then-Mayor Dianne Feinstein’s administration and as chief of staff for Mayor Frank Jordan, a former chief of police.\u003c/p>\n\u003cp>Back in the late 1970s and early 1980s, many police captains stayed at that rank longer, even until retirement. But Wunderman recalled when Feinstein was first urged to expand the command.\u003c/p>\n\u003cp>“Dianne’s first reaction to it was pretty negative,” he said. “Why do we want to add more administrative staff? Don’t we want to put more cops out in the stations where crime actually occurs?”\u003c/p>\n\u003cp>Eventually, Feinstein was convinced. Jordan was promoted in 1978 from lieutenant to a newly created commander position. Three decades later, there are 16 sworn members of SFPD’s command staff: two assistant chiefs, five deputy chiefs and nine commanders.\u003c/p>\n\u003cfigure id=\"attachment_11961410\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11961410 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED.jpg\" alt=\"A person with glasses speaks to someone with long hair inside a store.\" width=\"2000\" height=\"1333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED.jpg 2000w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/09/230913-SFPDStaff-005-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Store owner Tracy Liu (left) speaks with Edward Siu, president of the Chinatown Merchants United Association, at her shop in San Francisco’s Chinatown neighborhood on Sept. 13, 2023. Liu worries about the safety of tourists affecting business at her shop. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wunderman said that when there’s leadership bloat “in any organization, whether it’s business or government for that matter, you end up with a loss of accountability. There’s too many people trying to talk to too many people and nothing gets done.”\u003c/p>\n\u003cp>Some former Central Station captains include David Lazar, who now serves as an assistant chief and Julian Ng, who is now a deputy chief. Paul Yep is commander of the administration bureau and Garret Tom, who was the Central Station captain 10 years ago, is retired.\u003c/p>\n\u003cp>“I can tell you as a district supervisor for most of the last quarter century that my go-to person on virtually a daily basis is the captain of Central Station,” Peskin said. “And we haven’t had a captain at all for two months, until last week, and had an acting captain for almost two years before that because of the misplaced priorities of the leadership of the department.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More on San Francsisco Police Department ","tag":"san-francisco-police-department"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>And just like station captains, most command staff don’t stay in their roles for long, either. Data shows they don’t spend longer than three years in the positions before they’re promoted or retire. San Francisco’s pension liability for SFPD command staff has grown from under $100,000 a month in 2017 to a monthly cost of nearly $500,000 just this year.\u003c/p>\n\u003cp>“You don’t want a revolving door” of top staff, Peskin said. “A revolving door is pension spiking, and yes, there is some of that.”\u003c/p>\n\u003cp>Lily Lo, the founder of \u003ca href=\"https://bechinatown.com/\">BeChinatown\u003c/a>, a group that helps small businesses in the neighborhood, would like to see funding redirected to beat cops in Chinatown and other neighborhoods.\u003c/p>\n\u003cp>“It’s good to have more police patrolling,” she said.\u003c/p>\n\u003cp>As for Chief Scott’s concerns over implementing hard-won police reforms, retired Judge LaDoris Cordell wonders if some roles could be taken on by less-expensive civilian staff. From 2010-2015, Cordell served as an independent police auditor for San José, a civilian position. That police auditor’s job was to make recommendations to the chief, like creating a new policy on chokeholds. In 2015, she served on the Blue Ribbon Panel that made reform recommendations to SFPD \u003ca href=\"https://www.kqed.org/news/10454955/racist-texts-prompt-sfpd-internal-investigation\">after its racist texting scandal.\u003c/a>\u003c/p>\n\u003cp>While implementing reforms is important, a strong part of creating better bonds between police and Black and brown communities is true community policing, Cordell said. A key recommendation to SFPD by the Department of Justice was to craft a strategic plan for community policing. SFPD’s website shows this goal is still “in progress.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I don’t know that any of these are contradictory. They can all be done. But it’s hard to do it in a system that says your best reward is being promoted and moving up as fast as you can.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"California Superior Court Judge LaDoris Cordell, retired","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>That was also a recommendation of the Blue Ribbon Panel Cordell served on, which \u003ca href=\"https://www.sfdistrictattorney.org/wp-content/uploads/2020/08/BRP_report.pdf\">noted that community members desired (PDF)\u003c/a> police to serve “long-term assignments in a community to get to know and build trust with residents.”\u003c/p>\n\u003cp>People “get to know them, then they get to trust them,” Cordell said. “And then, when issues come up regarding crime, they’re willing to go and talk to these officers because the officers have gotten to know them. And that is the key.”\u003c/p>\n\u003cp>According to Cordell, it’s not impossible for a police force to balance promotions and to provide longevity for neighborhoods. Cordell said SFPD may need to think more creatively, like offering incentive pay or other benefits if police stay in communities longer.\u003c/p>\n\u003cp>“I don’t know that any of these are contradictory. They can all be done,” she said. “But it’s hard to do it in a system that says your best reward is being promoted and moving up as fast as you can.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11961640/will-a-plan-to-cut-sfpd-command-staff-stop-revolving-door-of-top-brass-aaron-peskin","authors":["11690"],"categories":["news_8","news_13"],"tags":["news_195","news_25782","news_393","news_28242","news_27626","news_1333","news_20625","news_17968","news_38","news_196","news_30076","news_28171","news_545","news_20331","news_28135"],"featImg":"news_11961411","label":"news"},"news_11947380":{"type":"posts","id":"news_11947380","meta":{"index":"posts_1591205157","site":"news","id":"11947380","score":null,"sort":[1682262038000]},"guestAuthors":[],"slug":"rose-pak-film-rally-explores-the-community-legacy-of-a-power-broker","title":"Rose Pak Film 'Rally' Explores the Community Legacy of a 'Power Broker'","publishDate":1682262038,"format":"standard","headTitle":"Rose Pak Film ‘Rally’ Explores the Community Legacy of a ‘Power Broker’ | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Was Rose Pak a \u003ca href=\"https://www.sfchronicle.com/opinion/editorials/article/Rose-Pak-the-ultimate-power-broker-9233068.php\">power broker\u003c/a>? Demonstrably yes.\u003c/p>\n\u003cp>Was she also a \u003ca href=\"https://www.kqed.org/forum/201303211000/first-person-rose-pak\">kingmaker\u003c/a>? Arguably so.\u003c/p>\n\u003cp>And in Pak’s last days before her death, was she a “\u003ca href=\"https://www.sfgate.com/bayarea/article/A-gravely-ill-Rose-Pak-on-life-death-and-her-6456189.php\">lion in winter\u003c/a>,” as \u003cem>San Francisco Magazine\u003c/em> dubbed her, leading a pride of politicos she had long mentored through a final campaign struggle? Perhaps inspiringly, yes.\u003c/p>\n\u003cp>But the film about her life, \u003cem>Rally\u003c/em>, which premiered Friday at the 2023 San Francisco International Film Festival, manages to show the thread that binds all of those efforts, and the motivation behind the decades Pak spent shaping San Francisco political life.\u003c/p>\n\u003cp>“At the end of the day, everything she did, every person she talked to, it was about enhancing the community and making the community better, and she was very vocal about that,” San Francisco Police Department Commander Paul Yep told me, standing among Pak’s friends at an after-party celebrating the film.\u003c/p>\n\u003cfigure id=\"attachment_11947386\" class=\"wp-caption alignnone\" style=\"max-width: 1403px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11947386 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1.jpg\" alt=\"A Chinese woman wearing large, '80s-style glasses, a bright blue dress, and a long strand of pearls, with chin-length black hair, smiles broadly, while others around her, all white, also smile, in a government office in front of a bank of microphones.\" width=\"1403\" height=\"692\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1.jpg 1403w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1-800x395.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1-1020x503.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1-160x79.jpg 160w\" sizes=\"(max-width: 1403px) 100vw, 1403px\">\u003cfigcaption class=\"wp-caption-text\">Former San Francisco Mayor Art Agnos and Rose Pak at a press conference in a screenshot from the film ‘Rally.’ \u003ccite>(Courtesy Rally)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pak, who was born in China, came to San Francisco in the 1960s to work for the \u003cem>San Francisco Chronicle\u003c/em>. She would eventually become one of the city’s most influential political figures, channeling the Chinese community to lift people into power, who would in turn fulfill promises to Pak to help Chinese San Franciscans.\u003c/p>\n\u003cp>Yep remembers Pak’s care for Chinatown well. At their first meeting, Pak told him, “If you’re about the community, then I’m there for you.”\u003c/p>\n\u003cp>That’s a lesson that’s obvious to her friends, many of whom were in attendance for \u003cem>Rally\u003c/em>’s premiere at the CGV San Francisco 14 cinema on 1000 Van Ness Avenue on Friday night. Yet somehow it was a message lost on many San Franciscans over the years.\u003c/p>\n\u003cp>In the film, news clips spanning decades repeatedly describe Pak as a “powerful influencer” behind the scenes, a “shadowy figure” pulling the puppet strings of San Francisco’s power structure. She would often describe the term “power broker” as racist, musing, If she were white, wouldn’t they say “civic leader”?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Of course, those news clips never talked about \u003cem>why \u003c/em>she pulled those strings. But seeing Pak’s accomplishments all in the span of an hour and a half (give or take), the missing \u003cem>why \u003c/em>is as blindingly obvious as the idea that the Golden Gate Bridge ain’t golden:\u003c/p>\n\u003cp>Pak saved Chinese Hospital from closure. Pak defended access to Chinatown businesses by fighting the Embarcadero Freeway closure, and after she lost that fight, she advocated for the Central Subway to ensure people had access to Chinatown. She helped elect Mayor Art Agnos, who, at Pak’s urging, went on to appoint Chinese people into the upper echelons of City Hall for the first time.\u003c/p>\n\u003cp>And in 2011, she applied pressure to the Board of Supervisors to appoint Ed Lee interim mayor, later propelling him to victory in his \u003ca href=\"https://www.youtube.com/watch?v=fbdd_Fasz0k\">campaign to become San Francisco’s first Chinese mayor\u003c/a>.\u003c/p>\n\u003cp>Pak wasn’t a saintly figure, and it’s a strength of the film that it doesn’t shy away from showing her as crass, rude and loud, in all the ways that made her charming. The movie also showcases her losses, like the teardown of the Embarcadero Freeway, and Ed Lee’s eventual shifting allegiance toward San Francisco’s tech elite, like “Godfather of Silicon Valley” \u003ca href=\"https://www.sfexaminer.com/news/ron-conway-big-tech-drop-thousands-into-sleepy-sf-election/article_00342725-0356-5f79-a4c4-9e4a025a5d35.html\">Ron Conway\u003c/a>.[pullquote align=\"right\" size=\"medium\" citation=\"Cmdr. Paul Yep, San Francisco Police Department\"]‘At the end of the day, everything she did, every person she talked to, it was about enhancing the community and making the community better, and she was very vocal about that.’[/pullquote]The movie even \u003cem>begins \u003c/em>with accusations that she was an operative of the Chinese Communist Party — that’s gutsy.\u003c/p>\n\u003cp>Showing Pak in an honest way, warts and all, was by design, the film’s director Rooth Tang told KQED.\u003c/p>\n\u003cp>“Part of Rose’s story, I think, is a universal one, is that change is messy,” Tang said. Even in a city that’s dominated by Democrats, change takes a fight and “it’s not going to be simple or clean,” he said.\u003c/p>\n\u003cp>But showing Pak’s imperfections had another importance, Tang said, because the Asian American community, in his experience, struggles with the concept of, “How much should you do to fit in?”\u003c/p>\n\u003cp>“That’s another thing I really admired about Rose,” he said. “She didn’t worry about fitting in, ever. It was more of, ‘Hey, I’m here. You guys got to make room.’”\u003c/p>\n\u003cp>Pak exemplified that even when faced with racism early on in her tenure at the \u003cem>San Francisco Chronicle\u003c/em>. She tells the tale in an old interview unearthed for the film.\u003c/p>\n\u003cp>“They think, you hired a Chinese, so we’ve covered all our Asians. That’s the mentality they had. They always asked me, ‘Rose, you tell us, what is the difference between the Koreans, the Chinese, and the Japanese?’ I was so fed up,” she said.\u003c/p>\n\u003cfigure id=\"attachment_11947390\" class=\"wp-caption alignnone\" style=\"max-width: 1901px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11947390 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4.jpg\" alt=\"A Chinese woman, a white man and a white woman walk together in the middle of a crowd in the middle of a street, the women talking to each other across the man, in a black-and-white photo.\" width=\"1901\" height=\"693\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4.jpg 1901w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-800x292.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-1020x372.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-160x58.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-1536x560.jpg 1536w\" sizes=\"(max-width: 1901px) 100vw, 1901px\">\u003cfigcaption class=\"wp-caption-text\">Rose Pak with Dianne Feinstein in a snippet from ‘Rally.’ \u003ccite>(Courtesy Rally)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I said, ‘Guys, you listen once and for all.’ And they all kept quiet. ‘Just remember, the Koreans, their eyes slant down.’ And you can see all their faces trying to remember, ‘Koreans eyes slant down.’ ‘And the Japanese, their eyes slant up.’ And then they’re all thinking, ‘Right?’ ‘And the Chinese, one go each way.’ And then I just left. It was so insulting, you know, but that was the mentality.”\u003c/p>\n\u003cp>The mechanics of how she achieved these feats is showcased in the film. But in a soft critique, one has to read between the lines a bit to see how her wins were truly achieved.\u003c/p>\n\u003cp>Standing in the theater just after the film, Jane Kim, a former protégé of Pak’s and now director of the state Working Families Party, spelled out Pak’s power a bit more directly.\u003c/p>\n\u003cp>“When you think of a power broker, you think of someone who’s wielding that power, at least a little bit, for themselves,” Kim said. “And part of Rose’s power was actually that she didn’t want anything, so she never had anything to lose.”\u003c/p>\n\u003cp>The film reveals this in a particularly touching moment, just after her death, when loved ones gather outside her small apartment next to Chinese Hospital. It’s not the kind of building you’d imagine a true “power broker” to live in — a far cry from the tony neighborhoods some San Francisco politicos call home.\u003c/p>\n\u003cp>“I do think that was part of why she was so difficult to take down,” Kim said. “There was nothing to take away from her.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"'At the end of the day, everything she did, every person she talked to, it was about enhancing the community and making the community better,' said San Francisco Police Department Commander Paul Yep of Rose Pak.","status":"publish","parent":0,"modified":1682465620,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":27,"wordCount":1226},"headData":{"title":"Rose Pak Film 'Rally' Explores the Community Legacy of a 'Power Broker' | KQED","description":"'At the end of the day, everything she did, every person she talked to, it was about enhancing the community and making the community better,' said San Francisco Police Department Commander Paul Yep of Rose Pak.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11947380/rose-pak-film-rally-explores-the-community-legacy-of-a-power-broker","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Was Rose Pak a \u003ca href=\"https://www.sfchronicle.com/opinion/editorials/article/Rose-Pak-the-ultimate-power-broker-9233068.php\">power broker\u003c/a>? Demonstrably yes.\u003c/p>\n\u003cp>Was she also a \u003ca href=\"https://www.kqed.org/forum/201303211000/first-person-rose-pak\">kingmaker\u003c/a>? Arguably so.\u003c/p>\n\u003cp>And in Pak’s last days before her death, was she a “\u003ca href=\"https://www.sfgate.com/bayarea/article/A-gravely-ill-Rose-Pak-on-life-death-and-her-6456189.php\">lion in winter\u003c/a>,” as \u003cem>San Francisco Magazine\u003c/em> dubbed her, leading a pride of politicos she had long mentored through a final campaign struggle? Perhaps inspiringly, yes.\u003c/p>\n\u003cp>But the film about her life, \u003cem>Rally\u003c/em>, which premiered Friday at the 2023 San Francisco International Film Festival, manages to show the thread that binds all of those efforts, and the motivation behind the decades Pak spent shaping San Francisco political life.\u003c/p>\n\u003cp>“At the end of the day, everything she did, every person she talked to, it was about enhancing the community and making the community better, and she was very vocal about that,” San Francisco Police Department Commander Paul Yep told me, standing among Pak’s friends at an after-party celebrating the film.\u003c/p>\n\u003cfigure id=\"attachment_11947386\" class=\"wp-caption alignnone\" style=\"max-width: 1403px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11947386 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1.jpg\" alt=\"A Chinese woman wearing large, '80s-style glasses, a bright blue dress, and a long strand of pearls, with chin-length black hair, smiles broadly, while others around her, all white, also smile, in a government office in front of a bank of microphones.\" width=\"1403\" height=\"692\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1.jpg 1403w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1-800x395.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1-1020x503.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally1-160x79.jpg 160w\" sizes=\"(max-width: 1403px) 100vw, 1403px\">\u003cfigcaption class=\"wp-caption-text\">Former San Francisco Mayor Art Agnos and Rose Pak at a press conference in a screenshot from the film ‘Rally.’ \u003ccite>(Courtesy Rally)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pak, who was born in China, came to San Francisco in the 1960s to work for the \u003cem>San Francisco Chronicle\u003c/em>. She would eventually become one of the city’s most influential political figures, channeling the Chinese community to lift people into power, who would in turn fulfill promises to Pak to help Chinese San Franciscans.\u003c/p>\n\u003cp>Yep remembers Pak’s care for Chinatown well. At their first meeting, Pak told him, “If you’re about the community, then I’m there for you.”\u003c/p>\n\u003cp>That’s a lesson that’s obvious to her friends, many of whom were in attendance for \u003cem>Rally\u003c/em>’s premiere at the CGV San Francisco 14 cinema on 1000 Van Ness Avenue on Friday night. Yet somehow it was a message lost on many San Franciscans over the years.\u003c/p>\n\u003cp>In the film, news clips spanning decades repeatedly describe Pak as a “powerful influencer” behind the scenes, a “shadowy figure” pulling the puppet strings of San Francisco’s power structure. She would often describe the term “power broker” as racist, musing, If she were white, wouldn’t they say “civic leader”?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Of course, those news clips never talked about \u003cem>why \u003c/em>she pulled those strings. But seeing Pak’s accomplishments all in the span of an hour and a half (give or take), the missing \u003cem>why \u003c/em>is as blindingly obvious as the idea that the Golden Gate Bridge ain’t golden:\u003c/p>\n\u003cp>Pak saved Chinese Hospital from closure. Pak defended access to Chinatown businesses by fighting the Embarcadero Freeway closure, and after she lost that fight, she advocated for the Central Subway to ensure people had access to Chinatown. She helped elect Mayor Art Agnos, who, at Pak’s urging, went on to appoint Chinese people into the upper echelons of City Hall for the first time.\u003c/p>\n\u003cp>And in 2011, she applied pressure to the Board of Supervisors to appoint Ed Lee interim mayor, later propelling him to victory in his \u003ca href=\"https://www.youtube.com/watch?v=fbdd_Fasz0k\">campaign to become San Francisco’s first Chinese mayor\u003c/a>.\u003c/p>\n\u003cp>Pak wasn’t a saintly figure, and it’s a strength of the film that it doesn’t shy away from showing her as crass, rude and loud, in all the ways that made her charming. The movie also showcases her losses, like the teardown of the Embarcadero Freeway, and Ed Lee’s eventual shifting allegiance toward San Francisco’s tech elite, like “Godfather of Silicon Valley” \u003ca href=\"https://www.sfexaminer.com/news/ron-conway-big-tech-drop-thousands-into-sleepy-sf-election/article_00342725-0356-5f79-a4c4-9e4a025a5d35.html\">Ron Conway\u003c/a>.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘At the end of the day, everything she did, every person she talked to, it was about enhancing the community and making the community better, and she was very vocal about that.’","name":"pullquote","attributes":{"named":{"align":"right","size":"medium","citation":"Cmdr. Paul Yep, San Francisco Police Department","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The movie even \u003cem>begins \u003c/em>with accusations that she was an operative of the Chinese Communist Party — that’s gutsy.\u003c/p>\n\u003cp>Showing Pak in an honest way, warts and all, was by design, the film’s director Rooth Tang told KQED.\u003c/p>\n\u003cp>“Part of Rose’s story, I think, is a universal one, is that change is messy,” Tang said. Even in a city that’s dominated by Democrats, change takes a fight and “it’s not going to be simple or clean,” he said.\u003c/p>\n\u003cp>But showing Pak’s imperfections had another importance, Tang said, because the Asian American community, in his experience, struggles with the concept of, “How much should you do to fit in?”\u003c/p>\n\u003cp>“That’s another thing I really admired about Rose,” he said. “She didn’t worry about fitting in, ever. It was more of, ‘Hey, I’m here. You guys got to make room.’”\u003c/p>\n\u003cp>Pak exemplified that even when faced with racism early on in her tenure at the \u003cem>San Francisco Chronicle\u003c/em>. She tells the tale in an old interview unearthed for the film.\u003c/p>\n\u003cp>“They think, you hired a Chinese, so we’ve covered all our Asians. That’s the mentality they had. They always asked me, ‘Rose, you tell us, what is the difference between the Koreans, the Chinese, and the Japanese?’ I was so fed up,” she said.\u003c/p>\n\u003cfigure id=\"attachment_11947390\" class=\"wp-caption alignnone\" style=\"max-width: 1901px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11947390 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4.jpg\" alt=\"A Chinese woman, a white man and a white woman walk together in the middle of a crowd in the middle of a street, the women talking to each other across the man, in a black-and-white photo.\" width=\"1901\" height=\"693\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4.jpg 1901w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-800x292.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-1020x372.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-160x58.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/Rally4-1536x560.jpg 1536w\" sizes=\"(max-width: 1901px) 100vw, 1901px\">\u003cfigcaption class=\"wp-caption-text\">Rose Pak with Dianne Feinstein in a snippet from ‘Rally.’ \u003ccite>(Courtesy Rally)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I said, ‘Guys, you listen once and for all.’ And they all kept quiet. ‘Just remember, the Koreans, their eyes slant down.’ And you can see all their faces trying to remember, ‘Koreans eyes slant down.’ ‘And the Japanese, their eyes slant up.’ And then they’re all thinking, ‘Right?’ ‘And the Chinese, one go each way.’ And then I just left. It was so insulting, you know, but that was the mentality.”\u003c/p>\n\u003cp>The mechanics of how she achieved these feats is showcased in the film. But in a soft critique, one has to read between the lines a bit to see how her wins were truly achieved.\u003c/p>\n\u003cp>Standing in the theater just after the film, Jane Kim, a former protégé of Pak’s and now director of the state Working Families Party, spelled out Pak’s power a bit more directly.\u003c/p>\n\u003cp>“When you think of a power broker, you think of someone who’s wielding that power, at least a little bit, for themselves,” Kim said. “And part of Rose’s power was actually that she didn’t want anything, so she never had anything to lose.”\u003c/p>\n\u003cp>The film reveals this in a particularly touching moment, just after her death, when loved ones gather outside her small apartment next to Chinese Hospital. It’s not the kind of building you’d imagine a true “power broker” to live in — a far cry from the tony neighborhoods some San Francisco politicos call home.\u003c/p>\n\u003cp>“I do think that was part of why she was so difficult to take down,” Kim said. “There was nothing to take away from her.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11947380/rose-pak-film-rally-explores-the-community-legacy-of-a-power-broker","authors":["11690"],"categories":["news_29992","news_223","news_31795","news_8","news_13"],"tags":["news_19133","news_32662","news_32661","news_393","news_28765","news_562","news_38"],"featImg":"news_11947385","label":"news"},"news_11934056":{"type":"posts","id":"news_11934056","meta":{"index":"posts_1591205157","site":"news","id":"11934056","score":null,"sort":[1670497310000]},"guestAuthors":[],"slug":"the-transamerica-pyramid-at-50-from-architectural-butchery-to-icon","title":"The Transamerica Pyramid at 50: From 'Architectural Butchery' to Icon","publishDate":1670497310,"format":"standard","headTitle":"The Transamerica Pyramid at 50: From ‘Architectural Butchery’ to Icon | KQED","labelTerm":{},"content":"\u003cp>The Golden Gate Bridge. The Bay Bridge. Sutro Tower. Coit Tower. Perhaps even (whisper it) the Salesforce Tower.\u003c/p>\n\u003cp>When it comes to instantly recognizable structures, San Francisco suffers no shortage. But if asked to pick their favorite, many people might go for a classic: the Transamerica Pyramid.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>The Pyramid — officially known as the Transamerica Pyramid Center — first opened back in 1972, making it a half-century old this year. At over 850 feet high, back then it was the tallest building San Francisco had ever seen. It has over 3,000 windows, an exterior of white quartz, and an illuminated spire at its very top, like the star on top of a Christmas tree.\u003c/p>\n\u003cfigure id=\"attachment_11934440\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934440\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid as seen from Pier 7 in San Francisco on Dec. 6, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Pyramid is no longer the tallest building in San Francisco; that honor now goes to the Salesforce Tower, at 1,070 feet. But even as this building officially turns 50 years old — the same age as \u003cem>The Godfather\u003c/em>, the Honda Civic, Pong, and Dwayne “The Rock” Johnson — the story of how it came to be might surprise you.\u003c/p>\n\u003cp>That’s because what is now an architectural icon was once quite controversial.\u003c/p>\n\u003cfigure id=\"attachment_11934146\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934146\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view from the bottom of the Transamerica Pyramid in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Francisco before the Pyramid\u003c/h2>\n\u003cp>Like a pin in a map, the Transamerica Pyramid marks the spot where the communities of Chinatown, North Beach, Telegraph Hill and the Financial District converge. And historically speaking, the Pyramid is built on hallowed ground.\u003c/p>\n\u003cp>In the first half of the 19th century, this area of San Francisco wasn’t several blocks away from the bay, like it is now. It was the Barbary Coast, right on the water. A whaling ship called the Niantic even ran aground here in 1849 after the crew jumped ship to make their fortunes in the gold fields. Like many ships around this time, instead of being removed or torn down, the Niantic was instead absorbed into the fabric of the city: It was retrofitted into a hotel and ultimately became part of the landfill as the city expanded into the bay.\u003c/p>\n\u003cfigure id=\"attachment_11844073\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11844073\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10.png\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10.png 1920w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-800x533.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-1020x680.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-160x107.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-1536x1024.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view of San Francisco looking toward the bay, by Frank Marryat, ca. 1850. \u003ccite>(Library of Congress)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Back during the Gold Rush, Montgomery Street was at the center of city life. In 1853, workers constructed a massive building — appropriately known as the Montgomery Block — on the exact spot where the Transamerica Pyramid would later be built. “At the time, it was the tallest building west of the Mississippi at a towering four stories,” said author \u003ca href=\"https://hiyaswanhuyser.wordpress.com/\">Hiya Swanhuyser\u003c/a>, who is currently writing a book about the history of the building. “[It was] built, famously, on a foundation made up of redwood logs interlaced that were floated across the bay.”\u003c/p>\n\u003cp>San Franciscans, Swanhuyser says, even called the Montgomery Block “a floating fortress.”\u003c/p>\n\u003cp>Like so many spaces through San Francisco’s history, the Block — and the people inside it — lived many lives. Originally, the space was built to be law offices and a hangout spot for San Francisco’s high society. But when the city’s business folk started to migrate south to Market Street, artists moved in. The Montgomery Block entered its creative era.\u003c/p>\n\u003cfigure id=\"attachment_11934444\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934444\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view of the Montgomery Block in 1856, by photographer G. R. Fardon (1807–1886) \u003ccite>(Google Art Project/Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“They were writers and sculptors,” said Swanhuyser, “people who were inventing journalism in the mid-1860s. People like Ambrose Bierce, who, according to some, was America’s first newspaper columnist, and Mark Twain and Bret Harte. And Ina Coolbrith, who was California’s first poet laureate.”\u003c/p>\n\u003cp>This area of Montgomery Street was known for its bohemian ways, a scene that attracted freethinkers from near and far. Just a block to the north, \u003ca href=\"https://www.kqed.org/news/11848986/inside-frida-kahlo-and-diego-riveras-life-in-san-francisco\">now-iconic artists Frida Kahlo and Diego Rivera lived and worked here in the 1930s\u003c/a>. But the Montgomery Block’s influence was also ideological, says Swanhuyser, a “hotbed of painters and political people”: \u003ca href=\"http://www.tenderloinmuseum.org/public-programs-2019-1/2019/5/23/the-history-of-the-1934-general-strike\">The massive General Strike of 1934, which shut the city down for four days\u003c/a> and brought class struggles to a head, was organized, in part, right here.\u003c/p>\n\u003cp>The lights went out on the Montgomery Block’s creative chapter in 1959. That year, explained Swanhuyser, “a man named S.E. Onorato bought it and tore it down, claiming he was going to make a parking structure.” But Onorato never got to build his parking garage, and the space remained a single parking lot for almost a decade.\u003c/p>\n\u003cp>That’s when the Transamerica Corporation — and the Pyramid — came into the picture.\u003c/p>\n\u003cfigure id=\"attachment_11934143\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934143\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view from the bottom of the Transamerica Pyramid in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Path to the Pyramid\u003c/h2>\n\u003cp>Transamerica is now a financial services company, concerned with insurance and investments. Its story starts back in 1904 with the founding of the Bank of Italy in San Francisco — the brainchild of San José’s A.P. Giannini. That bank would become the Bank of America in the 1930s.\u003c/p>\n\u003cp>Transamerica began as the holding company for Giannini’s various financial ventures, which had by then become legion. The original “Transamerica Building” is actually still standing — it’s \u003ca href=\"http://playfoursquare.s3.amazonaws.com/pix/7871784_ficuEsfM_7kskU64jWPZTlip36tZCTyeSNJ1tkepH4A.jpg\">that flatiron-looking building\u003c/a> that forms a junction between Montgomery Street and Columbus Avenue, just across the street from where the Pyramid now stretches into the sky.\u003c/p>\n\u003cp>Now it’s the San Francisco headquarters of the Church of Scientology, but in 1969, it was home to the corporation that wanted a new headquarters. And it turned out Transamerica wanted to build … a pyramid.\u003c/p>\n\u003cp>The corporation had brought in a Los Angeles architect named \u003ca href=\"https://www.laconservancy.org/architects/william-pereira\">William Pereira\u003c/a> who had worked as an art director in Hollywood. His brief was, apparently, to create something that allowed sunlight to filter down to ground level.\u003c/p>\n\u003cfigure id=\"attachment_11934144\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934144\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The moon rises near the Transamerica Pyramid in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pereira envisioned a pyramid more than 850 feet tall, with two wing-like columns running up either side to allow for an elevator shaft on one side and a stairwell on the other. Even with its pyramid structure, it would have a capacity of 763,000 square feet.\u003c/p>\n\u003cp>When the Transamerica Corporation shared the design with the public, the critics hated it. The San Francisco Chronicle’s architecture writer Allan Temko called it “authentic architectural butchery.”\u003c/p>\n\u003cp>And it wasn’t just local critics. The Washington Post said the Pyramid proposal was “a second-class World’s Fair Space Needle.” Los Angeles Times critic John Pastier called the design “antisocial architecture at its worst,” capturing a broader unease at how Transamerica was trying to smear its corporate vision on San Francisco’s skyline. “Corporations that are far more important to the city have exercised considerably more restraint in their architecture than Transamerica,” wrote Pastier, “which is blatantly attempting to put its ‘brand’ on the city.”\u003c/p>\n\u003cp>In 1969, San Franciscans protested against the Pyramid plans in the street, carrying signs that bore slogans like “Corporate Egotism” and “Stop the Shaft.” Some protesters even donned pyramid-shaped dunce hats. (You can \u003ca href=\"https://www.sfchronicle.com/oursf/article/Transamerica-Pyramid-sf-17154748.php\">see more photos from the protests in the San Francisco Chronicle’s archives\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_11934436\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934436\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image.jpg\" alt=\"\" width=\"1920\" height=\"1539\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-800x641.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-1020x818.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-1536x1231.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Protestors at the old Transamerica Building march against the new Transamerica Pyramid, announced in 1969 and built in 1972, on July 23, 1969. \u003ccite>(Stan Creighton/San Francisco Chronicle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Those protesters included Hiya Swanhuyser’s mother. “She was a community-minded hippie and she didn’t think that a neighborhood was the right place for a skyscraper,” Swanhuyser said.\u003c/p>\n\u003cp>There was even a lawsuit filed by nearby residents. At a City Hall hearing about the proposal, an attorney for the Telegraph Hill Dwellers Association spoke for those residents, in language that echoed the burgeoning environmentalism of the 1960s.\u003c/p>\n\u003cp>“The curse of this country is the worship of material things,” the residents’ attorney told City Hall. “We’ve polluted our rivers, our harbors, and our lakes, and our air — and we’re now about to pollute the skyline of San Francisco, one of its greatest treasures.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yet at that same hearing, San Francisco Mayor Joseph Alioto made his support for the Pyramid — and its design — clear. Alioto urged those assembled to acknowledge the subjectivity of taste, proclaiming that the real issue was whether the Pyramid “is so bad that all reasonable men must agree.”\u003c/p>\n\u003cp>The design, Alioto said, wasn’t that bad. On the contrary, it would “add considerable interest and beauty to the San Francisco skyline.”\u003c/p>\n\u003cp>The city’s Planning Commission ultimately signed off. The Pyramid was officially coming to San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11934148\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934148\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid seen from Montgomery Street in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Darkness and light in a most strange year\u003c/h2>\n\u003cp>Construction on the Transamerica Pyramid started in 1969. And this was no ordinary year.\u003c/p>\n\u003cp>\u003ca href=\"https://www.biography.com/crime-figure/zodiac-killer\">The Zodiac Killer\u003c/a> murdered three of his four confirmed victims in 1969, in Vallejo, at Lake Berryessa and, finally, in San Francisco’s Presidio Heights neighborhood. That same year, Bay Area residents would open their morning papers to see strange symbols — ciphers that someone claiming to be the Zodiac Killer sent to the press.\u003c/p>\n\u003cp>This was also the summer that \u003ca href=\"https://www.history.com/this-day-in-history/manson-cult-kills-five-people\">Charles Manson’s so-called “family” murdered five people in Los Angeles\u003c/a>, co-opting the visual language of the occult in their heinous acts. Then, the very same month construction on the Pyramid began, the \u003ca href=\"https://www.history.com/this-day-in-history/the-altamont-festival-brings-the-1960s-to-a-violent-end\">Altamont Speedway Free Festival\u003c/a> outside Livermore turned from a celebration of the counterculture into violence, mayhem and murder.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3aUAw9zWi1k\u003c/p>\n\u003cp>This was the backdrop against which San Franciscans were now watching a gigantic, mysterious pyramid start to stretch into the sky: the same ancient symbol that’s loomed large in the worlds of magic, alchemy and superstition for millennia — appearing, that year of all years, between North Beach and Chinatown.\u003c/p>\n\u003cp>Some may have found it creepy. But Larry Yee, who grew up nearby, remembers it as exciting.\u003c/p>\n\u003cp>Yee is now president of the historic Chinese Consolidated Benevolent Association (also known as the \u003ca href=\"https://www.foundsf.org/index.php?title=The_Six_Companies\">Chinese Six Companies\u003c/a>), and serves on the San Francisco Police Commission. But back in 1969, growing up in \u003ca href=\"https://landezine-award.com/everyone-deserves-a-garden-ping-yuen-public-housing-rehabilitation/\">Chinatown’s Ping Yuen housing development\u003c/a>, Yee was a basketball-obsessed teen running around this part of the city with his friends.\u003c/p>\n\u003cp>“We challenged ourselves to go into some of these vacant buildings that they developed,” Yee said.\u003c/p>\n\u003cfigure id=\"attachment_11934393\" class=\"wp-caption alignnone\" style=\"max-width: 1656px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934393\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut.jpg\" alt=\"\" width=\"1656\" height=\"1007\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut.jpg 1656w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-800x486.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-1020x620.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-160x97.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-1536x934.jpg 1536w\" sizes=\"(max-width: 1656px) 100vw, 1656px\">\u003cfigcaption class=\"wp-caption-text\">Construction progresses at the Transamerica Pyramid Building, on June 3, 1971. \u003ccite>(Joe Rosenthal/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yee recalls how different San Francisco looked before the Pyramid. “Yeah, it was flat!” he said, adding that it was rare to see “buildings like this, that pop up through the skyline.”\u003c/p>\n\u003cp>He and his friends were getting a front-row seat to the construction of San Francisco’s most talked-about landmark, and one of his most enduring memories is of the constant construction noise. Far louder than the rattle of the California Street cable car that ran nearby, Yee said, was workers “pounding down on the pillars: ‘bom, bom, bom, bom.’”\u003c/p>\n\u003cp>Initially, he and his friends didn’t even know it was a pyramid being built down the street. They just saw a building being built up, and up … and then up even further, getting narrower. He laughs recalling how he and his friends worried the strange new building “could tip over.”\u003c/p>\n\u003cp>Yee has still kept his enthusiasm for the Transamerica Pyramid, decades after he watched it being built. He likes what it represents, and its place in the visual fabric of the city — and the neighborhood — he’s always called home.\u003c/p>\n\u003cp>It is, he says, still “magical.”\u003c/p>\n\u003cfigure id=\"attachment_11934142\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934142\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid can be seen reflected in the front window of a 1 California Muni bus in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The more things change\u003c/h2>\n\u003cp>San Francisco is a place of relentless change, and the Pyramid’s reputation is no exception. For a building that’s literally built on the site where creative genius flourished — a structure whose design was so fiercely contentious — the Transamerica Pyramid Center is now thoroughly uncontroversial.\u003c/p>\n\u003cp>“What’s good about the Pyramid overwhelms what’s bad about it,” architect Henrik Bull told The San Francisco Chronicle on the building’s 40th anniversary. Once a loud opponent of the plan, he’d changed his mind. “It’s a wonderful building,” he said. “And what makes it wonderful is everything that we were objecting to.”\u003c/p>\n\u003cfigure id=\"attachment_11934441\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934441\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid, a 48-story skyscraper in San Francisco’s Financial District, on Nov. 18, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Transamerica Pyramid is no longer the headquarters of its namesake — the corporation moved to Maryland — but its offices are still leased to financial services companies. Among insurance, wealth management and private equity, a 21st-century Montgomery Block artist’s haven this is not.\u003c/p>\n\u003cp>Here’s another thing: For the most public, visible local icon you could imagine, the Transamerica Pyramid is also not very public. First-time tourists might naturally assume that a trip up the Pyramid is one of the City’s must-see attractions — like climbing the Empire State Building in New York City, or Seattle’s Space Needle. But you can’t go inside the Pyramid Center beyond the lobby, let alone climb to the top to see the view, unless you’re visiting one of the offices inside. There used to be an observation deck up there, but it closed in the ’90s.\u003c/p>\n\u003cfigure id=\"attachment_11934438\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934438\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Supervisor Aaron Peskin (from left), state Sen. Scott Wiener, Deutsche Finance America partner Jason Lucas, SHVO Chairman and CEO Michael Shvo, Mayor London Breed and former Mayor Willie Brown break ground at the Transamerica Pyramid during a 50th-anniversary celebration of the building and a groundbreaking ceremony for a $400 million redevelopment of the site in San Francisco on Dec. 6, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To add insult to injury, it’s also currently covered in construction fencing — at least, its base is. That’s because it’s now undergoing a $400 million-dollar renovation by Norman Foster’s architectural firm. The Pyramid’s owner, Michael Shvo, says he’s in talks to \u003ca href=\"https://www.sfchronicle.com/sf/article/A-members-only-luxury-club-with-fees-up-to-16799906.php\">bring three restaurants to the building\u003c/a>, which apparently will be open to the public.\u003c/p>\n\u003cp>But among other interior changes, the renovation will also see a\u003ca href=\"https://sfist.com/2022/01/25/just-what-downtown-sf-needs-a-new-private-club-for-the-ultra-rich/\"> high-end club moving into the Pyramid\u003c/a>.\u003c/p>\n\u003cp>It’ll be private, for members only.\u003c/p>\n\u003ch2>Present meets past\u003c/h2>\n\u003cp>For all this site’s corporate credentials, the ghosts of the original Montgomery Block and this area’s Barbary Coast roots still linger here — if you know where to look.\u003c/p>\n\u003cfigure id=\"attachment_11934439\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934439\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A grove of redwood trees grows at the base of the Transamerica Pyramid in San Francisco on Dec. 6, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Architect Pereira’s design includes a small park at the east side of the Pyramid’s base: the Transamerica Redwood Park, which was planted with 80 redwood trees shipped north from the Santa Cruz Mountains. Next to those redwoods you’ll find Mark Twain Place, named for one of the Montgomery Block’s most iconic figures.\u003c/p>\n\u003cp>When excavation began in the late ’70s for the plaza complex adjacent to the park, construction workers found none other than the remains of \u003ca href=\"https://www.nps.gov/safr/learn/historyculture/nianticpainting.htm\">the Niantic, that whaling ship that docked in 1849\u003c/a>. The vessel hadn’t been lost to time after all. Instead, it was pushed down over the decades by a city that has been compulsively remaking itself in all directions since European colonizers arrived, buried deep underground. It’s said that champagne bottles were even found resting in the ship’s hull.\u003c/p>\n\u003cfigure id=\"attachment_11934151\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934151\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A man stops to look at the view of the Transamerica Pyramid at dusk in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And just steps away from these markers of our past is the once-hated Pyramid. It may still be a symbol of the city’s money and power. But it’s an icon that’s finally found acceptance here — even affection — nonetheless.\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"The Transamerica Pyramid turns 50 this year. But even after half a century, there's much about the backstory of this surprisingly controversial architectural icon that you still might not know.","status":"publish","parent":0,"modified":1700531917,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":true,"hasPolis":false,"paragraphCount":55,"wordCount":2827},"headData":{"title":"The Transamerica Pyramid at 50: From 'Architectural Butchery' to Icon | KQED","description":"The Transamerica Pyramid turns 50 this year. But even after half a century, there's much about the backstory of this surprisingly controversial architectural icon that you still might not know.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Bay Curious","sourceUrl":"https://www.kqed.org/podcasts/baycurious","audioUrl":"https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC5326627087.mp3?updated=1670450486","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11934056/the-transamerica-pyramid-at-50-from-architectural-butchery-to-icon","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Golden Gate Bridge. The Bay Bridge. Sutro Tower. Coit Tower. Perhaps even (whisper it) the Salesforce Tower.\u003c/p>\n\u003cp>When it comes to instantly recognizable structures, San Francisco suffers no shortage. But if asked to pick their favorite, many people might go for a classic: the Transamerica Pyramid.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The Pyramid — officially known as the Transamerica Pyramid Center — first opened back in 1972, making it a half-century old this year. At over 850 feet high, back then it was the tallest building San Francisco had ever seen. It has over 3,000 windows, an exterior of white quartz, and an illuminated spire at its very top, like the star on top of a Christmas tree.\u003c/p>\n\u003cfigure id=\"attachment_11934440\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934440\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61504_001_KQED_TransamericaPyramid_12062022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid as seen from Pier 7 in San Francisco on Dec. 6, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Pyramid is no longer the tallest building in San Francisco; that honor now goes to the Salesforce Tower, at 1,070 feet. But even as this building officially turns 50 years old — the same age as \u003cem>The Godfather\u003c/em>, the Honda Civic, Pong, and Dwayne “The Rock” Johnson — the story of how it came to be might surprise you.\u003c/p>\n\u003cp>That’s because what is now an architectural icon was once quite controversial.\u003c/p>\n\u003cfigure id=\"attachment_11934146\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934146\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61484_016_KQED_TransamericaPyramid_11302022-qut-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view from the bottom of the Transamerica Pyramid in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Francisco before the Pyramid\u003c/h2>\n\u003cp>Like a pin in a map, the Transamerica Pyramid marks the spot where the communities of Chinatown, North Beach, Telegraph Hill and the Financial District converge. And historically speaking, the Pyramid is built on hallowed ground.\u003c/p>\n\u003cp>In the first half of the 19th century, this area of San Francisco wasn’t several blocks away from the bay, like it is now. It was the Barbary Coast, right on the water. A whaling ship called the Niantic even ran aground here in 1849 after the crew jumped ship to make their fortunes in the gold fields. Like many ships around this time, instead of being removed or torn down, the Niantic was instead absorbed into the fabric of the city: It was retrofitted into a hotel and ultimately became part of the landfill as the city expanded into the bay.\u003c/p>\n\u003cfigure id=\"attachment_11844073\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11844073\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10.png\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10.png 1920w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-800x533.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-1020x680.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-160x107.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/10/1-10-1536x1024.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view of San Francisco looking toward the bay, by Frank Marryat, ca. 1850. \u003ccite>(Library of Congress)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Back during the Gold Rush, Montgomery Street was at the center of city life. In 1853, workers constructed a massive building — appropriately known as the Montgomery Block — on the exact spot where the Transamerica Pyramid would later be built. “At the time, it was the tallest building west of the Mississippi at a towering four stories,” said author \u003ca href=\"https://hiyaswanhuyser.wordpress.com/\">Hiya Swanhuyser\u003c/a>, who is currently writing a book about the history of the building. “[It was] built, famously, on a foundation made up of redwood logs interlaced that were floated across the bay.”\u003c/p>\n\u003cp>San Franciscans, Swanhuyser says, even called the Montgomery Block “a floating fortress.”\u003c/p>\n\u003cp>Like so many spaces through San Francisco’s history, the Block — and the people inside it — lived many lives. Originally, the space was built to be law offices and a hangout spot for San Francisco’s high society. But when the city’s business folk started to migrate south to Market Street, artists moved in. The Montgomery Block entered its creative era.\u003c/p>\n\u003cfigure id=\"attachment_11934444\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934444\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Montgomery-Block-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view of the Montgomery Block in 1856, by photographer G. R. Fardon (1807–1886) \u003ccite>(Google Art Project/Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“They were writers and sculptors,” said Swanhuyser, “people who were inventing journalism in the mid-1860s. People like Ambrose Bierce, who, according to some, was America’s first newspaper columnist, and Mark Twain and Bret Harte. And Ina Coolbrith, who was California’s first poet laureate.”\u003c/p>\n\u003cp>This area of Montgomery Street was known for its bohemian ways, a scene that attracted freethinkers from near and far. Just a block to the north, \u003ca href=\"https://www.kqed.org/news/11848986/inside-frida-kahlo-and-diego-riveras-life-in-san-francisco\">now-iconic artists Frida Kahlo and Diego Rivera lived and worked here in the 1930s\u003c/a>. But the Montgomery Block’s influence was also ideological, says Swanhuyser, a “hotbed of painters and political people”: \u003ca href=\"http://www.tenderloinmuseum.org/public-programs-2019-1/2019/5/23/the-history-of-the-1934-general-strike\">The massive General Strike of 1934, which shut the city down for four days\u003c/a> and brought class struggles to a head, was organized, in part, right here.\u003c/p>\n\u003cp>The lights went out on the Montgomery Block’s creative chapter in 1959. That year, explained Swanhuyser, “a man named S.E. Onorato bought it and tore it down, claiming he was going to make a parking structure.” But Onorato never got to build his parking garage, and the space remained a single parking lot for almost a decade.\u003c/p>\n\u003cp>That’s when the Transamerica Corporation — and the Pyramid — came into the picture.\u003c/p>\n\u003cfigure id=\"attachment_11934143\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934143\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61480_011_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A view from the bottom of the Transamerica Pyramid in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Path to the Pyramid\u003c/h2>\n\u003cp>Transamerica is now a financial services company, concerned with insurance and investments. Its story starts back in 1904 with the founding of the Bank of Italy in San Francisco — the brainchild of San José’s A.P. Giannini. That bank would become the Bank of America in the 1930s.\u003c/p>\n\u003cp>Transamerica began as the holding company for Giannini’s various financial ventures, which had by then become legion. The original “Transamerica Building” is actually still standing — it’s \u003ca href=\"http://playfoursquare.s3.amazonaws.com/pix/7871784_ficuEsfM_7kskU64jWPZTlip36tZCTyeSNJ1tkepH4A.jpg\">that flatiron-looking building\u003c/a> that forms a junction between Montgomery Street and Columbus Avenue, just across the street from where the Pyramid now stretches into the sky.\u003c/p>\n\u003cp>Now it’s the San Francisco headquarters of the Church of Scientology, but in 1969, it was home to the corporation that wanted a new headquarters. And it turned out Transamerica wanted to build … a pyramid.\u003c/p>\n\u003cp>The corporation had brought in a Los Angeles architect named \u003ca href=\"https://www.laconservancy.org/architects/william-pereira\">William Pereira\u003c/a> who had worked as an art director in Hollywood. His brief was, apparently, to create something that allowed sunlight to filter down to ground level.\u003c/p>\n\u003cfigure id=\"attachment_11934144\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934144\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61483_017_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The moon rises near the Transamerica Pyramid in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pereira envisioned a pyramid more than 850 feet tall, with two wing-like columns running up either side to allow for an elevator shaft on one side and a stairwell on the other. Even with its pyramid structure, it would have a capacity of 763,000 square feet.\u003c/p>\n\u003cp>When the Transamerica Corporation shared the design with the public, the critics hated it. The San Francisco Chronicle’s architecture writer Allan Temko called it “authentic architectural butchery.”\u003c/p>\n\u003cp>And it wasn’t just local critics. The Washington Post said the Pyramid proposal was “a second-class World’s Fair Space Needle.” Los Angeles Times critic John Pastier called the design “antisocial architecture at its worst,” capturing a broader unease at how Transamerica was trying to smear its corporate vision on San Francisco’s skyline. “Corporations that are far more important to the city have exercised considerably more restraint in their architecture than Transamerica,” wrote Pastier, “which is blatantly attempting to put its ‘brand’ on the city.”\u003c/p>\n\u003cp>In 1969, San Franciscans protested against the Pyramid plans in the street, carrying signs that bore slogans like “Corporate Egotism” and “Stop the Shaft.” Some protesters even donned pyramid-shaped dunce hats. (You can \u003ca href=\"https://www.sfchronicle.com/oursf/article/Transamerica-Pyramid-sf-17154748.php\">see more photos from the protests in the San Francisco Chronicle’s archives\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_11934436\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934436\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image.jpg\" alt=\"\" width=\"1920\" height=\"1539\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-800x641.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-1020x818.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/Chron-image-1536x1231.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Protestors at the old Transamerica Building march against the new Transamerica Pyramid, announced in 1969 and built in 1972, on July 23, 1969. \u003ccite>(Stan Creighton/San Francisco Chronicle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Those protesters included Hiya Swanhuyser’s mother. “She was a community-minded hippie and she didn’t think that a neighborhood was the right place for a skyscraper,” Swanhuyser said.\u003c/p>\n\u003cp>There was even a lawsuit filed by nearby residents. At a City Hall hearing about the proposal, an attorney for the Telegraph Hill Dwellers Association spoke for those residents, in language that echoed the burgeoning environmentalism of the 1960s.\u003c/p>\n\u003cp>“The curse of this country is the worship of material things,” the residents’ attorney told City Hall. “We’ve polluted our rivers, our harbors, and our lakes, and our air — and we’re now about to pollute the skyline of San Francisco, one of its greatest treasures.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yet at that same hearing, San Francisco Mayor Joseph Alioto made his support for the Pyramid — and its design — clear. Alioto urged those assembled to acknowledge the subjectivity of taste, proclaiming that the real issue was whether the Pyramid “is so bad that all reasonable men must agree.”\u003c/p>\n\u003cp>The design, Alioto said, wasn’t that bad. On the contrary, it would “add considerable interest and beauty to the San Francisco skyline.”\u003c/p>\n\u003cp>The city’s Planning Commission ultimately signed off. The Pyramid was officially coming to San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11934148\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934148\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61493_023_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid seen from Montgomery Street in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Darkness and light in a most strange year\u003c/h2>\n\u003cp>Construction on the Transamerica Pyramid started in 1969. And this was no ordinary year.\u003c/p>\n\u003cp>\u003ca href=\"https://www.biography.com/crime-figure/zodiac-killer\">The Zodiac Killer\u003c/a> murdered three of his four confirmed victims in 1969, in Vallejo, at Lake Berryessa and, finally, in San Francisco’s Presidio Heights neighborhood. That same year, Bay Area residents would open their morning papers to see strange symbols — ciphers that someone claiming to be the Zodiac Killer sent to the press.\u003c/p>\n\u003cp>This was also the summer that \u003ca href=\"https://www.history.com/this-day-in-history/manson-cult-kills-five-people\">Charles Manson’s so-called “family” murdered five people in Los Angeles\u003c/a>, co-opting the visual language of the occult in their heinous acts. Then, the very same month construction on the Pyramid began, the \u003ca href=\"https://www.history.com/this-day-in-history/the-altamont-festival-brings-the-1960s-to-a-violent-end\">Altamont Speedway Free Festival\u003c/a> outside Livermore turned from a celebration of the counterculture into violence, mayhem and murder.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3aUAw9zWi1k'\n title='//www.youtube.com/embed/3aUAw9zWi1k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This was the backdrop against which San Franciscans were now watching a gigantic, mysterious pyramid start to stretch into the sky: the same ancient symbol that’s loomed large in the worlds of magic, alchemy and superstition for millennia — appearing, that year of all years, between North Beach and Chinatown.\u003c/p>\n\u003cp>Some may have found it creepy. But Larry Yee, who grew up nearby, remembers it as exciting.\u003c/p>\n\u003cp>Yee is now president of the historic Chinese Consolidated Benevolent Association (also known as the \u003ca href=\"https://www.foundsf.org/index.php?title=The_Six_Companies\">Chinese Six Companies\u003c/a>), and serves on the San Francisco Police Commission. But back in 1969, growing up in \u003ca href=\"https://landezine-award.com/everyone-deserves-a-garden-ping-yuen-public-housing-rehabilitation/\">Chinatown’s Ping Yuen housing development\u003c/a>, Yee was a basketball-obsessed teen running around this part of the city with his friends.\u003c/p>\n\u003cp>“We challenged ourselves to go into some of these vacant buildings that they developed,” Yee said.\u003c/p>\n\u003cfigure id=\"attachment_11934393\" class=\"wp-caption alignnone\" style=\"max-width: 1656px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934393\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut.jpg\" alt=\"\" width=\"1656\" height=\"1007\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut.jpg 1656w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-800x486.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-1020x620.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-160x97.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61501_GettyImages-1206186630-qut-1536x934.jpg 1536w\" sizes=\"(max-width: 1656px) 100vw, 1656px\">\u003cfigcaption class=\"wp-caption-text\">Construction progresses at the Transamerica Pyramid Building, on June 3, 1971. \u003ccite>(Joe Rosenthal/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yee recalls how different San Francisco looked before the Pyramid. “Yeah, it was flat!” he said, adding that it was rare to see “buildings like this, that pop up through the skyline.”\u003c/p>\n\u003cp>He and his friends were getting a front-row seat to the construction of San Francisco’s most talked-about landmark, and one of his most enduring memories is of the constant construction noise. Far louder than the rattle of the California Street cable car that ran nearby, Yee said, was workers “pounding down on the pillars: ‘bom, bom, bom, bom.’”\u003c/p>\n\u003cp>Initially, he and his friends didn’t even know it was a pyramid being built down the street. They just saw a building being built up, and up … and then up even further, getting narrower. He laughs recalling how he and his friends worried the strange new building “could tip over.”\u003c/p>\n\u003cp>Yee has still kept his enthusiasm for the Transamerica Pyramid, decades after he watched it being built. He likes what it represents, and its place in the visual fabric of the city — and the neighborhood — he’s always called home.\u003c/p>\n\u003cp>It is, he says, still “magical.”\u003c/p>\n\u003cfigure id=\"attachment_11934142\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934142\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61473_003_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid can be seen reflected in the front window of a 1 California Muni bus in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The more things change\u003c/h2>\n\u003cp>San Francisco is a place of relentless change, and the Pyramid’s reputation is no exception. For a building that’s literally built on the site where creative genius flourished — a structure whose design was so fiercely contentious — the Transamerica Pyramid Center is now thoroughly uncontroversial.\u003c/p>\n\u003cp>“What’s good about the Pyramid overwhelms what’s bad about it,” architect Henrik Bull told The San Francisco Chronicle on the building’s 40th anniversary. Once a loud opponent of the plan, he’d changed his mind. “It’s a wonderful building,” he said. “And what makes it wonderful is everything that we were objecting to.”\u003c/p>\n\u003cfigure id=\"attachment_11934441\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934441\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS60290_010_KQED_TransamericaPyramid_11182022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Transamerica Pyramid, a 48-story skyscraper in San Francisco’s Financial District, on Nov. 18, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Transamerica Pyramid is no longer the headquarters of its namesake — the corporation moved to Maryland — but its offices are still leased to financial services companies. Among insurance, wealth management and private equity, a 21st-century Montgomery Block artist’s haven this is not.\u003c/p>\n\u003cp>Here’s another thing: For the most public, visible local icon you could imagine, the Transamerica Pyramid is also not very public. First-time tourists might naturally assume that a trip up the Pyramid is one of the City’s must-see attractions — like climbing the Empire State Building in New York City, or Seattle’s Space Needle. But you can’t go inside the Pyramid Center beyond the lobby, let alone climb to the top to see the view, unless you’re visiting one of the offices inside. There used to be an observation deck up there, but it closed in the ’90s.\u003c/p>\n\u003cfigure id=\"attachment_11934438\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934438\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61516_015_KQED_TransamericaPyramid_12062022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Supervisor Aaron Peskin (from left), state Sen. Scott Wiener, Deutsche Finance America partner Jason Lucas, SHVO Chairman and CEO Michael Shvo, Mayor London Breed and former Mayor Willie Brown break ground at the Transamerica Pyramid during a 50th-anniversary celebration of the building and a groundbreaking ceremony for a $400 million redevelopment of the site in San Francisco on Dec. 6, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To add insult to injury, it’s also currently covered in construction fencing — at least, its base is. That’s because it’s now undergoing a $400 million-dollar renovation by Norman Foster’s architectural firm. The Pyramid’s owner, Michael Shvo, says he’s in talks to \u003ca href=\"https://www.sfchronicle.com/sf/article/A-members-only-luxury-club-with-fees-up-to-16799906.php\">bring three restaurants to the building\u003c/a>, which apparently will be open to the public.\u003c/p>\n\u003cp>But among other interior changes, the renovation will also see a\u003ca href=\"https://sfist.com/2022/01/25/just-what-downtown-sf-needs-a-new-private-club-for-the-ultra-rich/\"> high-end club moving into the Pyramid\u003c/a>.\u003c/p>\n\u003cp>It’ll be private, for members only.\u003c/p>\n\u003ch2>Present meets past\u003c/h2>\n\u003cp>For all this site’s corporate credentials, the ghosts of the original Montgomery Block and this area’s Barbary Coast roots still linger here — if you know where to look.\u003c/p>\n\u003cfigure id=\"attachment_11934439\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934439\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61509_008_KQED_TransamericaPyramid_12062022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A grove of redwood trees grows at the base of the Transamerica Pyramid in San Francisco on Dec. 6, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Architect Pereira’s design includes a small park at the east side of the Pyramid’s base: the Transamerica Redwood Park, which was planted with 80 redwood trees shipped north from the Santa Cruz Mountains. Next to those redwoods you’ll find Mark Twain Place, named for one of the Montgomery Block’s most iconic figures.\u003c/p>\n\u003cp>When excavation began in the late ’70s for the plaza complex adjacent to the park, construction workers found none other than the remains of \u003ca href=\"https://www.nps.gov/safr/learn/historyculture/nianticpainting.htm\">the Niantic, that whaling ship that docked in 1849\u003c/a>. The vessel hadn’t been lost to time after all. Instead, it was pushed down over the decades by a city that has been compulsively remaking itself in all directions since European colonizers arrived, buried deep underground. It’s said that champagne bottles were even found resting in the ship’s hull.\u003c/p>\n\u003cfigure id=\"attachment_11934151\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11934151\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/12/RS61498_030_KQED_TransamericaPyramid_11302022-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A man stops to look at the view of the Transamerica Pyramid at dusk in San Francisco on Nov. 30, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And just steps away from these markers of our past is the once-hated Pyramid. It may still be a symbol of the city’s money and power. But it’s an icon that’s finally found acceptance here — even affection — nonetheless.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"baycuriousquestion","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11934056/the-transamerica-pyramid-at-50-from-architectural-butchery-to-icon","authors":["3243"],"programs":["news_26731","news_33523"],"series":["news_17986"],"categories":["news_8","news_33520"],"tags":["news_17657","news_393","news_27626","news_32116","news_160","news_1198","news_38","news_30162","news_32115"],"featImg":"news_11934147","label":"source_news_11934056"},"news_11933614":{"type":"posts","id":"news_11933614","meta":{"index":"posts_1591205157","site":"news","id":"11933614","score":null,"sort":[1669858692000]},"guestAuthors":[],"slug":"sf-chinatown-vigil-pushes-back-against-chinas-anti-covid-lockdowns","title":"SF Chinatown Vigil Pushes Back Against China's Anti-COVID Lockdowns","publishDate":1669858692,"format":"standard","headTitle":"KQED News","labelTerm":{"site":"news"},"content":"\u003cp>A chorus of voices sang out at a vigil in San Francisco’s Chinatown on Tuesday night. Holding electric candles to the sky, mourners turned out by the hundreds to honor \u003ca href=\"https://www.nytimes.com/2022/11/27/world/asia/china-covid-protest.html\">10 who died in an apartment fire in Xinjiang, China\u003c/a>, last week.[pullquote size=\"medium\" align=\"right\" citation=\"John, protester\"]'A lot of people that I know, or I don’t know, are still in jail for the time being for dissatisfaction with the current regime.’[/pullquote]\u003c/p>\n\u003cp>“I know in life’s sorrow you are on the verge of drowning. May your tears flee with yesterday, blown away with the wind,” the Chinatown crowd sang, in Mandarin.\u003c/p>\n\u003cp>The song, “Tomorrow Will Be Better,” is a 1980s pop song similar in tone to John Lennon's “Imagine,” which has been widely used by pro-democracy Chinese movements — appropriate then, as this vigil also pushed for political change.\u003c/p>\n\u003cp>https://twitter.com/FitzTheReporter/status/1597814829539958784\u003c/p>\n\u003cp>The deaths of 10 ethnic Uyghurs in that apartment fire needn’t have happened, protesters in San Francisco and across the world claim. Reportedly, China’s\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2022/11/30/1139848234/is-chinas-zero-covid-policy-even-possible-with-omicron-and-its-subvariants\"> zero-COVID policies\u003c/a> were so strict that barriers meant to keep people quarantined inside barred emergency crews from quelling the deadly fire.\u003c/p>\n\u003cp>“It was horrifying. We've seen people scream, screaming people from the buildings. And there's no, basically no way for them to escape,” said one protester in San Francisco, who spoke under condition of anonymity.\u003c/p>\n\u003cp>The protester is a student from China living in the Bay Area and said she joined the Portsmouth Square vigil because people “need to do something, as a human with sanity, to not just spread the truth, but also penetrate the lies the government has been telling everybody.”\u003c/p>\n\u003cp>She also feared for her own family, who remain in China and could be swept up not only in the government’s strict COVID quarantine methods, but in the Chinese government’s backlash against protesters, should she use her name publicly.\u003c/p>\n\u003cp>“It could be anyone. It could be my parents. It could be my uncle. It could be my friend’s parents. If I don’t feel for them now, that could be me. It’s just horrifying,” she said.\u003c/p>\n\u003cp>More than a dozen of the people KQED reporters spoke to declined to be interviewed, for fear of family, friends and loved ones who might face punishment from government actors back home in China. Even those who did agree to an interview did not wish to be identified by name, and will be quoted anonymously in keeping with KQED’s policy on granting anonymity.\u003c/p>\n\u003cfigure id=\"attachment_11933665\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-scaled.jpg\">\u003cimg class=\"size-medium wp-image-11933665\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-800x602.jpg\" alt='A person wearing a mask holds a sign reading \"China lies, people die\" in a crowd of people.' width=\"800\" height=\"602\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-800x602.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-1020x768.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-1536x1157.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-2048x1542.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-1920x1446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A protester holds a sign reading 'China Lies, People Die' at a vigil for 10 people killed in Xinjiang, China, earlier in the month, in San Francisco's Chinatown on Nov. 29, 2022. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people that I know, or I don’t know, are still in jail for the time being for dissatisfaction with the current regime,” said John, a protester who would identify himself only by his first name when speaking to KQED.\u003c/p>\n\u003cp>Despite the risk, protesters in the Bay Area rallied in solidarity vigils from \u003ca href=\"https://mobile.twitter.com/Katherineli_/status/1597499901231136768\">Berkeley\u003c/a> to \u003ca href=\"https://mobile.twitter.com/YifanYuNews/status/1597800507451445248\">San José\u003c/a> and San Francisco, joining \u003ca href=\"https://www.voanews.com/a/chinese-students-take-aim-at-beijing-during-seoul-solidarity-protest/6856522.html\">a global call for China to ease its zero-COVID policy\u003c/a> that has placed millions under lockdown and quarantine, limiting their access to food and medicine while ravaging the nation’s economy and severely restricting travel.\u003c/p>\n\u003cp>Those lockdowns have affected people in the Bay Area as well.\u003c/p>\n\u003cp>Edward Siu, who has owned a travel agency in Chinatown since 1981, said he lost 80% of his business giving tours in China amid the lockdowns. Federal and local funding has helped him keep the business open, but he’s burned through his savings, too.\u003c/p>\n\u003cp>“They have been hurting a lot of business for us, for the travel business, on the airline business, too,” Siu said.\u003c/p>\n\u003cp>Joyce Lam is an organizer with the Chinese Progressive Association. The organization’s members have said they’ve had trouble seeing family for three years in the face of strict quarantine lockdowns in China.\u003c/p>\n\u003cfigure id=\"attachment_11933664\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-scaled.jpg\">\u003cimg class=\"size-medium wp-image-11933664\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-800x602.jpg\" alt=\"A woman and man hold a piece of paper in front of their faces next to a crowd outdoors.\" width=\"800\" height=\"602\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-800x602.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-1020x768.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-1536x1157.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-2048x1542.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-1920x1446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A protester holds a blank white piece of paper symbolizing the 'white paper revolution' in Portsmouth Square, a public space in San Francisco's Chinatown, on Nov. 29, 2022, during a vigil for 10 people killed in Xinjiang, China, earlier in the month. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And they worry for their families back home for other reasons, too.\u003c/p>\n\u003cp>“We've had members share stories about their family who don't even want to leave the house for fear of not just infection, but really what comes with infection,” Lam said. “In China, you would get a red code (in a COVID-monitoring phone app) and you would get quarantined for a long period of time. Your family, your entire building, essentially the community that you live in might be in quarantine when one person gets infected.”\u003c/p>\n\u003cp>The protests in China are notable for even existing in \u003ca href=\"https://www.hrw.org/world-report/2022/country-chapters/china-and-tibet\">a country that arrests those practicing civil disobedience\u003c/a>. Those China-based rallies have vocally mocked the government’s ever-changing line of reasoning, as well as claims that “hostile outside foreign forces” were stirring the wave of anger.\u003c/p>\n\u003cp>That was echoed in signage seen in the San Francisco protests. Some read, “China Lies, People Die,” and others featured splashes of red smeared across photos of Chinese President Xi Jinping.\u003c/p>\n\u003cp>Some change has already come in the days following the first protests: Two large cities in China, Guangzhou and Chongqing, \u003ca href=\"https://www.reuters.com/world/china/covid-protests-escalate-guangzhou-china-lockdown-anger-boils-2022-11-30/\">announced Wednesday they would ease some COVID restrictions\u003c/a>.\u003c/p>\n\u003cp>Following the largest street demonstrations in decades, by citizens fed up with strict anti-virus restrictions, China’s ruling Communist Party vowed to “resolutely crack down on infiltration.” A massive show of force by the security services Wednesday sought to deter further protests.\u003c/p>\n\u003cp>Advocates call it the “white paper revolution,” with protesters across the world, including at Portsmouth Square in Chinatown Tuesday night, holding up blank pieces of paper by candlelight to highlight the Chinese government’s restriction of any news about those protests, as well as its reported retaliation against those in China who even speak in support of the mass movement.\u003c/p>\n\u003cp>That fear of retaliation can hold back organizers in the Bay Area, said another anonymous protester, a tech-industry worker at the Chinatown vigil who feared reprisal against her family should she be identified.\u003c/p>\n\u003cp>“I hold all this fear in myself, and hope something happens. I hope the wave could be stronger, stronger, stronger, and some change actually happens,” she said. Being unable to speak out, she said, “my whole body is paralyzed. Like I couldn’t do anything. I feel like I was shocked and numb, and I was so angry, but I couldn’t speak.”\u003c/p>\n\u003cp>https://twitter.com/FitzTheReporter/status/1597794939521290240\u003c/p>\n\u003cp>But perhaps even more frightening to her is that her family back in China believes what she believes to be government falsehoods. WeChat, a dominant social media app in China, is heavily monitored, the protester said, so she sees a lot of information about China’s COVID policies that her parents do not.\u003c/p>\n\u003cp>Media reports and video of the protests flourished online in China before being scrubbed by government censors. The rallies have been ignored entirely by the strictly controlled state media.\u003c/p>\n\u003cp>“I’m definitely worried about them. But the thing is, like, they won’t share bad news to me, and I’m not there,” she said. “It’s a 'God bless us' situation. The physical distance, there’s nothing I can do.”\u003c/p>\n\u003cp>As she spoke, the crowd began to sing behind her.\u003c/p>\n\u003cp>Being around her fellow protesters, she said, “I feel not lonely. Maybe me alone, I’m scared. But with them, I can feel more brave.”\u003c/p>\n\u003cp>\u003cem>The Associated Press contributed to this report.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Protesters rallied at Portsmouth Square despite stated fears that their families back in China may face retaliation for any civil disobedience.","status":"publish","parent":0,"modified":1669931729,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":32,"wordCount":1368},"headData":{"title":"SF Chinatown Vigil Pushes Back Against China's Anti-COVID Lockdowns | KQED","description":"Protesters rallied at Portsmouth Square despite stated fears that their families back in China may face retaliation for any civil disobedience.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"excludeFromSiteSearch":"Include","path":"/news/11933614/sf-chinatown-vigil-pushes-back-against-chinas-anti-covid-lockdowns","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A chorus of voices sang out at a vigil in San Francisco’s Chinatown on Tuesday night. Holding electric candles to the sky, mourners turned out by the hundreds to honor \u003ca href=\"https://www.nytimes.com/2022/11/27/world/asia/china-covid-protest.html\">10 who died in an apartment fire in Xinjiang, China\u003c/a>, last week.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'A lot of people that I know, or I don’t know, are still in jail for the time being for dissatisfaction with the current regime.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"John, protester","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I know in life’s sorrow you are on the verge of drowning. May your tears flee with yesterday, blown away with the wind,” the Chinatown crowd sang, in Mandarin.\u003c/p>\n\u003cp>The song, “Tomorrow Will Be Better,” is a 1980s pop song similar in tone to John Lennon's “Imagine,” which has been widely used by pro-democracy Chinese movements — appropriate then, as this vigil also pushed for political change.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1597814829539958784"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The deaths of 10 ethnic Uyghurs in that apartment fire needn’t have happened, protesters in San Francisco and across the world claim. Reportedly, China’s\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2022/11/30/1139848234/is-chinas-zero-covid-policy-even-possible-with-omicron-and-its-subvariants\"> zero-COVID policies\u003c/a> were so strict that barriers meant to keep people quarantined inside barred emergency crews from quelling the deadly fire.\u003c/p>\n\u003cp>“It was horrifying. We've seen people scream, screaming people from the buildings. And there's no, basically no way for them to escape,” said one protester in San Francisco, who spoke under condition of anonymity.\u003c/p>\n\u003cp>The protester is a student from China living in the Bay Area and said she joined the Portsmouth Square vigil because people “need to do something, as a human with sanity, to not just spread the truth, but also penetrate the lies the government has been telling everybody.”\u003c/p>\n\u003cp>She also feared for her own family, who remain in China and could be swept up not only in the government’s strict COVID quarantine methods, but in the Chinese government’s backlash against protesters, should she use her name publicly.\u003c/p>\n\u003cp>“It could be anyone. It could be my parents. It could be my uncle. It could be my friend’s parents. If I don’t feel for them now, that could be me. It’s just horrifying,” she said.\u003c/p>\n\u003cp>More than a dozen of the people KQED reporters spoke to declined to be interviewed, for fear of family, friends and loved ones who might face punishment from government actors back home in China. Even those who did agree to an interview did not wish to be identified by name, and will be quoted anonymously in keeping with KQED’s policy on granting anonymity.\u003c/p>\n\u003cfigure id=\"attachment_11933665\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-scaled.jpg\">\u003cimg class=\"size-medium wp-image-11933665\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-800x602.jpg\" alt='A person wearing a mask holds a sign reading \"China lies, people die\" in a crowd of people.' width=\"800\" height=\"602\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-800x602.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-1020x768.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-1536x1157.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-2048x1542.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/FFCC0C2F-169F-4585-9052-3281CAF47D95-1920x1446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A protester holds a sign reading 'China Lies, People Die' at a vigil for 10 people killed in Xinjiang, China, earlier in the month, in San Francisco's Chinatown on Nov. 29, 2022. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people that I know, or I don’t know, are still in jail for the time being for dissatisfaction with the current regime,” said John, a protester who would identify himself only by his first name when speaking to KQED.\u003c/p>\n\u003cp>Despite the risk, protesters in the Bay Area rallied in solidarity vigils from \u003ca href=\"https://mobile.twitter.com/Katherineli_/status/1597499901231136768\">Berkeley\u003c/a> to \u003ca href=\"https://mobile.twitter.com/YifanYuNews/status/1597800507451445248\">San José\u003c/a> and San Francisco, joining \u003ca href=\"https://www.voanews.com/a/chinese-students-take-aim-at-beijing-during-seoul-solidarity-protest/6856522.html\">a global call for China to ease its zero-COVID policy\u003c/a> that has placed millions under lockdown and quarantine, limiting their access to food and medicine while ravaging the nation’s economy and severely restricting travel.\u003c/p>\n\u003cp>Those lockdowns have affected people in the Bay Area as well.\u003c/p>\n\u003cp>Edward Siu, who has owned a travel agency in Chinatown since 1981, said he lost 80% of his business giving tours in China amid the lockdowns. Federal and local funding has helped him keep the business open, but he’s burned through his savings, too.\u003c/p>\n\u003cp>“They have been hurting a lot of business for us, for the travel business, on the airline business, too,” Siu said.\u003c/p>\n\u003cp>Joyce Lam is an organizer with the Chinese Progressive Association. The organization’s members have said they’ve had trouble seeing family for three years in the face of strict quarantine lockdowns in China.\u003c/p>\n\u003cfigure id=\"attachment_11933664\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-scaled.jpg\">\u003cimg class=\"size-medium wp-image-11933664\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-800x602.jpg\" alt=\"A woman and man hold a piece of paper in front of their faces next to a crowd outdoors.\" width=\"800\" height=\"602\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-800x602.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-1020x768.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-1536x1157.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-2048x1542.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/8BCCCAF5-D5A7-461F-AAE5-EFB672E8F83B-1920x1446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A protester holds a blank white piece of paper symbolizing the 'white paper revolution' in Portsmouth Square, a public space in San Francisco's Chinatown, on Nov. 29, 2022, during a vigil for 10 people killed in Xinjiang, China, earlier in the month. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And they worry for their families back home for other reasons, too.\u003c/p>\n\u003cp>“We've had members share stories about their family who don't even want to leave the house for fear of not just infection, but really what comes with infection,” Lam said. “In China, you would get a red code (in a COVID-monitoring phone app) and you would get quarantined for a long period of time. Your family, your entire building, essentially the community that you live in might be in quarantine when one person gets infected.”\u003c/p>\n\u003cp>The protests in China are notable for even existing in \u003ca href=\"https://www.hrw.org/world-report/2022/country-chapters/china-and-tibet\">a country that arrests those practicing civil disobedience\u003c/a>. Those China-based rallies have vocally mocked the government’s ever-changing line of reasoning, as well as claims that “hostile outside foreign forces” were stirring the wave of anger.\u003c/p>\n\u003cp>That was echoed in signage seen in the San Francisco protests. Some read, “China Lies, People Die,” and others featured splashes of red smeared across photos of Chinese President Xi Jinping.\u003c/p>\n\u003cp>Some change has already come in the days following the first protests: Two large cities in China, Guangzhou and Chongqing, \u003ca href=\"https://www.reuters.com/world/china/covid-protests-escalate-guangzhou-china-lockdown-anger-boils-2022-11-30/\">announced Wednesday they would ease some COVID restrictions\u003c/a>.\u003c/p>\n\u003cp>Following the largest street demonstrations in decades, by citizens fed up with strict anti-virus restrictions, China’s ruling Communist Party vowed to “resolutely crack down on infiltration.” A massive show of force by the security services Wednesday sought to deter further protests.\u003c/p>\n\u003cp>Advocates call it the “white paper revolution,” with protesters across the world, including at Portsmouth Square in Chinatown Tuesday night, holding up blank pieces of paper by candlelight to highlight the Chinese government’s restriction of any news about those protests, as well as its reported retaliation against those in China who even speak in support of the mass movement.\u003c/p>\n\u003cp>That fear of retaliation can hold back organizers in the Bay Area, said another anonymous protester, a tech-industry worker at the Chinatown vigil who feared reprisal against her family should she be identified.\u003c/p>\n\u003cp>“I hold all this fear in myself, and hope something happens. I hope the wave could be stronger, stronger, stronger, and some change actually happens,” she said. Being unable to speak out, she said, “my whole body is paralyzed. Like I couldn’t do anything. I feel like I was shocked and numb, and I was so angry, but I couldn’t speak.”\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1597794939521290240"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>But perhaps even more frightening to her is that her family back in China believes what she believes to be government falsehoods. WeChat, a dominant social media app in China, is heavily monitored, the protester said, so she sees a lot of information about China’s COVID policies that her parents do not.\u003c/p>\n\u003cp>Media reports and video of the protests flourished online in China before being scrubbed by government censors. The rallies have been ignored entirely by the strictly controlled state media.\u003c/p>\n\u003cp>“I’m definitely worried about them. But the thing is, like, they won’t share bad news to me, and I’m not there,” she said. “It’s a 'God bless us' situation. The physical distance, there’s nothing I can do.”\u003c/p>\n\u003cp>As she spoke, the crowd began to sing behind her.\u003c/p>\n\u003cp>Being around her fellow protesters, she said, “I feel not lonely. Maybe me alone, I’m scared. But with them, I can feel more brave.”\u003c/p>\n\u003cp>\u003cem>The Associated Press contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11933614/sf-chinatown-vigil-pushes-back-against-chinas-anti-covid-lockdowns","authors":["11690"],"categories":["news_8"],"tags":["news_18378","news_393","news_32067","news_32069","news_745","news_32068"],"featImg":"news_11933663","label":"news"},"news_11932838":{"type":"posts","id":"news_11932838","meta":{"index":"posts_1591205157","site":"news","id":"11932838","score":null,"sort":[1668998177000]},"guestAuthors":[],"slug":"central-subway-opening-marks-a-milestone-for-sf-and-chinatown","title":"Central Subway Opening Marks a Milestone for San Francisco and Chinatown","publishDate":1668998177,"format":"standard","headTitle":"KQED News","labelTerm":{"site":"news"},"content":"\u003cp>After years of controversy, delays, political rancor, costly errors and going over budget, San Francisco’s Municipal Transportation Agency on Saturday \u003ca href=\"https://www.sfchronicle.com/sf/article/muni-central-subway-17593546.php\">opened the long-awaited Central Subway\u003c/a> that will eventually connect Sunnydale to Chinatown on the Muni 3rd Street line in what is being hailed as a historic accomplishment for the city.[pullquote size=\"medium\" align=\"right\" citation=\"Malcolm Yeung, executive director, Chinatown Community Development Center\"]'I think this sends a signal to the city and the world that Chinatown is a permanent part of the fabric of San Francisco and it needs to be valued as such — and is valued as such.'[/pullquote]\u003c/p>\n\u003cp>\"It means a lot, because as someone who grew up taking trips to Chinatown with my grandparents, it wasn’t an easy trip — having to walk through hills and having to take multiple bus rides — and I think this really centralizes it and gives people, like my younger self and my grandparents, an opportunity to reach places that they previously had a lot more trouble reaching,\" said Adrianna Zhang, who serves as the District 7 representative on the San Francisco Youth Commission.\u003c/p>\n\u003cp>The original line will run weekends between Chinatown-Rose Pak Station, and 4th and Brannan streets. On Jan. 7, however, the line will run its full course seven days a week, direct from Sunnydale, Bayview and Visitacion Valley all the way to SoMa, Union Square and Chinatown, extending the Muni Metro T-3rd Street line on 3rd Street.\u003c/p>\n\u003cp>SFMTA's Central Subway Project was always expected to be a complex and difficult undertaking, going underneath the Union Square area and Chinatown — not only one of the densest parts of the city, but one of the densest residential areas in the entire U.S.\u003c/p>\n\u003cp>Those expectations proved to be well-founded. The project ended up costing $2 billion and went significantly over budget due to various construction delays. All in all, it was completed four years later than planned.\u003c/p>\n\u003cfigure id=\"attachment_11932880\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-scaled.jpeg\">\u003cimg class=\"size-medium wp-image-11932880\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-800x450.jpeg\" alt=\"Bright blue and bright pink ornamented dragon costumes are seen on the street with several children holding up decorated poles.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-2048x1152.jpeg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-1920x1080.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lion dancers from the Yau Kung Moon school are seen celebrating the opening of the Chinatown-Rose Pak Station on Grant Avenue and Stockton Street, Nov. 19, 2022. \u003ccite>(Ekene Okobi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The project finally overcame those hurdles with the Nov. 19 opening, and is being hailed as a monumental accomplishment for San Francisco in terms of its commitment to transit over fossil-fuel vehicles, its commitment to a community where 80% of residents are estimated to be transit-dependent, and its overall commitment to moving people in the least environmentally harmful way possible.\u003c/p>\n\u003cfigure id=\"attachment_11932853\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11932853\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut.jpg\" alt=\"Families in line to board the train at Rose Pak station.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Locals used the Central Subway for the first time on Nov. 19, 2022. An estimated 80% of Chinatown residents rely on public transit. \u003ccite>(Aryk Copley/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the Central Subway has meant a great deal for one neighborhood in particular, where Saturday's opening was seen and celebrated as a victory: Chinatown.\u003c/p>\n\u003cp>Residents, business owners and community leaders in Chinatown fought hard for years to bring the Central Subway project to their neighborhood after it was initially slated to go to the Financial District, with various local organizations lending their weight, including the Chinese Chamber of Commerce and the Chinatown Community Development Center, among others.\u003c/p>\n\u003cp>“I think this sends a signal to the city and the world that Chinatown is a permanent part of the fabric of San Francisco and it needs to be valued as such — and \u003cem>is\u003c/em> valued as such,” said Malcolm Yeung, executive director of the Chinatown Community Development Center, adding that the Central Subway is an important part of Chinatown history and that the opening of this new line is the start of a new chapter for the community.\u003c/p>\n\u003cp>“We can think of Chinatown as a place where we can build upon the culture and the anchor that this has brought for generations of immigrants and San Franciscans,” Yeung said.\u003c/p>\n\u003cfigure id=\"attachment_11932845\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg class=\"size-full wp-image-11932845\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro.jpeg\" alt=\"A map of the Central Subway line effective January 2023.\" width=\"1200\" height=\"1200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro.jpeg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro-800x800.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro-1020x1020.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro-160x160.jpeg 160w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A map of the Muni lines in San Francisco, including the 3rd Street line that will be effective on January 2023. \u003ccite>(Courtesy of SFMTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the political fight to bring the line to Chinatown was actually led by \u003ca href=\"https://www.kqed.org/news/11768712/chinatown-subway-station-to-be-named-after-rose-pak-controversial-s-f-power-broker\">an unlikely and controversial figure after whom the Chinatown station was eventually renamed\u003c/a> on Aug. 20, 2019: Rose Pak.\u003c/p>\n\u003cp>Pak, who died in 2016 at age 68, had a penchant for the dramatic and a brusque, unapologetic style that won her as many opponents as it did supporters. But, love her or hate her, it was Pak's passionate drive that won the day and brought the Central Subway to Chinatown.\u003c/p>\n\u003cfigure id=\"attachment_11932879\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-scaled.jpeg\">\u003cimg class=\"size-medium wp-image-11932879\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-800x600.jpeg\" alt='Three display boards showing various pictures of people and a red banner that says \"Chinatown Rose Park Station.\"' width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-800x600.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-1020x765.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-160x120.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-1536x1152.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-2048x1536.jpeg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-1920x1440.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A photo display of various stages of the development of Rose Pak Station, Nov. 19, 2022. \u003ccite>(Ekene Okobi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"I’m happy for Chinatown,\" said Donald Luu, president of the San Francisco Chinese Chamber of Commerce. \"We waited 30 years for this day. The thing that everyone touched on today was the impact of Rose Pak, how this launched the legacy, and the legend continues in Chinatown with the name of the station in Chinatown, Rose Pak Station. This day and the celebration will be in the history books for Chinatown and the Chinese community of San Francisco.\"\u003c/p>\n\u003cp>Pak was a former consultant for the Chinese Chamber of Commerce and organizer of the Chinese New Year Parade in San Francisco, but never held an elective office. Nevertheless, she was a force to be reckoned with in the Chinatown community, considered by many to be a power broker and an effective fundraiser, with her support making — and sometimes breaking — electoral campaigns in local politics. \u003csup id=\"cite_ref-Wildermuth_2-1\" class=\"reference\">\u003c/sup>\u003c/p>\n\u003cp>Born in Henan, China, Pak moved to Hong Kong as a child and then to San Francisco in 1967. After studying communications at the San Francisco College for Women and receiving her master’s degree in journalism from Columbia University in New York City, Pak returned to San Francisco in 1974 to work as a reporter for The San Francisco Chronicle, taking on the Chinatown beat and immersing herself in the city’s Asian community — until she went from reporting news to making it.\u003c/p>\n\u003cfigure id=\"attachment_11932854\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11932854\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut.jpg\" alt=\"A train departs in the subway as passengers stand by on the platform.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Central Subway will run from Chinatown-Rose Pak Station to 4th and Brannan on weekends until January when the full 3rd St. line will open, extending from Chinatown all the way to Sunnydale. \u003ccite>(Aryk Copley/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pak led fundraising and community leadership efforts on a number of issues and projects — many controversial — including Chinese Hospital, the 8 Washington condominium project in Embarcadero, and the Embarcadero Freeway. But when the freeway came down in the 1989 Loma Prieta earthquake, Pak began advocating for the construction of Central Subway, an idea of hers that went all the way back to the 1980s, four decades before the project was finally completed and opened on Saturday.\u003c/p>\n\u003cp>\"We needed another transit corridor, another way of connecting to Chinatown, and it was Rose Pak who was that visionary leader who led the charge,\" said Yeung.\u003c/p>\n\u003cp>\u003cem>KQED's Dan Brekke, Ekene Okobi, Spencer Whitney and Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"After years of controversy, setbacks, delays and political struggle, the Central Subway line opened on Saturday, hailed as a victory for SF in general and Chinatown in particular.","status":"publish","parent":0,"modified":1669073465,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1167},"headData":{"title":"Central Subway Opening Marks a Milestone for San Francisco and Chinatown | KQED","description":"After years of controversy, setbacks, delays and political struggle, the Central Subway line opened on Saturday, hailed as a victory for SF in general and Chinatown in particular.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11932838 https://ww2.kqed.org/news/?p=11932838","disqusUrl":"https://ww2.kqed.org/news/2022/11/20/central-subway-opening-marks-a-milestone-for-sf-and-chinatown/","disqusTitle":"Central Subway Opening Marks a Milestone for San Francisco and Chinatown","nprByline":"KQED News Staff","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/news/11932838/central-subway-opening-marks-a-milestone-for-sf-and-chinatown","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After years of controversy, delays, political rancor, costly errors and going over budget, San Francisco’s Municipal Transportation Agency on Saturday \u003ca href=\"https://www.sfchronicle.com/sf/article/muni-central-subway-17593546.php\">opened the long-awaited Central Subway\u003c/a> that will eventually connect Sunnydale to Chinatown on the Muni 3rd Street line in what is being hailed as a historic accomplishment for the city.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'I think this sends a signal to the city and the world that Chinatown is a permanent part of the fabric of San Francisco and it needs to be valued as such — and is valued as such.'","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Malcolm Yeung, executive director, Chinatown Community Development Center","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It means a lot, because as someone who grew up taking trips to Chinatown with my grandparents, it wasn’t an easy trip — having to walk through hills and having to take multiple bus rides — and I think this really centralizes it and gives people, like my younger self and my grandparents, an opportunity to reach places that they previously had a lot more trouble reaching,\" said Adrianna Zhang, who serves as the District 7 representative on the San Francisco Youth Commission.\u003c/p>\n\u003cp>The original line will run weekends between Chinatown-Rose Pak Station, and 4th and Brannan streets. On Jan. 7, however, the line will run its full course seven days a week, direct from Sunnydale, Bayview and Visitacion Valley all the way to SoMa, Union Square and Chinatown, extending the Muni Metro T-3rd Street line on 3rd Street.\u003c/p>\n\u003cp>SFMTA's Central Subway Project was always expected to be a complex and difficult undertaking, going underneath the Union Square area and Chinatown — not only one of the densest parts of the city, but one of the densest residential areas in the entire U.S.\u003c/p>\n\u003cp>Those expectations proved to be well-founded. The project ended up costing $2 billion and went significantly over budget due to various construction delays. All in all, it was completed four years later than planned.\u003c/p>\n\u003cfigure id=\"attachment_11932880\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-scaled.jpeg\">\u003cimg class=\"size-medium wp-image-11932880\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-800x450.jpeg\" alt=\"Bright blue and bright pink ornamented dragon costumes are seen on the street with several children holding up decorated poles.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-2048x1152.jpeg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0665-1920x1080.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lion dancers from the Yau Kung Moon school are seen celebrating the opening of the Chinatown-Rose Pak Station on Grant Avenue and Stockton Street, Nov. 19, 2022. \u003ccite>(Ekene Okobi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The project finally overcame those hurdles with the Nov. 19 opening, and is being hailed as a monumental accomplishment for San Francisco in terms of its commitment to transit over fossil-fuel vehicles, its commitment to a community where 80% of residents are estimated to be transit-dependent, and its overall commitment to moving people in the least environmentally harmful way possible.\u003c/p>\n\u003cfigure id=\"attachment_11932853\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11932853\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut.jpg\" alt=\"Families in line to board the train at Rose Pak station.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60338_DSC09557-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Locals used the Central Subway for the first time on Nov. 19, 2022. An estimated 80% of Chinatown residents rely on public transit. \u003ccite>(Aryk Copley/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the Central Subway has meant a great deal for one neighborhood in particular, where Saturday's opening was seen and celebrated as a victory: Chinatown.\u003c/p>\n\u003cp>Residents, business owners and community leaders in Chinatown fought hard for years to bring the Central Subway project to their neighborhood after it was initially slated to go to the Financial District, with various local organizations lending their weight, including the Chinese Chamber of Commerce and the Chinatown Community Development Center, among others.\u003c/p>\n\u003cp>“I think this sends a signal to the city and the world that Chinatown is a permanent part of the fabric of San Francisco and it needs to be valued as such — and \u003cem>is\u003c/em> valued as such,” said Malcolm Yeung, executive director of the Chinatown Community Development Center, adding that the Central Subway is an important part of Chinatown history and that the opening of this new line is the start of a new chapter for the community.\u003c/p>\n\u003cp>“We can think of Chinatown as a place where we can build upon the culture and the anchor that this has brought for generations of immigrants and San Franciscans,” Yeung said.\u003c/p>\n\u003cfigure id=\"attachment_11932845\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg class=\"size-full wp-image-11932845\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro.jpeg\" alt=\"A map of the Central Subway line effective January 2023.\" width=\"1200\" height=\"1200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro.jpeg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro-800x800.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro-1020x1020.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/muni-1022-metro-160x160.jpeg 160w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A map of the Muni lines in San Francisco, including the 3rd Street line that will be effective on January 2023. \u003ccite>(Courtesy of SFMTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the political fight to bring the line to Chinatown was actually led by \u003ca href=\"https://www.kqed.org/news/11768712/chinatown-subway-station-to-be-named-after-rose-pak-controversial-s-f-power-broker\">an unlikely and controversial figure after whom the Chinatown station was eventually renamed\u003c/a> on Aug. 20, 2019: Rose Pak.\u003c/p>\n\u003cp>Pak, who died in 2016 at age 68, had a penchant for the dramatic and a brusque, unapologetic style that won her as many opponents as it did supporters. But, love her or hate her, it was Pak's passionate drive that won the day and brought the Central Subway to Chinatown.\u003c/p>\n\u003cfigure id=\"attachment_11932879\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-scaled.jpeg\">\u003cimg class=\"size-medium wp-image-11932879\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-800x600.jpeg\" alt='Three display boards showing various pictures of people and a red banner that says \"Chinatown Rose Park Station.\"' width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-800x600.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-1020x765.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-160x120.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-1536x1152.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-2048x1536.jpeg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/IMG_0681-1920x1440.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A photo display of various stages of the development of Rose Pak Station, Nov. 19, 2022. \u003ccite>(Ekene Okobi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"I’m happy for Chinatown,\" said Donald Luu, president of the San Francisco Chinese Chamber of Commerce. \"We waited 30 years for this day. The thing that everyone touched on today was the impact of Rose Pak, how this launched the legacy, and the legend continues in Chinatown with the name of the station in Chinatown, Rose Pak Station. This day and the celebration will be in the history books for Chinatown and the Chinese community of San Francisco.\"\u003c/p>\n\u003cp>Pak was a former consultant for the Chinese Chamber of Commerce and organizer of the Chinese New Year Parade in San Francisco, but never held an elective office. Nevertheless, she was a force to be reckoned with in the Chinatown community, considered by many to be a power broker and an effective fundraiser, with her support making — and sometimes breaking — electoral campaigns in local politics. \u003csup id=\"cite_ref-Wildermuth_2-1\" class=\"reference\">\u003c/sup>\u003c/p>\n\u003cp>Born in Henan, China, Pak moved to Hong Kong as a child and then to San Francisco in 1967. After studying communications at the San Francisco College for Women and receiving her master’s degree in journalism from Columbia University in New York City, Pak returned to San Francisco in 1974 to work as a reporter for The San Francisco Chronicle, taking on the Chinatown beat and immersing herself in the city’s Asian community — until she went from reporting news to making it.\u003c/p>\n\u003cfigure id=\"attachment_11932854\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11932854\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut.jpg\" alt=\"A train departs in the subway as passengers stand by on the platform.\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/11/RS60333_DSC09495-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Central Subway will run from Chinatown-Rose Pak Station to 4th and Brannan on weekends until January when the full 3rd St. line will open, extending from Chinatown all the way to Sunnydale. \u003ccite>(Aryk Copley/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pak led fundraising and community leadership efforts on a number of issues and projects — many controversial — including Chinese Hospital, the 8 Washington condominium project in Embarcadero, and the Embarcadero Freeway. But when the freeway came down in the 1989 Loma Prieta earthquake, Pak began advocating for the construction of Central Subway, an idea of hers that went all the way back to the 1980s, four decades before the project was finally completed and opened on Saturday.\u003c/p>\n\u003cp>\"We needed another transit corridor, another way of connecting to Chinatown, and it was Rose Pak who was that visionary leader who led the charge,\" said Yeung.\u003c/p>\n\u003cp>\u003cem>KQED's Dan Brekke, Ekene Okobi, Spencer Whitney and Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11932838/central-subway-opening-marks-a-milestone-for-sf-and-chinatown","authors":["byline_news_11932838"],"categories":["news_8"],"tags":["news_1659","news_393","news_32019","news_27626","news_562","news_1334"],"featImg":"news_11932852","label":"news"},"news_11911208":{"type":"posts","id":"news_11911208","meta":{"index":"posts_1591205157","site":"news","id":"11911208","score":null,"sort":[1650056431000]},"guestAuthors":[],"slug":"deep-roots-home-and-history-in-the-golden-state","title":"Deep Roots: Home and History in the Golden State","publishDate":1650056431,"format":"standard","headTitle":"The California Report Magazine | KQED News","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11911338/my-job-is-to-represent-my-place-susan-straight-on-her-new-novel-mecca-and-the-beauty-of-overlooked-california\">\u003cstrong>'My Job Is to Represent My Place': Susan Straight on Conveying the Beauty of 'Overlooked' California in Her New Novel 'Mecca'\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Susan Straight is a professor of creative writing at UC Riverside, and also grew up in Riverside. Her new novel, \"\u003c/span>\u003cspan style=\"font-weight: 400\">Mecca,\"\u003c/span>\u003cspan style=\"font-weight: 400\"> is a story of intertwined characters who all have deep roots in the mountains, deserts and canyons near Riverside and Coachella, and who are all in their own ways, looking for a version of the California Dream.\u003c/span>\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/news/11877801/san-jose-had-5-chinatowns-why-did-they-vanish\">San Jose Had 5 Chinatowns. What Happened To Them?\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">On the West Coast, there are Chinatowns from Seattle to San Diego. Some of the oldest are in San Francisco, Oakland and Los Angeles. \u003c/span>\u003cspan style=\"font-weight: 400\">But did you know that \u003c/span>\u003cspan style=\"font-weight: 400\">San Jose \u003c/span>\u003cspan style=\"font-weight: 400\">used to have a Chinatown? It’s actually had five throughout its history. \u003c/span>\u003cspan style=\"font-weight: 400\">But why isn’t there a Chinatown in San Jose today? 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Some of the oldest are in San Francisco, Oakland and Los Angeles. \u003c/span>\u003cspan style=\"font-weight: 400\">But did you know that \u003c/span>\u003cspan style=\"font-weight: 400\">San Jose \u003c/span>\u003cspan style=\"font-weight: 400\">used to have a Chinatown? It’s actually had five throughout its history. \u003c/span>\u003cspan style=\"font-weight: 400\">But why isn’t there a Chinatown in San Jose today? KQED’s Adhiti Bandlamudi explains. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11911208/deep-roots-home-and-history-in-the-golden-state","authors":["236"],"programs":["news_72","news_26731"],"categories":["news_8","news_21291"],"tags":["news_18538","news_393","news_18541"],"featImg":"news_11911229","label":"source_news_11911208"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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And you join us on the journey to find the answers.\r\n\u003cbr />\r\n\u003cspan class=\"alignleft\">\u003ca href=\"https://itunes.apple.com/us/podcast/id1172473406\">\u003cimg width=\"75px\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\">\u003c/a> \u003ca href=\"https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&link=https://play.google.com/music/m/Ipi2mc5aqfen4nr2daayiziiyuy?t%3DBay_Curious\">\u003cimg width=\"75px\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\">\u003c/a>\u003c/span>\u003c/div>\r\n\u003c/aside> \r\n\u003ch2>What's your question?\u003c/h2>\r\n\u003cdiv id=\"huxq6\" class=\"curiosity-module\" data-pym-src=\"//modules.wearehearken.com/kqed/curiosity_modules/133\">\u003c/div>\r\n\u003cscript src=\"//assets.wearehearken.com/production/thirdparty/p.m.js\">\u003c/script>\r\n\u003ch2>Bay Curious monthly newsletter\u003c/h2>\r\nWe're launching it soon! \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSdEtzbyNbSQkRHCCAkKhoGiAl3Bd0zWxhk0ZseJ1KH_o_ZDjQ/viewform\" target=\"_blank\">Sign up\u003c/a> so you don't miss it when it drops.\r\n","featImg":"https://ww2.kqed.org/app/uploads/sites/10/2016/11/BayCuriousLogoFinal01-e1493662037229.png","headData":{"title":"Bay Curious Archives | KQED News","description":"A podcast exploring the Bay Area one question at a time KQED’s Bay Curious gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. 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