What is Jewish humor? (Insert palms-upraised, chuckle-inducing shrug here.) Good luck coming up with an answer in a post-Catskills, post-assimilation, post-Seinfeld world. I’ll take a stab, nonetheless: It’s a way of looking at the world, that much is certain, one that entails being both outside of it and part of it. And sometimes, above it.
Check my thesis against the three-and-a-half-hour study of Woody Allen airing on PBS’ American Masters over two nights in November. Or against the handful of sardonic, satiric programs that the San Francisco Jewish Film Festival, beginning Thursday, July 21, mixes into its typically probing slate of Israeli dramas, Holocaust documentaries and first-person explorations.
The certified comic highlight is Jews in Toons (Monday, July 25 at 7pm at the Castro Theatre), which blasts one vintage Jewish-themed episode apiece from Family Guy, South Park and The Simpsons onto the big screen. Then the brilliant Mike Reiss, writer-producer of The Simpsons and creator of the beloved animated shows The Critic and Queer Duck, regales the crowd with clips and anecdotes of his career as the lone Jew (ha!) in television. Along with a surfeit of wit, expect a good deal of wisdom about Jewish humor, American-style.
“The Names of Love”
We’ve come to cherish animation as the main domain in cinema where boundaries may be jumped and taboos broached. So it’s almost shocking to encounter the stunningly uninhibited, politically unabashed French screwball comedy The Names of Love (Saturday, July 23 at the Castro and Thursday, Aug. 4 at the Oshman Family JCC in Palo Alto).