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With so many different approaches to photography, the following resources offer an overview of different styles, as well as brief history of photography. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For a deeper engagement, take our course, \u003cem>Communicating with Photography,\u003c/em> from \u003c/span>\u003cstrong>\u003ca href=\"https://teach.kqed.org/\">KQED Teach\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">, an online professional learning platform for educators to level up their digital media skills.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/artschool/2016/01/22/collecting-lifes-remnants-with-nigel-poor/\">Collecting Life’s Remnants with Nigel Poor\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nBay Area-based Nigel Poor is an artist who encourages the use of photography as a way to closely examine our daily activities and interactions with commonplace objects, in order to gain a deeper understanding of who we are. In this video, Nigel offers three fun photography projects that explore this idea of documenting our personal lives.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/artschool/2015/04/22/the-camera-as-connector-photographer-paccarik-orue/\">Documentary Photography with Paccarik Orue\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nLearn about the work of Paccarik Orue, a Peruvian documentary photographer currently residing in San Francisco. Paccarik is interested in using his camera to connect with ordinary people, usually residents of low-income neighborhoods. In this video, \u003cstrong>\u003ca href=\"https://youtu.be/6uoKw5CljEU\">Digitizing Film Negatives with Paccarik Orue\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">, he guides you through the process of making digital prints from film negatives.\u003c/span>\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/34c542bd-b457-4321-a40e-ca0ae524580c/sixth-street-photography-visual-arts/\">Sixth Street Photography: Visual Arts\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nTom Ferentz is the artistic director and founder of the Sixth Street Photography Workshop, which he started in 1991 to make photography accessible to low-income and homeless people in San Francisco. With the help of volunteers, participants can take classes of various skill-level on a weekly basis. In this video, testimonials from students illustrate how photography has changed their lives for the better, thanks to the efforts of the workshop. For more information on the workshop, use this comprehensive \u003cstrong>\u003ca href=\"http://www.kqed.org/assets/pdf/arts/programs/spark/224.pdf\">educator guide\u003c/a>.\u003c/strong>\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/lang14.soc.ushist.docphot/documenting-the-great-depression-creating-narrative-through-photography/\">The Great Depression: Creating Narrative through Photography\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nExplore the work of a distinguished American photographer Dorothea Lange who started her career with portraiture photography and later turned to document the events and people during the Great Depression. Discover the creative processes that guided Dorothea’s work.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/3c5d8c2b-16b5-4d8e-87df-84e4fddfc43d/the-art-of-portrait-photography-off-book/\">The Art of Portrait Photography | Off Book\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nAt what point does a mere snapshot of someone become a work of art? Four modern photographers discuss examples of their work that illustrate accessibility of portrait photography and its ability to communicate certain ideas or feelings. These artists share their personal stories, as well as creative experiences.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/123d7d1a-8ee4-4160-beba-25d40072c182/graciela-iturbide-exploring-the-landscape-art-in-the-21st-century-investigation/\">Graciela Iturbide: Exploring the Landscape | Art in the 21st Century: “Investigation”\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nAccording to Mexican photographer Graciela Iturbide, being an “investigator” of the world and of the people is essential for creative growth. Graciela spent a good chunk of her career photographing people in her native Mexico. Guided by her intuition, she often chooses to feature complex subjects in her work. Besides using her camera for portraits, Graciela has taken photographs of landscapes in the Southern United States. Learn more about her fascinating work in this video.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/d2c8b872-0267-4f9d-9b32-7b32a2840e0f/photographer-on-a-mission-ed-drew/\">Photographer on a Mission: Ed Drew\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nBesides working for the California Air National Guard, Ed Drew also has a passion for tintype portraiture photography. Whether on a mission in Afghanistan or in the fields of a local garden project, Ed uses his camera to connect with people he encounters. Learn more about Ed’s work, as well as the history of tintype photography.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1704762114,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":541},"headData":{"title":"Seven Resources to Help Develop Your Photographic Style | KQED","description":"A photograph can convey information about a particular object, place, or social issue. With so many different approaches to photography, the following resources offer an overview of different styles, as well as brief history of photography. For a deeper engagement, take our course, Communicating with Photography, from KQED Teach, an online professional learning platform for educators","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Seven Resources to Help Develop Your Photographic Style","datePublished":"2016-12-01T21:08:11.000Z","dateModified":"2024-01-09T01:01:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/347842/seven-resources-to-help-develop-your-photographic-style","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">A photograph can convey information about a particular object, place, or social issue. With so many different approaches to photography, the following resources offer an overview of different styles, as well as brief history of photography. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For a deeper engagement, take our course, \u003cem>Communicating with Photography,\u003c/em> from \u003c/span>\u003cstrong>\u003ca href=\"https://teach.kqed.org/\">KQED Teach\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">, an online professional learning platform for educators to level up their digital media skills.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/artschool/2016/01/22/collecting-lifes-remnants-with-nigel-poor/\">Collecting Life’s Remnants with Nigel Poor\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nBay Area-based Nigel Poor is an artist who encourages the use of photography as a way to closely examine our daily activities and interactions with commonplace objects, in order to gain a deeper understanding of who we are. In this video, Nigel offers three fun photography projects that explore this idea of documenting our personal lives.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ww2.kqed.org/artschool/2015/04/22/the-camera-as-connector-photographer-paccarik-orue/\">Documentary Photography with Paccarik Orue\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nLearn about the work of Paccarik Orue, a Peruvian documentary photographer currently residing in San Francisco. Paccarik is interested in using his camera to connect with ordinary people, usually residents of low-income neighborhoods. In this video, \u003cstrong>\u003ca href=\"https://youtu.be/6uoKw5CljEU\">Digitizing Film Negatives with Paccarik Orue\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">, he guides you through the process of making digital prints from film negatives.\u003c/span>\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/34c542bd-b457-4321-a40e-ca0ae524580c/sixth-street-photography-visual-arts/\">Sixth Street Photography: Visual Arts\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nTom Ferentz is the artistic director and founder of the Sixth Street Photography Workshop, which he started in 1991 to make photography accessible to low-income and homeless people in San Francisco. With the help of volunteers, participants can take classes of various skill-level on a weekly basis. In this video, testimonials from students illustrate how photography has changed their lives for the better, thanks to the efforts of the workshop. For more information on the workshop, use this comprehensive \u003cstrong>\u003ca href=\"http://www.kqed.org/assets/pdf/arts/programs/spark/224.pdf\">educator guide\u003c/a>.\u003c/strong>\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/lang14.soc.ushist.docphot/documenting-the-great-depression-creating-narrative-through-photography/\">The Great Depression: Creating Narrative through Photography\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nExplore the work of a distinguished American photographer Dorothea Lange who started her career with portraiture photography and later turned to document the events and people during the Great Depression. Discover the creative processes that guided Dorothea’s work.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/3c5d8c2b-16b5-4d8e-87df-84e4fddfc43d/the-art-of-portrait-photography-off-book/\">The Art of Portrait Photography | Off Book\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nAt what point does a mere snapshot of someone become a work of art? Four modern photographers discuss examples of their work that illustrate accessibility of portrait photography and its ability to communicate certain ideas or feelings. These artists share their personal stories, as well as creative experiences.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/123d7d1a-8ee4-4160-beba-25d40072c182/graciela-iturbide-exploring-the-landscape-art-in-the-21st-century-investigation/\">Graciela Iturbide: Exploring the Landscape | Art in the 21st Century: “Investigation”\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nAccording to Mexican photographer Graciela Iturbide, being an “investigator” of the world and of the people is essential for creative growth. Graciela spent a good chunk of her career photographing people in her native Mexico. Guided by her intuition, she often chooses to feature complex subjects in her work. Besides using her camera for portraits, Graciela has taken photographs of landscapes in the Southern United States. Learn more about her fascinating work in this video.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://ca.pbslearningmedia.org/resource/d2c8b872-0267-4f9d-9b32-7b32a2840e0f/photographer-on-a-mission-ed-drew/\">Photographer on a Mission: Ed Drew\u003c/a>\u003c/strong>\u003cspan style=\"font-weight: 400\">\u003cbr>\nBesides working for the California Air National Guard, Ed Drew also has a passion for tintype portraiture photography. Whether on a mission in Afghanistan or in the fields of a local garden project, Ed uses his camera to connect with people he encounters. Learn more about Ed’s work, as well as the history of tintype photography.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/347842/seven-resources-to-help-develop-your-photographic-style","authors":["11261"],"series":["education_2838"],"categories":["education_3"],"tags":["education_2424","education_882","education_1196"],"collections":["education_2405"],"featImg":"education_347878","label":"education_2838"},"education_295113":{"type":"posts","id":"education_295113","meta":{"index":"posts_1591205157","site":"education","id":"295113","score":null,"sort":[1475253350000]},"guestAuthors":[],"slug":"how-can-photographs-help-create-social-change-2","title":"How Can Photographs Help Create Social Change?","publishDate":1475253350,"format":"video","headTitle":"How Can Photographs Help Create Social Change? | KQED","labelTerm":{},"content":"\u003ch2>\u003cstrong>Learn More About Documentary Photography \u003c/strong>\u003c/h2>\n\u003cp>Photographers often turn their lens toward disenfranchised or struggling areas to raise awareness about inequity and unfair policies. Photographer \u003ca href=\"http://www.paccarik.com/\">Paccarik Orue\u003c/a> moved to San Francisco in 2008 after struggling for a handful of years in Miami, Florida as a recent immigrant to the United States. Far from his birthplace in Lima, Peru, Orue found solace in and forged a connection to some of the Bay Area’s most neglected areas: Bayview-Hunter’s Point and the city of Richmond.\u003c/p>\n\u003cp>[media-credit id=9619 align=\"aligncenter\" width=\"640\"]\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-106524\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2016/02/Paccarik-Orue.jpg\" alt=\"Paccarik Orue\" width=\"640\" height=\"322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Paccarik-Orue.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Paccarik-Orue-400x201.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">[/media-credit]\u003c/p>\n\u003cp>From 2009-2011, Orue photographed residents and structures in Richmond for his book titled, \u003cem>\u003ca href=\"http://www.owlandtiger.com/books/there-is-nothing-beautiful-around-here\">There Is Nothing Beautiful Around Here\u003c/a>\u003c/em>. “Because of my own immigrant experience, I seek communities that may be struggling and experiencing things that I can relate to because of my background,” Orue said.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003cstrong>\u003cspan style=\"color: #000000\">Teach with the Do Now Archive\u003c/span>\u003c/strong>\u003c/h3>\n\u003cdiv>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-527117\" src=\"https://ww2.kqed.org/education/wp-content/uploads/sites/38/2016/09/DoNow-1.jpg\" alt=\"\" width=\"450\" height=\"113\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1-160x40.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1-240x60.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1-375x94.jpg 375w\" sizes=\"(max-width: 450px) 100vw, 450px\">\u003c/div>\n\u003cp>This article is part of our archived \u003ca href=\"https://ww2.kqed.org/education/collections/do-now/\">Do Now activity series\u003c/a>. Use this abridged version to spark a classroom discussion around the prompt:\u003c/p>\n\u003cp>\u003cem>If you took a photo to represent one issue or community you care about, or a concern about something you believe is unfair, could sharing your image on social media make a difference? How? \u003c/em>\u003c/p>\n\u003c/aside>\n\u003cp>Photojournalist Matt Black wanted to capture images that represented income inequality. His photo essay “\u003ca href=\"https://www.globalonenessproject.org/library/photo-essays/geography-poverty\">The Geography of Poverty\u003c/a>,” featured on The Global Oneness Project website, highlights a California community in Tulare county that suffers from a lack of water and infrastructure. How do these images convey the challenges this community faces? Does the use of black-and-white photography affect the impact of the images? How or why?\u003c/p>\n\u003cp>Ken and Melanie Light \u003ca href=\"http://kenlight.com/gallery/valleyofshadowsanddreams/index.html\">spent five years documenting communities\u003c/a> in California’s Central Valley, capturing “manifestations of the lack of any sustainable or sensible water policy.” In the Central Valley, water is a major political issue with some businesses controlling more than their share, and improper farming practices have led to birth defects, among other challenges that have negatively affected farm workers and their families.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[media-credit name=\"Sebastião Salgado photo exhibition Genesis at National Museum of Singapore\" align=\"aligncenter\" width=\"640\"]\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-106527\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2016/02/Sebastiao-Salgado_web.jpg\" alt=\"Sebastiao Salgado_web\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Sebastiao-Salgado_web.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Sebastiao-Salgado_web-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">[/media-credit]\u003c/p>\n\u003cp> \u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>FOR DISCUSSION\u003c/h3>\n\u003cfigure>\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2015/11/csloan-header.jpg\" alt=\"\">\u003c/figure>\n\u003cp>Below are suggestions for discussion prompts to encourage deeper thinking about the Do Now topic:\u003c/p>\n\u003cul>\n\u003cli>Some photographers use positive, attractive imagery to highlight inequity, while others focus their lens on evidence of unfairness. Which approach do you think is more powerful?\u003c/li>\n\u003cli>Do you think there is a difference between documentary photography and photojournalism? If so, what is it?\u003c/li>\n\u003cli>How would you compare the potential for photographic images convey understanding of a social issue to that of written text, audio, or video?\u003c/li>\n\u003cli>What are the qualities of a photograph that makes you think more deeply about a social issue?\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Sebastiao Salgado, featured in\u003ca href=\"https://www.ted.com/talks/sebastiao_salgado_the_silent_drama_of_photography?language=en\"> this TED Talk\u003c/a>, is another photographer who highlights disenfranchised communities through photography, creating gorgeous landscape and portrait photos that, upon closer examination, often highlight problems. He has captured some of the most poverty-stricken areas in the world, and some argue that creating beautiful photos of tortuous places can have a negative affect. These critics feel that making beautiful images of human suffering can encourage a sense of voyeurism rather than empathy.\u003c/p>\n\u003cp>A \u003ca href=\"http://www.csmonitor.com/The-Culture/Movies/2015/0327/The-Salt-of-the-Earth-does-justice-to-Sebastiao-Salgado-s-life-and-art\">\u003cem>Christian Science Monitor\u003c/em> article\u003c/a> about Salgado’s work references a critical essay:\u003c/p>\n\u003cp>“In an influential 1991 New Yorker essay, Ingrid Sischy wrote of his photographs: ‘[T]his beautification of tragedy results in pictures that ultimately reinforce our passivity toward the experience they reveal. To aestheticize is the fastest way to anesthetize the feeling of those who are witnessing it. Beauty is a call to admiration, not to action.”\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>Learn More…\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>LESSON PLAN: \u003ca href=\"https://www.globalonenessproject.org/resources/lesson-plans/citizen-photojournalism\">Citizen Photojournalism\u003c/a> (Global Oneness Project)\u003c/strong>\u003cbr>\nCalifornia has the highest poverty rate in the country. A widespread epidemic in the U.S., poverty affects health, access to education, homelessness, unemployment, and food security. This lesson plan examines how the photojournalism of Matt Black captures this reality, and how social media platforms can raise awareness about social issues.\u003c/p>\n\u003cp>\u003cstrong>ARTICLE: \u003ca href=\"The%20Complex%20Life%20of%20%E2%80%98California%E2%80%99s%20Heartland%E2%80%99%20On%20View%20at%20SF%20City%20Hall\">The Complex Life of ‘California’s Heartland’ On View at SF City Hall\u003c/a> (KQED Arts)\u003c/strong>\u003cbr>\nThis article describing the Valley/El Valle photo exhibit at San Francisco’s City Hall highlights the work of photographers who strive to capture the humanity of California’s Central Valley.\u003c/p>\n\u003cp>\u003cstrong>ARTICLE: \u003ca href=\"http://www.csmonitor.com/The-Culture/Movies/2015/0327/The-Salt-of-the-Earth-does-justice-to-Sebastiao-Salgado-s-life-and-arte\">The Salt of the Earth Does Justice to Sebastiao Salgado’s Life and Art”\u003c/a> (The Christian Monitor)\u003c/strong>\u003cbr>\nIn this film review, the author writes about how Sebastiao Salgado’s photography has captured some of the world’s most remote and tortuous locations, but claims that the film doesn’t really acknowledge the criticism his art has faced.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://ww2.kqed.org/artschool/2016/01/22/collecting-lifes-remnants-with-nigel-poor/\">Collecting Life’s Remnants with Nigel Poor \u003c/a>\u003cstrong>(KQED Art School)\u003c/strong>\u003cbr>\n\u003c/strong>Nigel Poor’s activity ideas about photographing discarded items in your daily travels can help highlight the identity of a community.\u003c/p>\n\n","blocks":[],"excerpt":"Take a photo that represents one issue or community you care about, or a concern about something you believe is unfair. Could sharing your image on social media make a difference? How? #DoNowPhoto ","status":"publish","parent":0,"modified":1704762288,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":836},"headData":{"title":"How Can Photographs Help Create Social Change? | KQED","description":"Take a photo that represents one issue or community you care about, or a concern about something you believe is unfair. Could sharing your image on social media make a difference? How? #DoNowPhoto ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Can Photographs Help Create Social Change?","datePublished":"2016-09-30T16:35:50.000Z","dateModified":"2024-01-09T01:04:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://www.youtube.com/watch?v=n16hfWLLo9w","source":"Do Now Arts","sourceUrl":"https://ww2.kqed.org/education/category/do-now/art-and-popular-culture/","sticky":false,"path":"/education/295113/how-can-photographs-help-create-social-change-2","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003ch2>\u003cstrong>Learn More About Documentary Photography \u003c/strong>\u003c/h2>\n\u003cp>Photographers often turn their lens toward disenfranchised or struggling areas to raise awareness about inequity and unfair policies. Photographer \u003ca href=\"http://www.paccarik.com/\">Paccarik Orue\u003c/a> moved to San Francisco in 2008 after struggling for a handful of years in Miami, Florida as a recent immigrant to the United States. Far from his birthplace in Lima, Peru, Orue found solace in and forged a connection to some of the Bay Area’s most neglected areas: Bayview-Hunter’s Point and the city of Richmond.\u003c/p>\n\u003cp>[media-credit id=9619 align=\"aligncenter\" width=\"640\"]\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-106524\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2016/02/Paccarik-Orue.jpg\" alt=\"Paccarik Orue\" width=\"640\" height=\"322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Paccarik-Orue.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Paccarik-Orue-400x201.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">[/media-credit]\u003c/p>\n\u003cp>From 2009-2011, Orue photographed residents and structures in Richmond for his book titled, \u003cem>\u003ca href=\"http://www.owlandtiger.com/books/there-is-nothing-beautiful-around-here\">There Is Nothing Beautiful Around Here\u003c/a>\u003c/em>. “Because of my own immigrant experience, I seek communities that may be struggling and experiencing things that I can relate to because of my background,” Orue said.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003cstrong>\u003cspan style=\"color: #000000\">Teach with the Do Now Archive\u003c/span>\u003c/strong>\u003c/h3>\n\u003cdiv>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-527117\" src=\"https://ww2.kqed.org/education/wp-content/uploads/sites/38/2016/09/DoNow-1.jpg\" alt=\"\" width=\"450\" height=\"113\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1-160x40.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1-240x60.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/09/DoNow-1-375x94.jpg 375w\" sizes=\"(max-width: 450px) 100vw, 450px\">\u003c/div>\n\u003cp>This article is part of our archived \u003ca href=\"https://ww2.kqed.org/education/collections/do-now/\">Do Now activity series\u003c/a>. Use this abridged version to spark a classroom discussion around the prompt:\u003c/p>\n\u003cp>\u003cem>If you took a photo to represent one issue or community you care about, or a concern about something you believe is unfair, could sharing your image on social media make a difference? How? \u003c/em>\u003c/p>\n\u003c/aside>\n\u003cp>Photojournalist Matt Black wanted to capture images that represented income inequality. His photo essay “\u003ca href=\"https://www.globalonenessproject.org/library/photo-essays/geography-poverty\">The Geography of Poverty\u003c/a>,” featured on The Global Oneness Project website, highlights a California community in Tulare county that suffers from a lack of water and infrastructure. How do these images convey the challenges this community faces? Does the use of black-and-white photography affect the impact of the images? How or why?\u003c/p>\n\u003cp>Ken and Melanie Light \u003ca href=\"http://kenlight.com/gallery/valleyofshadowsanddreams/index.html\">spent five years documenting communities\u003c/a> in California’s Central Valley, capturing “manifestations of the lack of any sustainable or sensible water policy.” In the Central Valley, water is a major political issue with some businesses controlling more than their share, and improper farming practices have led to birth defects, among other challenges that have negatively affected farm workers and their families.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>[media-credit name=\"Sebastião Salgado photo exhibition Genesis at National Museum of Singapore\" align=\"aligncenter\" width=\"640\"]\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-106527\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2016/02/Sebastiao-Salgado_web.jpg\" alt=\"Sebastiao Salgado_web\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Sebastiao-Salgado_web.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/38/2016/02/Sebastiao-Salgado_web-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">[/media-credit]\u003c/p>\n\u003cp> \u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>FOR DISCUSSION\u003c/h3>\n\u003cfigure>\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2015/11/csloan-header.jpg\" alt=\"\">\u003c/figure>\n\u003cp>Below are suggestions for discussion prompts to encourage deeper thinking about the Do Now topic:\u003c/p>\n\u003cul>\n\u003cli>Some photographers use positive, attractive imagery to highlight inequity, while others focus their lens on evidence of unfairness. Which approach do you think is more powerful?\u003c/li>\n\u003cli>Do you think there is a difference between documentary photography and photojournalism? If so, what is it?\u003c/li>\n\u003cli>How would you compare the potential for photographic images convey understanding of a social issue to that of written text, audio, or video?\u003c/li>\n\u003cli>What are the qualities of a photograph that makes you think more deeply about a social issue?\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Sebastiao Salgado, featured in\u003ca href=\"https://www.ted.com/talks/sebastiao_salgado_the_silent_drama_of_photography?language=en\"> this TED Talk\u003c/a>, is another photographer who highlights disenfranchised communities through photography, creating gorgeous landscape and portrait photos that, upon closer examination, often highlight problems. He has captured some of the most poverty-stricken areas in the world, and some argue that creating beautiful photos of tortuous places can have a negative affect. These critics feel that making beautiful images of human suffering can encourage a sense of voyeurism rather than empathy.\u003c/p>\n\u003cp>A \u003ca href=\"http://www.csmonitor.com/The-Culture/Movies/2015/0327/The-Salt-of-the-Earth-does-justice-to-Sebastiao-Salgado-s-life-and-art\">\u003cem>Christian Science Monitor\u003c/em> article\u003c/a> about Salgado’s work references a critical essay:\u003c/p>\n\u003cp>“In an influential 1991 New Yorker essay, Ingrid Sischy wrote of his photographs: ‘[T]his beautification of tragedy results in pictures that ultimately reinforce our passivity toward the experience they reveal. To aestheticize is the fastest way to anesthetize the feeling of those who are witnessing it. Beauty is a call to admiration, not to action.”\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>Learn More…\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>LESSON PLAN: \u003ca href=\"https://www.globalonenessproject.org/resources/lesson-plans/citizen-photojournalism\">Citizen Photojournalism\u003c/a> (Global Oneness Project)\u003c/strong>\u003cbr>\nCalifornia has the highest poverty rate in the country. A widespread epidemic in the U.S., poverty affects health, access to education, homelessness, unemployment, and food security. This lesson plan examines how the photojournalism of Matt Black captures this reality, and how social media platforms can raise awareness about social issues.\u003c/p>\n\u003cp>\u003cstrong>ARTICLE: \u003ca href=\"The%20Complex%20Life%20of%20%E2%80%98California%E2%80%99s%20Heartland%E2%80%99%20On%20View%20at%20SF%20City%20Hall\">The Complex Life of ‘California’s Heartland’ On View at SF City Hall\u003c/a> (KQED Arts)\u003c/strong>\u003cbr>\nThis article describing the Valley/El Valle photo exhibit at San Francisco’s City Hall highlights the work of photographers who strive to capture the humanity of California’s Central Valley.\u003c/p>\n\u003cp>\u003cstrong>ARTICLE: \u003ca href=\"http://www.csmonitor.com/The-Culture/Movies/2015/0327/The-Salt-of-the-Earth-does-justice-to-Sebastiao-Salgado-s-life-and-arte\">The Salt of the Earth Does Justice to Sebastiao Salgado’s Life and Art”\u003c/a> (The Christian Monitor)\u003c/strong>\u003cbr>\nIn this film review, the author writes about how Sebastiao Salgado’s photography has captured some of the world’s most remote and tortuous locations, but claims that the film doesn’t really acknowledge the criticism his art has faced.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://ww2.kqed.org/artschool/2016/01/22/collecting-lifes-remnants-with-nigel-poor/\">Collecting Life’s Remnants with Nigel Poor \u003c/a>\u003cstrong>(KQED Art School)\u003c/strong>\u003cbr>\n\u003c/strong>Nigel Poor’s activity ideas about photographing discarded items in your daily travels can help highlight the identity of a community.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/295113/how-can-photographs-help-create-social-change-2","authors":["5254"],"series":["education_2837"],"categories":["education_3"],"tags":["education_1320","education_882","education_1449"],"collections":["education_2403"],"featImg":"education_106523","label":"source_education_295113"},"education_16785":{"type":"posts","id":"education_16785","meta":{"index":"posts_1591205157","site":"education","id":"16785","score":null,"sort":[1429224266000]},"guestAuthors":[],"slug":"using-layer-masks-in-pixlr-editor","title":"Using Layer Masks in Pixlr Editor","publishDate":1429224266,"format":"video","headTitle":"Using Layer Masks in Pixlr Editor | KQED","labelTerm":{"term":52,"site":"education"},"content":"\u003cp>Today we’re looking at the use of Layer Masks in the free, web-based photo editing tool \u003ca href=\"http://apps.pixlr.com/editor/\" target=\"_blank\" rel=\"noopener\">Pixlr Editor\u003c/a>. This post is part of a \u003ca title=\"Working With Photos in Pixlr Editor\" href=\"http://ww2.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">series\u003c/a>.\u003c/p>\n\u003cp>Layer Masks might seem a little tricky at first, but once you understand their basic concept, you’ll find they can be a great way to achieve some powerful effects and control over your photo editing process. In essence, you can think of Layer Masks as cutout shapes that you lay over your image so that you can make changes that only apply to particular parts of an image.\u003c/p>\n\u003cp>To try them out and to see what I mean, head over to \u003ca href=\"http://apps.pixlr.com/editor\">http://apps.pixlr.com/editor\u003c/a> and then follow along with the video below.\u003c/p>\n\u003cp>\u003ca href=\"\">youtube=http://www.youtube.com/watch?v=hSOCn-3ABA8\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1704763723,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":138},"headData":{"title":"Using Layer Masks in Pixlr Editor | KQED","description":"Today we’re looking at the use of Layer Masks in the free, web-based photo editing tool Pixlr Editor. This post is part of a series. Layer Masks might seem a little tricky at first, but once you understand their basic concept, you’ll find they can be a great way to achieve some powerful effects and control over","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Using Layer Masks in Pixlr Editor","datePublished":"2015-04-16T22:44:26.000Z","dateModified":"2024-01-09T01:28:43.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/16785/using-layer-masks-in-pixlr-editor","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Today we’re looking at the use of Layer Masks in the free, web-based photo editing tool \u003ca href=\"http://apps.pixlr.com/editor/\" target=\"_blank\" rel=\"noopener\">Pixlr Editor\u003c/a>. This post is part of a \u003ca title=\"Working With Photos in Pixlr Editor\" href=\"http://ww2.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">series\u003c/a>.\u003c/p>\n\u003cp>Layer Masks might seem a little tricky at first, but once you understand their basic concept, you’ll find they can be a great way to achieve some powerful effects and control over your photo editing process. In essence, you can think of Layer Masks as cutout shapes that you lay over your image so that you can make changes that only apply to particular parts of an image.\u003c/p>\n\u003cp>To try them out and to see what I mean, head over to \u003ca href=\"http://apps.pixlr.com/editor\">http://apps.pixlr.com/editor\u003c/a> and then follow along with the video below.\u003c/p>\n\u003cp>\u003ca href=\"\">youtube=http://www.youtube.com/watch?v=hSOCn-3ABA8\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/16785/using-layer-masks-in-pixlr-editor","authors":["9548"],"series":["education_52"],"categories":["education_1"],"tags":["education_418","education_5","education_1320","education_882","education_1184","education_1186"],"featImg":"education_16481","label":"education_52"},"education_16635":{"type":"posts","id":"education_16635","meta":{"index":"posts_1591205157","site":"education","id":"16635","score":null,"sort":[1427398883000]},"guestAuthors":[],"slug":"using-the-clone-stamp-tool-in-pixlr-editor","title":"Using the Clone Stamp Tool in Pixlr Editor","publishDate":1427398883,"format":"video","headTitle":"Using the Clone Stamp Tool in Pixlr Editor | KQED","labelTerm":{"term":52,"site":"education"},"content":"\u003cp>Today we’re looking at the Clone Stamp Tool as part of a \u003ca title=\"Working With Photos in Pixlr Editor\" href=\"http://ww2.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">series of posts\u003c/a> on the free, web-based photo editing tool \u003ca href=\"apps.pixlr.com/editor\">Pixlr Editor\u003c/a>.\u003c/p>\n\u003cp>The Clone Stamp is a nifty tool that lets you paint one part of your image into another part. This can be a great way to create duplicates of elements within your image or to paint out other elements without leaving holes. To see what I mean, head over to \u003ca href=\"http://apps.pixlr.com/editor\">http://apps.pixlr.com/editor\u003c/a> and then follow along with the video below.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/QCZlSoHOm44\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"This video tutorial examines the clone stamp tool in Pixlr Editor, a free, web-based photo editing tool. The Clone Stamp is a nifty tool that lets you paint one part of your image into another part. Check out the video to learn more.","status":"publish","parent":0,"modified":1704763762,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":93},"headData":{"title":"Using the Clone Stamp Tool in Pixlr Editor | KQED","description":"This video tutorial examines the clone stamp tool in Pixlr Editor, a free, web-based photo editing tool. The Clone Stamp is a nifty tool that lets you paint one part of your image into another part. Check out the video to learn more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Using the Clone Stamp Tool in Pixlr Editor","datePublished":"2015-03-26T19:41:23.000Z","dateModified":"2024-01-09T01:29:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/16635/using-the-clone-stamp-tool-in-pixlr-editor","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Today we’re looking at the Clone Stamp Tool as part of a \u003ca title=\"Working With Photos in Pixlr Editor\" href=\"http://ww2.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">series of posts\u003c/a> on the free, web-based photo editing tool \u003ca href=\"apps.pixlr.com/editor\">Pixlr Editor\u003c/a>.\u003c/p>\n\u003cp>The Clone Stamp is a nifty tool that lets you paint one part of your image into another part. This can be a great way to create duplicates of elements within your image or to paint out other elements without leaving holes. To see what I mean, head over to \u003ca href=\"http://apps.pixlr.com/editor\">http://apps.pixlr.com/editor\u003c/a> and then follow along with the video below.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/QCZlSoHOm44\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/16635/using-the-clone-stamp-tool-in-pixlr-editor","authors":["9548"],"series":["education_52"],"categories":["education_1"],"tags":["education_418","education_5","education_1320","education_882","education_1184","education_1186"],"featImg":"education_16658","label":"education_52"},"education_16448":{"type":"posts","id":"education_16448","meta":{"index":"posts_1591205157","site":"education","id":"16448","score":null,"sort":[1425934860000]},"guestAuthors":[],"slug":"working-with-photos-in-pixlr-editor","title":"Working With Photos in Pixlr Editor","publishDate":1425934860,"format":"video","headTitle":"Working With Photos in Pixlr Editor | KQED","labelTerm":{"term":52,"site":"education"},"content":"\u003cp>So much of our online identity is expressed through the photos we share via sites and services such as Facebook, Tumblr, Instagram and more. Using a camera to take a picture is just the beginning of the story when it comes to photographic communication. Photo editing and manipulation via software tools such as Adobe Photoshop is such an important and widespread practice that ‘photoshop’ has become a verb. How can you begin to equip yourself with the skills to be an active, creative and critical contributor to this mode of communication? How can you unlock the full potential of your visual expression? This Educast series introduces you to a tool that addresses all of these questions called Pixlr Editor.\u003c/p>\n\u003cp>Pixlr Editor is a powerful free, browser based online photo editing tool. It is part of a suite of photo editing tools from Pixlr including a mobile app (covered in another Educast post). Pixlr Editor is a robust tool that rivals Adobe Photoshop in terms of its feature set. Due to its complexity, we’ll be covering it in a series of videos. To get started working with photos in Pixlr Editor, head over to \u003ca href=\"http://apps.pixlr.com/editor\">http://apps.pixlr.com/editor\u003c/a> and follow along with one of the videos of your choice in the playlist below.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/videoseries?list=PLKdBLJFTsN_TObsmVVEsey6ctUb1wRS9w\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Pixlr Editor is a powerful free, browser based online photo editing tool. It is a robust tool that rivals Adobe Photoshop in terms of its feature set. Here is a three part series of video tutorials that shows you how to use Pixlr Editor.","status":"publish","parent":0,"modified":1704763821,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":220},"headData":{"title":"Working With Photos in Pixlr Editor | KQED","description":"Pixlr Editor is a powerful free, browser based online photo editing tool. It is a robust tool that rivals Adobe Photoshop in terms of its feature set. Here is a three part series of video tutorials that shows you how to use Pixlr Editor.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Working With Photos in Pixlr Editor","datePublished":"2015-03-09T21:01:00.000Z","dateModified":"2024-01-09T01:30:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/16448/working-with-photos-in-pixlr-editor","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>So much of our online identity is expressed through the photos we share via sites and services such as Facebook, Tumblr, Instagram and more. Using a camera to take a picture is just the beginning of the story when it comes to photographic communication. Photo editing and manipulation via software tools such as Adobe Photoshop is such an important and widespread practice that ‘photoshop’ has become a verb. How can you begin to equip yourself with the skills to be an active, creative and critical contributor to this mode of communication? How can you unlock the full potential of your visual expression? This Educast series introduces you to a tool that addresses all of these questions called Pixlr Editor.\u003c/p>\n\u003cp>Pixlr Editor is a powerful free, browser based online photo editing tool. It is part of a suite of photo editing tools from Pixlr including a mobile app (covered in another Educast post). Pixlr Editor is a robust tool that rivals Adobe Photoshop in terms of its feature set. Due to its complexity, we’ll be covering it in a series of videos. To get started working with photos in Pixlr Editor, head over to \u003ca href=\"http://apps.pixlr.com/editor\">http://apps.pixlr.com/editor\u003c/a> and follow along with one of the videos of your choice in the playlist below.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/videoseries?list=PLKdBLJFTsN_TObsmVVEsey6ctUb1wRS9w\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/16448/working-with-photos-in-pixlr-editor","authors":["9548"],"series":["education_52"],"categories":["education_1"],"tags":["education_418","education_5","education_1320","education_882","education_1184","education_1186"],"featImg":"education_16481","label":"education_52"},"education_15142":{"type":"posts","id":"education_15142","meta":{"index":"posts_1591205157","site":"education","id":"15142","score":null,"sort":[1417559110000]},"guestAuthors":[],"slug":"which-is-more-truthful-words-or-images","title":"Which is More Truthful: Words or Images?","publishDate":1417559110,"format":"aside","headTitle":"Which is More Truthful: Words or Images? | KQED","labelTerm":{"term":2837,"site":"education"},"content":"\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDEdspace\u003c/em> and end it with \u003cem>#DoNowPhoto\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>Do Now\u003c/strong>\u003c/h2>\n\u003cp>How do captions affect the way we “read” photographs? Consider what images convey when shown without captions. What is the effect of words without pictures? Which is more accurate or truthful: words or images?\u003c/p>\n\u003ch2>\u003cstrong>Introduction\u003c/strong>\u003c/h2>\n\u003cp>Consider recent news coverage of the Grand Jury’s decision in the Ferguson case. How does the pairing of pictures and captions in the media convey different points of view? How does the combination of images and words affect our understanding or interpretation of current events and the world around us? And how does the wording of different captions affect the way you perceive an image?\u003c/p>\n\u003cp>Artist John Baldessari has long been interested in combining words and photographs. In an interview with SFMOMA, Baldessari said, “It’s a myth that photography represents the truth. Photographers were manipulating imagery way, way back. If anybody believes a photograph’s telling the truth, they’re in the dark ages.” Take a look at the video below to hear more about Baldessari’s perspective on the relationship between words and images.\u003c/p>\n\u003cp>John Baldessari was born in 1931 in National City, California and lives and works in the Los Angeles area. His artwork, including projects such as artist books, videos, films, billboards, and public works, has been featured in more than 200 solo exhibitions and in over 1,000 group exhibitions in the U.S. and Europe. His awards and honors include memberships in the American Academy of Arts and Letters and the American Academy of Arts and Sciences, the Americans for the Arts Lifetime Achievement Award, the Rolex Mentor and Protégé Arts Initiative, the BACA International 2008, and the Golden Lion for Lifetime Achievement, awarded by La Biennale di Venezia in 2009. Learn more about his work by accessing the resources below.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As an extension of this activity, copy or make up random captions. Ask a friend to match photos to your captions. Share one of the pairings with us via Twitter. This activity is adapted from preparatory materials for Baldessari’s Cal Arts Post Studio Art: Class Assignments (optional), 1970.\u003c/p>\n\u003ch2>\u003cstrong>Resource\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/595\">John Baldessari explains his “strange mind”\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nArtist John Baldessari discusses his interest in challenging conventional modes of visual communication. Beginning with his practice of eliminating visually relevant information from a composition, as seen in his paintings in which colorful dots have been strategically placed over human faces, he considers the ways his imagery and text-based paintings engender new ways of looking and engaging with art.\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDedspace\u003c/em> and end it with \u003cem>#DoNowPhoto\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>We encourage students to reply to other people’s tweets to foster more of a conversation. Also, if students tweet their personal opinions, ask them to support their ideas with links to interesting/credible articles online (adding a nice research component) or retweet other people’s ideas that they agree/disagree/find amusing. We also value student-produced media linked to their tweets. You can visit our \u003ca href=\"http://ww2.kqed.org/education/category/tools/video-tutorials/\">video tutorials\u003c/a> that showcase how to use several web-based production tools. Of course, do as you can… and any contribution is most welcomed.\u003c/strong>\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>More Resources\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>LESSON PLAN: \u003ca href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_baldessari\">Open Studio Classroom Lesson by John Baldessari\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nJohn Baldessari presents several classroom art-making ideas.\u003c/p>\n\u003cp>\u003cstrong>MULTIMEDIA: \u003ca href=\"http://www.sfmoma.org/explore/collection/artists/46\">John Baldessari Collection\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nHere is a list of interactive, video, and audio resources from SFMOMA about the work of John Baldessari.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.pbs.org/art21/artists/john-baldessari/\">Segment from John Baldessari’s “Systems”\u003c/a> (ART 21)\u003c/strong>\u003cbr>\nSynthesizing photomontage, painting, and language, Baldessari’s deadpan visual juxtapositions equate images with words and illuminate, confound, and challenge meaning. He upends commonly held expectations of how images function, often by drawing the viewer’s attention to minor details, absences, or the spaces between things.\u003c/p>\n\u003chr>\n\n","blocks":[],"excerpt":"Consider recent news coverage of the Grand Jury's decision in the Ferguson case. How does the pairing of pictures and captions in the media convey different points of view? How do captions affect the way we \"read\" photographs?","status":"publish","parent":0,"modified":1704764018,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":700},"headData":{"title":"Which is More Truthful: Words or Images? | KQED","description":"Consider recent news coverage of the Grand Jury's decision in the Ferguson case. How does the pairing of pictures and captions in the media convey different points of view? How do captions affect the way we "read" photographs?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Which is More Truthful: Words or Images?","datePublished":"2014-12-02T22:25:10.000Z","dateModified":"2024-01-09T01:33:38.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/15142/which-is-more-truthful-words-or-images","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDEdspace\u003c/em> and end it with \u003cem>#DoNowPhoto\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>Do Now\u003c/strong>\u003c/h2>\n\u003cp>How do captions affect the way we “read” photographs? Consider what images convey when shown without captions. What is the effect of words without pictures? Which is more accurate or truthful: words or images?\u003c/p>\n\u003ch2>\u003cstrong>Introduction\u003c/strong>\u003c/h2>\n\u003cp>Consider recent news coverage of the Grand Jury’s decision in the Ferguson case. How does the pairing of pictures and captions in the media convey different points of view? How does the combination of images and words affect our understanding or interpretation of current events and the world around us? And how does the wording of different captions affect the way you perceive an image?\u003c/p>\n\u003cp>Artist John Baldessari has long been interested in combining words and photographs. In an interview with SFMOMA, Baldessari said, “It’s a myth that photography represents the truth. Photographers were manipulating imagery way, way back. If anybody believes a photograph’s telling the truth, they’re in the dark ages.” Take a look at the video below to hear more about Baldessari’s perspective on the relationship between words and images.\u003c/p>\n\u003cp>John Baldessari was born in 1931 in National City, California and lives and works in the Los Angeles area. His artwork, including projects such as artist books, videos, films, billboards, and public works, has been featured in more than 200 solo exhibitions and in over 1,000 group exhibitions in the U.S. and Europe. His awards and honors include memberships in the American Academy of Arts and Letters and the American Academy of Arts and Sciences, the Americans for the Arts Lifetime Achievement Award, the Rolex Mentor and Protégé Arts Initiative, the BACA International 2008, and the Golden Lion for Lifetime Achievement, awarded by La Biennale di Venezia in 2009. Learn more about his work by accessing the resources below.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As an extension of this activity, copy or make up random captions. Ask a friend to match photos to your captions. Share one of the pairings with us via Twitter. This activity is adapted from preparatory materials for Baldessari’s Cal Arts Post Studio Art: Class Assignments (optional), 1970.\u003c/p>\n\u003ch2>\u003cstrong>Resource\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/595\">John Baldessari explains his “strange mind”\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nArtist John Baldessari discusses his interest in challenging conventional modes of visual communication. Beginning with his practice of eliminating visually relevant information from a composition, as seen in his paintings in which colorful dots have been strategically placed over human faces, he considers the ways his imagery and text-based paintings engender new ways of looking and engaging with art.\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDedspace\u003c/em> and end it with \u003cem>#DoNowPhoto\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>We encourage students to reply to other people’s tweets to foster more of a conversation. Also, if students tweet their personal opinions, ask them to support their ideas with links to interesting/credible articles online (adding a nice research component) or retweet other people’s ideas that they agree/disagree/find amusing. We also value student-produced media linked to their tweets. You can visit our \u003ca href=\"http://ww2.kqed.org/education/category/tools/video-tutorials/\">video tutorials\u003c/a> that showcase how to use several web-based production tools. Of course, do as you can… and any contribution is most welcomed.\u003c/strong>\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>More Resources\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>LESSON PLAN: \u003ca href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_baldessari\">Open Studio Classroom Lesson by John Baldessari\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nJohn Baldessari presents several classroom art-making ideas.\u003c/p>\n\u003cp>\u003cstrong>MULTIMEDIA: \u003ca href=\"http://www.sfmoma.org/explore/collection/artists/46\">John Baldessari Collection\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nHere is a list of interactive, video, and audio resources from SFMOMA about the work of John Baldessari.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.pbs.org/art21/artists/john-baldessari/\">Segment from John Baldessari’s “Systems”\u003c/a> (ART 21)\u003c/strong>\u003cbr>\nSynthesizing photomontage, painting, and language, Baldessari’s deadpan visual juxtapositions equate images with words and illuminate, confound, and challenge meaning. He upends commonly held expectations of how images function, often by drawing the viewer’s attention to minor details, absences, or the spaces between things.\u003c/p>\n\u003chr>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/15142/which-is-more-truthful-words-or-images","authors":["9608"],"series":["education_2837"],"categories":["education_3","education_1"],"tags":["education_5","education_1320","education_745","education_812","education_882"],"collections":["education_2403"],"featImg":"education_15175","label":"education_2837"},"education_5593":{"type":"posts","id":"education_5593","meta":{"index":"posts_1591205157","site":"education","id":"5593","score":null,"sort":[1367000484000]},"guestAuthors":[],"slug":"in-the-studio-with-kirsten-lepore","title":"In the Studio with Kirsten Lepore","publishDate":1367000484,"format":"aside","headTitle":"In the Studio with Kirsten Lepore | KQED","labelTerm":{"site":"education"},"content":"\u003cp>\u003ca href=\"http://www.kirstenlepore.com/\">Kirsten Lepore\u003c/a> is an artist and filmmaker who works with different animation techniques, including stop-motion animation and claymation. Creating personal short films and animated segments for clients such as Yo Gabba Gabba, Whole Foods, and MTV, Lepore is known for her hand-fabricated film sets and characters made from an eclectic mix of materials including clay, food, sand and snow. Her wildly popular food-themed film, \u003ca href=\"http://www.youtube.com/watch?v=o1GyJpnTN1I\">Sweet Dreams\u003c/a>, stars a butternut squash who shows a cupcake the benefits of a healthy lifestyle. The award-winning film is remarkable in its production design, art direction, and wordless storytelling style. We visited Lepore at her Los Angeles studio to learn more about the intentions behind her food-focused film, the unusual materials she works with to create her animations, and why she loves the laborious process of stop-motion animation.\u003c/p>\n\u003cp>[youtube=http://www.youtube.com/watch?v=mBD3EK0v0AM]\u003c/p>\n\u003cp>Kirsten Lepore also gave us a hands-on demonstration of her preferred techniques for creating claymation. Lepore’s technical set-up is sophisticated, but the animation process is simple and can be recreated using digital cameras and editing programs like iMovie and iStopMotion. Even \u003ca href=\"http://en.wikipedia.org/wiki/Flip_book\">flipbooks\u003c/a> are a form of animation.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>[youtube=http://www.youtube.com/watch?v=HSFoLX3GhVY]\u003c/p>\n\u003cp>Check out Kirsten’s popular films, \u003ca href=\"http://www.kirstenlepore.com/\">Sweet Dreams\u003c/a> and \u003ca href=\"http://kirstenlepore.com/Bottle\">Bottle\u003c/a>, and share them with your students after introducing her work in your classroom. Because these two films don’t have dialogue, the possibilities for interpretation are wide open, and the films are perfect examples of media that is accessible to students of all ages that they can critically engage with. Check out more examples of Kirsten’s amazing film work on her \u003ca href=\"https://vimeo.com/kirstenlepore\">Vimeo channel\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Keep an eye out for KQED’s next workshop in how to create stop-motion animation, and check out some of the \u003ca href=\"http://ww2.kqed.org/education/2013/03/11/stop-motion-animation-and-scienctific-transformations/\">claymation projects made by teachers\u003c/a> in our past workshops.\u003c/p>\n\n","blocks":[],"excerpt":"Kirsten Lepore is an artist and filmmaker who works with different animation techniques, including stop-motion animation and claymation. Creating personal short films and animated segments for clients such as Yo Gabba Gabba, Whole Foods, and MTV, Lepore is known for her hand-fabricated film sets and characters made from an eclectic mix of materials including clay, food, sand and snow.","status":"publish","parent":0,"modified":1704764887,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":317},"headData":{"title":"In the Studio with Kirsten Lepore | KQED","description":"Kirsten Lepore is an artist and filmmaker who works with different animation techniques, including stop-motion animation and claymation. Creating personal short films and animated segments for clients such as Yo Gabba Gabba, Whole Foods, and MTV, Lepore is known for her hand-fabricated film sets and characters made from an eclectic mix of materials including clay, food, sand and snow.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"In the Studio with Kirsten Lepore","datePublished":"2013-04-26T18:21:24.000Z","dateModified":"2024-01-09T01:48:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/5593/in-the-studio-with-kirsten-lepore","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.kirstenlepore.com/\">Kirsten Lepore\u003c/a> is an artist and filmmaker who works with different animation techniques, including stop-motion animation and claymation. Creating personal short films and animated segments for clients such as Yo Gabba Gabba, Whole Foods, and MTV, Lepore is known for her hand-fabricated film sets and characters made from an eclectic mix of materials including clay, food, sand and snow. Her wildly popular food-themed film, \u003ca href=\"http://www.youtube.com/watch?v=o1GyJpnTN1I\">Sweet Dreams\u003c/a>, stars a butternut squash who shows a cupcake the benefits of a healthy lifestyle. The award-winning film is remarkable in its production design, art direction, and wordless storytelling style. We visited Lepore at her Los Angeles studio to learn more about the intentions behind her food-focused film, the unusual materials she works with to create her animations, and why she loves the laborious process of stop-motion animation.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mBD3EK0v0AM'\n title='//www.youtube.com/embed/mBD3EK0v0AM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Kirsten Lepore also gave us a hands-on demonstration of her preferred techniques for creating claymation. Lepore’s technical set-up is sophisticated, but the animation process is simple and can be recreated using digital cameras and editing programs like iMovie and iStopMotion. Even \u003ca href=\"http://en.wikipedia.org/wiki/Flip_book\">flipbooks\u003c/a> are a form of animation.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HSFoLX3GhVY'\n title='//www.youtube.com/embed/HSFoLX3GhVY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Check out Kirsten’s popular films, \u003ca href=\"http://www.kirstenlepore.com/\">Sweet Dreams\u003c/a> and \u003ca href=\"http://kirstenlepore.com/Bottle\">Bottle\u003c/a>, and share them with your students after introducing her work in your classroom. Because these two films don’t have dialogue, the possibilities for interpretation are wide open, and the films are perfect examples of media that is accessible to students of all ages that they can critically engage with. Check out more examples of Kirsten’s amazing film work on her \u003ca href=\"https://vimeo.com/kirstenlepore\">Vimeo channel\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Keep an eye out for KQED’s next workshop in how to create stop-motion animation, and check out some of the \u003ca href=\"http://ww2.kqed.org/education/2013/03/11/stop-motion-animation-and-scienctific-transformations/\">claymation projects made by teachers\u003c/a> in our past workshops.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/5593/in-the-studio-with-kirsten-lepore","authors":["5254"],"categories":["education_3"],"tags":["education_2424","education_501","education_882","education_1184","education_1196"],"label":"education"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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