How Equipto’s Hip-Hop Helped Reshape Bay Area Activism

Equipto leans against a freshly painted mural dedicated to freedom fighters of the past and present.

Equipto leans against a freshly painted mural dedicated to freedom fighters of the past and present. (Photo: Rafael Roy)

On the night of January 19, 1996, Equipto’s best friend JoJo White was shot and killed in a random act of violence. JoJo had been a teacher, community organizer, and beloved member of Equipto’s hip-hop group, Bored Stiff, and Equipto held him during his final moments.

“That changed everything,” Equipto says.

In the intro to “JoJo’s Song,” from Bored Stiff’s 2001 album Ghetto Research, JoJo’s mother Naomi White — an outspoken activist against the death penalty — says Bored Stiff helped JoJo find other like-minded people “who were trying to collectively respond to a very frightening society, and to respond creatively, with hope.”

“They got Mumia locked up / They got me locked up / And they had Bill Clinton stressin’ at the White House / Powers that be is thicker than the X-Files / Got pictures of me and my crew as a child.” — “JoJo’s Song,” from ‘Ghetto Research’

On May 3rd, the group marched to City Hall assisted by White Coats for Black Lives, a coalition of concerned doctors from UCSF.
On May 3rd, the Frisco Five marched to City Hall assisted by White Coats for Black Lives, a coalition of concerned doctors from UCSF. (Photo: Rafael Roy)

Fast forward 20 years to the present day, and Equipto (born Ilych Sato) shows signs of the weight he lost from a high-profile 17-day hunger strike against police brutality. What kept him going, he says, was the thought of Mario Woods’ mother and Alex Nieto’s mother, “who wake up everyday with the loss of their child.”

During the strike, Equipto slept in a tent, and occupied the sidewalk directly in front of the Mission Police Station. Just a few steps from the site of his protest stands a freshly painted mural dedicated to the four other community organizers who took part in the strike — his mother, educator Cristina Gutierrez; two hip-hop artists and local activists, Sellassie Blackwell and Ike Pinkston (who, as Ike Plump, rhymed alongside Equipto in Bored Stiff); and Edwin Lindo, a lawyer and candidate for District 9 supervisor.

Hundreds of local youth rally through the Mission District towards City Hall.
Hundreds of local youth rally through the Mission District towards City Hall. (Photo: Rafael Roy)

The hunger strikers arrived with a single demand — the removal of Police Chief Greg Suhr, who’d presided over the SFPD’s most turbulent period in recent memory. The SFPD had been involved in nine fatal shootings since 2014, including the highly criticized shootings of Woods and Nieto, and two scandals involving the exchange of racist text messages between officers had fueled mistrust between the department and the communities they patrol.

On May 20, after police shot and killed an unarmed woman of color in Bayview, Suhr resigned at the behest of Mayor Ed Lee. (Equipto’s own history with Lee includes accosting the mayor at Max’s Opera House Cafe about displacement in San Francisco in a video that swiftly went viral.)

Equipto’s roots in San Francisco and the Bay Area’s music scene run deep. He’s recorded music for over 25 years; he’s shared the stage with legends like KRS-One, De La Soul and Nas; and he’s toured internationally with Bored Stiff and collaborated extensively with Fillmore neighborhood rapper Andre Nickatina.

Equipto welcomes his role as a mentor for the next generation.
Equipto welcomes his role as a mentor for the next generation. (Photo: Rafael Roy)

These days, Equipto still records and performs, but he’s also highly involved in mentoring local artists and neighborhood youth. The independent label he founded, Solidarity Records, gives support to the current underground hip-hop scene, while his work as an educator at Los Compañeros Del Barrio, the Mission-area preschool that his mother founded, ensures that he’s in the ear of local youth for a long time to come.

“It’s humbling to put on some of these shows and tours for these youngsters,” he says. “It’s fulfilling because a lot of this stuff wasn’t done for us…. That’s our job, and I pride myself on being a regular motherf––r too. I’m not standing for the people, I’m with the people. I never want to lose that.”

In lyrics from his 2015 album, Baby Steps, from a collaboration with local Bay Area rapper Otayo Dubb called “Yuk The World,” he’s self-deprecating about passing the torch to the next generation:

“Many have sacrificed just so we can speak our minds / And I hoped the true ones wouldn’t leave my side, a deep sigh / Lookin’ at my proud stumble / At the fam party I’m now the loud uncle.” — “Yuk The World,” from ‘Baby Steps’

For Equipto, hip-hop is more than just music or a career; he remembers the way it shaped the city. “It was a revolution in the streets,” he says, “it was all these different ways for the community to come together and express themselves, without violence.”

As Equipto takes a step back from his musical career, he eyes a future in activism. “What I’ve discovered through this life in community activism is that others have been through these struggles,” he says.

“When I started learning more about Ed Lee, Willie Brown, Ron Conway, Gavin Newsom, all these politicians, I realized that if I claimed I loved my city so much, I had to fight for it.”

From Frisco to Ferguson
Gentrified cities trying to make the change permanent
Developers, investors intention’s to wipe out the culture
Conditionin’ the mind of young soldiers
But if we organize in the name of Alex and Mario
Unite every hood, community in the barrio
Stand up and show em that black lives matter
Power of influence of entertainers and rappers
Get together our demands to the committee
And fight for it
Then we gon’ take back the city
— Justice for Mario Woods Coalition, 2016

 

How Equipto’s Hip-Hop Helped Reshape Bay Area Activism 3 June,2016KQED Arts

  • Stillhere

    the mural you are referring 2 is not freshly painted. The name of the Frisco5 is fresh there but the mural was done by Emory Douglas (Minister of culture of the black panther party) David Patrelli organized it and painted it with Emory..Cuba…Amos Gregory over 4 years to represent the struggle of THE PEOPLE…Frisco 5 and the names of so many others were added throughout the years as stories such as this one represented what Emory was saying there. You should talk to David Patrelli about this to get it straight

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