The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.
“We’re all losing probably collectively gallons of sweat on stage — I mean, everybody’s shirt is soaked wet at the end of the show.”
That’s how Marco Peris Coppola, the Italian-born San Franciscan percussionist and creative strategist of Balkan brass band Inspector Gadje describes one of their stage performances.
With 14 band members, Inspector Gadje is a frenzied force of nature that Coppola describes as participatory and celebratory, inspired by Balkan weddings and funerals. But it’s also a very demanding style of music. He says it’s not just the kind of music that makes you jump up and dance, it’s like a “therapy session,” and a way of “liberating emotions.”
“This is not just for my band … anytime you go and listen to this style of music, I see people walking in with a certain face, and I see them walking out with a smile,” he says.
Their song “Gangam” is no exception.
“It’s … a very high energy, hard-to-sit-still-through kind of music,” says Coppola. “It’s embedded in the Hijaz scale [that] is used not only in the Balkans, but also in Turkey and some parts of Middle East. But really, it’s embedded in solos as well. Sometimes it feels like the song is an excuse to get to the solo where the improvisation happens and where people get a chance to show themselves.”
Growing up in Italy, Coppola played drums with a protest band. When he moved to San Francisco he joined the Brass Liberation Orchestra, a band that plays at progressive demonstrations around the Bay Area. An association called Voice of Roma, a cultural nonprofit that promotes Roma music and works to dismantle stereotypes about Roma people, invited him and the other band members to do a six-month course with a master teacher of Roma music. That’s where Coppola learned to play a Balkan drum called the “tapan,” or “davul.”