Black.Seed protesters on the Bay Bridge.

Black.Seed protesters on the Bay Bridge. (Photo: Brooke Anderson)

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Bay Area history is deeply rooted in art activism and social justice organizing. The area is recognized for a firmly entrenched spirit of working towards a just world across an encyclopedic range of issues, including labor organizing, freedom of speech, gender/LGBTQ equality, racial justice and environmentalism, among so many others. The spirit of protest is deeply engrained in this place; it’s a legacy that is among the Bay Area’s proudest contributions to this country’s evolving vision of freedom and equality.

Still from 'Black Panthers: Vanguard of the Revolution.'
Still from ‘Black Panthers: Vanguard of the Revolution.’

2016 marks the 50th anniversary of the Black Panther Party, founded in Oakland in 1966. The new documentary The Black Panthers: Vanguard of the Revolution airs on KQED starting Feb. 16 and the Oakland Museum of California opens their exhibition All Power to the People: Black Panthers at 50 on Oct. 8, to coincide with the Party’s founding.

As we look back on this formative homegrown movement, we might also consider the Bay Area’s larger history of art activism. By no means comprehensive — an impossible task given the range and depth of this history — this timeline offers notes on our collective history as a vastly influential site of art, protest and change making.

Sargent Johnson painting, year unknown.
Sargent Johnson painting, year unknown. (Courtesy National Archives and Records Administration, College Park)

1939

Prominent African-American WPA artist and lifelong communist Sargent Johnson walks off the project before the completion of Sea Forms, a glazed tile mural commissioned by the Federal Art Project for the San Francisco Maritime Museum, after learning that the site would house a private restaurant for San Francisco’s elite. The mural remains incomplete to this day.

1965

Three faith-based organizations pool resources to initiate a new experimental arts organization called Intersection for the Arts, with the objective of using art to engage marginalized youth and providing an alternative space for artists who are conscientious objectors to the American war in Vietnam. Intersection eventually fosters a growing number of influential artists through various programs, while also fiscally sponsoring more than 500 projects.

1966

Huey P. Newton and Bobby Seale found the Black Panther Party to challenge police brutality in Oakland. Originally called the Black Panther Party for Self-Defense, it grows into a controversial national movement, instituting a number of community programs including free breakfast for children and health clinics. The Black Panther Newspaper, art directed and illustrated by Emory Douglas from 1967 until the party disbanded, provides one of the most comprehensive records of the Black Power movement of the 1960s, ’70s and ’80s.

1969

Following on the heels of the infamous Santa Barbara oil spill, the largest spill to occur in the waters off of California, artists Joe Hawley, Mel Henderson, and Alfred Young spell “OIL” on the San Francisco Bay near the refineries using yellow, nontoxic uranine marker dye. Later, the same artists orchestrate a traffic disruption by calling 100 yellow cabs to the same destination (the six-sided intersection of Castro and Market Streets) at the same time.

Poster for the June 25, 1972 Gay Pride Parade in San Francisco.
Poster for the June 25, 1972 Gay Pride Parade in San Francisco. (Courtesy of San Francisco Pride)

1972

San Francisco’s first pride parade takes place with some 2,000 marchers — many dressed in togas and some dressed in nothing at all — and 15,000 cheering spectators. The float for the Society for Individual Rights features a gay wedding. A group from Bakersfield wears Boy Scout uniforms and chants, “We’re everywhere!”

1974

Mark di Suvero’s sculpture Mother Peace is installed in front of the Oakland Courthouse as part of the Oakland Museum’s landmark exhibition Public Sculpture, Urban Environment. A conservative judge takes issue with the antiwar sentiment of the sculpture’s peace symbol and successfully lobbies for its removal. The museum’s longer-term plans to acquire the sculpture dissolve.

Hundreds of protesters linking arms in front of the International Hotel in San Francisco try to prevent the San Francisco Sheriffs' deputies from evicting elderly tenants on August 4,1977.
Hundreds of protesters linking arms in front of the International Hotel in San Francisco try to prevent the San Francisco Sheriffs’ deputies from evicting elderly tenants on August 4,1977. (Photo by Nancy Wong)

1977

San Francisco’s International Hotel is slated for demolition and redevelopment — 196 low-income Filipino and Chinese residents are evicted amidst a sweeping wave of gentrification and displacement. Artists take part in the struggle by silk-screening protest posters, painting murals on the building and organizing art events and exhibitions. As part of the protests hundreds of artists march down Mission Street with their faces painted white to protest the displacement of people of color, creating a media spectacle that captures international attention.

Full MaestraPeace Mural from the corner of 18th Street and Lapidge Street.
Full MaestraPeace Mural from the corner of 18th Street and Lapidge Street. (Courtesy: The Women's Building)

1979

After initially organizing to found the San Francisco Women’s Centers in 1971, a group of women purchase a four-story building and former meeting hall in the Mission District to establish The Women’s Building, the first woman-owned and operated community center in the country. Fifteen years later, a group of artists complete the MaestraPeace Mural on its façade, one of the city’s largest murals according to the Women’s Building website.

1984

The War Chest Tours, a group of punk rockers, disrupt the Democratic Party Convention in San Francisco. Some 100 punks stage actions, interventions and die-ins in response to police sweeps (under the direction of Mayor Dianne Feinstein) organized to remove sex workers and the homeless from the view of convention-goers. Many are arrested; the San Francisco Chronicle covers events the next day with the headline, “Punk Rocker Protest — 84 arrests.”

The Peace Navy obstructs USS Missouri during contentious campaign to homeport the Missouri in San Francisco during the 1980s; a Peace Navy boat.
The Peace Navy obstructs USS Missouri during contentious campaign to homeport the Missouri in San Francisco during the 1980s; a Peace Navy boat. (Photos: Bob Heifetz, Peace Navy / Courtesy Shaping SF)

1988

The Bay Area Peace Navy (a coalition of tradespeople, artists, filmmakers and 100 privately owned boats) and the San Francisco Mime Troupe stage a dramatization of a nuclear accident at sea. Part of an international campaign to disarm the seas, the performance takes place aboard a specially crafted 100-foot-long submarine in Sausalito’s waterfront.

Installing the pink priangle in 2002; A view from afar in 2004.
Installing the pink triangle in 2002; A view from afar in 2004. (Courtesy of Friends of the Pink Triangle)

1995

Initially conceived as a “renegade craft project,” a giant pink fabric triangle is installed on Twin Peaks during Pride Weekend to memorialize the homosexuals who were persecuted in Nazi Germany during the Holocaust. The first installation is christened by Mayor Willie Brown with pink champagne. The unfurling of this reclaimed symbol, once used to identify and shame gays, becomes an annual event maintained by The Friends of the Pink Triangle.

Graffiti memorializing Oscar Grant.
Graffiti memorializing Oscar Grant. (Photo: Elliot Johnson / Courtesy Oscar Grant Memorial Arts Project)

2009

Oscar Grant is killed in Oakland on New Year’s morning by BART police officer Johannes Mehserle — his death sparks numerous protests and creative actions, including the Oscar Grant Memorial Arts Project, as well as inspiration for Bay Area filmmaker Ryan Coogler’s critically acclaimed Fruitvale Station, which wins the Grand Jury Prize at Sundance Film Festival and Best First Film at Cannes Film Festival, both in 2013. Grant’s death, along with that of Trayvon Martin in Florida, is among the events that catapult the Black Lives Matter movement into action in July 2013.

2013

The Anti-Eviction Mapping Project is founded by a group of artists, activists and technologists to create visual maps of San Francisco’s eviction crisis. The visually compelling maps succinctly data map the city’s housing crisis and draw international media attention to how these shifts implicate new wealth in the city’s revitalized technology sector.

2013 February

Writer, historian and activist Rebecca Solnit pens an incendiary essay on the rapid changes in San Francisco for the London Review of Books. The article becomes an international sensation, drawing greater attention to the changes happening in the city and spawning an avalanche of media coverage on the city’s tech boom.

Aztec dancers march for Alejandro Nieto in March 2014.
Aztec dancers march for Alejandro Nieto in March 2014. (Photo: Alex Emslie/KQED)

2014 March

Alex Nieto is killed by San Francisco police in a hail of 59 bullets fired into Bernal Hill Park at twilight. The Mission community, led by several artists, including writer Adriana Camarena and poet and author Benjamin Bac Sierra, organizes Justice for Alex Nieto to undertake a series of creative protests demanding information. The protests include media interventions during the 2014 playoffs and World Series at AT&T Park.

2014 April

Building on the success of previous tech shuttle bus protests, a group of artists and activists from the organization Heart of the City stage a theatrical demonstration at 24th and Valencia Streets to draw attention to a proposed tax hike on public transportation. Complete with colorful costumes and a walking surveillance camera on stilts, Mother Jones calls the performance protest “the most San Francisco Thing ever.”

View from the construction cameras on the Bay Bride during the Black.Seed protest.
View from the construction cameras on the Bay Bride during the Black.Seed protest. (Source: baybridgeinfo.org)

2016

Responding to a nationwide call to #ReclaimMLK through 96 hours of direct action over the weekend preceding Martin Luther King, Jr. Day, Black.Seed, a queer liberation collective, shuts down the west-bound span of the Bay Bridge to demand justice for Bay Area victims of police brutality. A temporary radio station broadcasts the event and it is live-tweeted by the Anti Police-Terror Project.

What would you add to this list of art activism? Feel free contribute your own memories in the comments section below.

No Justice Without Us: The Bay Area’s Legacy of Art Activism 15 August,2017Christian L. Frock

  • Inez McDermott

    You forgot Anton Refregier’s murals in Rincon Annex. They were painted after WWII with federal funds and highlighted California/S.F. history, warts and all. A Congressional hearing was held in the early ’50s demanding their removal and accusing Refregier of communist leanings.

  • Lincoln Cushing

    Thanks for this – but writing about Bay Area social justice artwork in a few hundred words is like taking a sip of water from a fire hose. Thanks for the 1988 Peace Navy shout-out – more about our actions can be see in the online article “Fighting Fire with Water: The Bay Area Peace Navy’s Large-Scale Visual Activism.” A single “add” would be the multiple generations of incredible poster art produced here, we lead the world. Check out the All Of Us Or None collection at the Oakland Museum of California.

  • China Brotsky

    I second Lincoln on mural art. So many great artists, the Breakthrough Collective among them. The streets of the City in the 70’s and 80’s were filled with wheat pasted art.

Author

Christian L. Frock

Christian L. Frock is an independent writer, curator and educator based in the San Francisco Bay Area. Her work focuses on the intersection of art and public space. Invisible Venue, the curatorial enterprise founded and directed by Frock since 2005, collaborates with artists to present art in unexpected settings. Frock's writing has been featured in art ltd, Art Practical, Art&Education, Daily Serving, FillipSan Francisco Arts MonthlySFMOMA Open Space, and NPR.org, among other publications.