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She is also an artist and a contributing editor for Juxtapoz Magazine.","avatar":"https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g","twitter":"kristinfarr","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"bayareabites","roles":["contributor"]},{"site":"education","roles":["editor"]}],"headData":{"title":"Kristin Farr | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kristinfarr"},"jaaland":{"type":"authors","id":"9608","meta":{"index":"authors_1591205172","id":"9608","found":true},"name":"SFMOMA Education","firstName":"Jessalyn","lastName":"Aaland","slug":"jaaland","email":"jaaland@SFMOMA.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Founded in 1935, SFMOMA was the first museum on the West Coast devoted to modern and contemporary art. From the outset, the museum has championed the most innovative and challenging art of its time, and we continue to exhibit and collect work by both modern masters and younger, less-established artists. By embracing the challenge of the new and unexpected, we hope to encourage fresh ways of seeing, thinking, and engaging with the world.\r\n\r\nSupporting teachers with the critical resources to integrate arts education into their classroom is a priority for SFMOMA. The Museum's School Initiatives Division aims to provide teachers with what they need to make art an important and integral part of learning for all students.","avatar":"https://secure.gravatar.com/avatar/b5b641894b9a9c80fc97ba5529f7089a?s=600&d=blank&r=g","twitter":null,"facebook":"SFMOMA Teachers","instagram":null,"linkedin":null,"sites":[{"site":"education","roles":["contributor"]}],"headData":{"title":"SFMOMA Education | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/b5b641894b9a9c80fc97ba5529f7089a?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/b5b641894b9a9c80fc97ba5529f7089a?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/jaaland"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"education","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"education_16648":{"type":"posts","id":"education_16648","meta":{"index":"posts_1591205157","site":"education","id":"16648","score":null,"sort":[1435085456000]},"guestAuthors":[],"slug":"what-ordinary-object-best-represents-you","title":"What Ordinary Object Best Represents You?","publishDate":1435085456,"format":"standard","headTitle":"What Ordinary Object Best Represents You? | KQED","labelTerm":{"term":2837,"site":"education"},"content":"\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDEdspace\u003c/em> and end it with \u003cem>#DoNowObject\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>Do Now\u003c/strong>\u003c/h2>\n\u003cp>Select an everyday object or material as your personal symbol. What object or material did you choose, and what might it signify about you?\u003c/p>\n\u003ch2>\u003cstrong>Introduction\u003c/strong>\u003c/h2>\n\u003cp>Where do artists find their inspiration? You might be surprised to learn that for many artists, inspiration often comes from ordinary, everyday objects, experiences, and materials.\u003c/p>\n\u003cp>In addition to traditional art materials like paint, ink, or clay, some artists create their works using commonplace materials. In the video below, artist Gu Wenda describes an installation he created for SFMOMA in 2013 using a very nontraditional material: human hair. Wenda believes hair symbolizes all of humanity, particularly in a multicultural society.\u003c/p>\n\u003cp>What ordinary or everyday material or object best represents you? Try to think of something that might not be obvious at first. For example, a magnifying glass might show that you like to examine the world carefully and understand how and why something happens. Feathers, on the other hand, might say that you are light and carefree, or perhaps independent. A balloon could show that you are playful or joyous. Perhaps there’s a specific object that has personal significance for you, such as a gift from a loved one or a treasured item you found on a walk.\u003c/p>\n\u003ch2>\u003cstrong>Resource\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/560\">Gu Wenda on United Nations — Babel of the Millennium\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nArtist Gu Wenda reflects on united nations—babel of the millennium, the site-specific installation he created for SFMOMA, and explains how his art unifies races and unites people.\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDedspace\u003c/em> and end it with \u003cem>#DoNowObject\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>We encourage students to reply to other people’s tweets to foster more of a conversation. Also, if students tweet their personal opinions, ask them to support their ideas with links to interesting/credible articles online (adding a nice research component) or retweet other people’s ideas that they agree/disagree/find amusing. We also value student-produced media linked to their tweets. You can visit our \u003ca href=\"http://ww2.kqed.org/education/category/tools/video-tutorials/\">video tutorials\u003c/a> that showcase how to use several web-based production tools. Of course, do as you can… and any contribution is most welcomed.\u003c/strong>\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>More Resources\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/559\">Gu Wenda Describes His Artistic Process\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nIn the following video, Wenda describes another everyday material used in his installation: Elmer’s glue, the kind we might be most familiar with from elementary school classrooms\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://ww2.kqed.org/artschool/2015/03/10/mining-the-internet-with-jenny-odell/\">Mining the Internet with Jenny Odell\u003c/a> (KQED Art School)\u003c/strong>\u003cbr>\nJenny Odell uses images sourced from the internet to create projects that consider identity through objects, including her “Garbage Selfie” project.\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/425\">Rosana Castrillo Díaz on Finding Meaning in the Everyday\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nArtist Rosana Castrillo Díaz explains how discovering special moments in daily life can inspire us.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>LESSON: \u003ca href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_stockholder\">Jessica Stockholder: Where Does Art Come From?\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nJessica Stockholder’s Open Studio asks students to create combinations of 20 or more ordinary objects.\u003c/p>\n\u003chr>\n\n","blocks":[],"excerpt":"You might be surprised to learn that for many artists, inspiration often comes from ordinary, everyday objects, experiences, and materials. What everyday object or material best represents you?","status":"publish","parent":0,"modified":1704763607,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":548},"headData":{"title":"What Ordinary Object Best Represents You? | KQED","description":"You might be surprised to learn that for many artists, inspiration often comes from ordinary, everyday objects, experiences, and materials. What everyday object or material best represents you?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"What Ordinary Object Best Represents You?","datePublished":"2015-06-23T18:50:56.000Z","dateModified":"2024-01-09T01:26:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/16648/what-ordinary-object-best-represents-you","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDEdspace\u003c/em> and end it with \u003cem>#DoNowObject\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>Do Now\u003c/strong>\u003c/h2>\n\u003cp>Select an everyday object or material as your personal symbol. What object or material did you choose, and what might it signify about you?\u003c/p>\n\u003ch2>\u003cstrong>Introduction\u003c/strong>\u003c/h2>\n\u003cp>Where do artists find their inspiration? You might be surprised to learn that for many artists, inspiration often comes from ordinary, everyday objects, experiences, and materials.\u003c/p>\n\u003cp>In addition to traditional art materials like paint, ink, or clay, some artists create their works using commonplace materials. In the video below, artist Gu Wenda describes an installation he created for SFMOMA in 2013 using a very nontraditional material: human hair. Wenda believes hair symbolizes all of humanity, particularly in a multicultural society.\u003c/p>\n\u003cp>What ordinary or everyday material or object best represents you? Try to think of something that might not be obvious at first. For example, a magnifying glass might show that you like to examine the world carefully and understand how and why something happens. Feathers, on the other hand, might say that you are light and carefree, or perhaps independent. A balloon could show that you are playful or joyous. Perhaps there’s a specific object that has personal significance for you, such as a gift from a loved one or a treasured item you found on a walk.\u003c/p>\n\u003ch2>\u003cstrong>Resource\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/560\">Gu Wenda on United Nations — Babel of the Millennium\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nArtist Gu Wenda reflects on united nations—babel of the millennium, the site-specific installation he created for SFMOMA, and explains how his art unifies races and unites people.\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>To respond to the Do Now, you can comment below or tweet your response. Be sure to begin your tweet with \u003cem>@KQEDedspace\u003c/em> and end it with \u003cem>#DoNowObject\u003c/em>\u003c/strong>\u003c/h3>\n\u003cp>For more info on how to use Twitter, click \u003ca href=\"http://ww2.kqed.org/education/about-using-twitter/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>We encourage students to reply to other people’s tweets to foster more of a conversation. Also, if students tweet their personal opinions, ask them to support their ideas with links to interesting/credible articles online (adding a nice research component) or retweet other people’s ideas that they agree/disagree/find amusing. We also value student-produced media linked to their tweets. You can visit our \u003ca href=\"http://ww2.kqed.org/education/category/tools/video-tutorials/\">video tutorials\u003c/a> that showcase how to use several web-based production tools. Of course, do as you can… and any contribution is most welcomed.\u003c/strong>\u003c/p>\n\u003chr>\n\u003ch2>\u003cstrong>More Resources\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/559\">Gu Wenda Describes His Artistic Process\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nIn the following video, Wenda describes another everyday material used in his installation: Elmer’s glue, the kind we might be most familiar with from elementary school classrooms\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://ww2.kqed.org/artschool/2015/03/10/mining-the-internet-with-jenny-odell/\">Mining the Internet with Jenny Odell\u003c/a> (KQED Art School)\u003c/strong>\u003cbr>\nJenny Odell uses images sourced from the internet to create projects that consider identity through objects, including her “Garbage Selfie” project.\u003c/p>\n\u003cp>\u003cstrong>VIDEO: \u003ca href=\"http://www.sfmoma.org/explore/multimedia/videos/425\">Rosana Castrillo Díaz on Finding Meaning in the Everyday\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nArtist Rosana Castrillo Díaz explains how discovering special moments in daily life can inspire us.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>LESSON: \u003ca href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_stockholder\">Jessica Stockholder: Where Does Art Come From?\u003c/a> (SFMOMA)\u003c/strong>\u003cbr>\nJessica Stockholder’s Open Studio asks students to create combinations of 20 or more ordinary objects.\u003c/p>\n\u003chr>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/16648/what-ordinary-object-best-represents-you","authors":["9608"],"series":["education_2837"],"categories":["education_3","education_1"],"tags":["education_5","education_1320","education_1195"],"collections":["education_2403"],"featImg":"education_16650","label":"education_2837"},"artschool_578":{"type":"posts","id":"artschool_578","meta":{"index":"posts_1591205157","site":"artschool","id":"578","score":null,"sort":[1426029996000]},"guestAuthors":[],"slug":"mining-the-internet-with-jenny-odell","title":"Mining the Internet with Jenny Odell","publishDate":1426029996,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Ask Bay Area native \u003ca href=\"http://www.jennyodell.com\">Jenny Odell\u003c/a> to describe her artistic practice and she just might tell you her work is more akin to a scientist or \u003ca href=\"http://www.archives.gov/preservation/professionals/archives-questions.html\">archivist\u003c/a>. Typically her work involves scouring the internet for images on Google Maps, YouTube, Yelp or Craigslist, then making large composites from the photographs and video she collects.\u003c/p>\n\u003cfigure id=\"attachment_583\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg\">\u003cimg class=\"wp-image-583 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg\" alt=\"77 Salt and Waste Ponds\" width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg 600w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-320x320.jpg 320w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg 800w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">77 Salt and Waste Ponds \u003ccite>(Jenny Odell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Container ships, water slides, wastewater treatment facilities, electrical power lines, and her own trash are just some of the objects she has catalogued and rearranged in her artwork. All of this is an effort to try and make sense out of the systems and structures that she moves past and uses everyday.\u003c/p>\n\u003cp>In this episode of Art School, we hang out with Odell in her apartment in San Francisco's Mission District and get a glimpse of her process of gathering images and crafting them into grids and other forms.\u003c/p>\n\u003cfigure id=\"attachment_586\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-e1426024379204.png\">\u003cimg class=\"wp-image-586 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-800x450.png\" alt=\"Jenny Odell navigating Google Maps\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jenny Odell navigating Google Maps \u003ccite>(Joel Wanek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her largest projects resulted in the book\u003ca href=\"http://www.blurb.com/b/1262410-travel-by-approximation\">\u003cem> Travel By Approximation\u003c/em>\u003c/a>, which is the documentation of a virtual road trip she took by \"traveling\" and \"sightseeing\" through Google Maps. Another series of works she introduces us to is \u003ca href=\"http://www.jennyodell.com/satellite.html\">\u003cem>Satellite Collections\u003c/em>\u003c/a> that presents common objects and structures as strange and otherwordly.\u003c/p>\n\u003cp>We get a closer, in-depth look at Odell's practice in a second video below. Follow along as she walks us through the process used to make her piece \u003cem>Garbage Selfie\u003c/em>, the product of photographing her trash for twenty-one days!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RQbgcCGky54\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the demo above Odell uses the application Adobe Photoshop to cut out and construct her selfie. But, there are a handful of software options you can use if you don't own that particular program. One example is \u003ca href=\"http://www.gimp.org/\">GIMP\u003c/a> which is a free desktop application that is strikingly similar to Photoshop. Another powerful option is \u003ca href=\"http://apps.pixlr.com/editor/\">Pixlr\u003c/a>. Pixlr is a feature-rich program which is also free and online - no download needed! Check out our series of \u003ca href=\"http://blogs.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">Pixlr explainers\u003c/a> to get up to speed and making your own \u003cem>Garbage Selfie \u003c/em>in no time.\u003c/p>\n\n","blocks":[],"excerpt":"Bay Area artist Jenny Odell renders our built environment as strange and otherworldly.","status":"publish","parent":0,"modified":1426035667,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":353},"headData":{"title":"Mining the Internet with Jenny Odell | KQED","description":"Bay Area artist Jenny Odell renders our built environment as strange and otherworldly.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mining the Internet with Jenny Odell","datePublished":"2015-03-10T23:26:36.000Z","dateModified":"2015-03-11T01:01:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"578 http://ww2.kqed.org/artschool/?p=578","disqusUrl":"https://ww2.kqed.org/artschool/2015/03/10/mining-the-internet-with-jenny-odell/","disqusTitle":"Mining the Internet with Jenny Odell","videoEmbed":"https://www.youtube.com/watch?v=kQdyNti6MMQ","path":"/artschool/578/mining-the-internet-with-jenny-odell","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ask Bay Area native \u003ca href=\"http://www.jennyodell.com\">Jenny Odell\u003c/a> to describe her artistic practice and she just might tell you her work is more akin to a scientist or \u003ca href=\"http://www.archives.gov/preservation/professionals/archives-questions.html\">archivist\u003c/a>. Typically her work involves scouring the internet for images on Google Maps, YouTube, Yelp or Craigslist, then making large composites from the photographs and video she collects.\u003c/p>\n\u003cfigure id=\"attachment_583\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg\">\u003cimg class=\"wp-image-583 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg\" alt=\"77 Salt and Waste Ponds\" width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg 600w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-320x320.jpg 320w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg 800w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">77 Salt and Waste Ponds \u003ccite>(Jenny Odell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Container ships, water slides, wastewater treatment facilities, electrical power lines, and her own trash are just some of the objects she has catalogued and rearranged in her artwork. All of this is an effort to try and make sense out of the systems and structures that she moves past and uses everyday.\u003c/p>\n\u003cp>In this episode of Art School, we hang out with Odell in her apartment in San Francisco's Mission District and get a glimpse of her process of gathering images and crafting them into grids and other forms.\u003c/p>\n\u003cfigure id=\"attachment_586\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-e1426024379204.png\">\u003cimg class=\"wp-image-586 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-800x450.png\" alt=\"Jenny Odell navigating Google Maps\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jenny Odell navigating Google Maps \u003ccite>(Joel Wanek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her largest projects resulted in the book\u003ca href=\"http://www.blurb.com/b/1262410-travel-by-approximation\">\u003cem> Travel By Approximation\u003c/em>\u003c/a>, which is the documentation of a virtual road trip she took by \"traveling\" and \"sightseeing\" through Google Maps. Another series of works she introduces us to is \u003ca href=\"http://www.jennyodell.com/satellite.html\">\u003cem>Satellite Collections\u003c/em>\u003c/a> that presents common objects and structures as strange and otherwordly.\u003c/p>\n\u003cp>We get a closer, in-depth look at Odell's practice in a second video below. Follow along as she walks us through the process used to make her piece \u003cem>Garbage Selfie\u003c/em>, the product of photographing her trash for twenty-one days!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RQbgcCGky54'\n title='//www.youtube.com/embed/RQbgcCGky54'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>In the demo above Odell uses the application Adobe Photoshop to cut out and construct her selfie. But, there are a handful of software options you can use if you don't own that particular program. One example is \u003ca href=\"http://www.gimp.org/\">GIMP\u003c/a> which is a free desktop application that is strikingly similar to Photoshop. Another powerful option is \u003ca href=\"http://apps.pixlr.com/editor/\">Pixlr\u003c/a>. Pixlr is a feature-rich program which is also free and online - no download needed! Check out our series of \u003ca href=\"http://blogs.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">Pixlr explainers\u003c/a> to get up to speed and making your own \u003cem>Garbage Selfie \u003c/em>in no time.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/578/mining-the-internet-with-jenny-odell","authors":["97","16"],"categories":["artschool_22","artschool_7"],"tags":["artschool_11"],"featImg":"artschool_579","label":"artschool"},"artschool_512":{"type":"posts","id":"artschool_512","meta":{"index":"posts_1591205157","site":"artschool","id":"512","score":null,"sort":[1416484853000]},"guestAuthors":[],"slug":"elements-of-art-texture","title":"Elements of Art: Texture","publishDate":1416484853,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>We tend to think of art as just something to look at. However, many artists spend a lot of time and effort trying to stimulate our other senses. In this fourth installment of our \u003ca title=\"Elements of Art playlist\" href=\"https://www.youtube.com/playlist?list=PLiOil1qP-cMURN_8baOr3QWfySmIjqKIj\" target=\"_blank\">\u003cem>Elements of Art\u003c/em>\u003c/a> series, we look at the how visual artists try to engage our sense of touch. Follow along and discover the myriad ways artists create and use texture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In this fourth installment of our Elements of Art series, we look at how visual artists try to engage our sense of touch. Follow along and discover the myriad ways artists create and use texture.","status":"publish","parent":0,"modified":1416489528,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":68},"headData":{"title":"Elements of Art: Texture | KQED","description":"In this fourth installment of our Elements of Art series, we look at how visual artists try to engage our sense of touch. Follow along and discover the myriad ways artists create and use texture.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Elements of Art: Texture","datePublished":"2014-11-20T12:00:53.000Z","dateModified":"2014-11-20T13:18:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"512 http://ww2.kqed.org/artschool/?p=512","disqusUrl":"https://ww2.kqed.org/artschool/2014/11/20/elements-of-art-texture/","disqusTitle":"Elements of Art: Texture","videoEmbed":"https://www.youtube.com/watch?v=YoOb3JSDAUo","path":"/artschool/512/elements-of-art-texture","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We tend to think of art as just something to look at. However, many artists spend a lot of time and effort trying to stimulate our other senses. In this fourth installment of our \u003ca title=\"Elements of Art playlist\" href=\"https://www.youtube.com/playlist?list=PLiOil1qP-cMURN_8baOr3QWfySmIjqKIj\" target=\"_blank\">\u003cem>Elements of Art\u003c/em>\u003c/a> series, we look at the how visual artists try to engage our sense of touch. Follow along and discover the myriad ways artists create and use texture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/512/elements-of-art-texture","authors":["97"],"categories":["artschool_6","artschool_5","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_513","label":"artschool"},"artschool_499":{"type":"posts","id":"artschool_499","meta":{"index":"posts_1591205157","site":"artschool","id":"499","score":null,"sort":[1415275238000]},"guestAuthors":[],"slug":"neo-folk-art-with-kristin-farr","title":"Neo-Folk Art with Kristin Farr","publishDate":1415275238,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>KQED’s own Kristin Farr leads several parallel lives. Not only is she the founder and co-producer of \u003cem>Art School\u003c/em> but she is also a successful journalist and artist. She regularly interviews artists for the art magazine Juxtapoz and has shown her paintings, sculptures, digital art, murals, and animations all over the Bay Area. Recently she has even done some public art projects overseas.\u003c/p>\n\u003cp>Her current artistic obsession is colorful, painted geometric designs that she calls \u003cem>Magic Hecksagons. \u003c/em>Inspired by traditional art forms and vibrant, neon colors of the '80s that she grew up with, Kristin explores a legacy of folk art infused with her own contemporary viewpoint.\u003c/p>\n\u003cp>In this episode of Art School we hang out with Farr in her Richmond studio as she works on a new painting. Spinning a web of colors from her paint brush, she discusses how she explores ideas about comfort, nostalgia, color psychology and folk magic through her art.\u003c/p>\n\u003cp>After you’re hypnotized and energized by the bright colors, follow along with Kristin as she walks you through how to create your own \u003cem>Magic Hecksagon\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9gpnmZc7F9M&feature=youtu.be\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Look out for Kristin's public art if you live here in the Bay Area or collaborate with her anytime via her iOS app #FarrOut.\u003c/p>\n\n","blocks":[],"excerpt":"KQED’s own Kristin Farr leads several alternate lives. Not only is she the founder and co-producer of Art School but she is also a successful journalist and artist. Her current artistic obsession is colorful, painted geometric designs that she calls 'Magic Hecksagons'. Inspired by traditional art forms and vibrant, neon colors of the '80s that she grew up with, Kristin explores a legacy of folk art infused with her own contemporary viewpoint.","status":"publish","parent":0,"modified":1415294688,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":223},"headData":{"title":"Neo-Folk Art with Kristin Farr | KQED","description":"KQED’s own Kristin Farr leads several alternate lives. Not only is she the founder and co-producer of Art School but she is also a successful journalist and artist. Her current artistic obsession is colorful, painted geometric designs that she calls 'Magic Hecksagons'. Inspired by traditional art forms and vibrant, neon colors of the '80s that she grew up with, Kristin explores a legacy of folk art infused with her own contemporary viewpoint.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Neo-Folk Art with Kristin Farr","datePublished":"2014-11-06T12:00:38.000Z","dateModified":"2014-11-06T17:24:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"499 http://ww2.kqed.org/artschool/?p=499","disqusUrl":"https://ww2.kqed.org/artschool/2014/11/06/neo-folk-art-with-kristin-farr/","disqusTitle":"Neo-Folk Art with Kristin Farr","videoEmbed":"https://www.youtube.com/watch?v=OX1r-3-VK-0","path":"/artschool/499/neo-folk-art-with-kristin-farr","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED’s own Kristin Farr leads several parallel lives. Not only is she the founder and co-producer of \u003cem>Art School\u003c/em> but she is also a successful journalist and artist. She regularly interviews artists for the art magazine Juxtapoz and has shown her paintings, sculptures, digital art, murals, and animations all over the Bay Area. Recently she has even done some public art projects overseas.\u003c/p>\n\u003cp>Her current artistic obsession is colorful, painted geometric designs that she calls \u003cem>Magic Hecksagons. \u003c/em>Inspired by traditional art forms and vibrant, neon colors of the '80s that she grew up with, Kristin explores a legacy of folk art infused with her own contemporary viewpoint.\u003c/p>\n\u003cp>In this episode of Art School we hang out with Farr in her Richmond studio as she works on a new painting. Spinning a web of colors from her paint brush, she discusses how she explores ideas about comfort, nostalgia, color psychology and folk magic through her art.\u003c/p>\n\u003cp>After you’re hypnotized and energized by the bright colors, follow along with Kristin as she walks you through how to create your own \u003cem>Magic Hecksagon\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9gpnmZc7F9M'\n title='//www.youtube.com/embed/9gpnmZc7F9M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Look out for Kristin's public art if you live here in the Bay Area or collaborate with her anytime via her iOS app #FarrOut.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/499/neo-folk-art-with-kristin-farr","authors":["97"],"categories":["artschool_6","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_501","label":"artschool"},"artschool_478":{"type":"posts","id":"artschool_478","meta":{"index":"posts_1591205157","site":"artschool","id":"478","score":null,"sort":[1413286232000]},"guestAuthors":[],"slug":"elements-of-art-form","title":"Elements of Art: Form","publishDate":1413286232,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Study up on the different ways visual artists create form in the third installment of our \u003cem>\u003ca title=\"Elements of Art \" href=\"http://www.youtube.com/playlist?list=PLiOil1qP-cMURN_8baOr3QWfySmIjqKIj\" target=\"_blank\">Elements of Art\u003c/a>\u003c/em> series. Through the eye-fooling genre of Trompe L'oeil, we look at a variety of techniques artists use to transform shapes into forms and give their art depth and dimension.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Study up on the different ways visual artists create Form in the third installment of our Elements of Art series. Through the eye-fooling genre of Trompe L'oeil, we look at a variety of techniques artists use to transform shapes into forms.","status":"publish","parent":0,"modified":1414554023,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":52},"headData":{"title":"Elements of Art: Form | KQED","description":"Study up on the different ways visual artists create Form in the third installment of our Elements of Art series. Through the eye-fooling genre of Trompe L'oeil, we look at a variety of techniques artists use to transform shapes into forms.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Elements of Art: Form","datePublished":"2014-10-14T11:30:32.000Z","dateModified":"2014-10-29T03:40:23.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"478 http://ww2.kqed.org/artschool/?p=478","disqusUrl":"https://ww2.kqed.org/artschool/2014/10/14/elements-of-art-form/","disqusTitle":"Elements of Art: Form","videoEmbed":"https://www.youtube.com/watch?v=9DIPs3T2dQk","path":"/artschool/478/elements-of-art-form","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Study up on the different ways visual artists create form in the third installment of our \u003cem>\u003ca title=\"Elements of Art \" href=\"http://www.youtube.com/playlist?list=PLiOil1qP-cMURN_8baOr3QWfySmIjqKIj\" target=\"_blank\">Elements of Art\u003c/a>\u003c/em> series. Through the eye-fooling genre of Trompe L'oeil, we look at a variety of techniques artists use to transform shapes into forms and give their art depth and dimension.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/478/elements-of-art-form","authors":["97"],"categories":["artschool_21"],"tags":["artschool_11"],"featImg":"artschool_479","label":"artschool"},"education_10343":{"type":"posts","id":"education_10343","meta":{"index":"posts_1591205157","site":"education","id":"10343","score":null,"sort":[1383679460000]},"guestAuthors":[],"slug":"explore-historic-murals-with-kqeds-lets-get-lost-app","title":"Explore Historic Murals with KQED's \"Let's Get Lost\" App","publishDate":1383679460,"format":"aside","headTitle":"Explore Historic Murals with KQED’s “Let’s Get Lost” App | KQED","labelTerm":{"site":"education"},"content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/11/05/explore-historic-murals-with-kqeds-lets-get-lost-app/murals/\" rel=\"attachment wp-att-10454\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/10/murals-640x360.jpg\" alt=\"murals\" width=\"640\" height=\"360\" class=\"aligncenter size-thumbnail wp-image-10454\">\u003c/a>\u003c/p>\n\u003cp>Check out KQED’s new app that allows you to learn about and explore San Francisco’s New Deal-Era murals on location at Coit Tower, Rincon Annex, and SF City College. Diego Rivera and Anton Refregier were two of the most prolific muralists in San Francisco at the time, and they worked with a legion of others to create large-scale \u003ca href=\"http://en.wikipedia.org/wiki/Fresco\">frescoes\u003c/a> in San Francisco. Visit the mural sites with your mobile device in hand to learn about the history of the murals, and play interactive treasure hunt games that focus on the murals’ fine details.\u003c/p>\n\u003cp>The Works Progress Administration was part of Franklin Roosevelt’s New Deal, a series of initiatives launched between 1933 and 1938, intended to aid American economic revival during the Great Depression. Originally called the Civil Works Administration, the program was originally focused on short-term recovery. The WPA functioned alongside the Public Works Administration, which was aimed at major federal building projects. Roosevelt and WPA administrator Harry Hopkins saw the project as more than simply economic relief, but as a means to boost morale nationally. Rather than distributing money to those in need, Roosevelt sought to create jobs that would result in projects that would benefit the country as a whole. He regarded artists of all fields as workers too, and employed them in the service of creating works designed to instill pride in national and local history. The hope was that art would no longer be a rarified commodity, but rather would belong to everyone. San Francisco has more WPA funded projects than any other city in America, with the exception of New York. San Francisco also has an impressive series of WPA murals, including the first WPA project, and the last. \u003c/p>\n\u003cp>Studying the New Deal era is part of the 11th grade US History standards about “continuity and change in the twentieth century,” and exploring the rich history of murals in San Francisco is a valuable way to integrate learning about national history with local, historical art projects. Dive deeper into mural art in San Francisco by viewing our interview with contemporary muralists Mona Caron and Sirron Norris, who describe their work and how they relate to historical muralists like Rivera and Refregier. \u003c/p>\n\u003cp>[youtube=http://www.youtube.com/watch?v=Lmq2NZ4sx-A]\u003c/p>\n\u003cp>Diver deeper into SF Mural history on the \u003ca href=\"http://getlost.kqed.org/webdeal\">Let’s Get Lost Web site\u003c/a>, featuring many educational resources including a \u003ca href=\"http://getlost.kqed.org/webdeal/article/554\">slideshow\u003c/a> of images from the World’s Fair on Treasure Island in 1939-40 where Rivera’s mural, \u003cem>Pan American Unity\u003c/em>, was first unveiled, along with primary source documents from the New Deal Era and information about other New Deal-era mural locations in San Francisco including school sites like Washington and Mission High Schools, Roosevelt Middle School, and John Muir Elementary. Whether you explore San Francisco’s mural history on site with the Let’s Get Lost app, or in class using the Let’s Get Lost web site and \u003ca href=\"http://getlost.kqed.org/webdeal/article/474\">Educator Guide\u003c/a>, there are plenty of ways to engage students in learning about San Francisco’s rich art history. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Check out KQED's new app that allows you to learn about and explore San Francisco's New Deal-Era murals on location at Coit Tower, Rincon Annex, and SF City College. Diego Rivera and Anton Refregier were two of the most prolific muralists in San Francisco at the time, and they worked with a legion of others to create large-scale in San Francisco.","status":"publish","parent":0,"modified":1704764479,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":526},"headData":{"title":"Explore Historic Murals with KQED's \"Let's Get Lost\" App | KQED","description":"Check out KQED's new app that allows you to learn about and explore San Francisco's New Deal-Era murals on location at Coit Tower, Rincon Annex, and SF City College. Diego Rivera and Anton Refregier were two of the most prolific muralists in San Francisco at the time, and they worked with a legion of others to create large-scale in San Francisco.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Explore Historic Murals with KQED's \"Let's Get Lost\" App","datePublished":"2013-11-05T19:24:20.000Z","dateModified":"2024-01-09T01:41:19.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/10343/explore-historic-murals-with-kqeds-lets-get-lost-app","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/11/05/explore-historic-murals-with-kqeds-lets-get-lost-app/murals/\" rel=\"attachment wp-att-10454\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/10/murals-640x360.jpg\" alt=\"murals\" width=\"640\" height=\"360\" class=\"aligncenter size-thumbnail wp-image-10454\">\u003c/a>\u003c/p>\n\u003cp>Check out KQED’s new app that allows you to learn about and explore San Francisco’s New Deal-Era murals on location at Coit Tower, Rincon Annex, and SF City College. Diego Rivera and Anton Refregier were two of the most prolific muralists in San Francisco at the time, and they worked with a legion of others to create large-scale \u003ca href=\"http://en.wikipedia.org/wiki/Fresco\">frescoes\u003c/a> in San Francisco. Visit the mural sites with your mobile device in hand to learn about the history of the murals, and play interactive treasure hunt games that focus on the murals’ fine details.\u003c/p>\n\u003cp>The Works Progress Administration was part of Franklin Roosevelt’s New Deal, a series of initiatives launched between 1933 and 1938, intended to aid American economic revival during the Great Depression. Originally called the Civil Works Administration, the program was originally focused on short-term recovery. The WPA functioned alongside the Public Works Administration, which was aimed at major federal building projects. Roosevelt and WPA administrator Harry Hopkins saw the project as more than simply economic relief, but as a means to boost morale nationally. Rather than distributing money to those in need, Roosevelt sought to create jobs that would result in projects that would benefit the country as a whole. He regarded artists of all fields as workers too, and employed them in the service of creating works designed to instill pride in national and local history. The hope was that art would no longer be a rarified commodity, but rather would belong to everyone. San Francisco has more WPA funded projects than any other city in America, with the exception of New York. San Francisco also has an impressive series of WPA murals, including the first WPA project, and the last. \u003c/p>\n\u003cp>Studying the New Deal era is part of the 11th grade US History standards about “continuity and change in the twentieth century,” and exploring the rich history of murals in San Francisco is a valuable way to integrate learning about national history with local, historical art projects. Dive deeper into mural art in San Francisco by viewing our interview with contemporary muralists Mona Caron and Sirron Norris, who describe their work and how they relate to historical muralists like Rivera and Refregier. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Lmq2NZ4sx-A'\n title='//www.youtube.com/embed/Lmq2NZ4sx-A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Diver deeper into SF Mural history on the \u003ca href=\"http://getlost.kqed.org/webdeal\">Let’s Get Lost Web site\u003c/a>, featuring many educational resources including a \u003ca href=\"http://getlost.kqed.org/webdeal/article/554\">slideshow\u003c/a> of images from the World’s Fair on Treasure Island in 1939-40 where Rivera’s mural, \u003cem>Pan American Unity\u003c/em>, was first unveiled, along with primary source documents from the New Deal Era and information about other New Deal-era mural locations in San Francisco including school sites like Washington and Mission High Schools, Roosevelt Middle School, and John Muir Elementary. Whether you explore San Francisco’s mural history on site with the Let’s Get Lost app, or in class using the Let’s Get Lost web site and \u003ca href=\"http://getlost.kqed.org/webdeal/article/474\">Educator Guide\u003c/a>, there are plenty of ways to engage students in learning about San Francisco’s rich art history. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/10343/explore-historic-murals-with-kqeds-lets-get-lost-app","authors":["5254"],"categories":["education_3"],"tags":["education_2424","education_5","education_1195","education_3380"],"featImg":"education_10798","label":"education"},"education_5384":{"type":"posts","id":"education_5384","meta":{"index":"posts_1591205157","site":"education","id":"5384","score":null,"sort":[1365518544000]},"guestAuthors":[],"slug":"congressional-art-competition","title":"Congressional Art Competition","publishDate":1365518544,"format":"aside","headTitle":"Congressional Art Competition | KQED","labelTerm":{"site":"education"},"content":"\u003cp>This Friday, April 12, is the deadline for The Artistic Discovery Contest, an art competition initiated by Congressman Eric Swalwell that is open to all high school students in California’s 15th congressional district. Winning artworks will be displayed at the U.S. Capitol in Washington, D.C. For more information and to submit your artwork, visit \u003ca href=\"https://swalwell.house.gov/services/art-competition\">Congressman Swalwell’s web site\u003c/a>. We encourage you to have your students submit works to the competition! Show our nation what Northern California’s brilliant, creative young minds have produced in the classroom and beyond. \u003ca href=\"http://en.wikipedia.org/wiki/California%27s_15th_congressional_district\">The 15th congressional district\u003c/a> covers part of Santa Clara County, including Los Gatos and Cupertino.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"This Friday, April 12, is the deadline for The Artistic Discovery Contest, an art competition initiated by Congressman Eric Swalwell that is open to all high school students in California's 15th congressional district.","status":"publish","parent":0,"modified":1704764907,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":113},"headData":{"title":"Congressional Art Competition | KQED","description":"This Friday, April 12, is the deadline for The Artistic Discovery Contest, an art competition initiated by Congressman Eric Swalwell that is open to all high school students in California's 15th congressional district.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Congressional Art Competition","datePublished":"2013-04-09T14:42:24.000Z","dateModified":"2024-01-09T01:48:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/5384/congressional-art-competition","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This Friday, April 12, is the deadline for The Artistic Discovery Contest, an art competition initiated by Congressman Eric Swalwell that is open to all high school students in California’s 15th congressional district. Winning artworks will be displayed at the U.S. Capitol in Washington, D.C. For more information and to submit your artwork, visit \u003ca href=\"https://swalwell.house.gov/services/art-competition\">Congressman Swalwell’s web site\u003c/a>. We encourage you to have your students submit works to the competition! Show our nation what Northern California’s brilliant, creative young minds have produced in the classroom and beyond. \u003ca href=\"http://en.wikipedia.org/wiki/California%27s_15th_congressional_district\">The 15th congressional district\u003c/a> covers part of Santa Clara County, including Los Gatos and Cupertino.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/5384/congressional-art-competition","authors":["5254"],"categories":["education_3"],"tags":["education_2424","education_581","education_1195"],"label":"education"},"education_4479":{"type":"posts","id":"education_4479","meta":{"index":"posts_1591205157","site":"education","id":"4479","score":null,"sort":[1359127463000]},"guestAuthors":[],"slug":"three-innovative-arts-education-resources","title":"Three Innovative Arts Education Resources","publishDate":1359127463,"format":"aside","headTitle":"Three Innovative Arts Education Resources | KQED","labelTerm":{"site":"education"},"content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-29-53-pm/\" rel=\"attachment wp-att-4480\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4480 alignleft\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/01/Screen-Shot-2013-01-23-at-4.29.53-PM1.png\" alt=\"Screen Shot 2013-01-23 at 4.29.53 PM\" width=\"640\" height=\"442\">\u003c/a>Check out three of our favorite resources focused on visual arts in education:\u003c/p>\n\u003cp>\u003ca href=\"http://www.moma.org/interactives/redstudio/\">Red Studio\u003c/a> is the Museum of Modern’s Arts interactive and collaborative project with high school students in New York City. Exploring “issues and questions raised by teens about today’s modern art, working artists, and what goes on behind the scenes at a museum,” the site features interviews with artists and opportunities to make digital art. The image above was creative in Red Studio’s \u003ca href=\"http://www.moma.org/interactives/redstudio/interactives/remix/index_f.html\">REMIX\u003c/a> interactive collage tool.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-48-30-pm/\" rel=\"attachment wp-att-4481\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4481\" src=\"http://ww2.kqed.org/education/files/2013/01/Screen-Shot-2013-01-23-at-4.48.30-PM-e1359087811672.png\" alt=\"Screen Shot 2013-01-23 at 4.48.30 PM\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.artbabble.org\">Art Babble\u003c/a> is like YouTube for art videos. This site was developed by the Indianapolis Museum of Art, and features videos from partners including KQED, PBS’s Art:21, The San Jose Museum of Art, Yerba Buena Center of the Arts, and many more, including national and international organizations. Videos are organized by medium, location, themes, and time period. There is a special section specifically for educators with classroom-appropriate videos and resources.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-48-11-pm/\" rel=\"attachment wp-att-4482\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4482 alignleft\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/01/Screen-Shot-2013-01-23-at-4.48.11-PM1.png\" alt=\"Screen Shot 2013-01-23 at 4.48.11 PM\" width=\"640\" height=\"538\">\u003c/a>\u003ca href=\"http://arted20.ning.com/\">Art Education 2.0\u003c/a> is a Ning networking web site initiated by professor and educator \u003ca href=\"http://en.wikipedia.org/wiki/Craig_Roland\">Craig Roland\u003c/a>. It hosts a robust collection of resources and offers many opportunities for idea sharing and networking among fellow arts educators. Membership is free, and there are currently over 12,000 active members who upload ideas, videos, and photos to share with their global community of colleagues.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-42-08-pm/\" rel=\"attachment wp-att-4483\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4483 alignleft\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/01/Screen-Shot-2013-01-23-at-4.42.08-PM1.png\" alt=\"Screen Shot 2013-01-23 at 4.42.08 PM\" width=\"640\" height=\"566\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1704764975,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":227},"headData":{"title":"Three Innovative Arts Education Resources | KQED","description":"Check out three of our favorite resources focused on visual arts in education: Red Studio is the Museum of Modern’s Arts interactive and collaborative project with high school students in New York City. Exploring “issues and questions raised by teens about today’s modern art, working artists, and what goes on behind the scenes at a","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Three Innovative Arts Education Resources","datePublished":"2013-01-25T15:24:23.000Z","dateModified":"2024-01-09T01:49:35.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/4479/three-innovative-arts-education-resources","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-29-53-pm/\" rel=\"attachment wp-att-4480\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4480 alignleft\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/01/Screen-Shot-2013-01-23-at-4.29.53-PM1.png\" alt=\"Screen Shot 2013-01-23 at 4.29.53 PM\" width=\"640\" height=\"442\">\u003c/a>Check out three of our favorite resources focused on visual arts in education:\u003c/p>\n\u003cp>\u003ca href=\"http://www.moma.org/interactives/redstudio/\">Red Studio\u003c/a> is the Museum of Modern’s Arts interactive and collaborative project with high school students in New York City. Exploring “issues and questions raised by teens about today’s modern art, working artists, and what goes on behind the scenes at a museum,” the site features interviews with artists and opportunities to make digital art. The image above was creative in Red Studio’s \u003ca href=\"http://www.moma.org/interactives/redstudio/interactives/remix/index_f.html\">REMIX\u003c/a> interactive collage tool.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-48-30-pm/\" rel=\"attachment wp-att-4481\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4481\" src=\"http://ww2.kqed.org/education/files/2013/01/Screen-Shot-2013-01-23-at-4.48.30-PM-e1359087811672.png\" alt=\"Screen Shot 2013-01-23 at 4.48.30 PM\" width=\"640\" height=\"450\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.artbabble.org\">Art Babble\u003c/a> is like YouTube for art videos. This site was developed by the Indianapolis Museum of Art, and features videos from partners including KQED, PBS’s Art:21, The San Jose Museum of Art, Yerba Buena Center of the Arts, and many more, including national and international organizations. Videos are organized by medium, location, themes, and time period. There is a special section specifically for educators with classroom-appropriate videos and resources.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-48-11-pm/\" rel=\"attachment wp-att-4482\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4482 alignleft\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/01/Screen-Shot-2013-01-23-at-4.48.11-PM1.png\" alt=\"Screen Shot 2013-01-23 at 4.48.11 PM\" width=\"640\" height=\"538\">\u003c/a>\u003ca href=\"http://arted20.ning.com/\">Art Education 2.0\u003c/a> is a Ning networking web site initiated by professor and educator \u003ca href=\"http://en.wikipedia.org/wiki/Craig_Roland\">Craig Roland\u003c/a>. It hosts a robust collection of resources and offers many opportunities for idea sharing and networking among fellow arts educators. Membership is free, and there are currently over 12,000 active members who upload ideas, videos, and photos to share with their global community of colleagues.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/education/2013/01/25/three-innovative-arts-education-resources/screen-shot-2013-01-23-at-4-42-08-pm/\" rel=\"attachment wp-att-4483\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4483 alignleft\" src=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2013/01/Screen-Shot-2013-01-23-at-4.42.08-PM1.png\" alt=\"Screen Shot 2013-01-23 at 4.42.08 PM\" width=\"640\" height=\"566\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/4479/three-innovative-arts-education-resources","authors":["5254"],"categories":["education_3"],"tags":["education_2424","education_581","education_758","education_1129","education_1184","education_1195","education_3380"],"featImg":"education_4480","label":"education"},"education_3951":{"type":"posts","id":"education_3951","meta":{"index":"posts_1591205157","site":"education","id":"3951","score":null,"sort":[1354817607000]},"guestAuthors":[],"slug":"wows-and-wonders-at-glenview-elementary","title":"\"Wows and Wonders\" at Glenview Elementary","publishDate":1354817607,"format":"aside","headTitle":"“Wows and Wonders” at Glenview Elementary | KQED","labelTerm":{"site":"education"},"content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/11/2012-10-30-14.22.2421.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-3955\" title=\"2012-10-30 14.22.24\" src=\"http://ww2.kqed.org/education/files/2012/11/2012-10-30-14.22.242-1024x768.jpg\" alt=\"\" width=\"630\" height=\"473\">\u003c/a>\u003c/p>\n\u003cp>Arts educator and recording artist Jahi recently shared an inspiring new video with us that gives an overview of his artist residency at Glenview Elementary School in Oakland, and his philosophy about arts education. He mentions \u003ca href=\"http://www.pbs.org/art21/\">PBS’s Art:21\u003c/a> as a resource that inspires his teaching practice. Jahi teaches both visual art and music, and inspires young people to imagine how their art will change the world. Enjoy this moment of inspiration with a dynamic teaching artist. \u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.youtube.com/embed/IGuEWR5D-eM\" frameborder=\"0\" width=\"640\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp>Looking for ways to invite from teaching artists into your classroom for a virtual visit? Check out our \u003ca href=\"http://www.youtube.com/playlist?list=PLKdBLJFTsN_SsER1JF9NOIRlP4P9XdHK3&feature=plcp\">new video series\u003c/a> about Bay Area artists who demonstrate concepts and techniques that students can follow along with.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1704765031,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":117},"headData":{"title":"\"Wows and Wonders\" at Glenview Elementary | KQED","description":"Arts educator and recording artist Jahi recently shared an inspiring new video with us that gives an overview of his artist residency at Glenview Elementary School in Oakland, and his philosophy about arts education. He mentions PBS’s Art:21 as a resource that inspires his teaching practice. Jahi teaches both visual art and music, and inspires","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"\"Wows and Wonders\" at Glenview Elementary","datePublished":"2012-12-06T18:13:27.000Z","dateModified":"2024-01-09T01:50:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/education/3951/wows-and-wonders-at-glenview-elementary","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/education/wp-content/uploads/sites/38/2012/11/2012-10-30-14.22.2421.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-3955\" title=\"2012-10-30 14.22.24\" src=\"http://ww2.kqed.org/education/files/2012/11/2012-10-30-14.22.242-1024x768.jpg\" alt=\"\" width=\"630\" height=\"473\">\u003c/a>\u003c/p>\n\u003cp>Arts educator and recording artist Jahi recently shared an inspiring new video with us that gives an overview of his artist residency at Glenview Elementary School in Oakland, and his philosophy about arts education. He mentions \u003ca href=\"http://www.pbs.org/art21/\">PBS’s Art:21\u003c/a> as a resource that inspires his teaching practice. Jahi teaches both visual art and music, and inspires young people to imagine how their art will change the world. Enjoy this moment of inspiration with a dynamic teaching artist. \u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.youtube.com/embed/IGuEWR5D-eM\" frameborder=\"0\" width=\"640\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp>Looking for ways to invite from teaching artists into your classroom for a virtual visit? Check out our \u003ca href=\"http://www.youtube.com/playlist?list=PLKdBLJFTsN_SsER1JF9NOIRlP4P9XdHK3&feature=plcp\">new video series\u003c/a> about Bay Area artists who demonstrate concepts and techniques that students can follow along with.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/education/3951/wows-and-wonders-at-glenview-elementary","authors":["5254"],"categories":["education_3"],"tags":["education_2424","education_151","education_784","education_1195"],"featImg":"education_3955","label":"education"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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