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In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff 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FM","link":"/"}},"arts_13954957":{"type":"posts","id":"arts_13954957","meta":{"index":"posts_1591205157","site":"arts","id":"13954957","score":null,"sort":[1711666132000]},"guestAuthors":[],"slug":"titanic-auction-rose-jack-room-on-the-door-mythbusters","title":"The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k","publishDate":1711666132,"format":"standard","headTitle":"The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Some of the most iconic props in Hollywood history hit the auction block last week, from Indiana Jones’ trusty whip to Forrest Gump’s assorted chocolates to the infamous axe from \u003cem>The Shining\u003c/em>.\u003c/p>\n\u003cp>But the top-selling item was a piece of debris, albeit one that’s stirred imagination and debate for over a quarter century.\u003c/p>\n\u003cp>[aside postid='arts_13935076']“The wood panel from \u003cem>Titanic \u003c/em>that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions \u003ca href=\"https://www.ha.com/heritage-auctions-press-releases-and-news/treasures-from-planet-hollywood-bring-more-than-15.6-million-in-historic-event-at-heritage-auctions.s?releaseId=4934\">said in a release\u003c/a>.\u003c/p>\n\u003cp>The “\u003ca href=\"https://entertainment.ha.com/itm/movie-tv-memorabilia/props/titanic-tcf-1997-kate-winslet-rose-dewitt-bukater-hero-floating-wood-panel/a/7356-89979.s?ic4=GalleryView-ShortDescription-071515#auction-description\">Hero Floating Wood Panel\u003c/a>” played an \u003ca href=\"https://www.youtube.com/watch?v=KKY6-9cQ5l8\">iconic role\u003c/a> in the 1997 blockbuster. As the Titanic sinks, stranding passengers in the frigid waters of the Atlantic Ocean, Kate Winslet’s character Rose manages to lie afloat on the piece of a door while Leonardo DiCaprio’s Jack clings to the edge, eventually succumbing to hypothermia.\u003c/p>\n\u003cp>“The biggest scene, really, the climactic scene if you will,” \u003ca href=\"https://www.youtube.com/live/mIK6kHWvUUs?si=S25-q0QRjatgbMgZ&t=1230\">the auctioneer said\u003c/a>, introducing the lot item. “There are several big scenes but this is it, this is the goodbye.”\u003c/p>\n\u003cfigure id=\"attachment_13954959\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954959\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/gettyimages-1192757498-69537c1a79908bf9fef43bcfdfac41b57248ecb5-scaled-e1711663749139.jpg\" alt=\"A man with wet hair, submerged from the chest down leans on a piece of wooden detritus that a woman with wet hair is propped up on.\" width=\"1920\" height=\"1440\">\u003cfigcaption class=\"wp-caption-text\">Fans have long debated whether there was room for both Jack (Leonardo DiCaprio) and Rose (Kate Winslet) on the makeshift raft in the 1997 blockbuster ‘Titanic.’ \u003ccite>(CBS Photo Archive/ CBS via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bidding started at $60,000 and finished some five minutes later at $575,000 (the total cost included additional fees). In the video livestream, the crowd can be heard clapping heartily as the auctioneer congratulates the winner, whom he refers to as “Mr. Green.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The five-day “Treasures from Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions, which said there were so many bidding wars that “we lost track.”\u003c/p>\n\u003cp>[aside postid='arts_13927540']“There has been a generational shift to where these massive franchises and blockbusters of the 1980s and 1990s — the \u003cem>Home Alone\u003c/em>s, the Indiana Jones films, the \u003cem>Die Hard\u003c/em>s and, of course, \u003cem>Titanic\u003c/em> — are now collectors’ favorites,” Executive Vice President Joe Maddalena said in a statement provided to NPR. “Collectors are finally rewarding these artifacts as what they are: cultural artifacts akin to the fine art of old.”\u003c/p>\n\u003cp>Five of the top lots came from \u003cem>Titanic\u003c/em>, including the ship’s helm wheel ($200,000), Rose’s waterlogged chiffon dress ($118,750) and the ship’s brass engine order telegraph ($81,250) — another sign that the public’s fascination with the century-old shipwreck isn’t going anywhere.\u003c/p>\n\u003ch3>The prop is modeled on a real-life structure\u003c/h3>\n\u003cp>The 8-foot-long, 41-inch-wide floating hunk of wood is made of balsa and intricately carved with rococo motifs like floral accents and scrolling curves, according to the auction house.\u003c/p>\n\u003cp>A plaque on the back of it reads: “Leonardo DiCaprio / Kate Winslet / ‘Titanic’ / Twentieth Century Fox / Paramount Pictures, 1997 / Floating panel that he uses to save her life in the sinking sequence of the film, in their roles as ‘Jack Dawson’ and ‘Rose DeWitt Bukater’. Courtesy of Twentieth Century Fox.”\u003c/p>\n\u003cp>Heritage Auctions says the prop was based on the “most famous complete piece of debris from the 1912 tragedy,” which is believed to be part of the door frame just above the first-class lounge entrance.\u003c/p>\n\u003cp>[aside postid='arts_13924870']Researchers theorize that the panel represents the exact area where the ship split in two and that it rose to the water’s surface as the ship sank. The auction house notes that it closely resembles one particular artifact housed at the Maritime Museum in Halifax, Nova Scotia.\u003c/p>\n\u003cp>Director James Cameron visited the museum during the movie production and consulted with an American expert who had assisted with research there, according to the \u003ca href=\"https://maritimemuseum.novascotia.ca/what-see-do/titanics-halifax-connection/frequently-asked-questions#10\">Maritime Museum\u003c/a>.\u003c/p>\n\u003cp>“Among other things this permitted accurate replicas of the deckchairs to be constructed and most notably, a replica of a large piece of carved oak [paneling] to be built,” it added. “It was used in the climactic death scene in the film where the character Rose clings to floating wreckage.”\u003c/p>\n\u003ch3>The piece of wood is at the heart of an enduring debate\u003c/h3>\n\u003cp>Enraged fans have argued for decades that there was room on the board for both paramours and that Rose could have saved Jack — and their star-crossed love story — by simply scooting over.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg\" alt=\"\" width=\"889\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-768x432.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003c/p>\n\u003cp>Cameron adamantly disagrees, as he’s \u003ca href=\"https://www.vanityfair.com/hollywood/2019/02/james-cameron-titanic-door-debate\">made clear in multiple interviews\u003c/a> over the years.\u003c/p>\n\u003cp>“When Jack puts Rose on the raft, he tries to get on the raft — he’s not an idiot, he doesn’t want to die — and the raft sinks; it kind of flips,” \u003ca href=\"https://www.ign.com/articles/2012/10/09/titanic-was-there-room-for-jack-on-that-raft\">Cameron told IGN\u003c/a> in 2012. “And so it’s clear that there’s really only enough buoyancy available for one person. So he makes the decision to let her be that person.”\u003c/p>\n\u003cp>[aside postid='pop_95762']\u003cem>MythBusters\u003c/em> even teamed up with Cameron\u003ca href=\"https://www.imdb.com/title/tt2443302/\"> in an episode\u003c/a> that same year to tackle the question, which it called “the most requested myth in MythBuster history.”\u003c/p>\n\u003cp>They \u003ca href=\"https://ew.com/article/2012/10/08/mythbusters-titanic-debate-jack-die/\">concluded\u003c/a> that Rose and Jack could have both stayed afloat and avoided hypothermia, but only if they had thought to tie her life jacket underneath it to help with buoyancy. That’s missing the point, Cameron said at the time (he said \u003ca href=\"https://www.thedailybeast.com/james-cameron-on-the-trump-administration-these-people-are-insane\">five years later\u003c/a> that he loved working with the MythBusters, “but they’re full of s***”).\u003c/p>\n\u003cp>“The script says Jack died. He has to die,” he said in the episode. “So maybe we screwed up and the board should have been a little tiny bit smaller, but the dude’s goin’ down.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IPDxtclZzVU\u003c/p>\n\u003cp>In 2022, a full 25 years after the movie’s release, Cameron said he had \u003ca href=\"https://www.npr.org/2022/12/19/1144078509/titanic-movie-door-debate-james-cameron\">commissioned a scientific study\u003c/a> to hopefully close the door on the debate once and for all.\u003c/p>\n\u003cp>[aside postid='pop_111446']The results, which aired in a \u003ca href=\"https://www.youtube.com/watch?v=1jXHFEy-ibc\">National Geographic special\u003c/a> last year, suggested that under some scenarios, \u003ca href=\"https://ew.com/movies/james-cameron-confesses-titanic-door-should-have-been-smaller/\">both Jack and Rose could have survived\u003c/a> on the makeshift raft had they known more about hypothermia and thermodynamics.\u003c/p>\n\u003cp>“In an experiment in a test pool, we can’t possibly simulate the terror, the adrenaline, all the things that worked against them,” Cameron said. “He couldn’t have anticipated what we know today about hypothermia. He didn’t get to run a bunch of different experiments to see what worked the best.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>At the end of the day, Cameron maintained Jack’s death was necessary both as a plot device and character choice. But said he would have done it differently based on what he knows now: “I would have made the raft smaller, so there’s no doubt.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+piece+of+wood+that+saved+%28only%29+Rose+in+%27Titanic%27+was+auctioned+off+for+%24718k&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The debris that sparked a quarter-century of debate was sold in an auction of iconic Hollywood movie props last week.","status":"publish","parent":0,"modified":1711666132,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1200},"headData":{"title":"‘Titanic’ Door (Big Enough for Two) Auctioned Off for $718k | KQED","description":"The debris that sparked a quarter-century of debate was sold in an auction of iconic Hollywood movie props last week.","ogTitle":"The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k","ogDescription":"","ogImgId":"","twTitle":"The ‘Door’ That Saved (Only) Rose in ‘Titanic’ Just Sold for $718k","twDescription":"","twImgId":"","socialTitle":"‘Titanic’ Door (Big Enough for Two) Auctioned Off for $718k %%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Rachel Treisman","nprImageAgency":"Heritage Auctions","nprStoryId":"1241378280","nprApiLink":"http://api.npr.org/query?id=1241378280&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/03/28/1241378280/titanic-door-panel-auction-planet-hollywood-props?ft=nprml&f=1241378280","nprRetrievedStory":"1","nprPubDate":"Thu, 28 Mar 2024 13:15:00 -0400","nprStoryDate":"Thu, 28 Mar 2024 10:12:01 -0400","nprLastModifiedDate":"Thu, 28 Mar 2024 13:15:40 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954957/titanic-auction-rose-jack-room-on-the-door-mythbusters","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Some of the most iconic props in Hollywood history hit the auction block last week, from Indiana Jones’ trusty whip to Forrest Gump’s assorted chocolates to the infamous axe from \u003cem>The Shining\u003c/em>.\u003c/p>\n\u003cp>But the top-selling item was a piece of debris, albeit one that’s stirred imagination and debate for over a quarter century.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13935076","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“The wood panel from \u003cem>Titanic \u003c/em>that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions \u003ca href=\"https://www.ha.com/heritage-auctions-press-releases-and-news/treasures-from-planet-hollywood-bring-more-than-15.6-million-in-historic-event-at-heritage-auctions.s?releaseId=4934\">said in a release\u003c/a>.\u003c/p>\n\u003cp>The “\u003ca href=\"https://entertainment.ha.com/itm/movie-tv-memorabilia/props/titanic-tcf-1997-kate-winslet-rose-dewitt-bukater-hero-floating-wood-panel/a/7356-89979.s?ic4=GalleryView-ShortDescription-071515#auction-description\">Hero Floating Wood Panel\u003c/a>” played an \u003ca href=\"https://www.youtube.com/watch?v=KKY6-9cQ5l8\">iconic role\u003c/a> in the 1997 blockbuster. As the Titanic sinks, stranding passengers in the frigid waters of the Atlantic Ocean, Kate Winslet’s character Rose manages to lie afloat on the piece of a door while Leonardo DiCaprio’s Jack clings to the edge, eventually succumbing to hypothermia.\u003c/p>\n\u003cp>“The biggest scene, really, the climactic scene if you will,” \u003ca href=\"https://www.youtube.com/live/mIK6kHWvUUs?si=S25-q0QRjatgbMgZ&t=1230\">the auctioneer said\u003c/a>, introducing the lot item. “There are several big scenes but this is it, this is the goodbye.”\u003c/p>\n\u003cfigure id=\"attachment_13954959\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954959\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/gettyimages-1192757498-69537c1a79908bf9fef43bcfdfac41b57248ecb5-scaled-e1711663749139.jpg\" alt=\"A man with wet hair, submerged from the chest down leans on a piece of wooden detritus that a woman with wet hair is propped up on.\" width=\"1920\" height=\"1440\">\u003cfigcaption class=\"wp-caption-text\">Fans have long debated whether there was room for both Jack (Leonardo DiCaprio) and Rose (Kate Winslet) on the makeshift raft in the 1997 blockbuster ‘Titanic.’ \u003ccite>(CBS Photo Archive/ CBS via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bidding started at $60,000 and finished some five minutes later at $575,000 (the total cost included additional fees). In the video livestream, the crowd can be heard clapping heartily as the auctioneer congratulates the winner, whom he refers to as “Mr. Green.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The five-day “Treasures from Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions, which said there were so many bidding wars that “we lost track.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13927540","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“There has been a generational shift to where these massive franchises and blockbusters of the 1980s and 1990s — the \u003cem>Home Alone\u003c/em>s, the Indiana Jones films, the \u003cem>Die Hard\u003c/em>s and, of course, \u003cem>Titanic\u003c/em> — are now collectors’ favorites,” Executive Vice President Joe Maddalena said in a statement provided to NPR. “Collectors are finally rewarding these artifacts as what they are: cultural artifacts akin to the fine art of old.”\u003c/p>\n\u003cp>Five of the top lots came from \u003cem>Titanic\u003c/em>, including the ship’s helm wheel ($200,000), Rose’s waterlogged chiffon dress ($118,750) and the ship’s brass engine order telegraph ($81,250) — another sign that the public’s fascination with the century-old shipwreck isn’t going anywhere.\u003c/p>\n\u003ch3>The prop is modeled on a real-life structure\u003c/h3>\n\u003cp>The 8-foot-long, 41-inch-wide floating hunk of wood is made of balsa and intricately carved with rococo motifs like floral accents and scrolling curves, according to the auction house.\u003c/p>\n\u003cp>A plaque on the back of it reads: “Leonardo DiCaprio / Kate Winslet / ‘Titanic’ / Twentieth Century Fox / Paramount Pictures, 1997 / Floating panel that he uses to save her life in the sinking sequence of the film, in their roles as ‘Jack Dawson’ and ‘Rose DeWitt Bukater’. Courtesy of Twentieth Century Fox.”\u003c/p>\n\u003cp>Heritage Auctions says the prop was based on the “most famous complete piece of debris from the 1912 tragedy,” which is believed to be part of the door frame just above the first-class lounge entrance.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924870","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Researchers theorize that the panel represents the exact area where the ship split in two and that it rose to the water’s surface as the ship sank. The auction house notes that it closely resembles one particular artifact housed at the Maritime Museum in Halifax, Nova Scotia.\u003c/p>\n\u003cp>Director James Cameron visited the museum during the movie production and consulted with an American expert who had assisted with research there, according to the \u003ca href=\"https://maritimemuseum.novascotia.ca/what-see-do/titanics-halifax-connection/frequently-asked-questions#10\">Maritime Museum\u003c/a>.\u003c/p>\n\u003cp>“Among other things this permitted accurate replicas of the deckchairs to be constructed and most notably, a replica of a large piece of carved oak [paneling] to be built,” it added. “It was used in the climactic death scene in the film where the character Rose clings to floating wreckage.”\u003c/p>\n\u003ch3>The piece of wood is at the heart of an enduring debate\u003c/h3>\n\u003cp>Enraged fans have argued for decades that there was room on the board for both paramours and that Rose could have saved Jack — and their star-crossed love story — by simply scooting over.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg\" alt=\"\" width=\"889\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/52f5lc-768x432.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003c/p>\n\u003cp>Cameron adamantly disagrees, as he’s \u003ca href=\"https://www.vanityfair.com/hollywood/2019/02/james-cameron-titanic-door-debate\">made clear in multiple interviews\u003c/a> over the years.\u003c/p>\n\u003cp>“When Jack puts Rose on the raft, he tries to get on the raft — he’s not an idiot, he doesn’t want to die — and the raft sinks; it kind of flips,” \u003ca href=\"https://www.ign.com/articles/2012/10/09/titanic-was-there-room-for-jack-on-that-raft\">Cameron told IGN\u003c/a> in 2012. “And so it’s clear that there’s really only enough buoyancy available for one person. So he makes the decision to let her be that person.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_95762","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cem>MythBusters\u003c/em> even teamed up with Cameron\u003ca href=\"https://www.imdb.com/title/tt2443302/\"> in an episode\u003c/a> that same year to tackle the question, which it called “the most requested myth in MythBuster history.”\u003c/p>\n\u003cp>They \u003ca href=\"https://ew.com/article/2012/10/08/mythbusters-titanic-debate-jack-die/\">concluded\u003c/a> that Rose and Jack could have both stayed afloat and avoided hypothermia, but only if they had thought to tie her life jacket underneath it to help with buoyancy. That’s missing the point, Cameron said at the time (he said \u003ca href=\"https://www.thedailybeast.com/james-cameron-on-the-trump-administration-these-people-are-insane\">five years later\u003c/a> that he loved working with the MythBusters, “but they’re full of s***”).\u003c/p>\n\u003cp>“The script says Jack died. He has to die,” he said in the episode. “So maybe we screwed up and the board should have been a little tiny bit smaller, but the dude’s goin’ down.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IPDxtclZzVU'\n title='//www.youtube.com/embed/IPDxtclZzVU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2022, a full 25 years after the movie’s release, Cameron said he had \u003ca href=\"https://www.npr.org/2022/12/19/1144078509/titanic-movie-door-debate-james-cameron\">commissioned a scientific study\u003c/a> to hopefully close the door on the debate once and for all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_111446","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The results, which aired in a \u003ca href=\"https://www.youtube.com/watch?v=1jXHFEy-ibc\">National Geographic special\u003c/a> last year, suggested that under some scenarios, \u003ca href=\"https://ew.com/movies/james-cameron-confesses-titanic-door-should-have-been-smaller/\">both Jack and Rose could have survived\u003c/a> on the makeshift raft had they known more about hypothermia and thermodynamics.\u003c/p>\n\u003cp>“In an experiment in a test pool, we can’t possibly simulate the terror, the adrenaline, all the things that worked against them,” Cameron said. “He couldn’t have anticipated what we know today about hypothermia. He didn’t get to run a bunch of different experiments to see what worked the best.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the end of the day, Cameron maintained Jack’s death was necessary both as a plot device and character choice. But said he would have done it differently based on what he knows now: “I would have made the raft smaller, so there’s no doubt.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+piece+of+wood+that+saved+%28only%29+Rose+in+%27Titanic%27+was+auctioned+off+for+%24718k&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954957/titanic-auction-rose-jack-room-on-the-door-mythbusters","authors":["byline_arts_13954957"],"categories":["arts_1","arts_74","arts_75"],"tags":["arts_10744"],"affiliates":["arts_137"],"featImg":"arts_13954958","label":"arts_137"},"arts_13954949":{"type":"posts","id":"arts_13954949","meta":{"index":"posts_1591205157","site":"arts","id":"13954949","score":null,"sort":[1711654616000]},"guestAuthors":[],"slug":"green-day-fillmore-sf-get-tickets-livenation","title":"Ticket Alert: Green Day Is Playing The Fillmore on April 2","publishDate":1711654616,"format":"standard","headTitle":"Ticket Alert: Green Day Is Playing The Fillmore on April 2 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/green-day\">Green Day\u003c/a> will headline a United Nations Human Rights-backed global climate concert on April 2 at the Fillmore in San Francisco.\u003c/p>\n\u003cp>The intimate event, which is co-hosted by the Recording Academy, aims to bring attention to the inequalities exasperated by climate change.\u003c/p>\n\u003cp>[aside postid='arts_13950877']Ultra Q, an alternative rock band fronted by Billie Joe Armstrong’s son Jakob Danger, will open.\u003c/p>\n\u003cp>Proceeds from the concert will go to United Nations Human Rights climate justice initiatives and a \u003ca href=\"https://www.musicares.org/\">MusiCares\u003c/a> climate fund to benefit musicians affected by climate change.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.righthererightnow.global/\">Right Here, Right Now Global Climate Alliance\u003c/a> will honor Green Day for their “long-standing commitment to social justice and environmental causes,” according to a press release.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“As world renowned artists and activists, Green Day continues to leverage its major influence and platform to bring awareness to the impact of climate change on the people and the environment,” Volker Türk, the United Nations High Commissioner for Human Rights said in a statement.\u003c/p>\n\u003cp>“The United Nations was founded in San Francisco almost 80 years ago to safeguard human rights and dignity from crisis and tragedy. It is only fitting that we are back in San Francisco.”\u003c/p>\n\u003cp>“Music is one of humanity’s greatest resources. It moves the world,” Harvey Mason jr., CEO of the Recording Academy added. “And we are grateful for Green Day’s longstanding dedication to promoting social justice.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Tickets for Green Day’s April 2 show at The Fillmore go on sale \u003ca href=\"https://concerts.livenation.com/green-day-san-francisco-california-04-02-2024/event/1C006079927614B5?_gl=1*1qfbzox*_gcl_au*ODk2MjAxNjIuMTcwOTE0NDk2Mw..*_ga*MTM0NTgwNzQuMTcwOTE0NDk2Mw..*_ga_C1T806G4DF*MTcxMTY1MzQ1Ny4xLjAuMTcxMTY1MzQ2NS41Mi4wLjA.*_ga_H1KKSGW33X*MTcxMTY1MzQ1Ny4xLjAuMTcxMTY1MzQ2NS41Mi4wLjA.&_ga=2.49975855.827973097.1711653457-13458074.1709144963\">via LiveNation.com\u003c/a> on March 29, at 12 p.m.\u003c/em> \u003cem>Tickets will not be available from The Fillmore’s box office. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The Bay Area punk legends will headline the United Nations-backed show to benefit climate-related causes.","status":"publish","parent":0,"modified":1711654616,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":287},"headData":{"title":"Where to Get Tickets for Green Day at The Fillmore | KQED","description":"The Bay Area punk legends will headline the United Nations-backed show to benefit climate-related causes.","ogTitle":"Ticket Alert: Green Day Is Playing The Fillmore on April 2","ogDescription":"","ogImgId":"","twTitle":"Ticket Alert: Green Day Is Playing The Fillmore on April 2","twDescription":"","twImgId":"","socialTitle":"Where to Get Tickets for Green Day at The Fillmore %%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Maria Sherman, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954949/green-day-fillmore-sf-get-tickets-livenation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/green-day\">Green Day\u003c/a> will headline a United Nations Human Rights-backed global climate concert on April 2 at the Fillmore in San Francisco.\u003c/p>\n\u003cp>The intimate event, which is co-hosted by the Recording Academy, aims to bring attention to the inequalities exasperated by climate change.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13950877","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Ultra Q, an alternative rock band fronted by Billie Joe Armstrong’s son Jakob Danger, will open.\u003c/p>\n\u003cp>Proceeds from the concert will go to United Nations Human Rights climate justice initiatives and a \u003ca href=\"https://www.musicares.org/\">MusiCares\u003c/a> climate fund to benefit musicians affected by climate change.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.righthererightnow.global/\">Right Here, Right Now Global Climate Alliance\u003c/a> will honor Green Day for their “long-standing commitment to social justice and environmental causes,” according to a press release.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“As world renowned artists and activists, Green Day continues to leverage its major influence and platform to bring awareness to the impact of climate change on the people and the environment,” Volker Türk, the United Nations High Commissioner for Human Rights said in a statement.\u003c/p>\n\u003cp>“The United Nations was founded in San Francisco almost 80 years ago to safeguard human rights and dignity from crisis and tragedy. It is only fitting that we are back in San Francisco.”\u003c/p>\n\u003cp>“Music is one of humanity’s greatest resources. It moves the world,” Harvey Mason jr., CEO of the Recording Academy added. “And we are grateful for Green Day’s longstanding dedication to promoting social justice.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Tickets for Green Day’s April 2 show at The Fillmore go on sale \u003ca href=\"https://concerts.livenation.com/green-day-san-francisco-california-04-02-2024/event/1C006079927614B5?_gl=1*1qfbzox*_gcl_au*ODk2MjAxNjIuMTcwOTE0NDk2Mw..*_ga*MTM0NTgwNzQuMTcwOTE0NDk2Mw..*_ga_C1T806G4DF*MTcxMTY1MzQ1Ny4xLjAuMTcxMTY1MzQ2NS41Mi4wLjA.*_ga_H1KKSGW33X*MTcxMTY1MzQ1Ny4xLjAuMTcxMTY1MzQ2NS41Mi4wLjA.&_ga=2.49975855.827973097.1711653457-13458074.1709144963\">via LiveNation.com\u003c/a> on March 29, at 12 p.m.\u003c/em> \u003cem>Tickets will not be available from The Fillmore’s box office. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954949/green-day-fillmore-sf-get-tickets-livenation","authors":["byline_arts_13954949"],"programs":["arts_140"],"categories":["arts_1","arts_11615","arts_69","arts_75"],"tags":["arts_9964","arts_1407","arts_1543","arts_913","arts_1146","arts_585"],"featImg":"arts_12374066","label":"arts_140"},"arts_13954870":{"type":"posts","id":"arts_13954870","meta":{"index":"posts_1591205157","site":"arts","id":"13954870","score":null,"sort":[1711575270000]},"guestAuthors":[],"slug":"la-chimera-review-alice-rohrwacher-tombaroli-tale","title":"Alice Rohrwacher’s Tombaroli Tale ‘La Chimera’ Is Pure Magic","publishDate":1711575270,"format":"standard","headTitle":"Alice Rohrwacher’s Tombaroli Tale ‘La Chimera’ Is Pure Magic | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>When we talk about “movie magic,” the first thing that comes to mind is often something like the bikes achieving liftoff in \u003cem>E.T.\u003c/em> But it applies no less to Alice Rohrwacher’s wondrous \u003cem>La Chimera\u003c/em>, a grubbily transcendent folk tale of a film that finds its enchantment buried in the ground.\u003c/p>\n\u003cp>“Were you dreaming?” a train conductor asks the sleeping Arthur (Josh O’Connor), a distant, temperamental Brit in Italy with little more to his name than the rumpled cream-colored linen suit he wears. The answer is yes. Radiant memories of Arthur’s dead lover, Benjamina, haunt his dreams and propel him on a strange quest into the underground tombs of Tuscany.\u003c/p>\n\u003cp>[aside postid='arts_13954587']A melancholy spell seems to hang over Arthur, who has a mystical gift for finding ancient relics. It’s the early 1980s. Arthur is returning home from a stint in jail for grave robbing. His homecoming is received like a hero’s return by the scruffy, carnivalesque band of tombaroli — tomb raiders who plunder Etruscan artifacts — who look on Arthur more like a prince than a destitute thief. They call him “maestro.”\u003c/p>\n\u003cp>With remarkable precision, Arthur is able to point to where to dig. In one scene, he takes a small, bended branch as an instrument for his dowsing. \u003cem>La Chimera\u003c/em>, itself, seems to emerge almost the same way — an earthy, spellbinding buried treasure with a sublime drawing power.\u003c/p>\n\u003cp>The precise moment I fell totally in love with \u003cem>La Chimera\u003c/em> — and this is very much a movie to love — is an early montage in which Arthur and his fellow scavengers scamper across the countryside, hiding in fields from bumbling police, while a folk song about the tombarolo Englishman is sung. \u003cem>La Chimera\u003c/em>, the third in a loose trilogy for Rohrwacher following \u003cem>The Wonders\u003c/em> and \u003cem>Happy as Lazzaro\u003c/em>, is the fullest realization yet of her cinema of “magical neo-realism.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Rohrwacher’s great fascination is with the past. The hold it can have on the present. The vast yet minuscule distance between long-ago and today. \u003cem>Happy as Lazzaro\u003c/em> charmingly walked a 19th century peasant into present day.\u003c/p>\n\u003cp>\u003cem>La Chimera\u003c/em> is even more beguiling and mournful. The tombaroli make a merry band, but Arthur’s plight is shadowed by death. “He was looking for a passage to the afterlife,” one of his companions says in the film, one of a handful of direct addresses. (Rohrwacher, a devotee of Italian folk tales, spins her films like a playful narrator in an old fairy tale. She’s among the most thrillingly original filmmakers working today.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iv5JQpxKle0\u003c/p>\n\u003cp>Arthur and company make cash by selling their unearthed Etruscan wares. But he’s driven less by money than a compulsion to reach the dead, to reach Benjamina. How deep will he dig? Will the darkness of the underworld envelop him?\u003c/p>\n\u003cp>Arthur also makes occasional visits to the mother of Benjamina, Flora (a typically magnificent Isabella Rossellini ), who, like him, has not yet accepted the death of her daughter. She receives him courteously and deferentially, with an old-world manner. Flora’s other daughters snicker that she only lets men smoke in the house.\u003c/p>\n\u003cp>[aside postid='arts_13954491']At her crumbling villa, Arthur meets Italia (Carol Duarte, fabulous), a singing student who, Flora says, is tone deaf. But she might be the sharpest observer in the film. Italia, alone, is horrified by the plundering of the graves. In other ways, she’s the embodiment of the time the tombs recall. It’s noted that the Etruscans elevated women in society — one of, though not the only, relic of the past that \u003cem>La Chimera\u003c/em> brings forward to today.\u003c/p>\n\u003cp>Past and present mingle in mysterious ways in \u003cem>La Chimera\u003c/em>. The greatest Etruscan discovery — a glorious subterranean chamber — is made on a beach with a factory just down the shoreline. But the even more remarkable excavation of the film is of Arthur’s grieving soul. O’Connor is exquisite in a role that requires the deftest balance of tangible reality and otherworldly fable.\u003c/p>\n\u003cp>Like so many things in \u003cem>La Chimera\u003c/em>, O’Connor’s performance is entrancing and confounding. How can a movie be so nimbly poised between past and present, you can’t help but wonder. The stuff of fairy tales — of a kind of storytelling magic — is what Rohrwacher, herself, wants to unearth. “Were you dreaming?” Good question.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cem>‘La Chimera’ is released in select theaters nationwide on March 29 and opens at San Francisco’s Roxie Theater on April 12, 2024. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A temperamental Brit lands in Italy in this mournful but beguiling experiment in neo-realism.","status":"publish","parent":0,"modified":1711575270,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":799},"headData":{"title":"Review: ‘La Chimera’ is Mournful But Beguiling Magic | KQED","description":"A temperamental Brit lands in Italy in this mournful but beguiling experiment in neo-realism.","ogTitle":"Alice Rohrwacher’s Tombaroli Tale ‘La Chimera’ Is Pure Magic","ogDescription":"","ogImgId":"","twTitle":"Alice Rohrwacher’s Tombaroli Tale ‘La Chimera’ Is Pure Magic","twDescription":"","twImgId":"","socialTitle":"Review: ‘La Chimera’ is Mournful But Beguiling Magic %%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Jake Coyle, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954870/la-chimera-review-alice-rohrwacher-tombaroli-tale","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When we talk about “movie magic,” the first thing that comes to mind is often something like the bikes achieving liftoff in \u003cem>E.T.\u003c/em> But it applies no less to Alice Rohrwacher’s wondrous \u003cem>La Chimera\u003c/em>, a grubbily transcendent folk tale of a film that finds its enchantment buried in the ground.\u003c/p>\n\u003cp>“Were you dreaming?” a train conductor asks the sleeping Arthur (Josh O’Connor), a distant, temperamental Brit in Italy with little more to his name than the rumpled cream-colored linen suit he wears. The answer is yes. Radiant memories of Arthur’s dead lover, Benjamina, haunt his dreams and propel him on a strange quest into the underground tombs of Tuscany.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954587","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>A melancholy spell seems to hang over Arthur, who has a mystical gift for finding ancient relics. It’s the early 1980s. Arthur is returning home from a stint in jail for grave robbing. His homecoming is received like a hero’s return by the scruffy, carnivalesque band of tombaroli — tomb raiders who plunder Etruscan artifacts — who look on Arthur more like a prince than a destitute thief. They call him “maestro.”\u003c/p>\n\u003cp>With remarkable precision, Arthur is able to point to where to dig. In one scene, he takes a small, bended branch as an instrument for his dowsing. \u003cem>La Chimera\u003c/em>, itself, seems to emerge almost the same way — an earthy, spellbinding buried treasure with a sublime drawing power.\u003c/p>\n\u003cp>The precise moment I fell totally in love with \u003cem>La Chimera\u003c/em> — and this is very much a movie to love — is an early montage in which Arthur and his fellow scavengers scamper across the countryside, hiding in fields from bumbling police, while a folk song about the tombarolo Englishman is sung. \u003cem>La Chimera\u003c/em>, the third in a loose trilogy for Rohrwacher following \u003cem>The Wonders\u003c/em> and \u003cem>Happy as Lazzaro\u003c/em>, is the fullest realization yet of her cinema of “magical neo-realism.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Rohrwacher’s great fascination is with the past. The hold it can have on the present. The vast yet minuscule distance between long-ago and today. \u003cem>Happy as Lazzaro\u003c/em> charmingly walked a 19th century peasant into present day.\u003c/p>\n\u003cp>\u003cem>La Chimera\u003c/em> is even more beguiling and mournful. The tombaroli make a merry band, but Arthur’s plight is shadowed by death. “He was looking for a passage to the afterlife,” one of his companions says in the film, one of a handful of direct addresses. (Rohrwacher, a devotee of Italian folk tales, spins her films like a playful narrator in an old fairy tale. She’s among the most thrillingly original filmmakers working today.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iv5JQpxKle0'\n title='//www.youtube.com/embed/iv5JQpxKle0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Arthur and company make cash by selling their unearthed Etruscan wares. But he’s driven less by money than a compulsion to reach the dead, to reach Benjamina. How deep will he dig? Will the darkness of the underworld envelop him?\u003c/p>\n\u003cp>Arthur also makes occasional visits to the mother of Benjamina, Flora (a typically magnificent Isabella Rossellini ), who, like him, has not yet accepted the death of her daughter. She receives him courteously and deferentially, with an old-world manner. Flora’s other daughters snicker that she only lets men smoke in the house.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954491","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>At her crumbling villa, Arthur meets Italia (Carol Duarte, fabulous), a singing student who, Flora says, is tone deaf. But she might be the sharpest observer in the film. Italia, alone, is horrified by the plundering of the graves. In other ways, she’s the embodiment of the time the tombs recall. It’s noted that the Etruscans elevated women in society — one of, though not the only, relic of the past that \u003cem>La Chimera\u003c/em> brings forward to today.\u003c/p>\n\u003cp>Past and present mingle in mysterious ways in \u003cem>La Chimera\u003c/em>. The greatest Etruscan discovery — a glorious subterranean chamber — is made on a beach with a factory just down the shoreline. But the even more remarkable excavation of the film is of Arthur’s grieving soul. O’Connor is exquisite in a role that requires the deftest balance of tangible reality and otherworldly fable.\u003c/p>\n\u003cp>Like so many things in \u003cem>La Chimera\u003c/em>, O’Connor’s performance is entrancing and confounding. How can a movie be so nimbly poised between past and present, you can’t help but wonder. The stuff of fairy tales — of a kind of storytelling magic — is what Rohrwacher, herself, wants to unearth. “Were you dreaming?” Good question.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cem>‘La Chimera’ is released in select theaters nationwide on March 29 and opens at San Francisco’s Roxie Theater on April 12, 2024. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954870/la-chimera-review-alice-rohrwacher-tombaroli-tale","authors":["byline_arts_13954870"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75"],"tags":["arts_21926","arts_769","arts_585"],"featImg":"arts_13954879","label":"arts_140"},"arts_13954740":{"type":"posts","id":"arts_13954740","meta":{"index":"posts_1591205157","site":"arts","id":"13954740","score":null,"sort":[1711500325000]},"guestAuthors":[],"slug":"diddy-allegations-sean-combs-raids-sex-trafficking-cassie-joi-rod-harve-pierre-jane-doe","title":"A Complete Timeline of Sean ‘Diddy’ Combs’ Assault and Harassment Accusations","publishDate":1711500325,"format":"standard","headTitle":"A Complete Timeline of Sean ‘Diddy’ Combs’ Assault and Harassment Accusations | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>On March 25, Sean “Diddy” Combs’ houses in Los Angeles and Miami were raided by Homeland Security agents, apparently prompted by an ongoing federal investigation in New York.\u003c/p>\n\u003cp>The home searches were the culmination of months of legal trouble for the rap mogul after he was accused by multiple individuals of sex trafficking, assault and harassment. The alleged incidents span over several years, with some dating back decades.\u003c/p>\n\u003cp>Here are all the accusations that Combs has so far faced and, in some cases, already settled.\u003c/p>\n\u003ch2>May 8, 2017: Combs’ former chef sues\u003c/h2>\n\u003cp>Cindy Rueda, Combs’ former chef, sued Combs in 2017 for sexual harassment, a hostile work environment and wrongful dismissal.\u003c/p>\n\u003cp>\u003ca href=\"https://mynewsla.com/wp-content/uploads/2017/05/Rueda-v-Combs.pdf\">Rueda’s suit\u003c/a> alleged that, during her time working for Combs, between Jan. 2016 and May 8, 2016, she was:\u003c/p>\n\u003cul>\n\u003cli>Chronically underpaid and expected to work excessive hours\u003c/li>\n\u003cli>Asked to serve food to Combs and his guests “while … or immediately following sexual activity”\u003c/li>\n\u003cli>Exposed to “offensive objects”\u003c/li>\n\u003cli>Sexually harassed by Combs while he was naked\u003c/li>\n\u003cli>Sexually harassed by one of Combs’ naked friends while she was cooking\u003c/li>\n\u003cli>Falsely accused of theft and fired after complaining about her working conditions\u003c/li>\n\u003c/ul>\n\u003cp>A representative for Combs called Rueda “disgruntled” and the lawsuit “frivolous.” The two ultimately settled the case in February of 2019.\u003c/p>\n\u003ch2>Nov. 16, 2023: Cassie sues, Combs quickly settles\u003c/h2>\n\u003cfigure id=\"attachment_13954776\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954776\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/GettyImages-1780923026-scaled-e1711490898243.jpg\" alt=\"A Black man wearing a suit and very long couture coat stands holding hands with a Black woman wearing an elaborate black gown and purse in the shape of a skull.\" width=\"1920\" height=\"1277\">\u003cfigcaption class=\"wp-caption-text\">Sean Combs and Cassie at the 2017 Met Gala. \u003ccite>(Clint Spaulding/ Penske Media via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Singer Casandra Ventura — better known as Cassie — filed a lawsuit in November of 2023 that accused Combs of ongoing abuse during a relationship that started in 2005 and lasted over a decade. Ventura was 19 when she met the then-37-year-old Combs. Cassie’s self-titled album was released by his Bad Boy Records in 2006.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://s3.documentcloud.org/documents/24169743/ventura-v-combs.pdf\">Ventura’s suit\u003c/a> alleged that Combs:\u003c/p>\n\u003cul>\n\u003cli>Raped Ventura after she attempted to leave him\u003c/li>\n\u003cli>Beat and kicked Ventura, causing multiple injuries\u003c/li>\n\u003cli>“Blew up a man’s car” after learning of his romantic interest in Ventura\u003c/li>\n\u003cli>Forced Ventura to engage in “sex acts with male sex workers while masturbating and filming the encounters” in different cities across the U.S.\u003c/li>\n\u003cli>Required Ventura to “procure illicit prescriptions” for his personal use\u003c/li>\n\u003c/ul>\n\u003cp>On Nov. 17, just one day after Ventura filed the case, \u003ca href=\"https://apnews.com/article/sean-combs-cassie-lawsuit-2d2a4c8938eb82c34b62c01a30969554\">Combs settled with her for an undisclosed amount\u003c/a>.\u003c/p>\n\u003ch2>Nov. 23, 2023: Joi Dickerson-Neal sues\u003c/h2>\n\u003cp>Joi Dickerson-Neal — who ran in similar circles to Combs, and also appeared with him in Finesse & Synquis’ “\u003ca href=\"https://www.youtube.com/watch?v=1k9h8LvGYSs\">Straight From The Soul\u003c/a>” music video — accused Combs of drugging and raping her in 1991.\u003c/p>\n\u003cp>Dickerson-Neal’s November 2023 lawsuit alleges that, while the two were out having dinner, Combs secretly drugged her drink, leaving her “in a physical state where she could not independently stand or walk.” The lawsuit goes on to allege that Dickerson-Neal, then 19 years old, was later taken to Combs’ home, raped and filmed without her consent. The suit also alleges that Combs showed the video to a group of men that included her friend DeVante Swing from Jodeci. It was Swing, Dickerson-Neal claims, who alerted her to the existence of the tape.\u003c/p>\n\u003cp>Shortly after Dickerson-Neal filed her lawsuit, a representative for Combs told multiple outlets that it was “a money grab.”\u003c/p>\n\u003ch2>Nov. 23, 2023: Liza Gardner sues\u003c/h2>\n\u003cp>Liza Gardner filed a lawsuit that accused Combs and singer \u003ca href=\"https://en.wikipedia.org/wiki/Aaron_Hall_(singer)\">Aaron Hall\u003c/a> of a series of assaults against her and her then-roommate in 1990. At the time, Gardner was 16 and on vacation in New York with some friends from North Carolina who had connections in the music industry.\u003c/p>\n\u003cp>The suit alleges that, after providing Gardner and her friend with alcohol during an MCA Records event, Combs and Hall invited them back to Hall’s for an afterparty where more alcohol was provided. At some point in the evening, Gardner says she was coerced into having sex with Combs, which left her feeling “shocked and traumatized.” As Gardner was getting dressed afterwards, the court filing alleges, “Hall barged into the room, pinned her down, and forced [her] to have sex with him.”\u003c/p>\n\u003cp>The suit alleges that Gardner’s roommate was also forced to have sex with both men in another room. Further, it alleged that Combs, concerned that one of the girls might tell other people what happened, came to where the teens were staying a few days later and choked Gardner to the point that she passed out.\u003c/p>\n\u003ch2>Dec. 6, 2023: Jane Doe sues\u003c/h2>\n\u003cfigure id=\"attachment_13954773\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954773\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/GettyImages-97628587-scaled-e1711490700758.jpg\" alt=\"Two Black men pose for the camera wearing black hats and clothes. One of them is smiling with his mouth open and wearing sunglasses.\" width=\"1920\" height=\"1277\">\u003cfigcaption class=\"wp-caption-text\">Harve Pierre and Sean ‘Diddy’ Combs in New York, March 2010. \u003ccite>(Johnny Nunez/ WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In December, a Canadian woman alleged that when she was 17, she was raped by Combs, then-president of Bad Boy Records Harve Pierre, and a third, unnamed man.\u003c/p>\n\u003cp>In court filings, \u003ca href=\"https://www.courthousenews.com/wp-content/uploads/2023/12/sean-diddy-combs-lawsuit-sdny.pdf\">Doe \u003c/a>alleged that the 2003 incident happened in a bathroom at Combs’ Daddy’s House Recording Studio in New York City after the teenager had been “plied with drugs and alcohol.” The woman claimed she was introduced to Combs over the phone after meeting Pierre and the third man in a Detroit lounge. Combs allegedly persuaded her to fly to New Jersey by private jet with the two men shortly afterwards. Photos included in the lawsuit are said to show Doe in the studio with Combs.\u003c/p>\n\u003cp>Before they left, Pierre allegedly smoked crack and forced Doe to give him oral sex.\u003c/p>\n\u003cp>In November, \u003ca href=\"https://people.com/former-bad-boy-president-harve-pierre-sued-for-sexual-assault-negligence-8406218\">Pierre was named in a separate suit\u003c/a> by a former assistant, accusing him of multiple incidents of sexual harassment and assault during 2016 and 2017. “Seeing other women bravely speak out against Mr. Combs and Mr. Pierre, respectively,” Doe’s complaint stated, “gave Ms. Doe the confidence to tell her story as well.”\u003c/p>\n\u003cp>Combs released a statement saying, “I did not do any of the awful things being alleged.”\u003c/p>\n\u003ch2>February 2024: ‘Love Album’ producer sues\u003c/h2>\n\u003cp>Producer and videographer Rodney “Lil Rod” Jones filed a $30 million \u003ca href=\"https://www.scribd.com/document/709272125/Complaint-Rodney-Jones-v-Sean-Combs-et-al\">lawsuit against Combs as well as a variety of Combs’ business and personal associates\u003c/a>. The suit concerned incidents Jones says took place between September of 2022 and November of 2023, while he was working on Combs’ \u003cem>The Love Album\u003c/em>.\u003c/p>\n\u003cp>The lawsuit alleged that Combs:\u003c/p>\n\u003cul>\n\u003cli>Repeatedly groped and touched Jones against his will\u003c/li>\n\u003cli>Entertained underage girls at his homes\u003c/li>\n\u003cli>Forced Jones to solicit sex workers and engage in intimate acts with them\u003c/li>\n\u003cli>Served drinks laced with drugs at parties\u003c/li>\n\u003cli>Asked Jones to work in the same room while Combs was naked\u003c/li>\n\u003cli>Forced Jones to lie to police about a shooting incident in which one man was injured\u003c/li>\n\u003c/ul>\n\u003cp>The court filing also included multiple screenshots claimed to pertain to the allegations. (Jones alleged that he was required to film Combs at length and that he recorded hours of footage of the rapper and others “engaging in serious illegal activity.”)\u003c/p>\n\u003cp>One of Combs’ attorneys called the allegations “pure fiction” and “a transparent attempt to garner headlines.”\u003c/p>\n\u003ch2>March 25, 2024: Home raids begin\u003c/h2>\n\u003cfigure id=\"attachment_13954772\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954772\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/GettyImages-2105337314-scaled-e1711490438517.jpg\" alt=\"At dusk, three officers wearing HSI vests stand in a paved driveway. One of them is leading a German Shepherd away.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Homeland Security Investigation agents are seen at the entrance Sean ‘Diddy’ Combs’ home at Star Island in Miami Beach on March 25, 2024. \u003ccite>(GIORGIO VIERA/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After Combs’ Los Angeles and Miami homes were raided, Homeland Security Investigations confirmed that it “executed law enforcement actions as part of an ongoing investigation, with assistance from HSI Los Angeles, HSI Miami, and our local law enforcement partners.”\u003c/p>\n\u003cp>In a statement about the raid, Combs’ attorney Aaron Dyer said: “This unprecedented ambush — paired with an advanced, coordinated media presence — leads to a premature rush to judgment of Mr. Combs and is nothing more than a witch hunt based on meritless accusations made in civil lawsuits.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>If you are struggling with issues relating to sexual assault, please call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or \u003ca href=\"https://hotline.rainn.org/online\">chat online with one of their counselors\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Six people have accused Diddy of sexual harassment, assault and trafficking in lawsuits since 2017.","status":"publish","parent":0,"modified":1711500325,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1374},"headData":{"title":"Why Were Diddy’s Homes Raided? A Timeline of His Legal Woes | KQED","description":"Six people have accused Diddy of sexual harassment, assault and trafficking in lawsuits since 2017.","ogTitle":"A Complete Timeline of Sean ‘Diddy’ Combs’ Assault and Harassment Accusations","ogDescription":"","ogImgId":"","twTitle":"A Complete Timeline of Sean ‘Diddy’ Combs’ Assault and Harassment Accusations","twDescription":"","twImgId":"","socialTitle":"Why Were Diddy’s Homes Raided? A Timeline of His Legal Woes %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13954740/diddy-allegations-sean-combs-raids-sex-trafficking-cassie-joi-rod-harve-pierre-jane-doe","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On March 25, Sean “Diddy” Combs’ houses in Los Angeles and Miami were raided by Homeland Security agents, apparently prompted by an ongoing federal investigation in New York.\u003c/p>\n\u003cp>The home searches were the culmination of months of legal trouble for the rap mogul after he was accused by multiple individuals of sex trafficking, assault and harassment. The alleged incidents span over several years, with some dating back decades.\u003c/p>\n\u003cp>Here are all the accusations that Combs has so far faced and, in some cases, already settled.\u003c/p>\n\u003ch2>May 8, 2017: Combs’ former chef sues\u003c/h2>\n\u003cp>Cindy Rueda, Combs’ former chef, sued Combs in 2017 for sexual harassment, a hostile work environment and wrongful dismissal.\u003c/p>\n\u003cp>\u003ca href=\"https://mynewsla.com/wp-content/uploads/2017/05/Rueda-v-Combs.pdf\">Rueda’s suit\u003c/a> alleged that, during her time working for Combs, between Jan. 2016 and May 8, 2016, she was:\u003c/p>\n\u003cul>\n\u003cli>Chronically underpaid and expected to work excessive hours\u003c/li>\n\u003cli>Asked to serve food to Combs and his guests “while … or immediately following sexual activity”\u003c/li>\n\u003cli>Exposed to “offensive objects”\u003c/li>\n\u003cli>Sexually harassed by Combs while he was naked\u003c/li>\n\u003cli>Sexually harassed by one of Combs’ naked friends while she was cooking\u003c/li>\n\u003cli>Falsely accused of theft and fired after complaining about her working conditions\u003c/li>\n\u003c/ul>\n\u003cp>A representative for Combs called Rueda “disgruntled” and the lawsuit “frivolous.” The two ultimately settled the case in February of 2019.\u003c/p>\n\u003ch2>Nov. 16, 2023: Cassie sues, Combs quickly settles\u003c/h2>\n\u003cfigure id=\"attachment_13954776\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954776\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/GettyImages-1780923026-scaled-e1711490898243.jpg\" alt=\"A Black man wearing a suit and very long couture coat stands holding hands with a Black woman wearing an elaborate black gown and purse in the shape of a skull.\" width=\"1920\" height=\"1277\">\u003cfigcaption class=\"wp-caption-text\">Sean Combs and Cassie at the 2017 Met Gala. \u003ccite>(Clint Spaulding/ Penske Media via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Singer Casandra Ventura — better known as Cassie — filed a lawsuit in November of 2023 that accused Combs of ongoing abuse during a relationship that started in 2005 and lasted over a decade. Ventura was 19 when she met the then-37-year-old Combs. Cassie’s self-titled album was released by his Bad Boy Records in 2006.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://s3.documentcloud.org/documents/24169743/ventura-v-combs.pdf\">Ventura’s suit\u003c/a> alleged that Combs:\u003c/p>\n\u003cul>\n\u003cli>Raped Ventura after she attempted to leave him\u003c/li>\n\u003cli>Beat and kicked Ventura, causing multiple injuries\u003c/li>\n\u003cli>“Blew up a man’s car” after learning of his romantic interest in Ventura\u003c/li>\n\u003cli>Forced Ventura to engage in “sex acts with male sex workers while masturbating and filming the encounters” in different cities across the U.S.\u003c/li>\n\u003cli>Required Ventura to “procure illicit prescriptions” for his personal use\u003c/li>\n\u003c/ul>\n\u003cp>On Nov. 17, just one day after Ventura filed the case, \u003ca href=\"https://apnews.com/article/sean-combs-cassie-lawsuit-2d2a4c8938eb82c34b62c01a30969554\">Combs settled with her for an undisclosed amount\u003c/a>.\u003c/p>\n\u003ch2>Nov. 23, 2023: Joi Dickerson-Neal sues\u003c/h2>\n\u003cp>Joi Dickerson-Neal — who ran in similar circles to Combs, and also appeared with him in Finesse & Synquis’ “\u003ca href=\"https://www.youtube.com/watch?v=1k9h8LvGYSs\">Straight From The Soul\u003c/a>” music video — accused Combs of drugging and raping her in 1991.\u003c/p>\n\u003cp>Dickerson-Neal’s November 2023 lawsuit alleges that, while the two were out having dinner, Combs secretly drugged her drink, leaving her “in a physical state where she could not independently stand or walk.” The lawsuit goes on to allege that Dickerson-Neal, then 19 years old, was later taken to Combs’ home, raped and filmed without her consent. The suit also alleges that Combs showed the video to a group of men that included her friend DeVante Swing from Jodeci. It was Swing, Dickerson-Neal claims, who alerted her to the existence of the tape.\u003c/p>\n\u003cp>Shortly after Dickerson-Neal filed her lawsuit, a representative for Combs told multiple outlets that it was “a money grab.”\u003c/p>\n\u003ch2>Nov. 23, 2023: Liza Gardner sues\u003c/h2>\n\u003cp>Liza Gardner filed a lawsuit that accused Combs and singer \u003ca href=\"https://en.wikipedia.org/wiki/Aaron_Hall_(singer)\">Aaron Hall\u003c/a> of a series of assaults against her and her then-roommate in 1990. At the time, Gardner was 16 and on vacation in New York with some friends from North Carolina who had connections in the music industry.\u003c/p>\n\u003cp>The suit alleges that, after providing Gardner and her friend with alcohol during an MCA Records event, Combs and Hall invited them back to Hall’s for an afterparty where more alcohol was provided. At some point in the evening, Gardner says she was coerced into having sex with Combs, which left her feeling “shocked and traumatized.” As Gardner was getting dressed afterwards, the court filing alleges, “Hall barged into the room, pinned her down, and forced [her] to have sex with him.”\u003c/p>\n\u003cp>The suit alleges that Gardner’s roommate was also forced to have sex with both men in another room. Further, it alleged that Combs, concerned that one of the girls might tell other people what happened, came to where the teens were staying a few days later and choked Gardner to the point that she passed out.\u003c/p>\n\u003ch2>Dec. 6, 2023: Jane Doe sues\u003c/h2>\n\u003cfigure id=\"attachment_13954773\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954773\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/GettyImages-97628587-scaled-e1711490700758.jpg\" alt=\"Two Black men pose for the camera wearing black hats and clothes. One of them is smiling with his mouth open and wearing sunglasses.\" width=\"1920\" height=\"1277\">\u003cfigcaption class=\"wp-caption-text\">Harve Pierre and Sean ‘Diddy’ Combs in New York, March 2010. \u003ccite>(Johnny Nunez/ WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In December, a Canadian woman alleged that when she was 17, she was raped by Combs, then-president of Bad Boy Records Harve Pierre, and a third, unnamed man.\u003c/p>\n\u003cp>In court filings, \u003ca href=\"https://www.courthousenews.com/wp-content/uploads/2023/12/sean-diddy-combs-lawsuit-sdny.pdf\">Doe \u003c/a>alleged that the 2003 incident happened in a bathroom at Combs’ Daddy’s House Recording Studio in New York City after the teenager had been “plied with drugs and alcohol.” The woman claimed she was introduced to Combs over the phone after meeting Pierre and the third man in a Detroit lounge. Combs allegedly persuaded her to fly to New Jersey by private jet with the two men shortly afterwards. Photos included in the lawsuit are said to show Doe in the studio with Combs.\u003c/p>\n\u003cp>Before they left, Pierre allegedly smoked crack and forced Doe to give him oral sex.\u003c/p>\n\u003cp>In November, \u003ca href=\"https://people.com/former-bad-boy-president-harve-pierre-sued-for-sexual-assault-negligence-8406218\">Pierre was named in a separate suit\u003c/a> by a former assistant, accusing him of multiple incidents of sexual harassment and assault during 2016 and 2017. “Seeing other women bravely speak out against Mr. Combs and Mr. Pierre, respectively,” Doe’s complaint stated, “gave Ms. Doe the confidence to tell her story as well.”\u003c/p>\n\u003cp>Combs released a statement saying, “I did not do any of the awful things being alleged.”\u003c/p>\n\u003ch2>February 2024: ‘Love Album’ producer sues\u003c/h2>\n\u003cp>Producer and videographer Rodney “Lil Rod” Jones filed a $30 million \u003ca href=\"https://www.scribd.com/document/709272125/Complaint-Rodney-Jones-v-Sean-Combs-et-al\">lawsuit against Combs as well as a variety of Combs’ business and personal associates\u003c/a>. The suit concerned incidents Jones says took place between September of 2022 and November of 2023, while he was working on Combs’ \u003cem>The Love Album\u003c/em>.\u003c/p>\n\u003cp>The lawsuit alleged that Combs:\u003c/p>\n\u003cul>\n\u003cli>Repeatedly groped and touched Jones against his will\u003c/li>\n\u003cli>Entertained underage girls at his homes\u003c/li>\n\u003cli>Forced Jones to solicit sex workers and engage in intimate acts with them\u003c/li>\n\u003cli>Served drinks laced with drugs at parties\u003c/li>\n\u003cli>Asked Jones to work in the same room while Combs was naked\u003c/li>\n\u003cli>Forced Jones to lie to police about a shooting incident in which one man was injured\u003c/li>\n\u003c/ul>\n\u003cp>The court filing also included multiple screenshots claimed to pertain to the allegations. (Jones alleged that he was required to film Combs at length and that he recorded hours of footage of the rapper and others “engaging in serious illegal activity.”)\u003c/p>\n\u003cp>One of Combs’ attorneys called the allegations “pure fiction” and “a transparent attempt to garner headlines.”\u003c/p>\n\u003ch2>March 25, 2024: Home raids begin\u003c/h2>\n\u003cfigure id=\"attachment_13954772\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954772\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/GettyImages-2105337314-scaled-e1711490438517.jpg\" alt=\"At dusk, three officers wearing HSI vests stand in a paved driveway. One of them is leading a German Shepherd away.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Homeland Security Investigation agents are seen at the entrance Sean ‘Diddy’ Combs’ home at Star Island in Miami Beach on March 25, 2024. \u003ccite>(GIORGIO VIERA/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After Combs’ Los Angeles and Miami homes were raided, Homeland Security Investigations confirmed that it “executed law enforcement actions as part of an ongoing investigation, with assistance from HSI Los Angeles, HSI Miami, and our local law enforcement partners.”\u003c/p>\n\u003cp>In a statement about the raid, Combs’ attorney Aaron Dyer said: “This unprecedented ambush — paired with an advanced, coordinated media presence — leads to a premature rush to judgment of Mr. Combs and is nothing more than a witch hunt based on meritless accusations made in civil lawsuits.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>If you are struggling with issues relating to sexual assault, please call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or \u003ca href=\"https://hotline.rainn.org/online\">chat online with one of their counselors\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954740/diddy-allegations-sean-combs-raids-sex-trafficking-cassie-joi-rod-harve-pierre-jane-doe","authors":["11242"],"categories":["arts_1","arts_69","arts_75"],"tags":["arts_2798","arts_21822","arts_3620","arts_7580","arts_5676"],"featImg":"arts_13954777","label":"arts"},"arts_13954796":{"type":"posts","id":"arts_13954796","meta":{"index":"posts_1591205157","site":"arts","id":"13954796","score":null,"sort":[1711494809000]},"guestAuthors":[],"slug":"steve-martin-apple-tv-documentary-then-now-stand-up","title":"‘STEVE! (martin)’ Looks at Past, Present in a Lovely, Intimate 2-Part Documentary","publishDate":1711494809,"format":"standard","headTitle":"‘STEVE! (martin)’ Looks at Past, Present in a Lovely, Intimate 2-Part Documentary | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Steve Martin has never been one to follow any sort of playbook. It is fitting the first official documentary about his life is similarly unconventional: A freewheeling story told in two parts, one part focused on “Then” and one part focused on “Now” (kind of) with both parts debuting on Apple TV+ on Friday. Both documentarian and subject are trying, the best they can, to make sense of whatever “Steve Martin” is.\u003c/p>\n\u003cp>Directed by self-proclaimed superfan Morgan Neville (the Oscar-winner who has told the story of Fred Rogers and Anthony Bourdain), \u003cem>STEVE! (martin)\u003c/em> never commits to one form. Like its subject, it allows itself to be a little looser, utilizing every technique available to help paint a truer picture of Martin, a man so enigmatic that his close friends don’t even seem to have a handle on him. He’d hardly be the first performer to save it all for the stage: Martin says that it was somewhat comforting to be able to put on a persona during shows. He was also able to continually reinvent himself. Who else could have walked away from stand-up just as they’d reached rock star status?\u003c/p>\n\u003cp>[aside postid='arts_13954358']And so the medium becomes a kitchen sink: There is stock footage, animation, reenactment, home videos, movie clips, stand-up segments, talk show appearances, new interviews with famous friends (Martin and Jerry Seinfeld in conversation, for example), scripted voiceover and some fly-on-the-wall footage of him just spending time with Martin (Marty) Short bike riding, walking through town, playing cards and workshopping jokes for their show. It’s probably the only way to capture an artist who has taken the hyphenate to absurd levels: Magician/balloon artist/novelist/banjo player/screenwriter/essayist/art collector/joke teller/cartoonist/movie star/father/husband/friend. What am I missing?\u003c/p>\n\u003cp>For anyone who’s read Martin’s memoir \u003cem>Born Standing Up\u003c/em>, “Then” might not be especially revelatory, but it’s all context and it remains interesting to hear Martin reflect candidly on a moment that now feels “like a blip.” While he might not have had a plan, he did possess a keen sense of when he’d hit a dead end, whether that be in magic, stand-up or even movies.\u003c/p>\n\u003cp>His life in movies is saved for “Now,” and you see someone still struggling with the agony of never really knowing if a thing would work. Everyone misses once in a while, but Martin had a brutal back-to-back of a wild success in \u003cem>The Jerk\u003c/em> followed by an epic flop in \u003cem>Pennies From Heaven\u003c/em> and that was just the start of his rollercoaster in Hollywood. He’s kind of moved on from that (and \u003cem>Mixed Nuts\u003c/em>) but also kind of not. He said he had to do 40 movies to get five good ones. He’s being a little sarcastic, but hopefully he knows that a lot of people out there love far more than a measly five Steve Martin movies.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=d30IaPx5Qc8\u003c/p>\n\u003cp>It is especially fascinating to get a glimpse into his complex relationship with critics and how he found an outlet in writing both fiction and non-fiction. Personally, I wish even more time had been spent on the movies and his writings, like \u003cem>Shopgirl\u003c/em>. Everyone is bound to have a favorite that this doesn’t cover enough.\u003c/p>\n\u003cp>If you want to keep Steve Martin in your mind as that wild and crazy guy, or George Banks or Navin or Lucky Day (the list could go on), and don’t care about his relationship with his father, his decision to become a father late in life, reflections on his art collection, the memorabilia he kept over the years and the things he didn’t do that he wishes he did, these films might not be for you. There are no rules to being a fan. For some, biography can mean everything. For others, it matters little when there’s so much joy to be had without it.\u003c/p>\n\u003cp>[aside postid='arts_13954225']Martin, who has been both an open book in some ways and also guarded in others, is really quite vulnerable here — especially in “Now.” Neville captures him looking at the script for \u003cem>Planes, Trains and Automobiles\u003c/em> and reflecting on his late friend and co-star John Candy. There was a great monologue, he said, in which Candy’s Del Griffith tells the story of his life. Martin recalled bawling off camera as Candy delivered it. And yet for whatever reason, it was chopped down to a line or two. He reads a bit of it and starts to cry.\u003c/p>\n\u003cp>There’s more, but if that sounds intriguing, you should really just watch it. Neville has said it doesn’t matter which order. And what does it add up to? On a certain level he’s still an enigma. It’s hard for mere mortals to comprehend a half century of otherworldly fame, but it’s also just nice to watch a familiar face reflect on how he has, at 78, finally found happiness. Besides, Steve Martin’s story is not even remotely finished. These are just two parts.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘STEVE! (martin)’ begins streaming on Apple TV+ on March 29, 2024.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"It may be hard to comprehend his half century of otherworldly fame, but it’s nice to watch a beloved comic reflect on life.","status":"publish","parent":0,"modified":1711494809,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":918},"headData":{"title":"Review: ‘STEVE! (martin)’ Documentary on Apple TV+ | KQED","description":"It may be hard to comprehend his half century of otherworldly fame, but it’s nice to watch a beloved comic reflect on life.","ogTitle":"‘STEVE! (martin)’ Looks at Past, Present in a Lovely, Intimate 2-Part Documentary","ogDescription":"","ogImgId":"","twTitle":"‘STEVE! (martin)’ Looks at Past, Present in a Lovely, Intimate 2-Part Documentary","twDescription":"","twImgId":"","socialTitle":"Review: ‘STEVE! (martin)’ Documentary on Apple TV+%%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Lindsey Bahr, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954796/steve-martin-apple-tv-documentary-then-now-stand-up","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Steve Martin has never been one to follow any sort of playbook. It is fitting the first official documentary about his life is similarly unconventional: A freewheeling story told in two parts, one part focused on “Then” and one part focused on “Now” (kind of) with both parts debuting on Apple TV+ on Friday. Both documentarian and subject are trying, the best they can, to make sense of whatever “Steve Martin” is.\u003c/p>\n\u003cp>Directed by self-proclaimed superfan Morgan Neville (the Oscar-winner who has told the story of Fred Rogers and Anthony Bourdain), \u003cem>STEVE! (martin)\u003c/em> never commits to one form. Like its subject, it allows itself to be a little looser, utilizing every technique available to help paint a truer picture of Martin, a man so enigmatic that his close friends don’t even seem to have a handle on him. He’d hardly be the first performer to save it all for the stage: Martin says that it was somewhat comforting to be able to put on a persona during shows. He was also able to continually reinvent himself. Who else could have walked away from stand-up just as they’d reached rock star status?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954358","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>And so the medium becomes a kitchen sink: There is stock footage, animation, reenactment, home videos, movie clips, stand-up segments, talk show appearances, new interviews with famous friends (Martin and Jerry Seinfeld in conversation, for example), scripted voiceover and some fly-on-the-wall footage of him just spending time with Martin (Marty) Short bike riding, walking through town, playing cards and workshopping jokes for their show. It’s probably the only way to capture an artist who has taken the hyphenate to absurd levels: Magician/balloon artist/novelist/banjo player/screenwriter/essayist/art collector/joke teller/cartoonist/movie star/father/husband/friend. What am I missing?\u003c/p>\n\u003cp>For anyone who’s read Martin’s memoir \u003cem>Born Standing Up\u003c/em>, “Then” might not be especially revelatory, but it’s all context and it remains interesting to hear Martin reflect candidly on a moment that now feels “like a blip.” While he might not have had a plan, he did possess a keen sense of when he’d hit a dead end, whether that be in magic, stand-up or even movies.\u003c/p>\n\u003cp>His life in movies is saved for “Now,” and you see someone still struggling with the agony of never really knowing if a thing would work. Everyone misses once in a while, but Martin had a brutal back-to-back of a wild success in \u003cem>The Jerk\u003c/em> followed by an epic flop in \u003cem>Pennies From Heaven\u003c/em> and that was just the start of his rollercoaster in Hollywood. He’s kind of moved on from that (and \u003cem>Mixed Nuts\u003c/em>) but also kind of not. He said he had to do 40 movies to get five good ones. He’s being a little sarcastic, but hopefully he knows that a lot of people out there love far more than a measly five Steve Martin movies.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/d30IaPx5Qc8'\n title='//www.youtube.com/embed/d30IaPx5Qc8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It is especially fascinating to get a glimpse into his complex relationship with critics and how he found an outlet in writing both fiction and non-fiction. Personally, I wish even more time had been spent on the movies and his writings, like \u003cem>Shopgirl\u003c/em>. Everyone is bound to have a favorite that this doesn’t cover enough.\u003c/p>\n\u003cp>If you want to keep Steve Martin in your mind as that wild and crazy guy, or George Banks or Navin or Lucky Day (the list could go on), and don’t care about his relationship with his father, his decision to become a father late in life, reflections on his art collection, the memorabilia he kept over the years and the things he didn’t do that he wishes he did, these films might not be for you. There are no rules to being a fan. For some, biography can mean everything. For others, it matters little when there’s so much joy to be had without it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954225","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Martin, who has been both an open book in some ways and also guarded in others, is really quite vulnerable here — especially in “Now.” Neville captures him looking at the script for \u003cem>Planes, Trains and Automobiles\u003c/em> and reflecting on his late friend and co-star John Candy. There was a great monologue, he said, in which Candy’s Del Griffith tells the story of his life. Martin recalled bawling off camera as Candy delivered it. And yet for whatever reason, it was chopped down to a line or two. He reads a bit of it and starts to cry.\u003c/p>\n\u003cp>There’s more, but if that sounds intriguing, you should really just watch it. Neville has said it doesn’t matter which order. And what does it add up to? On a certain level he’s still an enigma. It’s hard for mere mortals to comprehend a half century of otherworldly fame, but it’s also just nice to watch a familiar face reflect on how he has, at 78, finally found happiness. Besides, Steve Martin’s story is not even remotely finished. These are just two parts.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘STEVE! (martin)’ begins streaming on Apple TV+ on March 29, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954796/steve-martin-apple-tv-documentary-then-now-stand-up","authors":["byline_arts_13954796"],"programs":["arts_140"],"categories":["arts_1","arts_968","arts_75","arts_990"],"tags":["arts_13672","arts_769","arts_585"],"featImg":"arts_13954799","label":"arts_140"},"arts_13954502":{"type":"posts","id":"arts_13954502","meta":{"index":"posts_1591205157","site":"arts","id":"13954502","score":null,"sort":[1711055118000]},"guestAuthors":[],"slug":"beyonces-new-album-is-inspired-by-backlash-to-her-entering-the-country-music-genre","title":"Beyoncé’s New Album Is Inspired by Backlash to Her Entering the Country Music Genre","publishDate":1711055118,"format":"standard","headTitle":"Beyoncé’s New Album Is Inspired by Backlash to Her Entering the Country Music Genre | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>The Queen Bey has entered the country music genre but make no mistake, this is no random sliding into the charts.\u003c/p>\n\u003cp>With less than 10 days left until the release of her eighth studio album \u003cem>Cowboy Carter\u003c/em>, Beyoncé is reflecting on making the upcoming album — as she explained to fans the inspiration behind it and how exactly the piece of art came to life.\u003c/p>\n\u003cp>[aside postid='arts_13940030']In an \u003ca href=\"https://www.instagram.com/p/C4s6Zr7rlwA/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==\">Instagram post\u003c/a> on Tuesday, the singer-songwriter shared a new photo of herself wearing a red, white and blue outfit sitting on a horse while holding up an American flag.\u003c/p>\n\u003cp>“Thank you from the bottom of my heart to all of the supporters of TEXAS HOLD ‘EM and 16 CARRIAGES. I feel honored to be the first Black woman with the number one single on the Hot Country Songs chart,” Beyoncé wrote.\u003c/p>\n\u003cp>“That would not have happened without the outpouring of support from each and every one of you. My hope is that years from now, the mention of an artist’s race, as it relates to releasing genres of music, will be irrelevant,” she added.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/p/C4s6Zr7rlwA/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954505\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM.png\" alt=\"A Black woman dressed in red, white and blue sits side saddle on a galloping white horse, holding up an American flag.\" width=\"914\" height=\"1242\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM.png 914w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM-800x1087.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM-160x217.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM-768x1044.png 768w\" sizes=\"(max-width: 914px) 100vw, 914px\">\u003c/a>\u003c/p>\n\u003cp>Beyoncé wrote in her long caption that she’d been working on \u003cem>Cowboy Carter\u003c/em> for five years, a project that was “born out of an experience” that she had years ago where she “did not feel welcomed.”\u003c/p>\n\u003cp>“… and it was very clear that I wasn’t,” she added.\u003c/p>\n\u003cp>While the 42-year-old did not go into detail about what experience made her feel unwelcomed, fans speculate the singer was referencing her\u003ca href=\"https://www.youtube.com/watch?v=-3Ygnx9C5AU\"> 2016 appearance at the CMA Awards\u003c/a>, when she performed her country pop song “Daddy Lessons” off her \u003cem>Lemonade \u003c/em>album alongside The Chicks (formerly known as The Dixie Chicks).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Jj1T7uHdBcY\u003c/p>\n\u003cp>While the crowd reacted positively to the performance, Beyoncé herself received \u003ca href=\"https://www.billboard.com/music/music-news/beyonce-cmas-cowboy-carter-1235636304/\">racist backlash from some country fans\u003c/a> who criticized the CMA’s decision to let her perform, \u003cem>HuffPost\u003c/em> reported.\u003c/p>\n\u003ch3>“This ain’t a Country album. This is a Beyoncé album”\u003c/h3>\n\u003cp>“But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive,” the singer said, adding how music can play an important role in the world.\u003c/p>\n\u003cp>“This ain’t a Country album. This is a ‘Beyoncé album,” she concluded.\u003c/p>\n\u003cp>\u003cem>Act II: Cowboy Carter\u003c/em> is the 32-time Grammy award-winner’s second installment of her three-act project following her 2022 dance album \u003cem>Act I: Renaissance\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13953532']Her single, “Texas Hold ‘Em” — which was released alongside “16 Carriages” on Feb. 11 \u003ca href=\"https://www.kqed.org/arts/13952067/beyonce-new-songs-super-bowl-16-carriages-texas-hold-em\">during the Super Bowl\u003c/a> — debuted at No. 1 on Billboard’s Hot Country Songs chart, \u003ca href=\"https://www.billboard.com/music/chart-beat/beyonce-texas-hold-em-number-1-hot-country-songs-chart-1235610582/\">the publication said.\u003c/a>\u003c/p>\n\u003cp>Beyoncé became the only other solo woman alongside Taylor Swift to achieve the feat with no accompanying artists, according to Billboard. Additionally, “16 Carriages,” debuted at No. 9 on the Hot Country Songs chart and No. 38 on the Hot 100 chart.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Cowboy Carter\u003c/em> is set to be released on (Good) Friday, March 29.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9%27s+new+album+is+inspired+by+backlash+to+her+entering+the+country+music+genre&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Beyoncé’s new album ‘Cowboy Carter’ is released on March 29, 2024.","status":"publish","parent":0,"modified":1711055118,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":553},"headData":{"title":"Beyoncé’s New Album Is Inspired by Backlash to Her Entering the Country Music Genre | KQED","description":"Beyoncé’s new album ‘Cowboy Carter’ is released on March 29, 2024.","ogTitle":"Beyoncé’s New Album Is Inspired by Backlash to Her Entering the Country Music Genre","ogDescription":"","ogImgId":"","twTitle":"Beyoncé’s New Album Is Inspired by Backlash to Her Entering the Country Music Genre","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Andrew Harnik","nprByline":"Jonathan Franklin","nprImageAgency":"AP","nprStoryId":"1239543914","nprApiLink":"http://api.npr.org/query?id=1239543914&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/03/19/1239543914/beyonce-cowboy-carter-album-inspiration-country-music?ft=nprml&f=1239543914","nprRetrievedStory":"1","nprPubDate":"Wed, 20 Mar 2024 12:38:00 -0400","nprStoryDate":"Tue, 19 Mar 2024 20:34:34 -0400","nprLastModifiedDate":"Wed, 20 Mar 2024 12:38:03 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954502/beyonces-new-album-is-inspired-by-backlash-to-her-entering-the-country-music-genre","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Queen Bey has entered the country music genre but make no mistake, this is no random sliding into the charts.\u003c/p>\n\u003cp>With less than 10 days left until the release of her eighth studio album \u003cem>Cowboy Carter\u003c/em>, Beyoncé is reflecting on making the upcoming album — as she explained to fans the inspiration behind it and how exactly the piece of art came to life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13940030","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In an \u003ca href=\"https://www.instagram.com/p/C4s6Zr7rlwA/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==\">Instagram post\u003c/a> on Tuesday, the singer-songwriter shared a new photo of herself wearing a red, white and blue outfit sitting on a horse while holding up an American flag.\u003c/p>\n\u003cp>“Thank you from the bottom of my heart to all of the supporters of TEXAS HOLD ‘EM and 16 CARRIAGES. I feel honored to be the first Black woman with the number one single on the Hot Country Songs chart,” Beyoncé wrote.\u003c/p>\n\u003cp>“That would not have happened without the outpouring of support from each and every one of you. My hope is that years from now, the mention of an artist’s race, as it relates to releasing genres of music, will be irrelevant,” she added.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/p/C4s6Zr7rlwA/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954505\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM.png\" alt=\"A Black woman dressed in red, white and blue sits side saddle on a galloping white horse, holding up an American flag.\" width=\"914\" height=\"1242\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM.png 914w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM-800x1087.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM-160x217.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-20-at-4.04.51-PM-768x1044.png 768w\" sizes=\"(max-width: 914px) 100vw, 914px\">\u003c/a>\u003c/p>\n\u003cp>Beyoncé wrote in her long caption that she’d been working on \u003cem>Cowboy Carter\u003c/em> for five years, a project that was “born out of an experience” that she had years ago where she “did not feel welcomed.”\u003c/p>\n\u003cp>“… and it was very clear that I wasn’t,” she added.\u003c/p>\n\u003cp>While the 42-year-old did not go into detail about what experience made her feel unwelcomed, fans speculate the singer was referencing her\u003ca href=\"https://www.youtube.com/watch?v=-3Ygnx9C5AU\"> 2016 appearance at the CMA Awards\u003c/a>, when she performed her country pop song “Daddy Lessons” off her \u003cem>Lemonade \u003c/em>album alongside The Chicks (formerly known as The Dixie Chicks).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Jj1T7uHdBcY'\n title='//www.youtube.com/embed/Jj1T7uHdBcY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>While the crowd reacted positively to the performance, Beyoncé herself received \u003ca href=\"https://www.billboard.com/music/music-news/beyonce-cmas-cowboy-carter-1235636304/\">racist backlash from some country fans\u003c/a> who criticized the CMA’s decision to let her perform, \u003cem>HuffPost\u003c/em> reported.\u003c/p>\n\u003ch3>“This ain’t a Country album. This is a Beyoncé album”\u003c/h3>\n\u003cp>“But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive,” the singer said, adding how music can play an important role in the world.\u003c/p>\n\u003cp>“This ain’t a Country album. This is a ‘Beyoncé album,” she concluded.\u003c/p>\n\u003cp>\u003cem>Act II: Cowboy Carter\u003c/em> is the 32-time Grammy award-winner’s second installment of her three-act project following her 2022 dance album \u003cem>Act I: Renaissance\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953532","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Her single, “Texas Hold ‘Em” — which was released alongside “16 Carriages” on Feb. 11 \u003ca href=\"https://www.kqed.org/arts/13952067/beyonce-new-songs-super-bowl-16-carriages-texas-hold-em\">during the Super Bowl\u003c/a> — debuted at No. 1 on Billboard’s Hot Country Songs chart, \u003ca href=\"https://www.billboard.com/music/chart-beat/beyonce-texas-hold-em-number-1-hot-country-songs-chart-1235610582/\">the publication said.\u003c/a>\u003c/p>\n\u003cp>Beyoncé became the only other solo woman alongside Taylor Swift to achieve the feat with no accompanying artists, according to Billboard. Additionally, “16 Carriages,” debuted at No. 9 on the Hot Country Songs chart and No. 38 on the Hot 100 chart.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Cowboy Carter\u003c/em> is set to be released on (Good) Friday, March 29.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9%27s+new+album+is+inspired+by+backlash+to+her+entering+the+country+music+genre&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954502/beyonces-new-album-is-inspired-by-backlash-to-her-entering-the-country-music-genre","authors":["byline_arts_13954502"],"categories":["arts_1","arts_69","arts_75"],"tags":["arts_1686","arts_7534"],"affiliates":["arts_137"],"featImg":"arts_13954503","label":"arts_137"},"arts_13954491":{"type":"posts","id":"arts_13954491","meta":{"index":"posts_1591205157","site":"arts","id":"13954491","score":null,"sort":[1710975158000]},"guestAuthors":[],"slug":"sydney-sweeney-horror-movie-immaculate-review","title":"Things Get Scary for Sydney Sweeney in a Creepy Italian Convent in ‘Immaculate’","publishDate":1710975158,"format":"standard","headTitle":"Things Get Scary for Sydney Sweeney in a Creepy Italian Convent in ‘Immaculate’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>It’s not your imagination: Sydney Sweeney is everywhere. In the past four months, she’s been in a romantic comedy that turned into a sleeper hit, a superhero movie that didn’t and, as of this weekend, a bloody horror. Results have varied, quality-wise, but for someone the culture seems to want to (unfairly) pigeonhole as a specific type, she is really blowing through movie genres in record time.\u003c/p>\n\u003cp>[aside postid='arts_13954333']She also happened to produce the horror, \u003cem>Immaculate\u003c/em>, in which she plays a young American nun, Cecilia, who’s decided to join an Italian convent. Her character found God after a near-death experience at a young age and, after her parish closes, she gets a lifeline to go abroad and help tend to older, dying nuns. The prettiness of the new surroundings is just a front, of course, and she starts to discover some sinister happenings within the ancient walls.\u003c/p>\n\u003cp>\u003cem>Immaculate\u003c/em> is a project that Sweeney originally auditioned for a decade ago, when she was 16. If anything, it is a great showcase for Sweeney’s range (she gets to go from somewhat meek to primal scream) and is full of interesting visuals, beautiful costumes and accomplished makeup work showing all manner of bloody, mangled faces and limbs. But it’s also a movie that does not seem as sure of itself or the point it’s trying to make.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sDhsfV7r_1w\u003c/p>\n\u003cp>It’s not hard to make a remote Italian convent creepy, or say something provocative and interesting about organized religion — quite a few horrors have succeeded here in the past. But \u003cem>Immaculate\u003c/em> is not even confident enough to let us experience this place exclusively through Cecilia. No, it opens with a nightmarish prologue to give us a tease of what’s in store for our innocent heroine, like it’s a straight-to-streaming film that doesn’t want you to click onto something else. Being a theatrical release, however, you have to imagine that ticket buyers are going to give the movie the benefit of the doubt and not flee 15 minutes into an 89-minute run.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Or perhaps horror audiences want as much carnage and jump scares as possible — if that is the case, this should be satisfying enough. There are plenty of comically squeaky doors and close-ups of a terrified face wandering around corners in the dark by only candlelight. And the finale is fiery and violent and gruesome as well, with a very silly and perhaps unearned explanation of everything that’s been happening. At least it’s wrapped up, I guess?\u003c/p>\n\u003cp>[aside postid='arts_13953248']But it also doesn’t stand up to much interrogation. Take, for example, its use of subtitles. Cecilia doesn’t yet understand Italian so is beholden to bilingual nuns to translate — which they don’t do entirely accurately or faithfully. Later, when she’s being interrogated by the cardinal (Giorgio Colangeli), we the audience are not privy to any subtitles and have to rely on Father Sal (Álvaro Morte) to translate. Are we to take him at his word when everyone else has proven to be unreliable? Again, why not just trust us to be in Cecilia’s shoes throughout?\u003c/p>\n\u003cp>This script, written by Andrew Lobel and directed by Michael Mohan, does not seem to really care much about Cecelia and what makes her tick beyond that one story from her childhood. The main nuance she gets is through Sweeney’s performance, which shows us that she does have a spark and the personality to rebel. There were some lofty ideas behind \u003cem>Immaculate\u003c/em> that seem underserved (about bodily autonomy and such) and she gets several memorable movie star moments, but I want more for Sweeney than whatever this adds up to. She has the chops (a reminder to watch Tina Satter’s great film \u003cem>Reality\u003c/em>), she just needs the material.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Immaculate’ is released nationwide on March 22, 2024.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The horror film doesn’t stand up to much interrogation, but it has plenty of jump scares for horror fans.","status":"publish","parent":0,"modified":1710981144,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":688},"headData":{"title":"‘Immaculate’ Review: Sydney Sweeney’s Range Is on Full Display | KQED","description":"The horror film doesn’t stand up to much interrogation, but it has plenty of jump scares for horror fans.","ogTitle":"Things Get Scary for Sydney Sweeney in a Creepy Italian Convent in ‘Immaculate’","ogDescription":"","ogImgId":"","twTitle":"Things Get Scary for Sydney Sweeney in a Creepy Italian Convent in ‘Immaculate’","twDescription":"","twImgId":"","socialTitle":"‘Immaculate’ Review: Sydney Sweeney’s Range Is on Full Display %%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Lindsey Bahr, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954491/sydney-sweeney-horror-movie-immaculate-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s not your imagination: Sydney Sweeney is everywhere. In the past four months, she’s been in a romantic comedy that turned into a sleeper hit, a superhero movie that didn’t and, as of this weekend, a bloody horror. Results have varied, quality-wise, but for someone the culture seems to want to (unfairly) pigeonhole as a specific type, she is really blowing through movie genres in record time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954333","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>She also happened to produce the horror, \u003cem>Immaculate\u003c/em>, in which she plays a young American nun, Cecilia, who’s decided to join an Italian convent. Her character found God after a near-death experience at a young age and, after her parish closes, she gets a lifeline to go abroad and help tend to older, dying nuns. The prettiness of the new surroundings is just a front, of course, and she starts to discover some sinister happenings within the ancient walls.\u003c/p>\n\u003cp>\u003cem>Immaculate\u003c/em> is a project that Sweeney originally auditioned for a decade ago, when she was 16. If anything, it is a great showcase for Sweeney’s range (she gets to go from somewhat meek to primal scream) and is full of interesting visuals, beautiful costumes and accomplished makeup work showing all manner of bloody, mangled faces and limbs. But it’s also a movie that does not seem as sure of itself or the point it’s trying to make.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sDhsfV7r_1w'\n title='//www.youtube.com/embed/sDhsfV7r_1w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s not hard to make a remote Italian convent creepy, or say something provocative and interesting about organized religion — quite a few horrors have succeeded here in the past. But \u003cem>Immaculate\u003c/em> is not even confident enough to let us experience this place exclusively through Cecilia. No, it opens with a nightmarish prologue to give us a tease of what’s in store for our innocent heroine, like it’s a straight-to-streaming film that doesn’t want you to click onto something else. Being a theatrical release, however, you have to imagine that ticket buyers are going to give the movie the benefit of the doubt and not flee 15 minutes into an 89-minute run.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Or perhaps horror audiences want as much carnage and jump scares as possible — if that is the case, this should be satisfying enough. There are plenty of comically squeaky doors and close-ups of a terrified face wandering around corners in the dark by only candlelight. And the finale is fiery and violent and gruesome as well, with a very silly and perhaps unearned explanation of everything that’s been happening. At least it’s wrapped up, I guess?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953248","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But it also doesn’t stand up to much interrogation. Take, for example, its use of subtitles. Cecilia doesn’t yet understand Italian so is beholden to bilingual nuns to translate — which they don’t do entirely accurately or faithfully. Later, when she’s being interrogated by the cardinal (Giorgio Colangeli), we the audience are not privy to any subtitles and have to rely on Father Sal (Álvaro Morte) to translate. Are we to take him at his word when everyone else has proven to be unreliable? Again, why not just trust us to be in Cecilia’s shoes throughout?\u003c/p>\n\u003cp>This script, written by Andrew Lobel and directed by Michael Mohan, does not seem to really care much about Cecelia and what makes her tick beyond that one story from her childhood. The main nuance she gets is through Sweeney’s performance, which shows us that she does have a spark and the personality to rebel. There were some lofty ideas behind \u003cem>Immaculate\u003c/em> that seem underserved (about bodily autonomy and such) and she gets several memorable movie star moments, but I want more for Sweeney than whatever this adds up to. She has the chops (a reminder to watch Tina Satter’s great film \u003cem>Reality\u003c/em>), she just needs the material.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Immaculate’ is released nationwide on March 22, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954491/sydney-sweeney-horror-movie-immaculate-review","authors":["byline_arts_13954491"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75"],"tags":["arts_5087","arts_769","arts_585"],"featImg":"arts_13954492","label":"arts_140"},"arts_13954358":{"type":"posts","id":"arts_13954358","meta":{"index":"posts_1591205157","site":"arts","id":"13954358","score":null,"sort":[1710885326000]},"guestAuthors":[],"slug":"threats-debt-and-trumps-advances-stormy-doc-examines-the-life-of-stormy-daniels","title":"Threats, Debt and Trump’s Advances: ‘Stormy’ Doc Examines the Life of Stormy Daniels","publishDate":1710885326,"format":"standard","headTitle":"Threats, Debt and Trump’s Advances: ‘Stormy’ Doc Examines the Life of Stormy Daniels | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The new documentary \u003ca href=\"https://www.peacocktv.com/blog/watch-the-trailer-for-stormy\">\u003cem>Stormy \u003c/em>\u003c/a>begins in 2023 — around the time former President Donald Trump was indicted over hush-money payments made during his 2016 presidential campaign.\u003c/p>\n\u003cp>Stormy Daniels, who was paid by Trump’s lawyer Michael Cohen to keep quiet about their alleged previous affair, watches the news unfold on TV and then says, “Let’s go,” before she walks off screen.\u003c/p>\n\u003cp>\u003cem>Stormy\u003c/em> chronicles Daniels’ life from her childhood in Baton Rouge, La., to her rise as an adult film actor and then, in the opinion of some, a feminist hero. It also gives viewers a glimpse into how she went from friend to foe of a celebrity businessman who became president of the United States.\u003c/p>\n\u003cp>“I am here today to tell my story and even if I just change a few people’s minds, it’s fine. If not, at least my daughter can look back on this and know the truth,” she said in the film.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_tE7h_TJkxg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Trump’s criminal trial over the hush-money payments has been delayed until mid-April. He faces 34 felony counts, alleging he falsified New York business records to conceal damaging information before the 2016 presidential election. Trump denies the allegations that he had an affair with Daniels and has pleaded not guilty to all counts.\u003c/p>\n\u003cp>[aside postid='arts_13954225']On Monday, a judge rejected Trump’s bid to block Cohen and Daniels — whose legal name is Stephanie Clifford — from testifying. The trial date will be set at a hearing on March 25.\u003c/p>\n\u003cp>The film, released Monday on Peacock, mainly captures Daniels’ life between 2018 and 2023. Here are the main takeaways from the documentary:\u003c/p>\n\u003ch3>1. Daniels explains why she didn’t say no to Trump’s advances back in 2006\u003c/h3>\n\u003cp>Daniels alleged that she was abused by a neighbor in Louisiana when she was 9 years old. She did not go into further detail except to say that the man, whom she did not name, had abused other young girls and has since died.\u003c/p>\n\u003cp>Later in the film, as Daniels explained why she did not refuse Trump’s advances when the two met in 2006, she said, “I didn’t say no because I just, I was 9 years old again.” At the time, Daniels was in her 20s and Trump was 60.\u003c/p>\n\u003cp>Though she described the alleged affair as consensual, Daniels said she did not want to have sex with Trump.\u003c/p>\n\u003cp>“To this day, I blame myself and I have not forgiven myself because I didn’t shut his a** down in that moment, so maybe make him pause before he tried it with someone else,” she said. “The hardest part about all of this is I feel like I am partially responsible for every woman that could have come after me.”\u003c/p>\n\u003ch3>2. Threats against Daniels have become more disturbing\u003c/h3>\n\u003cp>Throughout the film, Daniels is forced to navigate insults and threats hurled at her and her family.\u003c/p>\n\u003cp>[aside postid='arts_13954104']But she described herself as having thick skin. In one scene from 2018, Daniels joked that she was disappointed she could not find any hate comments on Twitter after she had received a key to West Hollywood from the city’s mayor.\u003c/p>\n\u003cp>Fast forward to this past year, after Trump’s indictment, Daniels said the hate comments had become more intense and disturbing.\u003c/p>\n\u003cp>“Back in 2018, there was stuff like ‘liar, s***, gold digger,’” she said. “This time around, it is very different. It is direct threats. It is ‘I’m going to come to your house and slit your throat.’”\u003c/p>\n\u003cp>Daniels added that she did not feel protected by the justice system, and accused it of ignoring her concerns about her safety.\u003c/p>\n\u003ch3>3. Daniels says her ‘soul is so tired’ but she is willing to testify against Trump\u003c/h3>\n\u003cp>Amid the six-year conflict with Trump, Daniels’ marriage ended, her relationship with her daughter became strained, and she felt her safety was constantly jeopardized.\u003c/p>\n\u003cp>[aside postid='arts_13938155']But with Trump about to go on trial, Daniels said she’s willing to testify in court against the former president.\u003c/p>\n\u003cp>“I’m more prepared with my legal knowledge but I’m also tired. Like, my soul is so tired,” she said. “I won’t give up because I’m telling the truth. And I kind of don’t even know if it matters anymore.”\u003c/p>\n\u003ch3>4. Daniels owes Trump over $600,000 in attorney fees\u003c/h3>\n\u003cp>Near the end of the documentary, it’s clear that Daniels also suffered financially as a result of her years-long legal battle against Trump.\u003c/p>\n\u003cp>In 2018, Daniels sued Trump for defamation. The suit was based on a tweet Trump wrote that year, which suggested Daniels had lied about being threatened in 2011 to not speak out about her alleged previous affair with Trump.\u003c/p>\n\u003cp>A federal judge later dismissed the suit and ordered Daniels to pay the then-president’s legal fees.\u003c/p>\n\u003cp>Daniels appealed but lost. She now owes Trump over $600,000 in attorney fees. The film asserts that Daniels is afraid she may lose her home.\u003c/p>\n\u003ch3>5. Seth Rogen and Jimmy Kimmel speak on Daniels’ behalf\u003c/h3>\n\u003cp>Among the people who appeared in the documentary were actor Seth Rogen and late-night TV host Jimmy Kimmel.\u003c/p>\n\u003cp>Rogen, who worked with Daniels on the 2007 film \u003cem>Knocked Up\u003c/em>, recalled talking with her about Trump. At the time, Daniels said she was communicating with Trump about possibly being on his former reality TV show \u003cem>Celebrity Apprentice\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13951078']“She didn’t realize she would one day be at the center of this giant thing as she was messing around with some game show host,” Rogen said. “She’s someone who made an enemy of the most powerful guy on the planet and didn’t, like, cower.”\u003c/p>\n\u003cp>Kimmel invited Daniels to his show in 2018, when Daniels’ nondisclosure agreement about her previous affair with Trump was still in effect.\u003c/p>\n\u003cp>Kimmel described Daniels as having a good sense of humor but also afraid of violating her NDA. He nodded to this during their interview, in which he brought out \u003ca href=\"https://www.youtube.com/watch?v=Ntl5Da1vblI\">puppets \u003c/a>to reenact her interactions with Trump.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“She told the truth and she paid a price for that,” Kimmel said in the film. “It’s not something that just goes away.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Threats%2C+debt+and+Trump%27s+advances%3A+%27Stormy%27+doc+examines+the+life+of+Stormy+Daniels&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"A new documentary chronicles Daniels' legal battles and how they have changed her and her family.","status":"publish","parent":0,"modified":1710885326,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1123},"headData":{"title":"Stormy Daniels Documentary on Peacock: 5 Key Moments | KQED","description":"A new documentary chronicles Daniels' legal battles and how they have changed her and her family.","ogTitle":"Threats, Debt and Trump’s Advances: ‘Stormy’ Doc Examines the Life of Stormy Daniels","ogDescription":"","ogImgId":"","twTitle":"Threats, Debt and Trump’s Advances: ‘Stormy’ Doc Examines the Life of Stormy Daniels","twDescription":"","twImgId":"","socialTitle":"Stormy Daniels Documentary on Peacock: 5 Key Moments %%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Juliana Kim","nprImageAgency":"NBCU","nprStoryId":"1239220679","nprApiLink":"http://api.npr.org/query?id=1239220679&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/03/19/1239220679/stormy-daniels-documentary-peacock-trump?ft=nprml&f=1239220679","nprRetrievedStory":"1","nprPubDate":"Tue, 19 Mar 2024 12:34:00 -0400","nprStoryDate":"Tue, 19 Mar 2024 12:34:49 -0400","nprLastModifiedDate":"Tue, 19 Mar 2024 12:34:49 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954358/threats-debt-and-trumps-advances-stormy-doc-examines-the-life-of-stormy-daniels","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The new documentary \u003ca href=\"https://www.peacocktv.com/blog/watch-the-trailer-for-stormy\">\u003cem>Stormy \u003c/em>\u003c/a>begins in 2023 — around the time former President Donald Trump was indicted over hush-money payments made during his 2016 presidential campaign.\u003c/p>\n\u003cp>Stormy Daniels, who was paid by Trump’s lawyer Michael Cohen to keep quiet about their alleged previous affair, watches the news unfold on TV and then says, “Let’s go,” before she walks off screen.\u003c/p>\n\u003cp>\u003cem>Stormy\u003c/em> chronicles Daniels’ life from her childhood in Baton Rouge, La., to her rise as an adult film actor and then, in the opinion of some, a feminist hero. It also gives viewers a glimpse into how she went from friend to foe of a celebrity businessman who became president of the United States.\u003c/p>\n\u003cp>“I am here today to tell my story and even if I just change a few people’s minds, it’s fine. If not, at least my daughter can look back on this and know the truth,” she said in the film.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_tE7h_TJkxg'\n title='//www.youtube.com/embed/_tE7h_TJkxg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Trump’s criminal trial over the hush-money payments has been delayed until mid-April. He faces 34 felony counts, alleging he falsified New York business records to conceal damaging information before the 2016 presidential election. Trump denies the allegations that he had an affair with Daniels and has pleaded not guilty to all counts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954225","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>On Monday, a judge rejected Trump’s bid to block Cohen and Daniels — whose legal name is Stephanie Clifford — from testifying. The trial date will be set at a hearing on March 25.\u003c/p>\n\u003cp>The film, released Monday on Peacock, mainly captures Daniels’ life between 2018 and 2023. Here are the main takeaways from the documentary:\u003c/p>\n\u003ch3>1. Daniels explains why she didn’t say no to Trump’s advances back in 2006\u003c/h3>\n\u003cp>Daniels alleged that she was abused by a neighbor in Louisiana when she was 9 years old. She did not go into further detail except to say that the man, whom she did not name, had abused other young girls and has since died.\u003c/p>\n\u003cp>Later in the film, as Daniels explained why she did not refuse Trump’s advances when the two met in 2006, she said, “I didn’t say no because I just, I was 9 years old again.” At the time, Daniels was in her 20s and Trump was 60.\u003c/p>\n\u003cp>Though she described the alleged affair as consensual, Daniels said she did not want to have sex with Trump.\u003c/p>\n\u003cp>“To this day, I blame myself and I have not forgiven myself because I didn’t shut his a** down in that moment, so maybe make him pause before he tried it with someone else,” she said. “The hardest part about all of this is I feel like I am partially responsible for every woman that could have come after me.”\u003c/p>\n\u003ch3>2. Threats against Daniels have become more disturbing\u003c/h3>\n\u003cp>Throughout the film, Daniels is forced to navigate insults and threats hurled at her and her family.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954104","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But she described herself as having thick skin. In one scene from 2018, Daniels joked that she was disappointed she could not find any hate comments on Twitter after she had received a key to West Hollywood from the city’s mayor.\u003c/p>\n\u003cp>Fast forward to this past year, after Trump’s indictment, Daniels said the hate comments had become more intense and disturbing.\u003c/p>\n\u003cp>“Back in 2018, there was stuff like ‘liar, s***, gold digger,’” she said. “This time around, it is very different. It is direct threats. It is ‘I’m going to come to your house and slit your throat.’”\u003c/p>\n\u003cp>Daniels added that she did not feel protected by the justice system, and accused it of ignoring her concerns about her safety.\u003c/p>\n\u003ch3>3. Daniels says her ‘soul is so tired’ but she is willing to testify against Trump\u003c/h3>\n\u003cp>Amid the six-year conflict with Trump, Daniels’ marriage ended, her relationship with her daughter became strained, and she felt her safety was constantly jeopardized.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938155","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But with Trump about to go on trial, Daniels said she’s willing to testify in court against the former president.\u003c/p>\n\u003cp>“I’m more prepared with my legal knowledge but I’m also tired. Like, my soul is so tired,” she said. “I won’t give up because I’m telling the truth. And I kind of don’t even know if it matters anymore.”\u003c/p>\n\u003ch3>4. Daniels owes Trump over $600,000 in attorney fees\u003c/h3>\n\u003cp>Near the end of the documentary, it’s clear that Daniels also suffered financially as a result of her years-long legal battle against Trump.\u003c/p>\n\u003cp>In 2018, Daniels sued Trump for defamation. The suit was based on a tweet Trump wrote that year, which suggested Daniels had lied about being threatened in 2011 to not speak out about her alleged previous affair with Trump.\u003c/p>\n\u003cp>A federal judge later dismissed the suit and ordered Daniels to pay the then-president’s legal fees.\u003c/p>\n\u003cp>Daniels appealed but lost. She now owes Trump over $600,000 in attorney fees. The film asserts that Daniels is afraid she may lose her home.\u003c/p>\n\u003ch3>5. Seth Rogen and Jimmy Kimmel speak on Daniels’ behalf\u003c/h3>\n\u003cp>Among the people who appeared in the documentary were actor Seth Rogen and late-night TV host Jimmy Kimmel.\u003c/p>\n\u003cp>Rogen, who worked with Daniels on the 2007 film \u003cem>Knocked Up\u003c/em>, recalled talking with her about Trump. At the time, Daniels said she was communicating with Trump about possibly being on his former reality TV show \u003cem>Celebrity Apprentice\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951078","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“She didn’t realize she would one day be at the center of this giant thing as she was messing around with some game show host,” Rogen said. “She’s someone who made an enemy of the most powerful guy on the planet and didn’t, like, cower.”\u003c/p>\n\u003cp>Kimmel invited Daniels to his show in 2018, when Daniels’ nondisclosure agreement about her previous affair with Trump was still in effect.\u003c/p>\n\u003cp>Kimmel described Daniels as having a good sense of humor but also afraid of violating her NDA. He nodded to this during their interview, in which he brought out \u003ca href=\"https://www.youtube.com/watch?v=Ntl5Da1vblI\">puppets \u003c/a>to reenact her interactions with Trump.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“She told the truth and she paid a price for that,” Kimmel said in the film. “It’s not something that just goes away.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Threats%2C+debt+and+Trump%27s+advances%3A+%27Stormy%27+doc+examines+the+life+of+Stormy+Daniels&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954358/threats-debt-and-trumps-advances-stormy-doc-examines-the-life-of-stormy-daniels","authors":["byline_arts_13954358"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75","arts_990"],"tags":["arts_13672","arts_21794","arts_769","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13954359","label":"arts_140"},"arts_13954333":{"type":"posts","id":"arts_13954333","meta":{"index":"posts_1591205157","site":"arts","id":"13954333","score":null,"sort":[1710872834000]},"guestAuthors":[],"slug":"jake-gyllenhaals-road-house-remake-is-surprisingly-good","title":"Jake Gyllenhaal’s ‘Road House’ Remake Is ... Surprisingly Good?","publishDate":1710872834,"format":"standard","headTitle":"Jake Gyllenhaal’s ‘Road House’ Remake Is … Surprisingly Good? | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Elwood P. Dalton is a classy sort of bouncer. While five tough guys circle him outside a bar looking to bash his skull in, he has a question for them: “Before we start, do you have insurance?” And after savagely beating each up, he kindly drives them to the hospital.\u003c/p>\n\u003cp>Dalton — played by a muscular and languid Jake Gyllenhaal — is a former UFC fighter with a dark past in \u003cem>Road House\u003c/em>, a reworking of the pulpy \u003ca href=\"https://www.kqed.org/arts/13951144/road-house-original-streaming-patrick-swayze-1989-action\">1989 action film starring Patrick Swayze\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13953248']“You sure you thought this all the way through?” Dalton at one point asks an assailant who has the nerve to plunge a knife into his abdomen. The same question can be asked of the filmmakers: Is it really wise to retread this old flick? The answer is as shocking as a sucker punch: Yes, indeed.\u003c/p>\n\u003cp>Gyllenhaal is a sort of Spider-Man-meets-Jack Reacher-meets Jason Bourne, an oddball loner with ferocious fighting abilities who makes a living in illegal fights and lives in his car, haunted by what he did to a friend in the octagon. He douses booze on his open wounds and uses electrical tape instead of a bandage, yet he also oddly uses wheelie luggage. (You expected a big old black duffel, right?) What’s in the baggage? A death wish, of course.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Y0ZsLudtfjI\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He is lured to the Florida Keys by a roadhouse bar owner (the always brilliantly tart Jessica Williams), who needs an excellent bouncer to protect her from nightly violence. He’s offered $5,000 a week to stop thugs in sleeveless jean jackets from throwing bottles, flipping tables and breaking pool cues. (The Florida tourist board will love this movie).\u003c/p>\n\u003cp>[aside postid='arts_13951144']“I’m hoping you’re different,” a bar employee says and he is. Dalton settles in the fictional Glass Key, dates a cutie, makes friends with the good folk and lives in what all damaged loners gravitate to, a houseboat. He soon teaches the other bouncers the tricks of the trade, Zen-like, and finds excellent reasons to take off his shirt.\u003c/p>\n\u003cp>“I’m just some guy,” he says. “You don’t want to know me.”\u003c/p>\n\u003cp>Then he uncovers a conspiracy right out of \u003cem>Scooby-Doo\u003c/em>: The land under the bar is crucial to the creation of a luxury resort dreamed up by the local rich guy and crooked cops. Basically, organized crime is trying to drive the bar owner out of business. “Zoinks!”\u003c/p>\n\u003cp>At this point, \u003cem>Road House\u003c/em> gets an instant jolt of electricity from former UFC fighter Conor McGregor, who makes his acting debut as a psychotic gun-for-hire Knox. He may have one of the best intros in film history, casually walking down a European town buck naked except for a pair of boots.\u003c/p>\n\u003cfigure id=\"attachment_13954340\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13954340 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM.png\" alt=\"A shirtless and very muscular bearded man stands poised to fight, clutching a dagger.\" width=\"1760\" height=\"1190\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM.png 1760w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-800x541.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-1020x690.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-768x519.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-1536x1039.png 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Conor McGregor in ‘Road House.’ \u003ccite>(Laura Radford/ Prime Video via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dalton and Knox are destined to go mano-a-mano and there’s a grudging respect between them. They’re both deeply cut and they’re both messed up. “There’s something wrong with you. Me too,” the Irish mountain of muscles says. He’s the sort of chaos agent who picks up a golf club and says he wants to go “clubbing.”\u003c/p>\n\u003cp>Like a night of heavy drinking, things gets a little bizarre toward the end of the movie as it starts straying far from the roadhouse. Speed boats go flying, explosions go bang and someone uses arson to send a message. A deadly crocodile that plays an outsized role is sadly abandoned.\u003c/p>\n\u003cp>[aside postid='arts_13953601']Screenwriters Anthony Bagarozzi and Charles Mondry have leaned into cliches — dead mothers, double-crosses and quirky kids that pull out the paternal part of our heroes. But a menacing, unstable McGregor is a gift. So is Billy Magnussen, who plays the rich boy bully deliciously preppy. He’s so evil, he throws his cellphone into the ocean out of frustration, then asks an underling to retrieve it.\u003c/p>\n\u003cp>\u003cem>The Bourne Identity\u003c/em> director Doug Liman seems to be having fun, his camera lingering on the chiseled beefsteak and mixing in honky tonk songs by the deliciously named Rockin’ Dopsie Jr. & The Zydeco Twisters. The action scenes are dynamite, layering POV camera work with great, thundering, bottle smashing stunts. It knows it’s silly, but it’s still a good time.\u003c/p>\n\u003cp>That’s reason enough that Liman is upset the movie is avoiding cineplexes and going straight to streaming. But he could rectify that. He could hire, like, an unstable, but gracious, former fighter who lives in his car. For a few thousand, that guy can make things right.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Road House’ begins streaming on Prime Video on March 21, 2024.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The Florida tourist board is going to love this movie.","status":"publish","parent":0,"modified":1710873364,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":829},"headData":{"title":"‘Roadhouse’ Review: 2024 Remake Is a Fun and Frantic Romp | KQED","description":"The Florida tourist board is going to love this movie.","ogTitle":"Jake Gyllenhaal’s ‘Road House’ Remake Is ... Surprisingly Good?","ogDescription":"","ogImgId":"","twTitle":"Jake Gyllenhaal’s ‘Road House’ Remake Is ... Surprisingly Good?","twDescription":"","twImgId":"","socialTitle":"‘Roadhouse’ Review: 2024 Remake Is a Fun and Frantic Romp %%page%% %%sep%% KQED"},"sticky":false,"nprByline":"Mark Kennedy, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13954333/jake-gyllenhaals-road-house-remake-is-surprisingly-good","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Elwood P. Dalton is a classy sort of bouncer. While five tough guys circle him outside a bar looking to bash his skull in, he has a question for them: “Before we start, do you have insurance?” And after savagely beating each up, he kindly drives them to the hospital.\u003c/p>\n\u003cp>Dalton — played by a muscular and languid Jake Gyllenhaal — is a former UFC fighter with a dark past in \u003cem>Road House\u003c/em>, a reworking of the pulpy \u003ca href=\"https://www.kqed.org/arts/13951144/road-house-original-streaming-patrick-swayze-1989-action\">1989 action film starring Patrick Swayze\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953248","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“You sure you thought this all the way through?” Dalton at one point asks an assailant who has the nerve to plunge a knife into his abdomen. The same question can be asked of the filmmakers: Is it really wise to retread this old flick? The answer is as shocking as a sucker punch: Yes, indeed.\u003c/p>\n\u003cp>Gyllenhaal is a sort of Spider-Man-meets-Jack Reacher-meets Jason Bourne, an oddball loner with ferocious fighting abilities who makes a living in illegal fights and lives in his car, haunted by what he did to a friend in the octagon. He douses booze on his open wounds and uses electrical tape instead of a bandage, yet he also oddly uses wheelie luggage. (You expected a big old black duffel, right?) What’s in the baggage? A death wish, of course.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Y0ZsLudtfjI'\n title='//www.youtube.com/embed/Y0ZsLudtfjI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He is lured to the Florida Keys by a roadhouse bar owner (the always brilliantly tart Jessica Williams), who needs an excellent bouncer to protect her from nightly violence. He’s offered $5,000 a week to stop thugs in sleeveless jean jackets from throwing bottles, flipping tables and breaking pool cues. (The Florida tourist board will love this movie).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951144","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I’m hoping you’re different,” a bar employee says and he is. Dalton settles in the fictional Glass Key, dates a cutie, makes friends with the good folk and lives in what all damaged loners gravitate to, a houseboat. He soon teaches the other bouncers the tricks of the trade, Zen-like, and finds excellent reasons to take off his shirt.\u003c/p>\n\u003cp>“I’m just some guy,” he says. “You don’t want to know me.”\u003c/p>\n\u003cp>Then he uncovers a conspiracy right out of \u003cem>Scooby-Doo\u003c/em>: The land under the bar is crucial to the creation of a luxury resort dreamed up by the local rich guy and crooked cops. Basically, organized crime is trying to drive the bar owner out of business. “Zoinks!”\u003c/p>\n\u003cp>At this point, \u003cem>Road House\u003c/em> gets an instant jolt of electricity from former UFC fighter Conor McGregor, who makes his acting debut as a psychotic gun-for-hire Knox. He may have one of the best intros in film history, casually walking down a European town buck naked except for a pair of boots.\u003c/p>\n\u003cfigure id=\"attachment_13954340\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13954340 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM.png\" alt=\"A shirtless and very muscular bearded man stands poised to fight, clutching a dagger.\" width=\"1760\" height=\"1190\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM.png 1760w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-800x541.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-1020x690.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-768x519.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-19-at-11.19.02-AM-1536x1039.png 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Conor McGregor in ‘Road House.’ \u003ccite>(Laura Radford/ Prime Video via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dalton and Knox are destined to go mano-a-mano and there’s a grudging respect between them. They’re both deeply cut and they’re both messed up. “There’s something wrong with you. Me too,” the Irish mountain of muscles says. He’s the sort of chaos agent who picks up a golf club and says he wants to go “clubbing.”\u003c/p>\n\u003cp>Like a night of heavy drinking, things gets a little bizarre toward the end of the movie as it starts straying far from the roadhouse. Speed boats go flying, explosions go bang and someone uses arson to send a message. A deadly crocodile that plays an outsized role is sadly abandoned.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953601","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Screenwriters Anthony Bagarozzi and Charles Mondry have leaned into cliches — dead mothers, double-crosses and quirky kids that pull out the paternal part of our heroes. But a menacing, unstable McGregor is a gift. So is Billy Magnussen, who plays the rich boy bully deliciously preppy. He’s so evil, he throws his cellphone into the ocean out of frustration, then asks an underling to retrieve it.\u003c/p>\n\u003cp>\u003cem>The Bourne Identity\u003c/em> director Doug Liman seems to be having fun, his camera lingering on the chiseled beefsteak and mixing in honky tonk songs by the deliciously named Rockin’ Dopsie Jr. & The Zydeco Twisters. The action scenes are dynamite, layering POV camera work with great, thundering, bottle smashing stunts. It knows it’s silly, but it’s still a good time.\u003c/p>\n\u003cp>That’s reason enough that Liman is upset the movie is avoiding cineplexes and going straight to streaming. But he could rectify that. He could hire, like, an unstable, but gracious, former fighter who lives in his car. For a few thousand, that guy can make things right.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Road House’ begins streaming on Prime Video on March 21, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954333/jake-gyllenhaals-road-house-remake-is-surprisingly-good","authors":["byline_arts_13954333"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75","arts_990"],"tags":["arts_15246","arts_769","arts_585"],"featImg":"arts_13954339","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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