Lumumba Lives! Alongside Max, Abbey, Dizzy and Duke in ‘Soundtrack for a Coup d’Etat’
Larry June to Headline Stanford's Free Blackfest
Outside Lands 2024: Tyler, the Creator, The Killers and Sturgill Simpson Headline
Sol Blume Festival Postponed Until 2025
Best Bets for the 2024 Healdsburg Jazz Festival
A Lowrider Cruise in Honor of Selena, the Queen of Tejano, in San Francisco
Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’
Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)
Ticket Alert: Charli XCX and Troye Sivan Are Coming to San Francisco
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Before working at KQED, she produced for PBS member station, KCET, in Los Angeles. In 2017, Marisol won an Emmy Award for her work on the televised documentary, \u003cem>City Rising\u003c/em>, examining California's affordable housing crisis and the historical roots of gentrification.","avatar":"https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g","twitter":"marisolreports","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["author","edit_others_posts"]}],"headData":{"title":"Marisol Medina-Cadena | KQED","description":"Producer, Rightnowish Podcast","ogImgSrc":"https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mmedina"},"achazaro":{"type":"authors","id":"11748","meta":{"index":"authors_1591205172","id":"11748","found":true},"name":"Alan Chazaro","firstName":"Alan","lastName":"Chazaro","slug":"achazaro","email":"agchazaro@gmail.com","display_author_email":true,"staff_mastheads":["arts"],"title":"Food Writer and Reporter","bio":"Alan Chazaro is the author of \u003cem>This Is Not a Frank Ocean Cover Album\u003c/em> (Black Lawrence Press, 2019), \u003cem>Piñata Theory\u003c/em> (Black Lawrence Press, 2020), and \u003cem>Notes from the Eastern Span of the Bay Bridge\u003c/em> (Ghost City Press, 2021). He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13956480":{"type":"posts","id":"arts_13956480","meta":{"index":"posts_1591205157","site":"arts","id":"13956480","score":null,"sort":[1713909321000]},"guestAuthors":[],"slug":"soundtrack-for-a-coup-detat-sffilm-lumumba-jazz","title":"Lumumba Lives! Alongside Max, Abbey, Dizzy and Duke in ‘Soundtrack for a Coup d’Etat’","publishDate":1713909321,"format":"standard","headTitle":"Lumumba Lives! Alongside Max, Abbey, Dizzy and Duke in ‘Soundtrack for a Coup d’Etat’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>In the hands of Johan Grimonprez, archival footage carries a 200-volt charge. That dusty patina and musty aroma that envelops most period documentaries? Not a whiff in Grimonprez’s work, which crackles, buzzes and stings like a live wire hitched to the pulse of history.\u003c/p>\n\u003cp>The Belgian filmmaker and visual essayist’s bracing, relentless \u003cem>\u003ca href=\"https://sffilm.org/event/persistence-of-vision-award-johan-grimonprez-soundtrack-for-a-coup-detat/\">Soundtrack for a Coup d’Etat\u003c/a>\u003c/em>, which premiered at Sundance and screens Thursday, April 25 at the Berkeley Art Museum and Pacific Film Archive as part of the San Francisco International Film Festival (April 24–28), takes us back to the mid-1950s through mid-1960s when Africa’s continent-wide movement for independence and solidarity coincided with the Cold War between jousting superpowers as well as the emerging Civil Rights Movement in the United States.\u003c/p>\n\u003cp>[aside postID='arts_13954872,arts_13956111']The film’s through line is Patrice Lumumba, a beer salesman in the Belgian colony of the Congo and skilled public speaker who emerged to lead the successful campaign for independence. In June 1960 he was elected the first prime minister of the Republic of the Congo; seven months later, following a U.S. and Belgium-backed coup by Col. Joseph Mobutu, Lumumba was murdered with two political allies. He was 35.\u003c/p>\n\u003cp>Raoul Peck (\u003cem>I Am Not Your Negro\u003c/em>) made an essential but hard-to-find documentary, \u003cem>Lumumba: Death of a Prophet\u003c/em> (1991), as well as the 2000 biopic \u003cem>Lumumba\u003c/em> (streaming for free on \u003ca href=\"https://www.kanopy.com/en/product/lumumba-2\">Kanopy\u003c/a>). Grimonprez doesn’t retrace Peck’s steps (let alone revisit 19th-century Belgian atrocities) so much as re-cast Lumumba’s visionary pan-Africanism — portrayed by the international media of the time as radical, primitive, violent and Communist-leaning — as reasonable Black expression.\u003c/p>\n\u003cp>To put it another way, the filmmaker is less concerned with the injustice and tragedy of Lumumba’s death than how the white power structure (President Dwight Eisenhower, Director of Central Intelligence Allen Dulles, Belgian and U.S. business interests and European mercenaries) exerted its will, protected its mineral and commercial holdings and changed the path of African history. (I shouldn’t limit myself to the past tense, as Grimonprez’s inclusion of color Tesla and Apple iPhone ads in the black-and-white flow reminds us.)\u003c/p>\n\u003cfigure id=\"attachment_13956485\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-scaled.jpg\" alt=\"Black and white photo of parade with flags and onlookers, two men standing in back of car\" width=\"2560\" height=\"1705\" class=\"size-full wp-image-13956485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-1920x1279.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Soundtrack for a Coup d’Etat.’ \u003ccite>(Courtesy SFFILM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I apologize for withholding until now the “soundtrack” that Grimonprez deploys as poignant, pleasurable counterpoint to the shadowy narrative of devious ambassadors and smug spooks, and cowed United Nations Secretary-General Dag Hammarskjöld. It is vintage, wall-to-wall jazz, beginning with Max Roach and Abbey Lincoln, who will reappear at a climactic UN Security Council meeting in the wake of Lumumba’s murder.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The precise starting point, though, is Louis Armstrong, who toured the world as a goodwill ambassador in the decades after World War II. In fact, the State Department sponsored his trips to Africa in the 1950s. Even without seeing \u003cem>Soundtrack for a Coup d’Etat\u003c/em>, you can imagine Satchmo’s pleasure at his reception in pre-independence Ghana, his fury at the racism and violence that Black Americans experienced at the same time, and his distaste for being used by his government to “Blackwash” its domestic policies abroad.\u003c/p>\n\u003cp>[aside postID='arts_13955977']Grimonprez, who is receiving SFFILM’s annual Persistence of Vision Award presented to a non-narrative filmmaker (previous winners include Trinh T. Minh-ha, Kenneth Anger and Heddy Honigmann), has a rare, ephemeral talent with news footage and vintage interviews that allows us to experience — while the story is moving forward, albeit with digressions — how broadcasters and cameramen framed their subjects at the time. The condescension and racism are palpable.\u003c/p>\n\u003cp>In the event you can’t catch \u003cem>Soundtrack for a Coup d’Etat\u003c/em> at the festival, and even if you can, Kanopy has an earlier, even more visceral Grimonprez foray into moving-image archives. \u003cem>\u003ca href=\"https://www.kanopy.com/en/product/5959289?vp=torontopl\">dial H-I-S-T-O-R-Y\u003c/a>\u003c/em> (1997) is an often-shocking compilation from the ’70s heyday of commercial airline hijackings by terrorists of various stripes that finds the horror in the banality of distanced, objective news footage.\u003c/p>\n\u003cp>One of the pleasures of the new film is the way in which time, context and a skillful editor shift our perspectives of historical figures. Long before Benetton, Nikita Khrushchev (First Secretary of the Communist Party of the Soviet Union and Chairman of the Council of Ministers) and Cuban Prime Minister Fidel Castro are aware of the performative and symbolic value of their public appearances.\u003c/p>\n\u003cp>Every appearance and word in this film by Malcolm X, meanwhile, sparkles with wisdom, insight and courage. He is beyond direct; he’s a genuine prophet. Yet in his lifetime, the media portrayed him as a dangerous fringe figure. How might the world look today if Lumumba and Malcolm had lived longer? Would the promise of African self-rule have come to fruition? Would Johan Grimonprez be in the Bay Area this week with a film called \u003cem>Soundtrack for a Revolution\u003c/em>?\u003c/p>\n\u003cp>Grimonprez doesn’t pose those questions, at least not directly. But they are woven into the film, in the soulful notes of Duke Ellington, Dizzy Gillespie, Thelonius Monk, John Coltrane, Nina Simone, Art Blakey and Ornette Coleman.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The presentation of SFFILM’s Persistence of Vision Award begins at 6:30 p.m. on April 25 at the Berkeley Art Museum and Pacific Film Archive with director Johan Grimonprez and presenter Fumi Okiji expected to attend. ‘Soundtrack for a Coup d’Etat’ plays at 7 p.m. \u003ca href=\"https://sffilm.org/event/persistence-of-vision-award-johan-grimonprez-soundtrack-for-a-coup-detat/\">Find tickets and more information here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"SFFILM’s Persistence of Vision Award-winner Johan Grimonprez revisits African independence in the late 1950s.","status":"publish","parent":0,"modified":1713909488,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":956},"headData":{"title":"‘Soundtrack for a Coup d’Etat’ at SFFILM: Lumumba Lives! | KQED","description":"SFFILM’s Persistence of Vision Award-winner Johan Grimonprez revisits African independence in the late 1950s.","ogTitle":"Lumumba Lives! 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Alongside Max, Abbey, Dizzy and Duke in ‘Soundtrack for a Coup d’Etat’","datePublished":"2024-04-23T21:55:21.000Z","dateModified":"2024-04-23T21:58:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"lumumba-lives-alongside-max-abbey-dizzy-and-duke-in-soundtrack-for-a-coup-detat","nprStoryId":"kqed-13956480","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956480/soundtrack-for-a-coup-detat-sffilm-lumumba-jazz","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the hands of Johan Grimonprez, archival footage carries a 200-volt charge. That dusty patina and musty aroma that envelops most period documentaries? Not a whiff in Grimonprez’s work, which crackles, buzzes and stings like a live wire hitched to the pulse of history.\u003c/p>\n\u003cp>The Belgian filmmaker and visual essayist’s bracing, relentless \u003cem>\u003ca href=\"https://sffilm.org/event/persistence-of-vision-award-johan-grimonprez-soundtrack-for-a-coup-detat/\">Soundtrack for a Coup d’Etat\u003c/a>\u003c/em>, which premiered at Sundance and screens Thursday, April 25 at the Berkeley Art Museum and Pacific Film Archive as part of the San Francisco International Film Festival (April 24–28), takes us back to the mid-1950s through mid-1960s when Africa’s continent-wide movement for independence and solidarity coincided with the Cold War between jousting superpowers as well as the emerging Civil Rights Movement in the United States.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954872,arts_13956111","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The film’s through line is Patrice Lumumba, a beer salesman in the Belgian colony of the Congo and skilled public speaker who emerged to lead the successful campaign for independence. In June 1960 he was elected the first prime minister of the Republic of the Congo; seven months later, following a U.S. and Belgium-backed coup by Col. Joseph Mobutu, Lumumba was murdered with two political allies. He was 35.\u003c/p>\n\u003cp>Raoul Peck (\u003cem>I Am Not Your Negro\u003c/em>) made an essential but hard-to-find documentary, \u003cem>Lumumba: Death of a Prophet\u003c/em> (1991), as well as the 2000 biopic \u003cem>Lumumba\u003c/em> (streaming for free on \u003ca href=\"https://www.kanopy.com/en/product/lumumba-2\">Kanopy\u003c/a>). Grimonprez doesn’t retrace Peck’s steps (let alone revisit 19th-century Belgian atrocities) so much as re-cast Lumumba’s visionary pan-Africanism — portrayed by the international media of the time as radical, primitive, violent and Communist-leaning — as reasonable Black expression.\u003c/p>\n\u003cp>To put it another way, the filmmaker is less concerned with the injustice and tragedy of Lumumba’s death than how the white power structure (President Dwight Eisenhower, Director of Central Intelligence Allen Dulles, Belgian and U.S. business interests and European mercenaries) exerted its will, protected its mineral and commercial holdings and changed the path of African history. (I shouldn’t limit myself to the past tense, as Grimonprez’s inclusion of color Tesla and Apple iPhone ads in the black-and-white flow reminds us.)\u003c/p>\n\u003cfigure id=\"attachment_13956485\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-scaled.jpg\" alt=\"Black and white photo of parade with flags and onlookers, two men standing in back of car\" width=\"2560\" height=\"1705\" class=\"size-full wp-image-13956485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/SOUNDTRACK_2-1920x1279.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Soundtrack for a Coup d’Etat.’ \u003ccite>(Courtesy SFFILM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I apologize for withholding until now the “soundtrack” that Grimonprez deploys as poignant, pleasurable counterpoint to the shadowy narrative of devious ambassadors and smug spooks, and cowed United Nations Secretary-General Dag Hammarskjöld. It is vintage, wall-to-wall jazz, beginning with Max Roach and Abbey Lincoln, who will reappear at a climactic UN Security Council meeting in the wake of Lumumba’s murder.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The precise starting point, though, is Louis Armstrong, who toured the world as a goodwill ambassador in the decades after World War II. In fact, the State Department sponsored his trips to Africa in the 1950s. Even without seeing \u003cem>Soundtrack for a Coup d’Etat\u003c/em>, you can imagine Satchmo’s pleasure at his reception in pre-independence Ghana, his fury at the racism and violence that Black Americans experienced at the same time, and his distaste for being used by his government to “Blackwash” its domestic policies abroad.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955977","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Grimonprez, who is receiving SFFILM’s annual Persistence of Vision Award presented to a non-narrative filmmaker (previous winners include Trinh T. Minh-ha, Kenneth Anger and Heddy Honigmann), has a rare, ephemeral talent with news footage and vintage interviews that allows us to experience — while the story is moving forward, albeit with digressions — how broadcasters and cameramen framed their subjects at the time. The condescension and racism are palpable.\u003c/p>\n\u003cp>In the event you can’t catch \u003cem>Soundtrack for a Coup d’Etat\u003c/em> at the festival, and even if you can, Kanopy has an earlier, even more visceral Grimonprez foray into moving-image archives. \u003cem>\u003ca href=\"https://www.kanopy.com/en/product/5959289?vp=torontopl\">dial H-I-S-T-O-R-Y\u003c/a>\u003c/em> (1997) is an often-shocking compilation from the ’70s heyday of commercial airline hijackings by terrorists of various stripes that finds the horror in the banality of distanced, objective news footage.\u003c/p>\n\u003cp>One of the pleasures of the new film is the way in which time, context and a skillful editor shift our perspectives of historical figures. Long before Benetton, Nikita Khrushchev (First Secretary of the Communist Party of the Soviet Union and Chairman of the Council of Ministers) and Cuban Prime Minister Fidel Castro are aware of the performative and symbolic value of their public appearances.\u003c/p>\n\u003cp>Every appearance and word in this film by Malcolm X, meanwhile, sparkles with wisdom, insight and courage. He is beyond direct; he’s a genuine prophet. Yet in his lifetime, the media portrayed him as a dangerous fringe figure. How might the world look today if Lumumba and Malcolm had lived longer? Would the promise of African self-rule have come to fruition? Would Johan Grimonprez be in the Bay Area this week with a film called \u003cem>Soundtrack for a Revolution\u003c/em>?\u003c/p>\n\u003cp>Grimonprez doesn’t pose those questions, at least not directly. But they are woven into the film, in the soulful notes of Duke Ellington, Dizzy Gillespie, Thelonius Monk, John Coltrane, Nina Simone, Art Blakey and Ornette Coleman.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The presentation of SFFILM’s Persistence of Vision Award begins at 6:30 p.m. on April 25 at the Berkeley Art Museum and Pacific Film Archive with director Johan Grimonprez and presenter Fumi Okiji expected to attend. ‘Soundtrack for a Coup d’Etat’ plays at 7 p.m. \u003ca href=\"https://sffilm.org/event/persistence-of-vision-award-johan-grimonprez-soundtrack-for-a-coup-detat/\">Find tickets and more information here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956480/soundtrack-for-a-coup-detat-sffilm-lumumba-jazz","authors":["22"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_69"],"tags":["arts_10278","arts_3772","arts_585"],"featImg":"arts_13956484","label":"arts_140"},"arts_13956365":{"type":"posts","id":"arts_13956365","meta":{"index":"posts_1591205157","site":"arts","id":"13956365","score":null,"sort":[1713897523000]},"guestAuthors":[],"slug":"larry-june-stanford-blackfest-free","title":"Larry June to Headline Stanford's Free Blackfest","publishDate":1713897523,"format":"standard","headTitle":"Larry June to Headline Stanford’s Free Blackfest | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>San Francisco rapper Larry June will headline Stanford University’s \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a>, a completely free annual event organized by students and open to the general public, on May 4 at the university’s Frost Amphitheater.\u003c/p>\n\u003cp>In addition to the orange juice–drinking game spitter from the City, the afternoon features performances by Oakland’s youth troupe of MCs \u003ca href=\"https://proud2beblack.org/new-page\" target=\"_blank\" rel=\"noopener\">Young Gifted and Black\u003c/a>, along with a set from Washington D.C.’s up-and-coming, high-energy MC \u003ca href=\"https://www.instagram.com/redveil/?hl=en\" target=\"_blank\" rel=\"noopener\">redveil\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956368\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956368 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg\" alt=\"Attendees of Stanford's Blackfest 2022 pose for a photo. \" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees of Stanford’s Blackfest 2022 pose for a photo. \u003ccite>(Vanessa Onuoha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Presented by Stanford’s \u003ca href=\"https://bcsc.stanford.edu/get-involved/black-volunteer-student-organizations-bvso/performing-arts-organizations\" target=\"_blank\" rel=\"noopener\">Black Family Gathering Committee\u003c/a> and Stanford Live, the event is hosted by \u003ca href=\"https://www.instagram.com/shaydiddy/?hl=en\" target=\"_blank\" rel=\"noopener\">KMEL’s Shay Diddy\u003c/a> and will showcase a full Divine Nine step show.\u003c/p>\n\u003cp>Event organizers say their goal in 2024 is similar to previous years: showcase top-tier talent and cultivate community, both on campus and throughout the Bay Area. But this time around, they’re putting extra emphasis on the history of the event, and creating an installation to teach others about its roots.\u003c/p>\n\u003cp>The history of \u003ca href=\"https://stanfordmag.org/contents/we-are-family\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a> dates back to the early ’70s, when separate groups of Black students living on opposite sides of campus decided to come together for one day. Led by the Black Community Services Center and the Black Student Union, students organized a picnic-style meet-up at Roble Field. They played sports and card games, passed along family recipes and made meals. Most importantly, they got to know one another.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13956367\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Over the years, the event evolved. At the turn of the millennium, the first live performances were incorporated. Blackfest has since grown from a picnic to a one-day festival — with some of the biggest names in music rocking the stage, such as Kendrick Lamar, Big Sean, 2 Chainz, Lil Yachty, Metro Boomin, E-40 and \u003ca href=\"https://arts.stanford.edu/rapper-future-performs-at-stanfords-blackfest/\" target=\"_blank\" rel=\"noopener\">Future\u003c/a>.\u003c/p>\n\u003cp>“They are bringing globally and nationally recognized talent to the Bay Area for free,” says Kamel Jacot-Bell, co-founder of Ankh Marketing, during a conference call.\u003c/p>\n\u003cp>“We’re choosing people who feel relevant to the community,” adds Catherine Harbour.\u003c/p>\n\u003cp>A 21 year-old senior from East Brunswick, New Jersey, Harbour is the co-president of the Black Family Gathering Committee and the lead organizer of Blackfest. She notes that the aforementioned artists performed at Blackfest before they were superstars.\u003c/p>\n\u003cp>“A lot of those names were chosen when they were on the way up,” says Harbour, adding that their music speaks to the audience the event organizers are aiming for. “We’re looking for talent that will bring people together.”\u003c/p>\n\u003cfigure id=\"attachment_13956366\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13956366\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg\" alt=\"A few flicks from Stanford's Blackfest in 1979.\" width=\"800\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1020x1545.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-768x1163.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1014x1536.jpg 1014w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1352x2048.jpg 1352w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1920x2908.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-scaled.jpg 1690w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A few images from Stanford’s Blackfest in 1979. \u003ccite>(Richard Craven)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ever evolving, Blackfest has grown since the pandemic. It’s now located at \u003ca href=\"https://live.stanford.edu/venues/frost-amphitheater\" target=\"_blank\" rel=\"noopener\">Frost Amphitheater\u003c/a>, which can hold up to 8,000 people. “We now have a full professional-grade concert happening each year,” says Harbour. “It’s incredible to have those resources given to us by the school.”\u003c/p>\n\u003cp>Those resources help achieve the goal of an awesome experience for Stanford students and the broader Bay Area, says Harbour. She also wants the entire Bay Area Black community to be aware of people at Stanford who are working hard to put resources toward the celebration of Black culture and community.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4DQ7EvevkWw\u003c/p>\n\u003cp>And it’s been that way for decades.\u003c/p>\n\u003cp>“For us to be throwing an event as large-scale as it is today,” says Harbour, “it took so many people before us to mobilize — people with even less resources, less funding and less name recognition.”\u003c/p>\n\u003cp>Preserving Black culture is an often difficult task, Harbour adds, but it’s important work — not just for today, but for generations to come.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Larry June headlines Stanford’s Blackfest on Saturday, May 4, at 3:30 p.m. For tickets and more information, visit the \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024/\" target=\"_blank\" rel=\"noopener\">Stanford Live site\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The annual free celebration of Black culture takes place May 4 at Frost Amphitheater.","status":"publish","parent":0,"modified":1713898188,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":670},"headData":{"title":"Larry June to Headline Stanford's Free Blackfest | KQED","description":"The annual free celebration of Black culture takes place May 4 at Frost Amphitheater.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Larry June to Headline Stanford's Free Blackfest","datePublished":"2024-04-23T18:38:43.000Z","dateModified":"2024-04-23T18:49:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956365/larry-june-stanford-blackfest-free","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco rapper Larry June will headline Stanford University’s \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a>, a completely free annual event organized by students and open to the general public, on May 4 at the university’s Frost Amphitheater.\u003c/p>\n\u003cp>In addition to the orange juice–drinking game spitter from the City, the afternoon features performances by Oakland’s youth troupe of MCs \u003ca href=\"https://proud2beblack.org/new-page\" target=\"_blank\" rel=\"noopener\">Young Gifted and Black\u003c/a>, along with a set from Washington D.C.’s up-and-coming, high-energy MC \u003ca href=\"https://www.instagram.com/redveil/?hl=en\" target=\"_blank\" rel=\"noopener\">redveil\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956368\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956368 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg\" alt=\"Attendees of Stanford's Blackfest 2022 pose for a photo. \" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees of Stanford’s Blackfest 2022 pose for a photo. \u003ccite>(Vanessa Onuoha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Presented by Stanford’s \u003ca href=\"https://bcsc.stanford.edu/get-involved/black-volunteer-student-organizations-bvso/performing-arts-organizations\" target=\"_blank\" rel=\"noopener\">Black Family Gathering Committee\u003c/a> and Stanford Live, the event is hosted by \u003ca href=\"https://www.instagram.com/shaydiddy/?hl=en\" target=\"_blank\" rel=\"noopener\">KMEL’s Shay Diddy\u003c/a> and will showcase a full Divine Nine step show.\u003c/p>\n\u003cp>Event organizers say their goal in 2024 is similar to previous years: showcase top-tier talent and cultivate community, both on campus and throughout the Bay Area. But this time around, they’re putting extra emphasis on the history of the event, and creating an installation to teach others about its roots.\u003c/p>\n\u003cp>The history of \u003ca href=\"https://stanfordmag.org/contents/we-are-family\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a> dates back to the early ’70s, when separate groups of Black students living on opposite sides of campus decided to come together for one day. Led by the Black Community Services Center and the Black Student Union, students organized a picnic-style meet-up at Roble Field. They played sports and card games, passed along family recipes and made meals. Most importantly, they got to know one another.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13956367\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Over the years, the event evolved. At the turn of the millennium, the first live performances were incorporated. Blackfest has since grown from a picnic to a one-day festival — with some of the biggest names in music rocking the stage, such as Kendrick Lamar, Big Sean, 2 Chainz, Lil Yachty, Metro Boomin, E-40 and \u003ca href=\"https://arts.stanford.edu/rapper-future-performs-at-stanfords-blackfest/\" target=\"_blank\" rel=\"noopener\">Future\u003c/a>.\u003c/p>\n\u003cp>“They are bringing globally and nationally recognized talent to the Bay Area for free,” says Kamel Jacot-Bell, co-founder of Ankh Marketing, during a conference call.\u003c/p>\n\u003cp>“We’re choosing people who feel relevant to the community,” adds Catherine Harbour.\u003c/p>\n\u003cp>A 21 year-old senior from East Brunswick, New Jersey, Harbour is the co-president of the Black Family Gathering Committee and the lead organizer of Blackfest. She notes that the aforementioned artists performed at Blackfest before they were superstars.\u003c/p>\n\u003cp>“A lot of those names were chosen when they were on the way up,” says Harbour, adding that their music speaks to the audience the event organizers are aiming for. “We’re looking for talent that will bring people together.”\u003c/p>\n\u003cfigure id=\"attachment_13956366\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13956366\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg\" alt=\"A few flicks from Stanford's Blackfest in 1979.\" width=\"800\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1020x1545.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-768x1163.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1014x1536.jpg 1014w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1352x2048.jpg 1352w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1920x2908.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-scaled.jpg 1690w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A few images from Stanford’s Blackfest in 1979. \u003ccite>(Richard Craven)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ever evolving, Blackfest has grown since the pandemic. It’s now located at \u003ca href=\"https://live.stanford.edu/venues/frost-amphitheater\" target=\"_blank\" rel=\"noopener\">Frost Amphitheater\u003c/a>, which can hold up to 8,000 people. “We now have a full professional-grade concert happening each year,” says Harbour. “It’s incredible to have those resources given to us by the school.”\u003c/p>\n\u003cp>Those resources help achieve the goal of an awesome experience for Stanford students and the broader Bay Area, says Harbour. She also wants the entire Bay Area Black community to be aware of people at Stanford who are working hard to put resources toward the celebration of Black culture and community.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4DQ7EvevkWw'\n title='//www.youtube.com/embed/4DQ7EvevkWw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And it’s been that way for decades.\u003c/p>\n\u003cp>“For us to be throwing an event as large-scale as it is today,” says Harbour, “it took so many people before us to mobilize — people with even less resources, less funding and less name recognition.”\u003c/p>\n\u003cp>Preserving Black culture is an often difficult task, Harbour adds, but it’s important work — not just for today, but for generations to come.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Larry June headlines Stanford’s Blackfest on Saturday, May 4, at 3:30 p.m. For tickets and more information, visit the \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024/\" target=\"_blank\" rel=\"noopener\">Stanford Live site\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956365/larry-june-stanford-blackfest-free","authors":["11491"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_10278","arts_831","arts_9337","arts_1315","arts_2309","arts_585"],"featImg":"arts_13929276","label":"arts_140"},"arts_13956373":{"type":"posts","id":"arts_13956373","meta":{"index":"posts_1591205157","site":"arts","id":"13956373","score":null,"sort":[1713892535000]},"guestAuthors":[],"slug":"outside-lands-lineup-2024-san-francisco","title":"Outside Lands 2024: Tyler, the Creator, The Killers and Sturgill Simpson Headline","publishDate":1713892535,"format":"standard","headTitle":"Outside Lands 2024: Tyler, the Creator, The Killers and Sturgill Simpson Headline | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\">Outside Lands\u003c/a> has announced the 2024 lineup for its annual music festival.\u003c/p>\n\u003cp>Topping the bill this year is Tyler, the Creator, the experimental rapper, singer and producer whose powerful stage presence overshadowed the actual headliners when he \u003ca href=\"https://www.kqed.org/arts/13905536/photos-an-electric-return-for-outside-lands-with-tyler-the-creator-and-more\">performed on a smaller Outside Lands stage\u003c/a> in 2021. Aughts rock mainstays The Killers and country singer-songwriter Sturgill Simpson join Tyler as co-headliners.\u003c/p>\n\u003cp>The festival, which draws hundreds of thousands of fans to San Francisco’s Golden Gate Park each August, notably has a larger country music presence than in years past. Hot off his feature on Beyoncé’s \u003cem>Cowboy Carter\u003c/em>, Post Malone will perform an all-country set. Other lineup highlights include art pop icon and fashion muse Grace Jones; disco revivalists Jungle; “Water” hitmaker Tyla; Sacramento-raised Grammy winner Victoria Monét; the Postal Service, patron saints of millennial sad boys and girls everywhere; house music producer Kaytranada; actor and electronic music producer Idris Elba and many more.\u003c/p>\n\u003cp>In addition to its musical, culinary and cannabis offerings, Outside Lands will bring back Dolores’, its queer-oriented, open-air dance club that debuted to great acclaim last year. Its SOMA stage, for electronic music, will also change from its previous tent setting to an open-air format.\u003c/p>\n\u003cp>Outside Lands takes place Aug. 9-11, and \u003ca href=\"https://outsidelands.frontgatetickets.com/\">three-day tickets\u003c/a> go on sale April 24 at 10 am.\u003c/p>\n\u003ch2>Full lineup\u003c/h2>\n\u003cp>Tyler, The Creator\u003cbr>\nThe Killers\u003cbr>\nSturgill Simpson\u003cbr>\nPost Malone (Performing a Special Country Set)\u003cbr>\nThe Postal Service\u003cbr>\nGrace Jones\u003cbr>\nKAYTRANADA\u003cbr>\nJUNGLE\u003cbr>\nChris Lake\u003cbr>\nGryffin\u003cbr>\nSnoh Aalegra\u003cbr>\nYoung The Giant\u003cbr>\nScHoolboy Q\u003cbr>\nTeddy Swims\u003cbr>\nReneé Rapp\u003cbr>\nVictoria Monét\u003cbr>\nKnock2\u003cbr>\nSlowdive\u003cbr>\nKiller Mike\u003cbr>\nFLETCHER\u003cbr>\nTV Girl\u003cbr>\nTyla\u003cbr>\nChappell Roan\u003cbr>\nChannel Tres\u003cbr>\nCharley Crockett\u003cbr>\nMen I Trust\u003cbr>\nBen Howard\u003cbr>\nAmyl and The Sniffers\u003cbr>\nKevin Abstract\u003cbr>\nPaul Cauthen\u003cbr>\nThe Japanese House\u003cbr>\nRomy\u003cbr>\nThe Last Dinner Party\u003cbr>\nBADBADNOTGOOD\u003cbr>\nSTRFKR\u003cbr>\nReal Estate\u003cbr>\nK.Flay\u003cbr>\nCorinne Bailey Rae\u003cbr>\nSnakehips\u003cbr>\nAmen Dunes\u003cbr>\nRoosevelt\u003cbr>\nAllen Stone\u003cbr>\nMindchatter\u003cbr>\nDaði Freyr\u003cbr>\nRyan Beatty\u003cbr>\nLEISURE\u003cbr>\nElyanna\u003cbr>\nConfidence Man\u003cbr>\nKasablanca\u003cbr>\nVandelux\u003cbr>\nWisp\u003cbr>\nMedium Build\u003cbr>\nRocco\u003cbr>\nunderscores\u003cbr>\nDevault\u003cbr>\nChance Peña\u003cbr>\nMimi Webb\u003cbr>\nDaily Bread\u003cbr>\nBALTHVS\u003cbr>\nShaboozey\u003cbr>\nbilly woods\u003cbr>\nThe Lemon Twigs\u003cbr>\nTrueno\u003cbr>\nSons Of The East\u003cbr>\nCMAT\u003cbr>\nCimafunk\u003cbr>\nKatie Pruitt\u003cbr>\nAG Club\u003cbr>\nLady Wray\u003cbr>\nOdie Leigh\u003cbr>\nFrench Cassettes\u003cbr>\nOgi\u003cbr>\nMiLES.\u003cbr>\nValencia Grace\u003cbr>\nDan Spencer\u003cbr>\nLael Neale\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>SOMA\u003c/strong>\u003cbr>\nAngrybaby\u003cbr>\nAnish Kumar\u003cbr>\nAYYBO\u003cbr>\nThe Blessed Madonna\u003cbr>\nBUNS\u003cbr>\nChuck Gunn\u003cbr>\nDARIUS\u003cbr>\nDusky\u003cbr>\nHoneyluv b2b Jaden Thompson\u003cbr>\nIdris Elba\u003cbr>\nJackie Hollander\u003cbr>\nJoe Kay b2b Jared Jackson\u003cbr>\nKaleena Zanders\u003cbr>\nMarsh\u003cbr>\nSeth Troxler\u003cbr>\nShiba San b2b CID\u003cbr>\nSIDEPIECE\u003cbr>\nSofia Kourtesis\u003cbr>\nTSHA\u003cbr>\nUncle Waffles\u003cbr>\nYulia Niko\u003c/p>\n\n","blocks":[],"excerpt":"Three-day tickets to the festival in Golden Gate Park go on sale April 24 at 10 a.m.","status":"publish","parent":0,"modified":1713892535,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":429},"headData":{"title":"Outside Lands 2024: Tyler, the Creator, The Killers and Sturgill Simpson Headline | KQED","description":"Three-day tickets to the festival in Golden Gate Park go on sale April 24 at 10 a.m.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Outside Lands 2024: Tyler, the Creator, The Killers and Sturgill Simpson Headline","datePublished":"2024-04-23T17:15:35.000Z","dateModified":"2024-04-23T17:15:35.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956373/outside-lands-lineup-2024-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/\">Outside Lands\u003c/a> has announced the 2024 lineup for its annual music festival.\u003c/p>\n\u003cp>Topping the bill this year is Tyler, the Creator, the experimental rapper, singer and producer whose powerful stage presence overshadowed the actual headliners when he \u003ca href=\"https://www.kqed.org/arts/13905536/photos-an-electric-return-for-outside-lands-with-tyler-the-creator-and-more\">performed on a smaller Outside Lands stage\u003c/a> in 2021. Aughts rock mainstays The Killers and country singer-songwriter Sturgill Simpson join Tyler as co-headliners.\u003c/p>\n\u003cp>The festival, which draws hundreds of thousands of fans to San Francisco’s Golden Gate Park each August, notably has a larger country music presence than in years past. Hot off his feature on Beyoncé’s \u003cem>Cowboy Carter\u003c/em>, Post Malone will perform an all-country set. Other lineup highlights include art pop icon and fashion muse Grace Jones; disco revivalists Jungle; “Water” hitmaker Tyla; Sacramento-raised Grammy winner Victoria Monét; the Postal Service, patron saints of millennial sad boys and girls everywhere; house music producer Kaytranada; actor and electronic music producer Idris Elba and many more.\u003c/p>\n\u003cp>In addition to its musical, culinary and cannabis offerings, Outside Lands will bring back Dolores’, its queer-oriented, open-air dance club that debuted to great acclaim last year. Its SOMA stage, for electronic music, will also change from its previous tent setting to an open-air format.\u003c/p>\n\u003cp>Outside Lands takes place Aug. 9-11, and \u003ca href=\"https://outsidelands.frontgatetickets.com/\">three-day tickets\u003c/a> go on sale April 24 at 10 am.\u003c/p>\n\u003ch2>Full lineup\u003c/h2>\n\u003cp>Tyler, The Creator\u003cbr>\nThe Killers\u003cbr>\nSturgill Simpson\u003cbr>\nPost Malone (Performing a Special Country Set)\u003cbr>\nThe Postal Service\u003cbr>\nGrace Jones\u003cbr>\nKAYTRANADA\u003cbr>\nJUNGLE\u003cbr>\nChris Lake\u003cbr>\nGryffin\u003cbr>\nSnoh Aalegra\u003cbr>\nYoung The Giant\u003cbr>\nScHoolboy Q\u003cbr>\nTeddy Swims\u003cbr>\nReneé Rapp\u003cbr>\nVictoria Monét\u003cbr>\nKnock2\u003cbr>\nSlowdive\u003cbr>\nKiller Mike\u003cbr>\nFLETCHER\u003cbr>\nTV Girl\u003cbr>\nTyla\u003cbr>\nChappell Roan\u003cbr>\nChannel Tres\u003cbr>\nCharley Crockett\u003cbr>\nMen I Trust\u003cbr>\nBen Howard\u003cbr>\nAmyl and The Sniffers\u003cbr>\nKevin Abstract\u003cbr>\nPaul Cauthen\u003cbr>\nThe Japanese House\u003cbr>\nRomy\u003cbr>\nThe Last Dinner Party\u003cbr>\nBADBADNOTGOOD\u003cbr>\nSTRFKR\u003cbr>\nReal Estate\u003cbr>\nK.Flay\u003cbr>\nCorinne Bailey Rae\u003cbr>\nSnakehips\u003cbr>\nAmen Dunes\u003cbr>\nRoosevelt\u003cbr>\nAllen Stone\u003cbr>\nMindchatter\u003cbr>\nDaði Freyr\u003cbr>\nRyan Beatty\u003cbr>\nLEISURE\u003cbr>\nElyanna\u003cbr>\nConfidence Man\u003cbr>\nKasablanca\u003cbr>\nVandelux\u003cbr>\nWisp\u003cbr>\nMedium Build\u003cbr>\nRocco\u003cbr>\nunderscores\u003cbr>\nDevault\u003cbr>\nChance Peña\u003cbr>\nMimi Webb\u003cbr>\nDaily Bread\u003cbr>\nBALTHVS\u003cbr>\nShaboozey\u003cbr>\nbilly woods\u003cbr>\nThe Lemon Twigs\u003cbr>\nTrueno\u003cbr>\nSons Of The East\u003cbr>\nCMAT\u003cbr>\nCimafunk\u003cbr>\nKatie Pruitt\u003cbr>\nAG Club\u003cbr>\nLady Wray\u003cbr>\nOdie Leigh\u003cbr>\nFrench Cassettes\u003cbr>\nOgi\u003cbr>\nMiLES.\u003cbr>\nValencia Grace\u003cbr>\nDan Spencer\u003cbr>\nLael Neale\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>SOMA\u003c/strong>\u003cbr>\nAngrybaby\u003cbr>\nAnish Kumar\u003cbr>\nAYYBO\u003cbr>\nThe Blessed Madonna\u003cbr>\nBUNS\u003cbr>\nChuck Gunn\u003cbr>\nDARIUS\u003cbr>\nDusky\u003cbr>\nHoneyluv b2b Jaden Thompson\u003cbr>\nIdris Elba\u003cbr>\nJackie Hollander\u003cbr>\nJoe Kay b2b Jared Jackson\u003cbr>\nKaleena Zanders\u003cbr>\nMarsh\u003cbr>\nSeth Troxler\u003cbr>\nShiba San b2b CID\u003cbr>\nSIDEPIECE\u003cbr>\nSofia Kourtesis\u003cbr>\nTSHA\u003cbr>\nUncle Waffles\u003cbr>\nYulia Niko\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956373/outside-lands-lineup-2024-san-francisco","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_10278","arts_22068","arts_1739","arts_1146","arts_585"],"featImg":"arts_13905531","label":"arts_140"},"arts_13956315":{"type":"posts","id":"arts_13956315","meta":{"index":"posts_1591205157","site":"arts","id":"13956315","score":null,"sort":[1713809281000]},"guestAuthors":[],"slug":"sol-blume-festival-postponed-until-2025","title":"Sol Blume Festival Postponed Until 2025","publishDate":1713809281,"format":"standard","headTitle":"Sol Blume Festival Postponed Until 2025 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>One of the West Coast’s biggest annual R&B events, Sacramento’s \u003ca href=\"https://solblume.com/\" target=\"_blank\" rel=\"noopener\">Sol Blume Festival\u003c/a>, has been postponed.\u003c/p>\n\u003cp>On Saturday, event organizers announced that due to damage from winter storms that flooded Sacramento’s Discovery Park, the event, originally scheduled for May 3–5, will be postponed until the weekend of August 15–17, 2025.\u003c/p>\n\u003cp>This is the second year in a row the festival has changed dates due to issues with flooding in the park. Sol Blume officials announced that in an effort to avoid future flooding, the festival’s dates will move to the late summer for the foreseeable future.\u003c/p>\n\u003cp>[aside postID='arts_13955802']The postponement caused a gut-punch for fans looking forward to seeing this year’s headliners of SZA, Snoh Aalegra and Kaytraminé, a duo comprised of lyricist Aminé and producer Kaytranada. Other artists scheduled to perform at the three-day weekend festival also included PARTYNEXTDOOR and Ari Lennox, as well as SiR, PinkPantheress, and Sacramento’s Nate Curry.\u003c/p>\n\u003cp>Tickets for the postponed 2024 featival will be honored at the 2025 festival, event organizers announced. Weekend pass holders who chose to retain their tickets will automatically receive upgrades to the next higher tier: GA passes will be upgraded to GA+ passes, GA+ passes to VIP passes, and VIP passes to Returnable VIP passes. (Returnable VIP pass holders will receive a $100 voucher for 2025 merch and concessions.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The festival is also offering refunds for the 2024 festival. Fans looking to request a refund will have until May 17 to do so. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more information and further updates, check \u003ca href=\"https://solblume.com/\" target=\"_blank\" rel=\"noopener\">Sol Blume’s website\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"Sacramento's three-day R&B festival won't be held in 2024 due to flooding issues in Discovery Park.","status":"publish","parent":0,"modified":1713809281,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":281},"headData":{"title":"Sol Blume Festival Postponed Until 2025 | KQED","description":"Sacramento's three-day R&B festival won't be held in 2024 due to flooding issues in Discovery Park.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Sol Blume Festival Postponed Until 2025","datePublished":"2024-04-22T18:08:01.000Z","dateModified":"2024-04-22T18:08:01.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956315/sol-blume-festival-postponed-until-2025","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the West Coast’s biggest annual R&B events, Sacramento’s \u003ca href=\"https://solblume.com/\" target=\"_blank\" rel=\"noopener\">Sol Blume Festival\u003c/a>, has been postponed.\u003c/p>\n\u003cp>On Saturday, event organizers announced that due to damage from winter storms that flooded Sacramento’s Discovery Park, the event, originally scheduled for May 3–5, will be postponed until the weekend of August 15–17, 2025.\u003c/p>\n\u003cp>This is the second year in a row the festival has changed dates due to issues with flooding in the park. Sol Blume officials announced that in an effort to avoid future flooding, the festival’s dates will move to the late summer for the foreseeable future.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955802","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The postponement caused a gut-punch for fans looking forward to seeing this year’s headliners of SZA, Snoh Aalegra and Kaytraminé, a duo comprised of lyricist Aminé and producer Kaytranada. Other artists scheduled to perform at the three-day weekend festival also included PARTYNEXTDOOR and Ari Lennox, as well as SiR, PinkPantheress, and Sacramento’s Nate Curry.\u003c/p>\n\u003cp>Tickets for the postponed 2024 featival will be honored at the 2025 festival, event organizers announced. Weekend pass holders who chose to retain their tickets will automatically receive upgrades to the next higher tier: GA passes will be upgraded to GA+ passes, GA+ passes to VIP passes, and VIP passes to Returnable VIP passes. (Returnable VIP pass holders will receive a $100 voucher for 2025 merch and concessions.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The festival is also offering refunds for the 2024 festival. Fans looking to request a refund will have until May 17 to do so. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more information and further updates, check \u003ca href=\"https://solblume.com/\" target=\"_blank\" rel=\"noopener\">Sol Blume’s website\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956315/sol-blume-festival-postponed-until-2025","authors":["11491"],"categories":["arts_1","arts_69"],"tags":["arts_22068","arts_5779","arts_22097"],"featImg":"arts_13956316","label":"arts"},"arts_13955688":{"type":"posts","id":"arts_13955688","meta":{"index":"posts_1591205157","site":"arts","id":"13955688","score":null,"sort":[1713551915000]},"guestAuthors":[],"slug":"healdsburg-jazz-festival-lineup-2024-samara-joy-joshua-redman-ambrose-akinmusire-brandee-younger","title":"Best Bets for the 2024 Healdsburg Jazz Festival","publishDate":1713551915,"format":"aside","headTitle":"Best Bets for the 2024 Healdsburg Jazz Festival | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13955692\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955692\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_.jpg\" alt=\"A black woman in a red dress sings into a microphone while tilting her head upward, eyes closed\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Samara Joy will headline an opening weekend concert for the Healdsburg Jazz Festival on June 16 at Kendall-Jackson winery. \u003ccite>(Gabriele Bifolchi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a Sonoma County resident and jazz fan, I’ve gone to the Healdsburg Jazz Festival nearly every year for the past 20 years. When the lineup drops, \u003ca href=\"https://healdsburgjazz.org/schedule/\">like it recently did for the 2024 festival\u003c/a> running June 15–23, I make notated lists of what to see. What follows are my picks for the best shows to see among the formidable lineup.\u003c/p>\n\u003cp>But first: If you’ve heard about the festival but never attended, let me try to tell you what makes it special.\u003c/p>\n\u003cp>Take last year’s free show in the town plaza with Charles McPherson. Where else could farmworkers and wine tourists alike sit in the shade on the grass, listening to an 83-year-old jazz saxophone legend? Or last year’s tribute to Pharoah Sanders, with Gary Bartz and Sanders’ son Tomoki reverently playing “The Creator Has a Master Plan” under the stars and among the vineyards?\u003c/p>\n\u003cp>[aside postID='arts_13953845']Over its history, Healdsburg has hosted up-and-coming talent, like Esperanza Spalding, who played in a restaurant’s backyard at the festival when she was brand-new on the scene. For several years, Santa Rosa-raised guitarist Julian Lage was a local opener at the festival, before he became a \u003ca href=\"https://www.google.com/search?sca_esv=ad9616c29454c2b8&q=julian+lage+magazine+cover&uds=AMwkrPtc7PyXK2WRiJ0T8Fn6QQyoDLDS_R5vB2RasiRzgL7GfSHmnjqxyC_SllFIMWH8gk1rwQ6Ib2VsM5YLrqpNvPIu3UrHbCJssIdIk6CmIbWTReA3P1dLz0uviMFuoVegwY-7e9YqQrTxuDro_w8j5l7wRRsnQg1UAgmdLJZ5nUkMkCSLWpHKBhVHAr5_szKq4HsVi-Lj5Ciosc2qR_oz2wJBBTX5bsmpCAGuadalMXNUOnAxs8gKikCL5iKE_rxuwuifj-__Jzvi7_R0T1HfFOSbBWa9QgNvrAob49MFZgRHehqhrQPcgu6Z0bHrOqGzfZ43IptS&udm=2&prmd=isvnmbtz&sa=X&ved=2ahUKEwjW2ICSpraFAxVSOTQIHQDCDeQQtKgLegQICxAB&biw=1053&bih=537&dpr=2.5\">Blue Note recording artist who graces magazine covers\u003c/a>.\u003c/p>\n\u003cp>And then, naturally, there are the legends. Past years have included Jackie McLean, Ron Carter, Kenny Burrell, Charles Lloyd, Geri Allen, Charlie Haden — the list goes on. In Healdsburg, these artists get the treatment and crowds they deserve, and in an unusually scenic, intimate setting. (I’ll never forget the year I literally bumped into \u003ca href=\"https://en.wikipedia.org/wiki/Andrew_Cyrille\">drummer Andrew Cyrille\u003c/a> in the cramped back kitchen of a coffee shop just off the downtown plaza.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This year, if you want to start easy, there’s the return of the \u003ca href=\"https://www.vbotickets.com/v5.0/event.asp?eid=120753&s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c\">Juneteenth in the Plaza concert\u003c/a> on June 15, this year featuring trombonist Steve Turre with his sextet and soul-jazz saxophone veteran Houston Person. The plaza concerts (hosted by KCSM’s \u003ca href=\"https://www.kqed.org/arts/13930273/liner-notes-greg-bridges-and-the-jazz-voice\">Greg Bridges\u003c/a>) are among my favorites at the festival — they’re completely free, the grass fills up with all types of people, and the music blankets the entire downtown.\u003c/p>\n\u003cfigure id=\"attachment_11662335\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11662335\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_.jpg\" alt=\"Billy Hart at the Healdsburg Jazz Festival, June 4, 2016.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-960x540.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Billy Hart at the Healdsburg Jazz Festival, June 4, 2016. \u003ccite>(George B. Wells)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Want to go big? After a sold-out performance at last year’s festival, hot-streak vocalist \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Samara Joy\u003c/a> will headline the festival’s opening weekend with a June 16 show at Kendall-Jackson winery. The cheapest seats are $125, but lawn seating is $35–$55 — and feels more befitting of a winery show, in my opinion.\u003c/p>\n\u003cp>Bacchus Landing’s outdoor courtyard, situated among the vineyards, is a relatively new venue for the festival; though the sun can heat the folding-chair seating, it’s hard to beat the cool open air after sundown. I have my eyes on rising vocalist \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Jazzmeia Horn\u003c/a>, and her performance with festival director Marcus Shelby and his orchestra on June 20.\u003c/p>\n\u003cp>[aside postID='arts_13885595']Also at Bacchus Landing is the remarkable \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Chief Adjuah\u003c/a> (née Christian Scott) in a double bill with \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">The Cookers\u003c/a> (Cecil McBee, George Cables, Billy Hart, Craig Handy, Eddie Henderson, Donald Harrison Jr. and David Weiss) on June 21; the \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Joshua Redman Quartet featuring Gabrielle Cavassa\u003c/a> on June 23; and \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Ambrose Akinmusire, Bill Frisell and Herlin Riley\u003c/a> with opener the \u003ca href=\"https://www.kqed.org/arts/13953845/review-brandee-younger-alice-coltrane-san-francisco-sfjazz\">Brandee Younger\u003c/a> Trio on June 22. Redman \u003ca href=\"https://www.kqed.org/arts/11661739/live-review-creative-risks-pay-off-at-healdsburgs-billy-hart-tribute\">tends to shine in Healdsburg\u003c/a>, and Younger \u003ca href=\"https://www.kqed.org/arts/13953845/review-brandee-younger-alice-coltrane-san-francisco-sfjazz\">blew my mind last month\u003c/a> in San Francisco.\u003c/p>\n\u003cp>Cuban pianist \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Omar Sosa and his Quarteto Americanos\u003c/a> will perform on June 17 at Healdsburg’s venerable Raven Theater, a charming former movie theater built in 1949. And then there’s the small shows scattered all over town. My picks would be \u003ca href=\"https://www.kqed.org/arts/13951290/howard-wiley-gospel-jazz\">Howard Wiley\u003c/a>’s quartet at The Elephant in the Room on June 15, the \u003ca href=\"https://www.vbotickets.com/v5.0/event.asp?eid=120759&s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c\">Jazz Mafia\u003c/a>’s “New Directions in Brass” at Spoonbar on June 19, and a \u003ca href=\"https://www.vbotickets.com/v5.0/event.asp?eid=119630&s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c\">tribute to Duke Ellington with Tiffany Austin\u003c/a> at St. Paul’s Church on June 22.\u003c/p>\n\u003cp>As for food? Other people will be happy to gush about Healdsburg’s world-class dining and wine. I’m more likely to recommend the no-frills \u003ca href=\"https://elsombrerohbg.com/\">El Sombrero\u003c/a> or \u003ca href=\"https://www.flakeycream.com/menu\">Flakey Cream\u003c/a> for lunch, and either Healdsburg’s Goodwill or a Russian River swimming hole for cheap thrills.\u003c/p>\n\u003cp>But for a week in June, at least, we can all agree on the music.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The 26th Annual Healdsburg Jazz Festival runs June 15–23, 2024, at various venues in and around Healdsburg. \u003ca href=\"https://healdsburgjazz.org/schedule/\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A festival veteran picks this year's top shows, including Samara Joy, Ambrose Akinmusire, Houston Person and more.","status":"publish","parent":0,"modified":1713552007,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":800},"headData":{"title":"Best Bets for the 2024 Healdsburg Jazz Festival | KQED","description":"A festival veteran picks this year's top shows, including Samara Joy, Ambrose Akinmusire, Houston Person and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Best Bets for the 2024 Healdsburg Jazz Festival","datePublished":"2024-04-19T18:38:35.000Z","dateModified":"2024-04-19T18:40:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955688/healdsburg-jazz-festival-lineup-2024-samara-joy-joshua-redman-ambrose-akinmusire-brandee-younger","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13955692\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955692\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_.jpg\" alt=\"A black woman in a red dress sings into a microphone while tilting her head upward, eyes closed\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Samara_Joy_3_-_credit__Gabriele_Bifolchi_fratticioli.com_-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Samara Joy will headline an opening weekend concert for the Healdsburg Jazz Festival on June 16 at Kendall-Jackson winery. \u003ccite>(Gabriele Bifolchi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a Sonoma County resident and jazz fan, I’ve gone to the Healdsburg Jazz Festival nearly every year for the past 20 years. When the lineup drops, \u003ca href=\"https://healdsburgjazz.org/schedule/\">like it recently did for the 2024 festival\u003c/a> running June 15–23, I make notated lists of what to see. What follows are my picks for the best shows to see among the formidable lineup.\u003c/p>\n\u003cp>But first: If you’ve heard about the festival but never attended, let me try to tell you what makes it special.\u003c/p>\n\u003cp>Take last year’s free show in the town plaza with Charles McPherson. Where else could farmworkers and wine tourists alike sit in the shade on the grass, listening to an 83-year-old jazz saxophone legend? Or last year’s tribute to Pharoah Sanders, with Gary Bartz and Sanders’ son Tomoki reverently playing “The Creator Has a Master Plan” under the stars and among the vineyards?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953845","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Over its history, Healdsburg has hosted up-and-coming talent, like Esperanza Spalding, who played in a restaurant’s backyard at the festival when she was brand-new on the scene. For several years, Santa Rosa-raised guitarist Julian Lage was a local opener at the festival, before he became a \u003ca href=\"https://www.google.com/search?sca_esv=ad9616c29454c2b8&q=julian+lage+magazine+cover&uds=AMwkrPtc7PyXK2WRiJ0T8Fn6QQyoDLDS_R5vB2RasiRzgL7GfSHmnjqxyC_SllFIMWH8gk1rwQ6Ib2VsM5YLrqpNvPIu3UrHbCJssIdIk6CmIbWTReA3P1dLz0uviMFuoVegwY-7e9YqQrTxuDro_w8j5l7wRRsnQg1UAgmdLJZ5nUkMkCSLWpHKBhVHAr5_szKq4HsVi-Lj5Ciosc2qR_oz2wJBBTX5bsmpCAGuadalMXNUOnAxs8gKikCL5iKE_rxuwuifj-__Jzvi7_R0T1HfFOSbBWa9QgNvrAob49MFZgRHehqhrQPcgu6Z0bHrOqGzfZ43IptS&udm=2&prmd=isvnmbtz&sa=X&ved=2ahUKEwjW2ICSpraFAxVSOTQIHQDCDeQQtKgLegQICxAB&biw=1053&bih=537&dpr=2.5\">Blue Note recording artist who graces magazine covers\u003c/a>.\u003c/p>\n\u003cp>And then, naturally, there are the legends. Past years have included Jackie McLean, Ron Carter, Kenny Burrell, Charles Lloyd, Geri Allen, Charlie Haden — the list goes on. In Healdsburg, these artists get the treatment and crowds they deserve, and in an unusually scenic, intimate setting. (I’ll never forget the year I literally bumped into \u003ca href=\"https://en.wikipedia.org/wiki/Andrew_Cyrille\">drummer Andrew Cyrille\u003c/a> in the cramped back kitchen of a coffee shop just off the downtown plaza.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This year, if you want to start easy, there’s the return of the \u003ca href=\"https://www.vbotickets.com/v5.0/event.asp?eid=120753&s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c\">Juneteenth in the Plaza concert\u003c/a> on June 15, this year featuring trombonist Steve Turre with his sextet and soul-jazz saxophone veteran Houston Person. The plaza concerts (hosted by KCSM’s \u003ca href=\"https://www.kqed.org/arts/13930273/liner-notes-greg-bridges-and-the-jazz-voice\">Greg Bridges\u003c/a>) are among my favorites at the festival — they’re completely free, the grass fills up with all types of people, and the music blankets the entire downtown.\u003c/p>\n\u003cfigure id=\"attachment_11662335\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11662335\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_.jpg\" alt=\"Billy Hart at the Healdsburg Jazz Festival, June 4, 2016.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/HBGJazz.Billy_-960x540.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Billy Hart at the Healdsburg Jazz Festival, June 4, 2016. \u003ccite>(George B. Wells)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Want to go big? After a sold-out performance at last year’s festival, hot-streak vocalist \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Samara Joy\u003c/a> will headline the festival’s opening weekend with a June 16 show at Kendall-Jackson winery. The cheapest seats are $125, but lawn seating is $35–$55 — and feels more befitting of a winery show, in my opinion.\u003c/p>\n\u003cp>Bacchus Landing’s outdoor courtyard, situated among the vineyards, is a relatively new venue for the festival; though the sun can heat the folding-chair seating, it’s hard to beat the cool open air after sundown. I have my eyes on rising vocalist \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Jazzmeia Horn\u003c/a>, and her performance with festival director Marcus Shelby and his orchestra on June 20.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13885595","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Also at Bacchus Landing is the remarkable \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Chief Adjuah\u003c/a> (née Christian Scott) in a double bill with \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">The Cookers\u003c/a> (Cecil McBee, George Cables, Billy Hart, Craig Handy, Eddie Henderson, Donald Harrison Jr. and David Weiss) on June 21; the \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Joshua Redman Quartet featuring Gabrielle Cavassa\u003c/a> on June 23; and \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Ambrose Akinmusire, Bill Frisell and Herlin Riley\u003c/a> with opener the \u003ca href=\"https://www.kqed.org/arts/13953845/review-brandee-younger-alice-coltrane-san-francisco-sfjazz\">Brandee Younger\u003c/a> Trio on June 22. Redman \u003ca href=\"https://www.kqed.org/arts/11661739/live-review-creative-risks-pay-off-at-healdsburgs-billy-hart-tribute\">tends to shine in Healdsburg\u003c/a>, and Younger \u003ca href=\"https://www.kqed.org/arts/13953845/review-brandee-younger-alice-coltrane-san-francisco-sfjazz\">blew my mind last month\u003c/a> in San Francisco.\u003c/p>\n\u003cp>Cuban pianist \u003ca href=\"https://www.vbotickets.com/v5.0/seatmap.asp?s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c&a2=\">Omar Sosa and his Quarteto Americanos\u003c/a> will perform on June 17 at Healdsburg’s venerable Raven Theater, a charming former movie theater built in 1949. And then there’s the small shows scattered all over town. My picks would be \u003ca href=\"https://www.kqed.org/arts/13951290/howard-wiley-gospel-jazz\">Howard Wiley\u003c/a>’s quartet at The Elephant in the Room on June 15, the \u003ca href=\"https://www.vbotickets.com/v5.0/event.asp?eid=120759&s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c\">Jazz Mafia\u003c/a>’s “New Directions in Brass” at Spoonbar on June 19, and a \u003ca href=\"https://www.vbotickets.com/v5.0/event.asp?eid=119630&s=ef201ce0-568f-4437-8aa7-6d86afd9ab4c\">tribute to Duke Ellington with Tiffany Austin\u003c/a> at St. Paul’s Church on June 22.\u003c/p>\n\u003cp>As for food? Other people will be happy to gush about Healdsburg’s world-class dining and wine. I’m more likely to recommend the no-frills \u003ca href=\"https://elsombrerohbg.com/\">El Sombrero\u003c/a> or \u003ca href=\"https://www.flakeycream.com/menu\">Flakey Cream\u003c/a> for lunch, and either Healdsburg’s Goodwill or a Russian River swimming hole for cheap thrills.\u003c/p>\n\u003cp>But for a week in June, at least, we can all agree on the music.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The 26th Annual Healdsburg Jazz Festival runs June 15–23, 2024, at various venues in and around Healdsburg. \u003ca href=\"https://healdsburgjazz.org/schedule/\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955688/healdsburg-jazz-festival-lineup-2024-samara-joy-joshua-redman-ambrose-akinmusire-brandee-younger","authors":["185"],"categories":["arts_1","arts_69"],"tags":["arts_22068","arts_6786","arts_2683","arts_1420","arts_3584","arts_585"],"featImg":"arts_13955695","label":"arts"},"arts_13956177":{"type":"posts","id":"arts_13956177","meta":{"index":"posts_1591205157","site":"arts","id":"13956177","score":null,"sort":[1713465612000]},"guestAuthors":[],"slug":"a-lowrider-cruise-in-honor-of-selena-the-queen-of-tejano-in-san-francisco","title":"A Lowrider Cruise in Honor of Selena, the Queen of Tejano, in San Francisco","publishDate":1713465612,"format":"standard","headTitle":"A Lowrider Cruise in Honor of Selena, the Queen of Tejano, in San Francisco | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>It’s been almost 30 years since Selena, the undisputed Queen of Tejano Music, was tragically murdered — but a group of lowriders are ensuring her memory isn’t forgotten. \u003c/p>\n\u003cp>On Saturday, April 20, a lowrider cruise in San Francisco’s Mission District will pay tribute to the widely beloved singer of hits like “Como La Flor” and “Amor Prohibido.” The cruise will start at 4 p.m., and run along Mission Street between Cesar Chavez and 20th Streets.\u003c/p>\n\u003cp>[aside postID='news_11966254']The annual cruise is organized by the San Francisco Lowrider Council. This year, it takes place directly following the group’s Blessing of the Cars, or La Bendicion, a 1 p.m. ceremony at 24th and Mission BART Plaza.\u003c/p>\n\u003cp>Participants in freshly painted classic cars and creative hydraulics are expected to come from all over Northern California to ride slow and low at the event, which carries the tagline: “Anything for Selenas.” \u003c/p>\n\u003cp>The Texas-raised singer, one of the most popular Latin music stars in the world, would have been 53 this year. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A lowrider cruise in the Mission District will pay tribute to the widely beloved singer.","status":"publish","parent":0,"modified":1713465612,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":187},"headData":{"title":"A Lowrider Cruise in Honor of Selena, the Queen of Tejano, in San Francisco | KQED","description":"A lowrider cruise in the Mission District will pay tribute to the widely beloved singer.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Lowrider Cruise in Honor of Selena, the Queen of Tejano, in San Francisco","datePublished":"2024-04-18T18:40:12.000Z","dateModified":"2024-04-18T18:40:12.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956177/a-lowrider-cruise-in-honor-of-selena-the-queen-of-tejano-in-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s been almost 30 years since Selena, the undisputed Queen of Tejano Music, was tragically murdered — but a group of lowriders are ensuring her memory isn’t forgotten. \u003c/p>\n\u003cp>On Saturday, April 20, a lowrider cruise in San Francisco’s Mission District will pay tribute to the widely beloved singer of hits like “Como La Flor” and “Amor Prohibido.” The cruise will start at 4 p.m., and run along Mission Street between Cesar Chavez and 20th Streets.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11966254","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The annual cruise is organized by the San Francisco Lowrider Council. This year, it takes place directly following the group’s Blessing of the Cars, or La Bendicion, a 1 p.m. ceremony at 24th and Mission BART Plaza.\u003c/p>\n\u003cp>Participants in freshly painted classic cars and creative hydraulics are expected to come from all over Northern California to ride slow and low at the event, which carries the tagline: “Anything for Selenas.” \u003c/p>\n\u003cp>The Texas-raised singer, one of the most popular Latin music stars in the world, would have been 53 this year. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956177/a-lowrider-cruise-in-honor-of-selena-the-queen-of-tejano-in-san-francisco","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_11615","arts_69"],"tags":["arts_22093","arts_10278","arts_22092","arts_1257","arts_22091","arts_585"],"featImg":"arts_13956180","label":"arts_140"},"arts_13956068":{"type":"posts","id":"arts_13956068","meta":{"index":"posts_1591205157","site":"arts","id":"13956068","score":null,"sort":[1713434440000]},"guestAuthors":[],"slug":"deep-sea-fishing-filipino-roots-and-belonging-where-we-are","title":"Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’","publishDate":1713434440,"format":"audio","headTitle":"Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’ | KQED","labelTerm":{"term":8720,"site":"arts"},"content":"\u003cp> \u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Like all good sailing stories, Adonis’ love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis’ life, it centers community.\u003c/p>\n\u003cp>Adonis is a DJ who is immersed in downtown Oakland’s nightlife scene. They currently work with \u003ca href=\"https://www.instagram.com/clubablunt510/\" target=\"_blank\" rel=\"noopener\">Club A.B.L.U.N.T. \u003c/a>(Asian Black Latinx Uniting with Native Tribes) throwing parties that center queer folks at venues around Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13956076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956076 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47%E2%80%AFPM-800x1191.png\" alt=\"Adonis stands behind a set of turntables while DJing at an event in Oakland. \" width=\"800\" height=\"1191\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-800x1191.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-160x238.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-768x1143.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM.png 982w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis stands behind a set of turntables while DJing at an event in Oakland. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When they’re not on the turntables, Adonis spends significant portions of their summers doing deep-sea commercial fishing in Alaska. Adonis sees it as a way to pay bills, build community, and learn more about their Filipino roots.\u003c/p>\n\u003cp>Adopted from Cebu City as a child and raised in Maine, Adonis’ quest to learn more about their heritage has taken them across oceans and seas. They’ve taken trips to visit the Philippines, and have studied the Filipino martial art of \u003ca href=\"https://www.eskabodaan.net/\">Eskabo Daan\u003c/a>.\u003c/p>\n\u003cp>This week we discuss how it all intertwines — the search for self, love of community, deep sea fishing and appreciation of the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13956077\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956077 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18%E2%80%AFPM-800x1023.png\" alt=\"A pile of fish appear in the foreground of a photo of two people in a boat on a body of water.\" width=\"800\" height=\"1023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-800x1023.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1020x1304.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-160x205.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-768x982.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1201x1536.png 1201w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM.png 1234w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis and a friend bundled up on a cold but successful day of deep sea fishing in Alaska. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC1228855841\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome to Rightnowish, it’s your host, Pendarvis Harshaw. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ok, we all know that one person who has a damn good life story to tell. You know, that one person who has seen some wild things and has had some extraordinary experiences, someone like today’s guest. Their name is Adonis.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis is a deep sea diver, a nightclub DJ, a commercial fisherman, and a highly-trained martial artIst, plus they also have a day job. Still, through all of these experiences, they have the ability to find community anywhere, be it in a sea of people in a crowded club or literally in the middle of the ocean. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When it comes to the Bay Area, Adonis has participated in collectives that have been influential in Oakland’s vibrant, queer nightlife. Each one brings much-needed representation and exposure for queer, BIPOC DJs and performers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis told me some amazing stories about exploration, friendship, and getting connected to the roots of their Filipino identity. I invite you all to enjoy this ride, right after this message.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> You have this wonderful story of your fascination with the ocean and the seafaring creatures of the world. Where does it all begin? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis, Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> I really think a big part of this story, for me, is being an adoptee. Uh, my parents were from Maine, or, and they live there now. And so I went to Maine, and I started to be a bit rebellious, they might say. And so there was a punk scene in Maine, it got me traveling around. I had lived in Guatemala in Quetzaltenango. I was going to this school called Proyecto Lingüístico de Quetzalteco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There had been a post online. It was called riseup.net, which is what all the anarchists use. It was encrypted, uh, encrypted email. And so there was a group that I had been in at the time, which was for women and trans women and non binary folks to connect around shared interests of travel, punk, whatever, music. And so, there was a call out that there was an anarchist sailing meetup in, uh, Rio Dulce, in Guatemala. I wasn’t on the internet like that, so I reached out on my little computer, actually probably I had a library computer, and tried to figure out who was going from our crews.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There were two spots and, or maybe three spots, and me and a couple friends, who also used to live here in Oakland, we all, we grabbed those spots out of many people ‘cause of our charisma and good looks, I imagine. And so we all got down to Guatemala, however we got down there, and, uh, jumped onto, into these workshops. People had brought their boats, there was people from Spain, people from Canada,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I really got to see the ocean in a very specific way through sailing. And we were going from Rio Dulce to the Las Islas de la Bahia in Honduras. I forget which one. I think it was Utila. And the boat just fell apart in the storm. Like, the tiller, which is how you control the rudder of the boat, just snapped off. Everything just fell apart and we had to limp back. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And they were like, “Oh, I’m so sorry. Like, this was supposed to be really cool for you.” And I was so seasick. This was the first, I was like throwing up everywhere. I couldn’t keep food down. It was four days of just trying to get to this place that was not far away. And I, we got back to land and like, “We understand if you want to get off,” and I just looked at them and I was like, ‘That was the most amazing thing I’ve ever done in my life.’ \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You said you had come in contact with an eel..\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, so eventually, we finally made it to Utila. We had to go back, because we were eventually going to go up to Cuba and I think this was 2012. And, um, from where, where I’m from, if you’re in Maine, if you are in the ocean, it’s probably because you fell in and you’ll maybe die there. You just don’t do that. There’s a lot of sailors there. They’re like, “No, no, no, we don’t go swimming here, that’s how you die.” And so I had that in my head, that’s what would happen.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We get to the Bay Islands and they’re like, oh, we’re going scuba or not scuba diving, uh, “We’re going snorkeling.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> And I was like, ‘That sounds boring.’ And they’re like, “Oh no, we just crossed this really razor sharp reef over here in our flippers walking backwards. And then you jump in and it’s really beautiful.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And, uh, they finally convinced me. I put on these flippers and so I flopped in, and the reef is just this like, It felt iridescent. The sun was coming through the water. There was just colors everywhere, fish flying around my face. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Um, I looked down and there’s this emerald pile of something on the ground. I’m like, ‘What is that?’ I knew I could dive a little bit. And so, I dove down as deep as I could. And I got close enough and I was like, ‘Oh, that’s a moray eel.’ It was a, like, 15 to 20-foot long moray eel and it had a head that was maybe the size of my own head and it was opening its mouth up and down, up and down with these razor sharp teeth and I was so enamored with this beautiful thing in front of me. I just put my face into it and I stared at it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I don’t even know how long I had been down there for. So we go back up, and they’re like, “What the hell are you doing down there?” And I was like, ‘Did you guys see that?’ They were like, “Yeah, and that thing could bite you. Like, you just don’t do that.” But I was so enthralled, and I was like, I can’t stop. And so for the days that we were there still repairing our boats, every day I went down there to just look at things. And from that day forward, um, my life became sailboats. And then after that, I would sail for about four years, having my own vessel, um, going up to Alaska and fishing up there, uh, going, taking other people’s boats to Cuba back in the day and helping people get down to Panama, going through Panama canal, all over. So that’s really how it all began. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It could almost seem conflicting to some, where it’s like, wait, you fell in love with the eel specifically, the fish, and then you in turn become a hunter and later become a fisherman. And what, what’s the connection between the two? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was on these boats with these really amazing women who were sailors, and they all sailed together. They would go to different parts of the world, meet back up, and these women were like, I was like, ‘what do you guys do for work?’ And they were like, “Oh, we are commercial fishermen in Alaska.” And I was like, ‘So I can just go up there and make thousands of dollars salmon fishing?’ And they were like, “This is the best kept secret. You should come up there and we’ll help you get a job.”\u003c/span> \u003cspan style=\"font-weight: 400\">So these women actually helped place me into these positions.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I know Native folks, and I know a couple of like, uh, Black folks, even that came up from Oakland in the 70s that fished up there. But people who were actually running boats or crew, it’s very rare to see people of color up there. And so there’s a whole lineage of Filipinos that were up there in this cannery, which I now fish for. There’s actually a little hut that’s called San Paquita and Caul and that’s where all the Filipinos would hang out at. Um, and it’s still there to this day, and there’s graffiti all over it in this old cannery. And it also has this very huge connection to my life and understanding my own identity. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was adopted from Cebu City.\u003c/span> \u003cspan style=\"font-weight: 400\">I didn’t feel like I had this connection, right? I was like, oh, I don’t know how to speak these languages. I don’t know what my people were doing. I don’t feel connected to my bloodline. And so to have that all tied back together with, I mean, our people were sailors, how did we get there?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can look at the Bajau people. Those people are spearfishing. They make their own goggles, they were making their own flippers out of whatever they had around, and they were diving down there for 5, 6, 7, 8, 10 minutes getting food. And they’re still more or less nomadic people that live on boats in the Philippines.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As I was doing these things, I was like, ‘Oh, this is what my people did. Oh, I can sail. Oh, I know how to fish,’ like, these are skills and talents that live in my blood. And so I created that, like, art from that, just even, like, the art of sailing, knowing how to sail well, and knowing how to fish well, and knowing how to create lures, and knowing how to cast nets. That lives in my body and so I get to express it. Even though I’m not in the Philippines, it was beautiful to feel like I could integrate my mind and body into skills that I feel my people were amazing at. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> That common thread of things that are, that have been present in your ancestors showing up through you through multiple ways, you have a wide array of talents and fishing is just one of them\u003c/span> \u003cspan style=\"font-weight: 400\">and you’re deeply involved in the community and a number of different groups. I wanted to bring the discussion to the work that you do in Oakland in the nightlife and, and your involvement in it. And so if we could get a little bit of background on yourself as a DJ, tell me about that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">What was cool about that is that I met this person, and we decided to make art together. And so we created We Are The Ones We’ve Been Waiting For. And\u003c/span> \u003cspan style=\"font-weight: 400\">I started working here as a wardrobe stylist and set design, um, when I came to the Bay Area. And so, I would use those skills I was learning in the commercial world, in the commercial industries, and bring it to We Are the Ones, which was highlighting the narratives of, um, Black and brown trans folks in the bay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the three to five years that We Are The Ones was organizing together, um, we just had some really beautiful parties, a lot of amazing people came through who are now, like, doing really well out here in nightlife. And so now I’m with Club ABlunt, which stands for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Asian, Black, Latinos, United with Native Tribes. And that was a collective that my very good friend, Melanique Robichaud, or Black, she started with these other women in the 90s, in the early 90s. And so once We Are The Ones went its direction and a few of us went another direction, and so it’s now me and, uh, Aura and DJ Brown Amy and Black who are working together to do a very similar, similar thing. it just feels like we’re now out of the underground and we’re, we’ve been at the Oakland museum at the, I’m going to be representing then at the SF library.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve been able to pull much bigger, uh, artists as well. People want it. Like, we had Susie Analog at Counterpulse for Oakland Pride and so it’s been really beautiful to feel united on a, on a more global front.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> So much about Oakland in general, specifically downtown Oakland, the nightlife scene-how would you describe what’s going on right now in Oakland’s queer nightlife scene for folks of color?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, so I feel like I took off a year and a half from going out, and I was like, okay, I’m gonna work on some other projects. It’s been really beautiful to reintegrate into nightlife because, and especially into queer and gay nightlife, which is something that I hadn’t really done. I was creating those events for people, and now I’m going to other people’s events at bars that I really had never spent time in. So, like, I mean, The Port’s about to close down, or like, going to the White Horse, or going to Fluid, which is a new place that’s doing really well. It’s really beautiful and seeing that just proliferate. Because a lot of the times I’m like, ‘SF actually doesn’t really care about us.’ SF feels really gatekeep-y and it’s just pulling all this talent from other parts of the world when there’s so much talent here in the Bay. It’s so nice to see this talent in Oakland.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m noticing this common thread of community and it brings me to wonder, like, when you think of the concept of belonging, what comes to mind?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I guess, as an adoptee, again, I didn’t feel like I belonged. But I feel like I just had to kind of alter my mindset. And be like, I do belong, and I can be here with you, can you be here with me? And when we ask these questions, and I think we really have to look internally and accept ourselves and love ourselves, to know that if anything, we belong where we are.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And no one can take that away from you. They can try, and they will and it gets violent, but no- I think that’s why we even choose to fight back, is because we understand we belong. And that’s why I do the work that I do, or even just be kind to people because I’m like, ‘You belong and your life should also be filled with ease and grace.’\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">When I think about, you said like, it’s a way of fighting, you literally are trained in martial arts as well. And even through that further community, further sense of belonging, maybe we could start with, um, what led you to martial arts and then we could talk about belonging in that as well.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean I danced for a very long time in my life. I played instruments and I think all of those things are connected to the soul of just, you know, being Cebuano, being Visayan, and so I was like, ‘I’m gonna find another art,’ and so I chose-I was like, oh, I’ll try martial arts. So I went on the internet. There wasn’t many places I found, but one stood out, which was called Eskabodan. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I first walked in, I knew it was a place I belonged to. The school was doing really well at the time on Polk Street and so I stayed. I still train with Grandmaster Kastor today, and he is also a legend. I mean, and now I’m training for my second degree black belt. And I also am assisting him in teaching when we travel to Europe.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s been really beautiful to feel another, another type of community here that is very Filipino and very rooted in a Filipino art and very rooted in martial arts. It’s like dancing and it’s a total meditation, which makes me feel really calm and it makes me feel confident.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so when I’m in a place that I think at one point that I would have felt nervous about being in, for my own safety of my body or emotional safety or whatever. I can remind myself that I can be calm and I can remember that I do belong here and that I don’t really have to be afraid.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was in Paris actually, coming back from a seminar that we were teaching and, uh, some young kid ripped, tried to rip my necklace off of my, off of my body. And I have never had to use any of my skills that way. And I just remember my knee jerk reaction was to grab them, twist, twist their wrists in a certain way, and then I saw, I saw it. I saw all the openings. I saw where I could have caused this person harm, or taken them out in a certain way. And all I did was I just like, put them on the ground.\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> [laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And I was like, ‘That’s mine. Please give it back,’ and he did. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like, time felt like it slowed down, and I was like, oh, this is what I do this for. I do this so I can protect myself, and I can also protect my friends, and I can be confident in the world, which is what I feel like a lot of the work that I’ve done in general is about. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s beautiful, because I’m watching my daughter do martial arts now and I’m like, ‘I wonder will this actually sink in,’ you know? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> It really sinks in. And once it sinks in, it feels like, you can only learn, it’s, it’s like a lesson in life. There’s always more to learn, but the stuff that you learn is priceless and it will always be with you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The folks who raised you, your parents, what do they think of your journey, of all the skills that you’ve acquired, all the places that you’ve been, this person that you’ve become? Do they appreciate all of that?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> They do. They’ve always loved me and told me that I was doing a great job. You know, so I was raised by white people, and so I feel like they have this thing where they’re like, “You can do whatever you want in the world.” And so I was told that and, you know, I actually really appreciate that from them.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I mean a lot of my friends, they were told that they were basically demons and-for being queer or gay or being trans or whatever and just demonized for their beliefs or kicked out of their house. My parents would never have done that to me. I didn’t even know parents were like that ‘cause my parents weren’t like that. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Now just through the traditions that I practice and the ways that I view the world. I understand, even though they’re not my birth parents, but both my birth parents and my adoptive parents are the most important things-that they, one my birth parents brought me into the world and then these people raised me. Now I appreciate them, and they have, and what I realize is that they have always loved and appreciated me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> All of the things that you do from the martial arts to the fishing, DJing, community building, if there were a way to succinctly tie them all together, how would you explain what the common thread is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I believe as an artist I have this very specific desire to live in a very specific way. And at first it was the thrill of traveling and then the thrill of creating art, and then the thrill of learning, and then the, uh, and just having this lust for experience.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I want other people to be able to experience life this way if they want to. I have allowed myself to do that, and I also believe that you should do that. And so, when we get together, what does that look like? Or, like, let’s talk about it, let’s sing about it, let’s write about it, let’s draw about it, let’s what, how do we feel alive? There’s something there that is, like, about living to me. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It seems to be the thread of my life right now is that, you know, you have one life, but there are many lives to be lived within it and you are another example of that. And so, yeah, thank you. Thank you for that reminder.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\"> Seriously, thank you.Thank you, thank you, thank you. Big shoutout to Adonis, I appreciate your wisdom and it’s extremely clear that your many experiences have shaped your ability to find and build community wherever you go.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more info on queer nightlife in Oakland, Club ABLUNT’s instagram account is clubablunt510. That’s spelled like club A-B-L-U-N-T, and that’s 510 as in the area code.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis can be found on Instagram at bodegavendetta It’s spelled B-O-D-E-G-A V-E-N-D-E-T-T-A.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. It was produced by Sheree Bishop and Marisol Medina-Cadena. Chris Hambrick is our editor. Brendan Willard is our engineer\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Katie Sprenger, Cesar Saldaña, Ugur Dursun and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED production. Until next time, peace!\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Adonis is a DJ who blends together a search for self, deep sea fishing and the love of community.","status":"publish","parent":0,"modified":1713483138,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":69,"wordCount":4189},"headData":{"title":"Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’ | KQED","description":"Like all good sailing stories, Adonis' love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis' life, it centers community.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialDescription":"Like all good sailing stories, Adonis' love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis' life, it centers community.","schema":{"@context":"http://schema.org","@type":"Article","headline":"Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’","datePublished":"2024-04-18T10:00:40.000Z","dateModified":"2024-04-18T23:32:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC1228855841.mp3?updated=1713389171","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956068/deep-sea-fishing-filipino-roots-and-belonging-where-we-are","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Like all good sailing stories, Adonis’ love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis’ life, it centers community.\u003c/p>\n\u003cp>Adonis is a DJ who is immersed in downtown Oakland’s nightlife scene. They currently work with \u003ca href=\"https://www.instagram.com/clubablunt510/\" target=\"_blank\" rel=\"noopener\">Club A.B.L.U.N.T. \u003c/a>(Asian Black Latinx Uniting with Native Tribes) throwing parties that center queer folks at venues around Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13956076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956076 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47%E2%80%AFPM-800x1191.png\" alt=\"Adonis stands behind a set of turntables while DJing at an event in Oakland. \" width=\"800\" height=\"1191\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-800x1191.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-160x238.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-768x1143.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM.png 982w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis stands behind a set of turntables while DJing at an event in Oakland. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When they’re not on the turntables, Adonis spends significant portions of their summers doing deep-sea commercial fishing in Alaska. Adonis sees it as a way to pay bills, build community, and learn more about their Filipino roots.\u003c/p>\n\u003cp>Adopted from Cebu City as a child and raised in Maine, Adonis’ quest to learn more about their heritage has taken them across oceans and seas. They’ve taken trips to visit the Philippines, and have studied the Filipino martial art of \u003ca href=\"https://www.eskabodaan.net/\">Eskabo Daan\u003c/a>.\u003c/p>\n\u003cp>This week we discuss how it all intertwines — the search for self, love of community, deep sea fishing and appreciation of the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13956077\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956077 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18%E2%80%AFPM-800x1023.png\" alt=\"A pile of fish appear in the foreground of a photo of two people in a boat on a body of water.\" width=\"800\" height=\"1023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-800x1023.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1020x1304.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-160x205.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-768x982.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1201x1536.png 1201w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM.png 1234w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis and a friend bundled up on a cold but successful day of deep sea fishing in Alaska. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC1228855841\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome to Rightnowish, it’s your host, Pendarvis Harshaw. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ok, we all know that one person who has a damn good life story to tell. You know, that one person who has seen some wild things and has had some extraordinary experiences, someone like today’s guest. Their name is Adonis.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis is a deep sea diver, a nightclub DJ, a commercial fisherman, and a highly-trained martial artIst, plus they also have a day job. Still, through all of these experiences, they have the ability to find community anywhere, be it in a sea of people in a crowded club or literally in the middle of the ocean. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When it comes to the Bay Area, Adonis has participated in collectives that have been influential in Oakland’s vibrant, queer nightlife. Each one brings much-needed representation and exposure for queer, BIPOC DJs and performers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis told me some amazing stories about exploration, friendship, and getting connected to the roots of their Filipino identity. I invite you all to enjoy this ride, right after this message.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> You have this wonderful story of your fascination with the ocean and the seafaring creatures of the world. Where does it all begin? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis, Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> I really think a big part of this story, for me, is being an adoptee. Uh, my parents were from Maine, or, and they live there now. And so I went to Maine, and I started to be a bit rebellious, they might say. And so there was a punk scene in Maine, it got me traveling around. I had lived in Guatemala in Quetzaltenango. I was going to this school called Proyecto Lingüístico de Quetzalteco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There had been a post online. It was called riseup.net, which is what all the anarchists use. It was encrypted, uh, encrypted email. And so there was a group that I had been in at the time, which was for women and trans women and non binary folks to connect around shared interests of travel, punk, whatever, music. And so, there was a call out that there was an anarchist sailing meetup in, uh, Rio Dulce, in Guatemala. I wasn’t on the internet like that, so I reached out on my little computer, actually probably I had a library computer, and tried to figure out who was going from our crews.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There were two spots and, or maybe three spots, and me and a couple friends, who also used to live here in Oakland, we all, we grabbed those spots out of many people ‘cause of our charisma and good looks, I imagine. And so we all got down to Guatemala, however we got down there, and, uh, jumped onto, into these workshops. People had brought their boats, there was people from Spain, people from Canada,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I really got to see the ocean in a very specific way through sailing. And we were going from Rio Dulce to the Las Islas de la Bahia in Honduras. I forget which one. I think it was Utila. And the boat just fell apart in the storm. Like, the tiller, which is how you control the rudder of the boat, just snapped off. Everything just fell apart and we had to limp back. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And they were like, “Oh, I’m so sorry. Like, this was supposed to be really cool for you.” And I was so seasick. This was the first, I was like throwing up everywhere. I couldn’t keep food down. It was four days of just trying to get to this place that was not far away. And I, we got back to land and like, “We understand if you want to get off,” and I just looked at them and I was like, ‘That was the most amazing thing I’ve ever done in my life.’ \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You said you had come in contact with an eel..\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, so eventually, we finally made it to Utila. We had to go back, because we were eventually going to go up to Cuba and I think this was 2012. And, um, from where, where I’m from, if you’re in Maine, if you are in the ocean, it’s probably because you fell in and you’ll maybe die there. You just don’t do that. There’s a lot of sailors there. They’re like, “No, no, no, we don’t go swimming here, that’s how you die.” And so I had that in my head, that’s what would happen.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We get to the Bay Islands and they’re like, oh, we’re going scuba or not scuba diving, uh, “We’re going snorkeling.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> And I was like, ‘That sounds boring.’ And they’re like, “Oh no, we just crossed this really razor sharp reef over here in our flippers walking backwards. And then you jump in and it’s really beautiful.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And, uh, they finally convinced me. I put on these flippers and so I flopped in, and the reef is just this like, It felt iridescent. The sun was coming through the water. There was just colors everywhere, fish flying around my face. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Um, I looked down and there’s this emerald pile of something on the ground. I’m like, ‘What is that?’ I knew I could dive a little bit. And so, I dove down as deep as I could. And I got close enough and I was like, ‘Oh, that’s a moray eel.’ It was a, like, 15 to 20-foot long moray eel and it had a head that was maybe the size of my own head and it was opening its mouth up and down, up and down with these razor sharp teeth and I was so enamored with this beautiful thing in front of me. I just put my face into it and I stared at it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I don’t even know how long I had been down there for. So we go back up, and they’re like, “What the hell are you doing down there?” And I was like, ‘Did you guys see that?’ They were like, “Yeah, and that thing could bite you. Like, you just don’t do that.” But I was so enthralled, and I was like, I can’t stop. And so for the days that we were there still repairing our boats, every day I went down there to just look at things. And from that day forward, um, my life became sailboats. And then after that, I would sail for about four years, having my own vessel, um, going up to Alaska and fishing up there, uh, going, taking other people’s boats to Cuba back in the day and helping people get down to Panama, going through Panama canal, all over. So that’s really how it all began. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It could almost seem conflicting to some, where it’s like, wait, you fell in love with the eel specifically, the fish, and then you in turn become a hunter and later become a fisherman. And what, what’s the connection between the two? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was on these boats with these really amazing women who were sailors, and they all sailed together. They would go to different parts of the world, meet back up, and these women were like, I was like, ‘what do you guys do for work?’ And they were like, “Oh, we are commercial fishermen in Alaska.” And I was like, ‘So I can just go up there and make thousands of dollars salmon fishing?’ And they were like, “This is the best kept secret. You should come up there and we’ll help you get a job.”\u003c/span> \u003cspan style=\"font-weight: 400\">So these women actually helped place me into these positions.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I know Native folks, and I know a couple of like, uh, Black folks, even that came up from Oakland in the 70s that fished up there. But people who were actually running boats or crew, it’s very rare to see people of color up there. And so there’s a whole lineage of Filipinos that were up there in this cannery, which I now fish for. There’s actually a little hut that’s called San Paquita and Caul and that’s where all the Filipinos would hang out at. Um, and it’s still there to this day, and there’s graffiti all over it in this old cannery. And it also has this very huge connection to my life and understanding my own identity. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was adopted from Cebu City.\u003c/span> \u003cspan style=\"font-weight: 400\">I didn’t feel like I had this connection, right? I was like, oh, I don’t know how to speak these languages. I don’t know what my people were doing. I don’t feel connected to my bloodline. And so to have that all tied back together with, I mean, our people were sailors, how did we get there?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can look at the Bajau people. Those people are spearfishing. They make their own goggles, they were making their own flippers out of whatever they had around, and they were diving down there for 5, 6, 7, 8, 10 minutes getting food. And they’re still more or less nomadic people that live on boats in the Philippines.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As I was doing these things, I was like, ‘Oh, this is what my people did. Oh, I can sail. Oh, I know how to fish,’ like, these are skills and talents that live in my blood. And so I created that, like, art from that, just even, like, the art of sailing, knowing how to sail well, and knowing how to fish well, and knowing how to create lures, and knowing how to cast nets. That lives in my body and so I get to express it. Even though I’m not in the Philippines, it was beautiful to feel like I could integrate my mind and body into skills that I feel my people were amazing at. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> That common thread of things that are, that have been present in your ancestors showing up through you through multiple ways, you have a wide array of talents and fishing is just one of them\u003c/span> \u003cspan style=\"font-weight: 400\">and you’re deeply involved in the community and a number of different groups. I wanted to bring the discussion to the work that you do in Oakland in the nightlife and, and your involvement in it. And so if we could get a little bit of background on yourself as a DJ, tell me about that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">What was cool about that is that I met this person, and we decided to make art together. And so we created We Are The Ones We’ve Been Waiting For. And\u003c/span> \u003cspan style=\"font-weight: 400\">I started working here as a wardrobe stylist and set design, um, when I came to the Bay Area. And so, I would use those skills I was learning in the commercial world, in the commercial industries, and bring it to We Are the Ones, which was highlighting the narratives of, um, Black and brown trans folks in the bay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the three to five years that We Are The Ones was organizing together, um, we just had some really beautiful parties, a lot of amazing people came through who are now, like, doing really well out here in nightlife. And so now I’m with Club ABlunt, which stands for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Asian, Black, Latinos, United with Native Tribes. And that was a collective that my very good friend, Melanique Robichaud, or Black, she started with these other women in the 90s, in the early 90s. And so once We Are The Ones went its direction and a few of us went another direction, and so it’s now me and, uh, Aura and DJ Brown Amy and Black who are working together to do a very similar, similar thing. it just feels like we’re now out of the underground and we’re, we’ve been at the Oakland museum at the, I’m going to be representing then at the SF library.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve been able to pull much bigger, uh, artists as well. People want it. Like, we had Susie Analog at Counterpulse for Oakland Pride and so it’s been really beautiful to feel united on a, on a more global front.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> So much about Oakland in general, specifically downtown Oakland, the nightlife scene-how would you describe what’s going on right now in Oakland’s queer nightlife scene for folks of color?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, so I feel like I took off a year and a half from going out, and I was like, okay, I’m gonna work on some other projects. It’s been really beautiful to reintegrate into nightlife because, and especially into queer and gay nightlife, which is something that I hadn’t really done. I was creating those events for people, and now I’m going to other people’s events at bars that I really had never spent time in. So, like, I mean, The Port’s about to close down, or like, going to the White Horse, or going to Fluid, which is a new place that’s doing really well. It’s really beautiful and seeing that just proliferate. Because a lot of the times I’m like, ‘SF actually doesn’t really care about us.’ SF feels really gatekeep-y and it’s just pulling all this talent from other parts of the world when there’s so much talent here in the Bay. It’s so nice to see this talent in Oakland.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m noticing this common thread of community and it brings me to wonder, like, when you think of the concept of belonging, what comes to mind?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I guess, as an adoptee, again, I didn’t feel like I belonged. But I feel like I just had to kind of alter my mindset. And be like, I do belong, and I can be here with you, can you be here with me? And when we ask these questions, and I think we really have to look internally and accept ourselves and love ourselves, to know that if anything, we belong where we are.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And no one can take that away from you. They can try, and they will and it gets violent, but no- I think that’s why we even choose to fight back, is because we understand we belong. And that’s why I do the work that I do, or even just be kind to people because I’m like, ‘You belong and your life should also be filled with ease and grace.’\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">When I think about, you said like, it’s a way of fighting, you literally are trained in martial arts as well. And even through that further community, further sense of belonging, maybe we could start with, um, what led you to martial arts and then we could talk about belonging in that as well.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean I danced for a very long time in my life. I played instruments and I think all of those things are connected to the soul of just, you know, being Cebuano, being Visayan, and so I was like, ‘I’m gonna find another art,’ and so I chose-I was like, oh, I’ll try martial arts. So I went on the internet. There wasn’t many places I found, but one stood out, which was called Eskabodan. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I first walked in, I knew it was a place I belonged to. The school was doing really well at the time on Polk Street and so I stayed. I still train with Grandmaster Kastor today, and he is also a legend. I mean, and now I’m training for my second degree black belt. And I also am assisting him in teaching when we travel to Europe.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s been really beautiful to feel another, another type of community here that is very Filipino and very rooted in a Filipino art and very rooted in martial arts. It’s like dancing and it’s a total meditation, which makes me feel really calm and it makes me feel confident.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so when I’m in a place that I think at one point that I would have felt nervous about being in, for my own safety of my body or emotional safety or whatever. I can remind myself that I can be calm and I can remember that I do belong here and that I don’t really have to be afraid.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was in Paris actually, coming back from a seminar that we were teaching and, uh, some young kid ripped, tried to rip my necklace off of my, off of my body. And I have never had to use any of my skills that way. And I just remember my knee jerk reaction was to grab them, twist, twist their wrists in a certain way, and then I saw, I saw it. I saw all the openings. I saw where I could have caused this person harm, or taken them out in a certain way. And all I did was I just like, put them on the ground.\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> [laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And I was like, ‘That’s mine. Please give it back,’ and he did. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like, time felt like it slowed down, and I was like, oh, this is what I do this for. I do this so I can protect myself, and I can also protect my friends, and I can be confident in the world, which is what I feel like a lot of the work that I’ve done in general is about. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s beautiful, because I’m watching my daughter do martial arts now and I’m like, ‘I wonder will this actually sink in,’ you know? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> It really sinks in. And once it sinks in, it feels like, you can only learn, it’s, it’s like a lesson in life. There’s always more to learn, but the stuff that you learn is priceless and it will always be with you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The folks who raised you, your parents, what do they think of your journey, of all the skills that you’ve acquired, all the places that you’ve been, this person that you’ve become? Do they appreciate all of that?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> They do. They’ve always loved me and told me that I was doing a great job. You know, so I was raised by white people, and so I feel like they have this thing where they’re like, “You can do whatever you want in the world.” And so I was told that and, you know, I actually really appreciate that from them.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I mean a lot of my friends, they were told that they were basically demons and-for being queer or gay or being trans or whatever and just demonized for their beliefs or kicked out of their house. My parents would never have done that to me. I didn’t even know parents were like that ‘cause my parents weren’t like that. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Now just through the traditions that I practice and the ways that I view the world. I understand, even though they’re not my birth parents, but both my birth parents and my adoptive parents are the most important things-that they, one my birth parents brought me into the world and then these people raised me. Now I appreciate them, and they have, and what I realize is that they have always loved and appreciated me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> All of the things that you do from the martial arts to the fishing, DJing, community building, if there were a way to succinctly tie them all together, how would you explain what the common thread is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I believe as an artist I have this very specific desire to live in a very specific way. And at first it was the thrill of traveling and then the thrill of creating art, and then the thrill of learning, and then the, uh, and just having this lust for experience.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I want other people to be able to experience life this way if they want to. I have allowed myself to do that, and I also believe that you should do that. And so, when we get together, what does that look like? Or, like, let’s talk about it, let’s sing about it, let’s write about it, let’s draw about it, let’s what, how do we feel alive? There’s something there that is, like, about living to me. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It seems to be the thread of my life right now is that, you know, you have one life, but there are many lives to be lived within it and you are another example of that. And so, yeah, thank you. Thank you for that reminder.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\"> Seriously, thank you.Thank you, thank you, thank you. Big shoutout to Adonis, I appreciate your wisdom and it’s extremely clear that your many experiences have shaped your ability to find and build community wherever you go.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more info on queer nightlife in Oakland, Club ABLUNT’s instagram account is clubablunt510. That’s spelled like club A-B-L-U-N-T, and that’s 510 as in the area code.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis can be found on Instagram at bodegavendetta It’s spelled B-O-D-E-G-A V-E-N-D-E-T-T-A.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. It was produced by Sheree Bishop and Marisol Medina-Cadena. Chris Hambrick is our editor. Brendan Willard is our engineer\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Katie Sprenger, Cesar Saldaña, Ugur Dursun and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED production. Until next time, peace!\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956068/deep-sea-fishing-filipino-roots-and-belonging-where-we-are","authors":["11491","11528"],"programs":["arts_8720"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_2852","arts_10278","arts_3226","arts_1143","arts_12080"],"featImg":"arts_13956173","label":"arts_8720"},"arts_13955802":{"type":"posts","id":"arts_13955802","meta":{"index":"posts_1591205157","site":"arts","id":"13955802","score":null,"sort":[1713390752000]},"guestAuthors":[],"slug":"bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","title":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","publishDate":1713390752,"format":"standard","headTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics) | KQED","labelTerm":{},"content":"\u003cp>[dropcap]W[/dropcap]hen conveying what it means to really be from the Bay Area, I often return to this simple yet revelatory \u003ca href=\"https://www.kqed.org/arts/tag/mac-dre\">Mac Dre\u003c/a> lyric: “In the Bay Area, we dance a little different.”\u003c/p>\n\u003cp>Whether it’s in our music, political activism or technological contributions, there’s a certain out-of-box forwardness that tends to manifest from Bay Area minds — and a pride in how we approach everything with a savvy sprinkling of game, hustlership and top-tier ideation.\u003c/p>\n\u003cp>The same can be said for the Bay Area’s food scene, which ranks among the nation’s best and most imaginative. From sourdough bread to the eternal Mission-style burrito, the Bay’s foodmakers have often been ahead of the curve, helping to revolutionize menus nationwide with their fresh farm-to-table approach. To borrow from the great Mac, one could say that in the Bay Area, we \u003ci>eat\u003c/i> a little different.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13907726,arts_13934248']\u003c/span>It’s no surprise, then, that in the history of local rap, food has always been a strong reference point — a metaphorical kitchen for creative exchange. An endless platter of well-seasoned slang. For decades, our rappers have delivered punchlines involving sauce, lasagna and \u003ca href=\"https://www.youtube.com/watch?v=XMah0rX6pGU\">lumpia\u003c/a>; dropped verses that generously reference \u003ca href=\"https://www.youtube.com/watch?v=lkBJR5L2nas\">desserts and bakeries\u003c/a>; and supplied entire songs about stacking bread, cheese and lettuce as lucrative sandwiches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/bay-area-rap-shrimp-crab-17915372.php\">Food-loving Bay Area rappers\u003c/a> have always been bold when it comes to transmorphing culinary items and kitchen utensils into slang that others then appropriate and even misuse (see: “\u003ca href=\"https://www.kqed.org/arts/13908052/food-doesnt-slap\">food doesn’t slap\u003c/a>”). Shock G once talked about getting busy in a Burger King bathroom and declared, “I like my oatmeal lumpy.” On “Dreganomics,” Mac Dre himself asked, “What’s spaghetti without the sauce?” We’ve got Suga T (sweet) and Spice 1 (hot). Berner founded \u003ca href=\"https://www.instagram.com/cookiessf/?hl=en\">Cookies\u003c/a>. And just a few weeks ago, \u003ca href=\"https://www.kqed.org/arts/13900085/stunnaman02-and-the-big-steppin-energy-in-the-room\">Stunnaman02\u003c/a> dropped a whole series of viral videos centered on his latest single. His focus? \u003ca href=\"https://www.tiktok.com/@jayworrld/video/7340701934355254574\">Eating a salad\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s a unifying ethos in Bay Area food and rap: \u003ca href=\"https://www.youtube.com/watch?v=E6GU3PmttyI\">Everybody eats\u003c/a>. So here’s a brief ode to some of our region’s most skilled vocabulary chefs and the tasteful ways they’ve reimagined the ingredients of language that are possible in a kitchen — and the recording studio.\u003c/p>\n\u003cfigure id=\"attachment_13956090\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956090\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg\" alt=\"Illustration of the rapper E-40 in sunglasses and a beige apron, holding a glass of red wine. In front of him are a burrito and a grilled cheese sandwich.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 might be the most prolific inventor of food-related slang words in the English language. He’s a head chef in the Bay Area’s rap kingdom. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>E-40: Green eggs, hams, candy yams, Spam, cheese, peanut butter and jam on “\u003ca href=\"https://www.youtube.com/watch?v=etIBcRriUJY\">The Slap\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Digital scale, green eggs and hams / Yams, candy yams, Spam, damn! / Loaded, my cheese, peanut butter and jam / Sammich, mannish, me and my Hispanics / Vanish, talkin’ in codes like we from different planets.”\u003c/em>\u003c/p>\n\u003cp>Though it may sound like gibberish to the uninitiated, rest assured that \u003ca href=\"https://firstwefeast.com/eat/2013/12/food-rap-decoded-with-e-40-video\">99.99% of anything 40 Water vocalizes has a cleverly associative meaning\u003c/a>. For anyone who has listened to one of the more than 25 studio albums from Vallejo’s kingpin, you’ve surely heard him mention food — perhaps in a variety of languages (some real, some ingeniously invented). In addition to the smorgasbord he notes above in “The Slap,” he has pioneered rhymes across generations that give new meanings to Gouda, feta, mozzarella, lettuce, bread, sausage, salami, paninis, spaghetti, tacos and enchiladas — ad infinitum. Unsurprisingly, \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">Mr. Fonzarelli is an actual purveyor of foods and beverages\u003c/a>, with a line of products that includes malt liquor, ice cream and burritos; he even co-owns \u003ca href=\"https://www.instagram.com/thelumpiacompany/\">The Lumpia Company\u003c/a>. There’s no one with a bigger million-dollar mouthpiece who can distribute as much word candy (“S-L-A-N-G”) quite as flavorfully as the Goon With The Spoon himself.\u003c/p>\n\u003ch2>Andre Nickatina: TOGO’s #41 sandwich with the hot peppers on “\u003ca href=\"https://www.youtube.com/watch?v=_FU1XdPE6lM\">Fa Show\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Baby don’t act dumb, I’m number 41, high stepper / TOGO’s sandwich with the hot peppers / At 90 degrees I might freeze, so when it’s hot I sport leather.”\u003c/em>\u003c/p>\n\u003cp>Fillmore’s finest, and among \u003ca href=\"https://www.passionweiss.com/2016/11/17/andre-nickatina/\">the most criminally underrated San Francisco rappers in history\u003c/a>, Andre Nickatina has always had a penchant for the spicy, the flavorful, the extemporaneously saucy. From rapping about eating Cap’n Crunch around drug dealers to sarcastically handing out Baskin Robbins dollars to his enemies, Nicky Nicotine (formerly known as Dre Dog) raps about food as casually as any rapper would ever dare. Unlike many of today’s international rap personalities, who seem to only eat at \u003ca href=\"https://www.reddit.com/r/OutOfTheLoop/comments/6frbt9/why_are_rappers_obsessed_with_nobu_sushi/\">high-priced sushi conglomerates\u003c/a>, Nickatina is a Bay Area real one, electing to stay fed at a regional sandwich chain from San Jose. The enigmatic “number 41” on the \u003ca href=\"https://www.togos.com/menu/?gad_source=1&gclid=CjwKCAjwoPOwBhAeEiwAJuXRh69gJ2fS8J9qmnAKJEnCmI5720psTxEmhEmkgFAemWoe3auyNuuxExoCTm0QAvD_BwE\">Togo’s menu\u003c/a> has since been discontinued, but a spokesperson for the restaurant IDed it as a sirloin steak and mushroom sandwich that was introduced as a seasonal special back in 2002 — the same year “Fa Show” was released. There is no doubt it must’ve been fire, given its endorsement by a legend who knows how to professionally “\u003ca href=\"https://www.youtube.com/watch?v=o8TXpoi-goE\">Break Bread\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13956088\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956088\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg\" alt=\"Illustration of the rapper Kamaiyah eating from a plate of chicken alfredo tucked under her arm. Next to her is a bottle of champagne.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah’s album covers often feature food, Hennessey and champagne — a reflection of the rapper’s saucy, bossy lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kamaiyah: Champagne and chicken on “\u003ca href=\"https://www.youtube.com/watch?v=Yls2dMJ63tM\">Whatever Whenever\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Just drink champagne with all my chicken meals.”\u003c/em>\u003c/p>\n\u003cp>It’s fitting that East Oakland’s Kamaiyah — who cooked up the searingly hot single “How Does It Feel” on her transcendent debut, \u003ci>A Good Night in the Ghetto\u003c/i> — continued to double down on aspirational living and good eating with her sophomore release, \u003ci>Got It Made\u003c/i>. As always, the bodacious trapper rhymes over a synth-laced, floaty-spaceship soundscape while bragging about her California riches — and cuisine. The music video for “Whatever Whenever” features Kamaiyah roaming the untainted grounds of a Napa Valley-esque chateau. Her album covers over the years have also featured bags of potato chips, Hennessy and double-fisted bottles of champagne. It’s always bottoms up when Kamaiyah is on the track.\u003c/p>\n\u003ch2>Too $hort: Macaroni, steak and collard greens on “\u003ca href=\"https://www.youtube.com/watch?v=Ru5B8cFskaw\">All My B*tches Are Gone\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Eat some shit up / macaroni, steak, collard greens, or whatever the fuck.”\u003c/em>\u003c/p>\n\u003cp>With over 35 years of classic albums like \u003ci>Cocktails\u003c/i> and \u003ci>Gettin’ It\u003c/i>, there’s no doubt that Short Dogg knows how to feed his multi-generational fanbase. He doesn’t shy away from straightforward lyrics — or having a large appetite for nefarious activities — and he has continued to make seasoned slaps for precisely 225,000 hours and counting (“get a calculator, do the math”). This OG’s plate of choice includes classic soul food staples served with a slab of steak. As the veteran unmistakably outlines on “This How We Eat”: “We make money, we eat, we feed.”\u003c/p>\n\u003cfigure id=\"attachment_13956087\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956087\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg\" alt=\"Illustration of the rapper Larry June in an SF Giants cap, holding a crab cracker in one hand and a fork in the other. In front of him is a whole lobster on a plate.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Besides establishing himself as the healthiest rapper in Bay Area lore, Larry June is also known for sporting vintage muscle cars and cracking lobsters in Sausalito as part of his luxurious lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Larry June: Crab legs on “\u003ca href=\"https://www.youtube.com/watch?v=luIhlZBrJos\">Lifetime Income\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“This not my girlfriend, we just eatin’ crab legs.”\u003c/em>\u003c/p>\n\u003cp>If you know Larry June, then you know he’s all about smoothies, green teas, organic juices and oranges (yee hee!). But just as buttery are his numerously silky references to luxury meals and late-night outings with a seemingly endless rotation of women friends. Without question, the Hunters Point rapper has one of the healthiest appetites of anyone around a microphone, regularly dropping rhymes about his organic sustenance. Since Uncle Larry makes a living off his out-of-pocket food references, he merits an honorable mention for dropping other absolute bangers like “I might write a motherfuckin’ smoothie book or somethin’ … Sell this shit for thirty dollars” and “Watermelon juice riding bikes with my latest chick / I don’t do the clubs that often, I got a check to get.” It’s fitting that \u003ca href=\"https://uproxx.com/music/larry-june-interview-san-francisco/\">he also co-owns Honeybear Boba in the Dogpatch\u003c/a>.\u003c/p>\n\u003ch2>Iamsu!: Chicken strips and Moscato on “\u003ca href=\"https://www.youtube.com/watch?v=lQcxMU3uvLg\">Don’t Stop\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Keep it real I don’t brag though… / Chicken strips, no escargot / [sippin’] on the Moscato.”\u003c/em>\u003c/p>\n\u003cp>To be fair, this lyric is from a young, mixtape-era Iamsu! and might not reflect the current palate of the multi-platinum rapper and producer from Richmond. (In fact, that’s probably true of every rapper on this list, so take these lyrics with a grain of salt.) But when I first heard this song in my 20s, it’s a line that did — and still does — resonate for its unglamorized celebration of living on a low-budget microwaveable diet while maintaining a glimmer of high-life ambition. Personally, I’d take chicken strips over escargot nine out of ten times. And, from the sound of it, so would Suzy 6 Speed.\u003c/p>\n\u003cfigure id=\"attachment_13956086\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956086\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg\" alt=\"The rapper P-Lo wiggles his fingers in delight over a plate of chicken wings sitting on a bed of dollar bills.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo often raps about his love of chicken (chicken adobo, fried chicken, chicken wings), and his favorite food-related slang word is also “chicken” (as a stand in for “money”). \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>P-Lo: Chicken wings in the strip club on “\u003ca href=\"https://www.youtube.com/watch?v=h-ajtPhAQ1U\">Going To Work\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“In the strip club eating chicken wings.”\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13938479']\u003c/span>There may not be another rapper on this list with as much love for chicken wings as Pinole’s P-Lo. For starters, the lyricist and producer launched a transnational food tour, teaming up with Filipino restaurants around the U.S. and Canada to deliver collaborative one-off dishes, including \u003ca href=\"https://www.kqed.org/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland\">his own spicy sinigang wings at Señor Sisig in Oakland\u003c/a>. If that’s not enough, he has popped up on popular social media channels like \u003ca href=\"https://www.instagram.com/bayareafoodz/?hl=en\">Bay Area Foodz\u003c/a> as \u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">he searches for the best wings around the Yay\u003c/a>. His songs are even featured on \u003ca href=\"https://www.instagram.com/reel/CwyzdhfrNCE/\">national commercials for Wingstop\u003c/a>. For P-Lo, it’s always time to bring back the bass — and taste.\u003cb>\u003ci>\u003c/i>\u003c/b>\u003c/p>\n\u003ch2>Guap (formerly Guapdad 4000): Chicken adobo on “\u003ca href=\"https://www.youtube.com/watch?v=1DaovaJgytE\">Chicken Adobo\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“How I fell in love with you it was beautiful / Like chicken adobo how you fill me up.”\u003c/em>\u003c/p>\n\u003cp>For the Black Filipino American rapper from West Oakland, \u003ca href=\"https://www.kqed.org/arts/13905208/a-new-generation-of-filipino-hip-hop-builds-on-a-deep-bay-area-legacy\">food has always played a central role in his upbringing\u003c/a>. The anime-loving, Marvel comics fan grew up in a Filipino household eating champorado, and his songs have never shied away from references to his dual cultures. In what might be his most well-known song, Guap equates romantic satiation to filling up on a bowl of chicken adobo. His love of food goes beyond the booth — he recently spoke out on \u003ca href=\"https://www.kqed.org/arts/13950363/keith-lee-tiktok-oakland-sf-bay-area-struggles\">the recent Keith Lee fiasco\u003c/a>, and he also put together\u003ca href=\"https://trippin.world/guide/oaklands-top-food-joints-with-rapper-guapdad-4000\"> a map of his favorite places to eat around The Town\u003c/a>.\u003c/p>\n\u003ch2>Cellski: Canadian bacon, hash browns and cheddar cheese on “\u003ca href=\"https://www.youtube.com/watch?v=o6wFRZOd7n8\">Chedda\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Gotta get the cheddar, fuck the [federals].”\u003c/em>\u003c/p>\n\u003cp>As most food mentions in Bay Area rap goes, Cellski’s mention of this quintessentially North American breakfast combo isn’t exactly a homage to the real ingredients, as much as it is a reference to his hustling. His 1998 \u003ca href=\"https://www.discogs.com/release/841568-Cellski-Canadian-Bacon-Hash-Browns/image/SW1hZ2U6NDg3ODMxNzk=\">album cover\u003c/a> for \u003ci>Canadian Bacon & Hash Browns \u003c/i>features a cartoon depiction of the rapper getting pulled over and arrested by a Canadian mountie, with an open trunk revealing pounds of medicinal herbs. Nonetheless, there’s a good chance that the veteran San Francisco spitter actually does like to carry Canadian bacon, hash browns and cheddar around — \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">he’s a part-time foodie who runs his own burger pop-up, after all\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956089\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg\" alt=\"Illustration of the rapper Dru Down in gold sunglasses and a black trench coat, holding an ice cream cone in one hand and an ice cream sundae on the table in front of him.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In a famous 1996 beef, Dru Down and the Luniz accused New Orleans rapper Master P (who started his musical career in the Bay Area) for stealing their concept of the “Ice Cream Man” — slang for a narcotics dealer. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dru Down: Ice cream on “\u003ca href=\"https://www.youtube.com/watch?v=3uNv2qAje-Q\">Ice Cream Man\u003c/a>” (with the Luniz)\u003c/h2>\n\u003cp>\u003cem>“Get your ice cream, ice cream / Not Ice-T, not Ice Cube, ice cream.”\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Not intended for children, the classic 1993 anthem off Dru Down’s \u003ci>Fools From The Street \u003c/i>paints a startling picture of addiction and illicit drug distribution around Oakland in the wake of Richard Nixon and Ronald Reagan’s War on Drugs. Despite its unapologetic content, “Ice Cream Man” went on to establish an indisputably popular food motif in national rap music: ice cream as a stand-in for drug dealing. Since the production includes an audio sampling of an ice cream truck’s inimitable tune, listening to it evokes a sense of nostalgia for the frozen treat — and for \u003ca href=\"https://www.kqed.org/bayareahiphop\">golden-era Bay Area hip-hop\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"A brief look at some of the Bay Area’s most notoriously hungry rappers — and the foods they’ve lyricized about.","status":"publish","parent":0,"modified":1713412777,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":2211},"headData":{"title":"Bay Area Rappers and Food Lyrics | KQED","description":"A brief look at some of the Bay Area’s most notoriously hungry rappers — and the foods they’ve lyricized about.","ogTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","ogDescription":"","ogImgId":"","twTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","twDescription":"","twImgId":"","socialTitle":"Bay Area Rappers and Food Lyrics %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","datePublished":"2024-04-17T21:52:32.000Z","dateModified":"2024-04-18T03:59:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955802/bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">W\u003c/span>\u003c/p>\u003cp>hen conveying what it means to really be from the Bay Area, I often return to this simple yet revelatory \u003ca href=\"https://www.kqed.org/arts/tag/mac-dre\">Mac Dre\u003c/a> lyric: “In the Bay Area, we dance a little different.”\u003c/p>\n\u003cp>Whether it’s in our music, political activism or technological contributions, there’s a certain out-of-box forwardness that tends to manifest from Bay Area minds — and a pride in how we approach everything with a savvy sprinkling of game, hustlership and top-tier ideation.\u003c/p>\n\u003cp>The same can be said for the Bay Area’s food scene, which ranks among the nation’s best and most imaginative. From sourdough bread to the eternal Mission-style burrito, the Bay’s foodmakers have often been ahead of the curve, helping to revolutionize menus nationwide with their fresh farm-to-table approach. To borrow from the great Mac, one could say that in the Bay Area, we \u003ci>eat\u003c/i> a little different.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13907726,arts_13934248","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>It’s no surprise, then, that in the history of local rap, food has always been a strong reference point — a metaphorical kitchen for creative exchange. An endless platter of well-seasoned slang. For decades, our rappers have delivered punchlines involving sauce, lasagna and \u003ca href=\"https://www.youtube.com/watch?v=XMah0rX6pGU\">lumpia\u003c/a>; dropped verses that generously reference \u003ca href=\"https://www.youtube.com/watch?v=lkBJR5L2nas\">desserts and bakeries\u003c/a>; and supplied entire songs about stacking bread, cheese and lettuce as lucrative sandwiches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/bay-area-rap-shrimp-crab-17915372.php\">Food-loving Bay Area rappers\u003c/a> have always been bold when it comes to transmorphing culinary items and kitchen utensils into slang that others then appropriate and even misuse (see: “\u003ca href=\"https://www.kqed.org/arts/13908052/food-doesnt-slap\">food doesn’t slap\u003c/a>”). Shock G once talked about getting busy in a Burger King bathroom and declared, “I like my oatmeal lumpy.” On “Dreganomics,” Mac Dre himself asked, “What’s spaghetti without the sauce?” We’ve got Suga T (sweet) and Spice 1 (hot). Berner founded \u003ca href=\"https://www.instagram.com/cookiessf/?hl=en\">Cookies\u003c/a>. And just a few weeks ago, \u003ca href=\"https://www.kqed.org/arts/13900085/stunnaman02-and-the-big-steppin-energy-in-the-room\">Stunnaman02\u003c/a> dropped a whole series of viral videos centered on his latest single. His focus? \u003ca href=\"https://www.tiktok.com/@jayworrld/video/7340701934355254574\">Eating a salad\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s a unifying ethos in Bay Area food and rap: \u003ca href=\"https://www.youtube.com/watch?v=E6GU3PmttyI\">Everybody eats\u003c/a>. So here’s a brief ode to some of our region’s most skilled vocabulary chefs and the tasteful ways they’ve reimagined the ingredients of language that are possible in a kitchen — and the recording studio.\u003c/p>\n\u003cfigure id=\"attachment_13956090\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956090\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg\" alt=\"Illustration of the rapper E-40 in sunglasses and a beige apron, holding a glass of red wine. In front of him are a burrito and a grilled cheese sandwich.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 might be the most prolific inventor of food-related slang words in the English language. He’s a head chef in the Bay Area’s rap kingdom. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>E-40: Green eggs, hams, candy yams, Spam, cheese, peanut butter and jam on “\u003ca href=\"https://www.youtube.com/watch?v=etIBcRriUJY\">The Slap\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Digital scale, green eggs and hams / Yams, candy yams, Spam, damn! / Loaded, my cheese, peanut butter and jam / Sammich, mannish, me and my Hispanics / Vanish, talkin’ in codes like we from different planets.”\u003c/em>\u003c/p>\n\u003cp>Though it may sound like gibberish to the uninitiated, rest assured that \u003ca href=\"https://firstwefeast.com/eat/2013/12/food-rap-decoded-with-e-40-video\">99.99% of anything 40 Water vocalizes has a cleverly associative meaning\u003c/a>. For anyone who has listened to one of the more than 25 studio albums from Vallejo’s kingpin, you’ve surely heard him mention food — perhaps in a variety of languages (some real, some ingeniously invented). In addition to the smorgasbord he notes above in “The Slap,” he has pioneered rhymes across generations that give new meanings to Gouda, feta, mozzarella, lettuce, bread, sausage, salami, paninis, spaghetti, tacos and enchiladas — ad infinitum. Unsurprisingly, \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">Mr. Fonzarelli is an actual purveyor of foods and beverages\u003c/a>, with a line of products that includes malt liquor, ice cream and burritos; he even co-owns \u003ca href=\"https://www.instagram.com/thelumpiacompany/\">The Lumpia Company\u003c/a>. There’s no one with a bigger million-dollar mouthpiece who can distribute as much word candy (“S-L-A-N-G”) quite as flavorfully as the Goon With The Spoon himself.\u003c/p>\n\u003ch2>Andre Nickatina: TOGO’s #41 sandwich with the hot peppers on “\u003ca href=\"https://www.youtube.com/watch?v=_FU1XdPE6lM\">Fa Show\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Baby don’t act dumb, I’m number 41, high stepper / TOGO’s sandwich with the hot peppers / At 90 degrees I might freeze, so when it’s hot I sport leather.”\u003c/em>\u003c/p>\n\u003cp>Fillmore’s finest, and among \u003ca href=\"https://www.passionweiss.com/2016/11/17/andre-nickatina/\">the most criminally underrated San Francisco rappers in history\u003c/a>, Andre Nickatina has always had a penchant for the spicy, the flavorful, the extemporaneously saucy. From rapping about eating Cap’n Crunch around drug dealers to sarcastically handing out Baskin Robbins dollars to his enemies, Nicky Nicotine (formerly known as Dre Dog) raps about food as casually as any rapper would ever dare. Unlike many of today’s international rap personalities, who seem to only eat at \u003ca href=\"https://www.reddit.com/r/OutOfTheLoop/comments/6frbt9/why_are_rappers_obsessed_with_nobu_sushi/\">high-priced sushi conglomerates\u003c/a>, Nickatina is a Bay Area real one, electing to stay fed at a regional sandwich chain from San Jose. The enigmatic “number 41” on the \u003ca href=\"https://www.togos.com/menu/?gad_source=1&gclid=CjwKCAjwoPOwBhAeEiwAJuXRh69gJ2fS8J9qmnAKJEnCmI5720psTxEmhEmkgFAemWoe3auyNuuxExoCTm0QAvD_BwE\">Togo’s menu\u003c/a> has since been discontinued, but a spokesperson for the restaurant IDed it as a sirloin steak and mushroom sandwich that was introduced as a seasonal special back in 2002 — the same year “Fa Show” was released. There is no doubt it must’ve been fire, given its endorsement by a legend who knows how to professionally “\u003ca href=\"https://www.youtube.com/watch?v=o8TXpoi-goE\">Break Bread\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13956088\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956088\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg\" alt=\"Illustration of the rapper Kamaiyah eating from a plate of chicken alfredo tucked under her arm. Next to her is a bottle of champagne.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah’s album covers often feature food, Hennessey and champagne — a reflection of the rapper’s saucy, bossy lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kamaiyah: Champagne and chicken on “\u003ca href=\"https://www.youtube.com/watch?v=Yls2dMJ63tM\">Whatever Whenever\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Just drink champagne with all my chicken meals.”\u003c/em>\u003c/p>\n\u003cp>It’s fitting that East Oakland’s Kamaiyah — who cooked up the searingly hot single “How Does It Feel” on her transcendent debut, \u003ci>A Good Night in the Ghetto\u003c/i> — continued to double down on aspirational living and good eating with her sophomore release, \u003ci>Got It Made\u003c/i>. As always, the bodacious trapper rhymes over a synth-laced, floaty-spaceship soundscape while bragging about her California riches — and cuisine. The music video for “Whatever Whenever” features Kamaiyah roaming the untainted grounds of a Napa Valley-esque chateau. Her album covers over the years have also featured bags of potato chips, Hennessy and double-fisted bottles of champagne. It’s always bottoms up when Kamaiyah is on the track.\u003c/p>\n\u003ch2>Too $hort: Macaroni, steak and collard greens on “\u003ca href=\"https://www.youtube.com/watch?v=Ru5B8cFskaw\">All My B*tches Are Gone\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Eat some shit up / macaroni, steak, collard greens, or whatever the fuck.”\u003c/em>\u003c/p>\n\u003cp>With over 35 years of classic albums like \u003ci>Cocktails\u003c/i> and \u003ci>Gettin’ It\u003c/i>, there’s no doubt that Short Dogg knows how to feed his multi-generational fanbase. He doesn’t shy away from straightforward lyrics — or having a large appetite for nefarious activities — and he has continued to make seasoned slaps for precisely 225,000 hours and counting (“get a calculator, do the math”). This OG’s plate of choice includes classic soul food staples served with a slab of steak. As the veteran unmistakably outlines on “This How We Eat”: “We make money, we eat, we feed.”\u003c/p>\n\u003cfigure id=\"attachment_13956087\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956087\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg\" alt=\"Illustration of the rapper Larry June in an SF Giants cap, holding a crab cracker in one hand and a fork in the other. In front of him is a whole lobster on a plate.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Besides establishing himself as the healthiest rapper in Bay Area lore, Larry June is also known for sporting vintage muscle cars and cracking lobsters in Sausalito as part of his luxurious lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Larry June: Crab legs on “\u003ca href=\"https://www.youtube.com/watch?v=luIhlZBrJos\">Lifetime Income\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“This not my girlfriend, we just eatin’ crab legs.”\u003c/em>\u003c/p>\n\u003cp>If you know Larry June, then you know he’s all about smoothies, green teas, organic juices and oranges (yee hee!). But just as buttery are his numerously silky references to luxury meals and late-night outings with a seemingly endless rotation of women friends. Without question, the Hunters Point rapper has one of the healthiest appetites of anyone around a microphone, regularly dropping rhymes about his organic sustenance. Since Uncle Larry makes a living off his out-of-pocket food references, he merits an honorable mention for dropping other absolute bangers like “I might write a motherfuckin’ smoothie book or somethin’ … Sell this shit for thirty dollars” and “Watermelon juice riding bikes with my latest chick / I don’t do the clubs that often, I got a check to get.” It’s fitting that \u003ca href=\"https://uproxx.com/music/larry-june-interview-san-francisco/\">he also co-owns Honeybear Boba in the Dogpatch\u003c/a>.\u003c/p>\n\u003ch2>Iamsu!: Chicken strips and Moscato on “\u003ca href=\"https://www.youtube.com/watch?v=lQcxMU3uvLg\">Don’t Stop\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Keep it real I don’t brag though… / Chicken strips, no escargot / [sippin’] on the Moscato.”\u003c/em>\u003c/p>\n\u003cp>To be fair, this lyric is from a young, mixtape-era Iamsu! and might not reflect the current palate of the multi-platinum rapper and producer from Richmond. (In fact, that’s probably true of every rapper on this list, so take these lyrics with a grain of salt.) But when I first heard this song in my 20s, it’s a line that did — and still does — resonate for its unglamorized celebration of living on a low-budget microwaveable diet while maintaining a glimmer of high-life ambition. Personally, I’d take chicken strips over escargot nine out of ten times. And, from the sound of it, so would Suzy 6 Speed.\u003c/p>\n\u003cfigure id=\"attachment_13956086\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956086\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg\" alt=\"The rapper P-Lo wiggles his fingers in delight over a plate of chicken wings sitting on a bed of dollar bills.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo often raps about his love of chicken (chicken adobo, fried chicken, chicken wings), and his favorite food-related slang word is also “chicken” (as a stand in for “money”). \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>P-Lo: Chicken wings in the strip club on “\u003ca href=\"https://www.youtube.com/watch?v=h-ajtPhAQ1U\">Going To Work\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“In the strip club eating chicken wings.”\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938479","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>There may not be another rapper on this list with as much love for chicken wings as Pinole’s P-Lo. For starters, the lyricist and producer launched a transnational food tour, teaming up with Filipino restaurants around the U.S. and Canada to deliver collaborative one-off dishes, including \u003ca href=\"https://www.kqed.org/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland\">his own spicy sinigang wings at Señor Sisig in Oakland\u003c/a>. If that’s not enough, he has popped up on popular social media channels like \u003ca href=\"https://www.instagram.com/bayareafoodz/?hl=en\">Bay Area Foodz\u003c/a> as \u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">he searches for the best wings around the Yay\u003c/a>. His songs are even featured on \u003ca href=\"https://www.instagram.com/reel/CwyzdhfrNCE/\">national commercials for Wingstop\u003c/a>. For P-Lo, it’s always time to bring back the bass — and taste.\u003cb>\u003ci>\u003c/i>\u003c/b>\u003c/p>\n\u003ch2>Guap (formerly Guapdad 4000): Chicken adobo on “\u003ca href=\"https://www.youtube.com/watch?v=1DaovaJgytE\">Chicken Adobo\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“How I fell in love with you it was beautiful / Like chicken adobo how you fill me up.”\u003c/em>\u003c/p>\n\u003cp>For the Black Filipino American rapper from West Oakland, \u003ca href=\"https://www.kqed.org/arts/13905208/a-new-generation-of-filipino-hip-hop-builds-on-a-deep-bay-area-legacy\">food has always played a central role in his upbringing\u003c/a>. The anime-loving, Marvel comics fan grew up in a Filipino household eating champorado, and his songs have never shied away from references to his dual cultures. In what might be his most well-known song, Guap equates romantic satiation to filling up on a bowl of chicken adobo. His love of food goes beyond the booth — he recently spoke out on \u003ca href=\"https://www.kqed.org/arts/13950363/keith-lee-tiktok-oakland-sf-bay-area-struggles\">the recent Keith Lee fiasco\u003c/a>, and he also put together\u003ca href=\"https://trippin.world/guide/oaklands-top-food-joints-with-rapper-guapdad-4000\"> a map of his favorite places to eat around The Town\u003c/a>.\u003c/p>\n\u003ch2>Cellski: Canadian bacon, hash browns and cheddar cheese on “\u003ca href=\"https://www.youtube.com/watch?v=o6wFRZOd7n8\">Chedda\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Gotta get the cheddar, fuck the [federals].”\u003c/em>\u003c/p>\n\u003cp>As most food mentions in Bay Area rap goes, Cellski’s mention of this quintessentially North American breakfast combo isn’t exactly a homage to the real ingredients, as much as it is a reference to his hustling. His 1998 \u003ca href=\"https://www.discogs.com/release/841568-Cellski-Canadian-Bacon-Hash-Browns/image/SW1hZ2U6NDg3ODMxNzk=\">album cover\u003c/a> for \u003ci>Canadian Bacon & Hash Browns \u003c/i>features a cartoon depiction of the rapper getting pulled over and arrested by a Canadian mountie, with an open trunk revealing pounds of medicinal herbs. Nonetheless, there’s a good chance that the veteran San Francisco spitter actually does like to carry Canadian bacon, hash browns and cheddar around — \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">he’s a part-time foodie who runs his own burger pop-up, after all\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956089\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg\" alt=\"Illustration of the rapper Dru Down in gold sunglasses and a black trench coat, holding an ice cream cone in one hand and an ice cream sundae on the table in front of him.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In a famous 1996 beef, Dru Down and the Luniz accused New Orleans rapper Master P (who started his musical career in the Bay Area) for stealing their concept of the “Ice Cream Man” — slang for a narcotics dealer. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dru Down: Ice cream on “\u003ca href=\"https://www.youtube.com/watch?v=3uNv2qAje-Q\">Ice Cream Man\u003c/a>” (with the Luniz)\u003c/h2>\n\u003cp>\u003cem>“Get your ice cream, ice cream / Not Ice-T, not Ice Cube, ice cream.”\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Not intended for children, the classic 1993 anthem off Dru Down’s \u003ci>Fools From The Street \u003c/i>paints a startling picture of addiction and illicit drug distribution around Oakland in the wake of Richard Nixon and Ronald Reagan’s War on Drugs. Despite its unapologetic content, “Ice Cream Man” went on to establish an indisputably popular food motif in national rap music: ice cream as a stand-in for drug dealing. Since the production includes an audio sampling of an ice cream truck’s inimitable tune, listening to it evokes a sense of nostalgia for the frozen treat — and for \u003ca href=\"https://www.kqed.org/bayareahiphop\">golden-era Bay Area hip-hop\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955802/bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","authors":["11748"],"categories":["arts_1","arts_12276","arts_69"],"tags":["arts_21883","arts_5397","arts_1601","arts_10278","arts_1297","arts_3771","arts_831","arts_21738","arts_1558","arts_9337","arts_1143","arts_1803","arts_1146","arts_19942","arts_19347","arts_3478","arts_3800"],"featImg":"arts_13956152","label":"source_arts_13955802"},"arts_13956133":{"type":"posts","id":"arts_13956133","meta":{"index":"posts_1591205157","site":"arts","id":"13956133","score":null,"sort":[1713374646000]},"guestAuthors":[],"slug":"tickets-presale-code-charli-xcx-and-troye-sivan-san-francsico","title":"Ticket Alert: Charli XCX and Troye Sivan Are Coming to San Francisco","publishDate":1713374646,"format":"standard","headTitle":"Ticket Alert: Charli XCX and Troye Sivan Are Coming to San Francisco | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Charli XCX and Troye Sivan have announced their \u003ca href=\"https://www.sweat-tour.com/\">2024 \u003cem>Sweat\u003c/em> tour\u003c/a>, including a co-headlining show at San Francisco’s Chase Center on Oct. 20, 2024.\u003c/p>\n\u003cp>Tickets for their San Francisco appearance can be bought early, at 10 a.m. on Thursday, April 25, by registering for a \u003ca href=\"https://go.seated.com/tour-events/c4cd0dff-613d-4f82-aa6d-823d1be5a2a4\">presale code\u003c/a> at the \u003ca href=\"https://www.sweat-tour.com/\">tour’s site\u003c/a>. Presale registration includes email and phone notifications. (Note that some presale codes are sent just a few minutes before the presale.)\u003c/p>\n\u003cp>Tickets go on sale to the general public the following day, on Friday, April 26, at 10 a.m.\u003c/p>\n\u003cp>Keeping with Charli XCX’s hard turn into club music for her upcoming album \u003cem>Brat\u003c/em>, due June 7, the \u003cem>Sweat\u003c/em> tour promises to “to turn iconic U.S. and Canadian venues into raves.”\u003c/p>\n\u003cp>Charli XCX last performed in the Bay Area at Oakland’s Fox Theater to kick off her \u003cem>Crash\u003c/em> tour in 2022.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Presale code information and other details for Charli XCX and Troye Sivan's 'Sweat' tour.","status":"publish","parent":0,"modified":1713818818,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":157},"headData":{"title":"Charli XCX and Troye Sivan: Presale Code Info and Ticket Details | KQED","description":"How to get early tickets for Charli XCX and Troye Sivan's 'Sweat' tour, including their show at San Francisco's Chase Center.","ogTitle":"Ticket Alert: Charli XCX and Troye Sivan Are Coming to San Francsico","ogDescription":"Presale code information and other details for Charli XCX and Troye Sivan's 'Sweat' tour.","ogImgId":"","twTitle":"Ticket Alert: Charli XCX and Troye Sivan Are Coming to San Francsico","twDescription":"Presale code information and other details for Charli XCX and Troye Sivan's 'Sweat' tour.","twImgId":"","socialTitle":"Charli XCX and Troye Sivan: Presale Code Info and Ticket Details %%page%% %%sep%% KQED","socialDescription":"How to get early tickets for Charli XCX and Troye Sivan's 'Sweat' tour, including their show at San Francisco's Chase Center.","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ticket Alert: Charli XCX and Troye Sivan Are Coming to San Francisco","datePublished":"2024-04-17T17:24:06.000Z","dateModified":"2024-04-22T20:46:58.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956133/tickets-presale-code-charli-xcx-and-troye-sivan-san-francsico","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Charli XCX and Troye Sivan have announced their \u003ca href=\"https://www.sweat-tour.com/\">2024 \u003cem>Sweat\u003c/em> tour\u003c/a>, including a co-headlining show at San Francisco’s Chase Center on Oct. 20, 2024.\u003c/p>\n\u003cp>Tickets for their San Francisco appearance can be bought early, at 10 a.m. on Thursday, April 25, by registering for a \u003ca href=\"https://go.seated.com/tour-events/c4cd0dff-613d-4f82-aa6d-823d1be5a2a4\">presale code\u003c/a> at the \u003ca href=\"https://www.sweat-tour.com/\">tour’s site\u003c/a>. Presale registration includes email and phone notifications. (Note that some presale codes are sent just a few minutes before the presale.)\u003c/p>\n\u003cp>Tickets go on sale to the general public the following day, on Friday, April 26, at 10 a.m.\u003c/p>\n\u003cp>Keeping with Charli XCX’s hard turn into club music for her upcoming album \u003cem>Brat\u003c/em>, due June 7, the \u003cem>Sweat\u003c/em> tour promises to “to turn iconic U.S. and Canadian venues into raves.”\u003c/p>\n\u003cp>Charli XCX last performed in the Bay Area at Oakland’s Fox Theater to kick off her \u003cem>Crash\u003c/em> tour in 2022.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956133/tickets-presale-code-charli-xcx-and-troye-sivan-san-francsico","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_6926","arts_1146","arts_585","arts_700","arts_4798"],"featImg":"arts_13956134","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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